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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDECD4 it is the complementary color #42132B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDECD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDECD4 shade: #C2ECCF, #D3FEE2, #E4FFF5 and #F5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDECD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDECD4 shade: #BDECD4, #ACDAC1, #9BC8AE, #8AB69B and #79A488

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDECD4 shade: #BBEBD3, #BBEBC6, #BEEBBB, #CBEBBB and #D7EBBB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDECD4 shade: #BBEBD3, #BBEBE0, #BBEAEB, #BBDDEB and #BBD0EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDECD4 shade matches the following richer shades: #BBEBD3, #B4F2D2 and #ADF9D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDECD4 shade: #BBEBD3, #C2E4D3, #C9DDD3, #D0D6D3 and #D7CFD3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDECD4 shade: #BEEBBB, #BBEBC6, #BBEBD2, #BBEBDF and #BBEAEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDECD4 shade: #7BD8A9, #9BE2BE, #BBEBD3, #DBF4E8 and #FBFEFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDECD4 shade: #BDECD4, #BBCAEB and #EBBFBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDECD4 shade: #BDECD4, #D2BBEB and #EBD2BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDECD4 shade: #BDECD4, #BBCAEB, #EBBBD4 and #EBDCBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDECD4 shade: #BDECD4, #BBBCEB, #EBBBD4 and #EBEABB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 10 / 7

HEX #BDECD4

RGB 189 236 212

HSL 149.36, 0.55%, 0.83%

LAB 89.66, -19.77, 6.67

 

Complementary color

CMYK 0 / 71 / 35 / 74

HEX #42132B

RGB 66 19 43

HSL 329.36, 0.55%, 0.17%

LAB 14.39, 25.52, -4.29

 

CMYK 18 / 0 / 12 / 7

HEX #C2ECCF

RGB 194 236 207

HSL 138.57, 0.53%, 0.84%

LAB 89.84, -19.11, 9.59

 

CMYK 17 / 0 / 11 / 0

HEX #D3FEE2

RGB 211 254 226

HSL 140.93, 0.96%, 0.91%

LAB 96.09, -18.99, 8.84

 

CMYK 11 / 0 / 4 / 0

HEX #E4FFF5

RGB 228 255 245

HSL 157.78, 1%, 0.95%

LAB 97.88, -10.57, 1.8

 

CMYK 4 / 0 / 0 / 0

HEX #F5FFFF

RGB 245 255 255

HSL 180, 1%, 0.98%

LAB 99.28, -3.26, -1.15

 

CMYK 20 / 0 / 10 / 7

HEX #BDECD4

RGB 189 236 212

HSL 149.36, 0.55%, 0.83%

LAB 89.66, -19.77, 6.67

 

CMYK 21 / 0 / 11 / 15

HEX #ACDAC1

RGB 172 218 193

HSL 147.39, 0.38%, 0.76%

LAB 83.32, -19.92, 7.41

 

CMYK 23 / 0 / 13 / 22

HEX #9BC8AE

RGB 155 200 174

HSL 145.33, 0.29%, 0.7%

LAB 76.88, -20.08, 8.19

 

CMYK 24 / 0 / 15 / 29

HEX #8AB69B

RGB 138 182 155

HSL 143.18, 0.23%, 0.63%

LAB 70.33, -20.26, 9.01

 

CMYK 26 / 0 / 17 / 36

HEX #79A488

RGB 121 164 136

HSL 140.93, 0.19%, 0.56%

LAB 63.67, -20.47, 9.88

 

CMYK 20 / 0 / 10 / 8

HEX #BBEBD3

RGB 187 235 211

HSL 150, 0.55%, 0.83%

LAB 89.25, -20.1, 6.59

 

CMYK 20 / 0 / 16 / 8

HEX #BBEBC6

RGB 187 235 198

HSL 133.75, 0.55%, 0.83%

LAB 88.95, -22.51, 12.95

 

CMYK 19 / 0 / 20 / 8

HEX #BEEBBB

RGB 190 235 187

HSL 116.25, 0.55%, 0.83%

LAB 88.9, -23.44, 18.61

 

