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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDE787 it is the complementary color #421878. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDE787. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDE787 shade: #C2E782, #D3F995, #E4FFA8, #F5FFBB and #FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDE787. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDE787 shade: #BDE787, #ACD574, #9BC361, #8AB14E and #799F3B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDE787 shade: #BDE787, #D7E787, #E7DD87, #E7C387 and #E7AA87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDE787 shade: #BDE787, #A3E787, #89E787, #87E79F and #87E7B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDE787 shade matches the following richer shades: #BDE787, #BFF27C and #C0FE70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDE787 shade: #BDE787, #BCDB93, #BAD09E, #B9C4AA and #B7B9B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDE787 shade: #E7DD87, #D7E787, #BDE787, #A4E787 and #8AE787

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDE787 shade: #97D942, #AAE065, #BDE787, #D0EEAA and #E3F5CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDE787 shade: #BDE787, #87E7C4 and #E787E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDE787 shade: #BDE787, #87BDE7 and #E787BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDE787 shade: #BDE787, #87E7C4, #B187E7 and #E787AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDE787 shade: #BDE787, #87E7E1, #B187E7 and #E7878E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 42 / 9

HEX #BDE787

RGB 189 231 135

HSL 86.25, 0.67%, 0.72%

LAB 86.86, -29.41, 42.28

 

Complementary color

CMYK 45 / 80 / 0 / 53

HEX #421878

RGB 66 24 120

HSL 266.25, 0.67%, 0.28%

LAB 20.7, 40.48, -46.62

 

CMYK 16 / 0 / 44 / 9

HEX #C2E782

RGB 194 231 130

HSL 81.98, 0.68%, 0.71%

LAB 87.11, -28.16, 45.1

 

CMYK 15 / 0 / 40 / 2

HEX #D3F995

RGB 211 249 149

HSL 82.8, 0.89%, 0.78%

LAB 93.35, -28.21, 43.98

 

CMYK 11 / 0 / 34 / 0

HEX #E4FFA8

RGB 228 255 168

HSL 78.62, 1%, 0.83%

LAB 96.34, -22.57, 38.75

 

CMYK 4 / 0 / 27 / 0

HEX #F5FFBB

RGB 245 255 187

HSL 68.82, 1%, 0.87%

LAB 97.84, -13.96, 31.48

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

 

CMYK 18 / 0 / 42 / 9

HEX #BDE787

RGB 189 231 135

HSL 86.25, 0.67%, 0.72%

LAB 86.86, -29.41, 42.28

 

CMYK 19 / 0 / 46 / 16

HEX #ACD574

RGB 172 213 116

HSL 85.36, 0.54%, 0.65%

LAB 80.53, -29.39, 43.42

 

CMYK 21 / 0 / 50 / 24

HEX #9BC361

RGB 155 195 97

HSL 84.49, 0.45%, 0.57%

LAB 74.1, -29.34, 44.57

 

CMYK 22 / 0 / 56 / 31

HEX #8AB14E

RGB 138 177 78

HSL 83.64, 0.39%, 0.5%

LAB 67.57, -29.22, 45.68

 

CMYK 24 / 0 / 63 / 38

HEX #799F3B

RGB 121 159 59

HSL 82.8, 0.46%, 0.43%

LAB 60.94, -29.01, 46.64

 

CMYK 18 / 0 / 42 / 9

HEX #BDE787

RGB 189 231 135

HSL 86.25, 0.67%, 0.72%

LAB 86.86, -29.41, 42.28

 

CMYK 7 / 0 / 42 / 9

HEX #D7E787

RGB 215 231 135

HSL 70, 0.67%, 0.72%

LAB 88.61, -19.7, 44.86

 

CMYK 0 / 4 / 42 / 9

HEX #E7DD87

RGB 231 221 135

HSL 53.75, 0.67%, 0.72%

LAB 87.22, -8.53, 43.36

 

CMYK 0 / 16 / 42 / 9

HEX #E7C387

RGB 231 195 135

HSL 37.5, 0.67%, 0.72%

LAB 80.61, 4.84, 34.89

 

CMYK 0 / 26 / 42 / 9

HEX #E7AA87

RGB 231 170 135

HSL 21.88, 0.67%, 0.72%

LAB 74.5, 18.07, 26.82

 

CMYK 18 / 0 / 42 / 9

HEX #BDE787

RGB 189 231 135

HSL 86.25, 0.67%, 0.72%

LAB 86.86, -29.41, 42.28

 

CMYK 29 / 0 / 42 / 9

HEX #A3E787

RGB 163 231 135

HSL 102.5, 0.67%, 0.72%

LAB 85.35, -38.52, 40.04

 

CMYK 41 / 0 / 42 / 9

HEX #89E787

RGB 137 231 135

HSL 118.75, 0.67%, 0.72%

LAB 84.08, -46.75, 38.16

 

