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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE039C it is the complementary color #41FC63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE039C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE039C shade: #C30397, #D415AA, #E527BD, #F639D0 and #FF4BE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE039C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE039C shade: #BE039C, #AD0089, #9C0076, #8B0063 and #7A0050

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE039C shade: #BE029C, #BE026A, #BE0237, #BE0204 and #BE0202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE039C shade: #BE029C, #AE02BE, #7B02BE, #4802BE and #1602BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE039C shade matches the following richer shades: #BE029C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE039C shade: #BE029C, #AF1292, #9F2288, #8F317E and #804174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE039C shade: #7902BE, #AC02BE, #BE029F, #BE026D and #BE023B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE039C shade: #6D0159, #96027B, #BE029C, #E703BE and #FB18D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE039C shade: #BE039C, #BE4702 and #02BE93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE039C shade: #BE039C, #9FBE02 and #029FBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE039C shade: #BE039C, #BE4702, #02BE22 and #0279BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE039C shade: #BE039C, #BE8002, #02BE22 and #0241BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 18 / 25

HEX #BE039C

RGB 190 3 156

HSL 310.91, 0.97%, 0.38%

LAB 43.38, 73.83, -31.43

 

Complementary color

CMYK 74 / 0 / 61 / 1

HEX #41FC63

RGB 65 252 99

HSL 130.91, 0.97%, 0.62%

LAB 87.8, -75.09, 58.88

 

CMYK 0 / 98 / 23 / 24

HEX #C30397

RGB 195 3 151

HSL 313.75, 0.97%, 0.39%

LAB 44.09, 74.17, -27.23

 

CMYK 0 / 90 / 20 / 17

HEX #D415AA

RGB 212 21 170

HSL 313.19, 0.82%, 0.46%

LAB 48.8, 77.94, -30.99

 

CMYK 0 / 83 / 17 / 10

HEX #E527BD

RGB 229 39 189

HSL 312.63, 0.79%, 0.53%

LAB 53.8, 80.67, -34.09

 

CMYK 0 / 77 / 15 / 4

HEX #F639D0

RGB 246 57 208

HSL 312.06, 0.91%, 0.59%

LAB 59.04, 82.46, -36.58

 

CMYK 0 / 71 / 11 / 0

HEX #FF4BE3

RGB 255 75 227

HSL 309.33, 1%, 0.65%

LAB 63.21, 81.76, -40.67

 

CMYK 0 / 98 / 18 / 25

HEX #BE039C

RGB 190 3 156

HSL 310.91, 0.97%, 0.38%

LAB 43.38, 73.83, -31.43

 

CMYK 0 / 100 / 21 / 32

HEX #AD0089

RGB 173 0 137

HSL 312.49, 1%, 0.34%

LAB 39.05, 68.52, -26.86

 

CMYK 0 / 100 / 24 / 39

HEX #9C0076

RGB 156 0 118

HSL 314.62, 1%, 0.31%

LAB 34.75, 62.84, -21.98

 

CMYK 0 / 100 / 29 / 45

HEX #8B0063

RGB 139 0 99

HSL 317.27, 1%, 0.27%

LAB 30.38, 57.06, -16.88

 

CMYK 0 / 100 / 34 / 52

HEX #7A0050

RGB 122 0 80

HSL 320.66, 1%, 0.24%

LAB 25.91, 51.17, -11.51

 

CMYK 0 / 99 / 18 / 25

HEX #BE029C

RGB 190 2 156

HSL 310.85, 0.98%, 0.38%

LAB 43.35, 73.92, -31.48

 

CMYK 0 / 99 / 44 / 25

HEX #BE026A

RGB 190 2 106

HSL 326.81, 0.98%, 0.38%

LAB 41.27, 68.57, -3.87

 

CMYK 0 / 99 / 71 / 25

HEX #BE0237

RGB 190 2 55

HSL 343.09, 0.98%, 0.38%

LAB 40.03, 65.26, 26.78

 

CMYK 0 / 99 / 98 / 25

HEX #BE0204

RGB 190 2 4

HSL 359.36, 0.98%, 0.38%

LAB 39.58, 64.04, 52.38

 

CMYK 0 / 99 / 99 / 25

HEX #BE0202

RGB 190 2 2

HSL 0, 0.98%, 0.38%

LAB 39.57, 64.02, 53.13

 

CMYK 0 / 99 / 18 / 25

HEX #BE029C

RGB 190 2 156

HSL 310.85, 0.98%, 0.38%

LAB 43.35, 73.92, -31.48

 

CMYK 8 / 99 / 0 / 25

HEX #AE02BE

RGB 174 2 190

HSL 294.89, 0.98%, 0.38%

LAB 42.4, 76.03, -53.37

 

CMYK 35 / 99 / 0 / 25

HEX #7B02BE

RGB 123 2 190

HSL 278.62, 0.98%, 0.38%

LAB 33.92, 69.17, -67.53

 

CMYK 62 / 99 / 0 / 25

HEX #4802BE

RGB 72 2 190

HSL 262.34, 0.98%, 0.38%

LAB 27.13, 64.86, -78.99

 

CMYK 88 / 99 / 0 / 25

HEX #1602BE

RGB 22 2 190

HSL 246.38, 0.98%, 0.38%

LAB 23.44, 63.21, -85.22

 

CMYK 0 / 99 / 18 / 25

HEX #BE029C

RGB 190 2 156

HSL 310.85, 0.98%, 0.38%

LAB 43.35, 73.92, -31.48

 

CMYK 0 / 99 / 18 / 25

HEX #BE029C

RGB 190 2 156

HSL 310.85, 0.98%, 0.38%

LAB 43.35, 73.92, -31.48

 