CMYK 14 / 0 / 20 / 8

HEX #CBEBBB

RGB 203 235 187

HSL 100, 0.55%, 0.83%

LAB 89.72, -19.03, 19.88

 

CMYK 9 / 0 / 20 / 8

HEX #D7EBBB

RGB 215 235 187

HSL 85, 0.55%, 0.83%

LAB 90.53, -14.85, 21.13

 

CMYK 20 / 0 / 10 / 8

HEX #BBEBD3

RGB 187 235 211

HSL 150, 0.55%, 0.83%

LAB 89.25, -20.1, 6.59

 

CMYK 20 / 0 / 5 / 8

HEX #BBEBE0

RGB 187 235 224

HSL 166.25, 0.55%, 0.83%

LAB 89.56, -17.55, 0.26

 

CMYK 20 / 0 / 0 / 8

HEX #BBEAEB

RGB 187 234 235

HSL 181.25, 0.55%, 0.83%

LAB 89.58, -14.79, -5.47

HEX #BBEAEB

CMYK 20 / 6 / 0 / 8

HEX #BBDDEB

RGB 187 221 235

HSL 197.5, 0.55%, 0.83%

LAB 86.14, -8.18, -10.57

HEX #BBDDEB

CMYK 20 / 11 / 0 / 8

HEX #BBD0EB

RGB 187 208 235

HSL 213.75, 0.55%, 0.83%

LAB 82.74, -1.4, -15.66

HEX #BBD0EB

CMYK 20 / 0 / 10 / 8

HEX #BBEBD3

RGB 187 235 211

HSL 150, 0.55%, 0.83%

LAB 89.25, -20.1, 6.59

 

CMYK 26 / 0 / 13 / 5

HEX #B4F2D2

RGB 180 242 210

HSL 149.03, 0.7%, 0.83%

LAB 90.72, -25.87, 9.17

 

CMYK 31 / 0 / 16 / 2

HEX #ADF9D2

RGB 173 249 210

HSL 149.21, 0.86%, 0.83%

LAB 92.26, -31.28, 11.33

 

CMYK 20 / 0 / 10 / 8

HEX #BBEBD3

RGB 187 235 211

HSL 150, 0.55%, 0.83%

LAB 89.25, -20.1, 6.59

 

CMYK 15 / 0 / 7 / 11

HEX #C2E4D3

RGB 194 228 211

HSL 150, 0.39%, 0.83%

LAB 87.8, -14.39, 4.57

 

CMYK 9 / 0 / 5 / 13

HEX #C9DDD3

RGB 201 221 211

HSL 150, 0.23%, 0.83%

LAB 86.42, -8.54, 2.62

 

CMYK 3 / 0 / 1 / 16

HEX #D0D6D3

RGB 208 214 211

HSL 150, 0.07%, 0.83%

LAB 85.1, -2.58, 0.76

 

CMYK 0 / 4 / 2 / 16

HEX #D7CFD3

RGB 215 207 211

HSL 330, 0.09%, 0.83%

LAB 83.85, 3.47, -1.01

 

CMYK 19 / 0 / 20 / 8

HEX #BEEBBB

RGB 190 235 187

HSL 116.25, 0.55%, 0.83%

LAB 88.9, -23.44, 18.61

 

CMYK 20 / 0 / 16 / 8

HEX #BBEBC6

RGB 187 235 198

HSL 133.75, 0.55%, 0.83%

LAB 88.95, -22.51, 12.95

 

CMYK 20 / 0 / 11 / 8

HEX #BBEBD2

RGB 187 235 210

HSL 148.75, 0.55%, 0.83%

LAB 89.22, -20.3, 7.08

 

CMYK 20 / 0 / 5 / 8

HEX #BBEBDF

RGB 187 235 223

HSL 165, 0.55%, 0.83%

LAB 89.54, -17.75, 0.74

 

CMYK 20 / 0 / 0 / 8

HEX #BBEAEB

RGB 187 234 235

HSL 181.25, 0.55%, 0.83%

LAB 89.58, -14.79, -5.47

HEX #BBEAEB

CMYK 43 / 0 / 22 / 15

HEX #7BD8A9

RGB 123 216 169

HSL 149.68, 0.54%, 0.66%

LAB 79.72, -38.25, 14.66

 

CMYK 31 / 0 / 16 / 11

HEX #9BE2BE

RGB 155 226 190

HSL 149.58, 0.55%, 0.75%

LAB 84.52, -29.65, 10.6

 

CMYK 20 / 0 / 10 / 8

HEX #BBEBD3

RGB 187 235 211

HSL 150, 0.55%, 0.83%

LAB 89.25, -20.1, 6.59

 

CMYK 10 / 0 / 5 / 4

HEX #DBF4E8

RGB 219 244 232

HSL 151.2, 0.53%, 0.91%

LAB 94.14, -10.38, 2.99

 

CMYK 1 / 0 / 1 / 0

HEX #FBFEFC

RGB 251 254 252

HSL 140, 0.6%, 0.99%

LAB 99.39, -1.33, 0.6

 

CMYK 20 / 0 / 10 / 7

HEX #BDECD4

RGB 189 236 212

HSL 149.36, 0.55%, 0.83%

LAB 89.66, -19.77, 6.67

 

CMYK 20 / 14 / 0 / 8

HEX #BBCAEB

RGB 187 202 235

HSL 221.25, 0.55%, 0.83%

LAB 81.18, 1.79, -18

 

CMYK 0 / 19 / 20 / 8

HEX #EBBFBB

RGB 235 191 187

HSL 5, 0.55%, 0.83%

LAB 81.02, 15.11, 7.95

 

CMYK 20 / 0 / 10 / 7

HEX #BDECD4

RGB 189 236 212

HSL 149.36, 0.55%, 0.83%

LAB 89.66, -19.77, 6.67

 

CMYK 11 / 20 / 0 / 8

HEX #D2BBEB

RGB 210 187 235

HSL 268.75, 0.55%, 0.83%

LAB 79.18, 17.09, -20.87

 

CMYK 0 / 11 / 20 / 8

HEX #EBD2BB

RGB 235 210 187

HSL 28.75, 0.55%, 0.83%

LAB 85.68, 5.12, 14.57

 

CMYK 20 / 0 / 10 / 7

HEX #BDECD4

RGB 189 236 212

HSL 149.36, 0.55%, 0.83%

LAB 89.66, -19.77, 6.67

 

CMYK 20 / 14 / 0 / 8

HEX #BBCAEB

RGB 187 202 235

HSL 221.25, 0.55%, 0.83%

LAB 81.18, 1.79, -18

 

CMYK 0 / 20 / 10 / 8

HEX #EBBBD4

RGB 235 187 212

HSL 328.75, 0.55%, 0.83%

LAB 80.71, 21.18, -5.95

 

CMYK 0 / 6 / 20 / 8

HEX #EBDCBB

RGB 235 220 187

HSL 41.25, 0.55%, 0.83%

LAB 88.18, -0.05, 18.08

 

CMYK 20 / 0 / 10 / 7

HEX #BDECD4

RGB 189 236 212

HSL 149.36, 0.55%, 0.83%

LAB 89.66, -19.77, 6.67

 

CMYK 20 / 20 / 0 / 8

HEX #BBBCEB

RGB 187 188 235

HSL 238.75, 0.55%, 0.83%

LAB 77.6, 9.33, -23.44

 

CMYK 0 / 20 / 10 / 8

HEX #EBBBD4

RGB 235 187 212

HSL 328.75, 0.55%, 0.83%

LAB 80.71, 21.18, -5.95

 

CMYK 0 / 0 / 20 / 8

HEX #EBEABB

RGB 235 234 187

HSL 58.75, 0.55%, 0.83%

LAB 91.73, -7.18, 23.01

 

Description

Color code: HEX #BDECD4 | qconv.com Color code: HEX #BDECD4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 236 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 236 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 10 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 10% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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