CMYK 0 / 90 / 17 / 31

HEX #AF1292

RGB 175 18 146

HSL 311.08, 0.81%, 0.38%

LAB 40.61, 67.95, -29.92

 

CMYK 0 / 79 / 14 / 38

HEX #9F2288

RGB 159 34 136

HSL 311.04, 0.65%, 0.38%

LAB 38.36, 59.63, -27.52

 

CMYK 0 / 66 / 12 / 44

HEX #8F317E

RGB 143 49 126

HSL 310.85, 0.49%, 0.38%

LAB 37.01, 48.69, -23.66

 

CMYK 0 / 49 / 9 / 50

HEX #804174

RGB 128 65 116

HSL 311.43, 0.33%, 0.38%

LAB 37.17, 34.52, -17.37

 

CMYK 36 / 99 / 0 / 25

HEX #7902BE

RGB 121 2 190

HSL 277.98, 0.98%, 0.38%

LAB 33.62, 68.95, -68.05

 

CMYK 9 / 99 / 0 / 25

HEX #AC02BE

RGB 172 2 190

HSL 294.26, 0.98%, 0.38%

LAB 42.05, 75.73, -53.95

 

CMYK 0 / 99 / 16 / 25

HEX #BE029F

RGB 190 2 159

HSL 309.89, 0.98%, 0.38%

LAB 43.5, 74.3, -33.04

 

CMYK 0 / 99 / 43 / 25

HEX #BE026D

RGB 190 2 109

HSL 325.85, 0.98%, 0.38%

LAB 41.37, 68.84, -5.6

 

CMYK 0 / 99 / 69 / 25

HEX #BE023B

RGB 190 2 59

HSL 341.81, 0.98%, 0.38%

LAB 40.09, 65.44, 24.34

 

CMYK 0 / 99 / 18 / 57

HEX #6D0159

RGB 109 1 89

HSL 311.11, 0.98%, 0.22%

LAB 23.65, 49.3, -21.25

 

CMYK 0 / 99 / 18 / 41

HEX #96027B

RGB 150 2 123

HSL 310.95, 0.97%, 0.3%

LAB 33.89, 62.02, -26.56

 

CMYK 0 / 99 / 18 / 25

HEX #BE029C

RGB 190 2 156

HSL 310.85, 0.98%, 0.38%

LAB 43.35, 73.92, -31.48

 

CMYK 0 / 99 / 18 / 9

HEX #E703BE

RGB 231 3 190

HSL 310.79, 0.97%, 0.46%

LAB 52.7, 85.57, -36.36

 

CMYK 0 / 90 / 16 / 2

HEX #FB18D2

RGB 251 24 210

HSL 310.84, 0.97%, 0.54%

LAB 57.86, 89.9, -39.51

 

CMYK 0 / 98 / 18 / 25

HEX #BE039C

RGB 190 3 156

HSL 310.91, 0.97%, 0.38%

LAB 43.38, 73.83, -31.43

 

CMYK 0 / 63 / 99 / 25

HEX #BE4702

RGB 190 71 2

HSL 22.02, 0.98%, 0.38%

LAB 46.26, 45.48, 56.36

 

CMYK 99 / 0 / 23 / 25

HEX #02BE93

RGB 2 190 147

HSL 166.28, 0.98%, 0.38%

LAB 68.71, -50.41, 10.54

 

CMYK 0 / 98 / 18 / 25

HEX #BE039C

RGB 190 3 156

HSL 310.91, 0.97%, 0.38%

LAB 43.38, 73.83, -31.43

 

CMYK 16 / 0 / 99 / 25

HEX #9FBE02

RGB 159 190 2

HSL 69.89, 0.98%, 0.38%

LAB 72.36, -30.44, 72.75

 

CMYK 99 / 16 / 0 / 25

HEX #029FBE

RGB 2 159 190

HSL 189.89, 0.98%, 0.38%

LAB 60.36, -23.47, -25.74

 

CMYK 0 / 98 / 18 / 25

HEX #BE039C

RGB 190 3 156

HSL 310.91, 0.97%, 0.38%

LAB 43.38, 73.83, -31.43

 

CMYK 0 / 63 / 99 / 25

HEX #BE4702

RGB 190 71 2

HSL 22.02, 0.98%, 0.38%

LAB 46.26, 45.48, 56.36

 

CMYK 99 / 0 / 82 / 25

HEX #02BE22

RGB 2 190 34

HSL 130.21, 0.98%, 0.38%

LAB 67.24, -67.86, 60.96

 

CMYK 99 / 36 / 0 / 25

HEX #0279BE

RGB 2 121 190

HSL 202.02, 0.98%, 0.38%

LAB 48.77, -2.19, -43.88

 

CMYK 0 / 98 / 18 / 25

HEX #BE039C

RGB 190 3 156

HSL 310.91, 0.97%, 0.38%

LAB 43.38, 73.83, -31.43

 

CMYK 0 / 33 / 99 / 25

HEX #BE8002

RGB 190 128 2

HSL 40.21, 0.98%, 0.38%

LAB 58.41, 15.76, 63.95

 

CMYK 99 / 0 / 82 / 25

HEX #02BE22

RGB 2 190 34

HSL 130.21, 0.98%, 0.38%

LAB 67.24, -67.86, 60.96

 

CMYK 99 / 66 / 0 / 25

HEX #0241BE

RGB 2 65 190

HSL 219.89, 0.98%, 0.38%

LAB 32.94, 34.24, -69.48

 

Description

Color code: HEX #BE039C | qconv.com Color code: HEX #BE039C | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 3 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 3 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 18 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 18% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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