CMYK 42 / 0 / 31 / 9

HEX #87E79F

RGB 135 231 159

HSL 135, 0.67%, 0.72%

LAB 84.38, -43.49, 26.4

 

CMYK 42 / 0 / 20 / 9

HEX #87E7B9

RGB 135 231 185

HSL 151.25, 0.67%, 0.72%

LAB 84.9, -38.61, 13.62

 

CMYK 18 / 0 / 42 / 9

HEX #BDE787

RGB 189 231 135

HSL 86.25, 0.67%, 0.72%

LAB 86.86, -29.41, 42.28

 

CMYK 21 / 0 / 49 / 5

HEX #BFF27C

RGB 191 242 124

HSL 85.93, 0.82%, 0.72%

LAB 89.88, -35.02, 51.33

 

CMYK 24 / 0 / 56 / 0

HEX #C0FE70

RGB 192 254 112

HSL 86.2, 0.99%, 0.72%

LAB 93.13, -41.21, 60.62

 

CMYK 18 / 0 / 42 / 9

HEX #BDE787

RGB 189 231 135

HSL 86.25, 0.67%, 0.72%

LAB 86.86, -29.41, 42.28

 

CMYK 14 / 0 / 33 / 14

HEX #BCDB93

RGB 188 219 147

HSL 85.83, 0.5%, 0.72%

LAB 83.68, -22.48, 32.12

 

CMYK 11 / 0 / 24 / 18

HEX #BAD09E

RGB 186 208 158

HSL 86.4, 0.35%, 0.72%

LAB 80.75, -16.17, 22.43

 

CMYK 6 / 0 / 13 / 23

HEX #B9C4AA

RGB 185 196 170

HSL 85.38, 0.18%, 0.72%

LAB 77.7, -8.46, 11.77

 

CMYK 1 / 0 / 2 / 27

HEX #B7B9B5

RGB 183 185 181

HSL 90, 0.03%, 0.72%

LAB 74.89, -1.44, 1.77

 

CMYK 0 / 4 / 42 / 9

HEX #E7DD87

RGB 231 221 135

HSL 53.75, 0.67%, 0.72%

LAB 87.22, -8.53, 43.36

 

CMYK 7 / 0 / 42 / 9

HEX #D7E787

RGB 215 231 135

HSL 70, 0.67%, 0.72%

LAB 88.61, -19.7, 44.86

 

CMYK 18 / 0 / 42 / 9

HEX #BDE787

RGB 189 231 135

HSL 86.25, 0.67%, 0.72%

LAB 86.86, -29.41, 42.28

 

CMYK 29 / 0 / 42 / 9

HEX #A4E787

RGB 164 231 135

HSL 101.88, 0.67%, 0.72%

LAB 85.4, -38.18, 40.12

 

CMYK 40 / 0 / 42 / 9

HEX #8AE787

RGB 138 231 135

HSL 118.13, 0.67%, 0.72%

LAB 84.12, -46.46, 38.22

 

CMYK 30 / 0 / 70 / 15

HEX #97D942

RGB 151 217 66

HSL 86.23, 0.67%, 0.55%

LAB 79.95, -43.45, 64.38

 

CMYK 24 / 0 / 55 / 12

HEX #AAE065

RGB 170 224 101

HSL 86.34, 0.66%, 0.64%

LAB 83.34, -36.8, 53.85

 

CMYK 18 / 0 / 42 / 9

HEX #BDE787

RGB 189 231 135

HSL 86.25, 0.67%, 0.72%

LAB 86.86, -29.41, 42.28

 

CMYK 13 / 0 / 29 / 7

HEX #D0EEAA

RGB 208 238 170

HSL 86.47, 0.67%, 0.8%

LAB 90.53, -21.31, 29.77

 

CMYK 7 / 0 / 17 / 4

HEX #E3F5CC

RGB 227 245 204

HSL 86.34, 0.67%, 0.88%

LAB 94.31, -12.97, 17.77

 

CMYK 18 / 0 / 42 / 9

HEX #BDE787

RGB 189 231 135

HSL 86.25, 0.67%, 0.72%

LAB 86.86, -29.41, 42.28

 

CMYK 42 / 0 / 15 / 9

HEX #87E7C4

RGB 135 231 196

HSL 158.13, 0.67%, 0.72%

LAB 85.14, -36.33, 8.2

 

CMYK 0 / 42 / 1 / 9

HEX #E787E4

RGB 231 135 228

HSL 301.88, 0.67%, 0.72%

LAB 69.41, 50.07, -31.82

 

CMYK 18 / 0 / 42 / 9

HEX #BDE787

RGB 189 231 135

HSL 86.25, 0.67%, 0.72%

LAB 86.86, -29.41, 42.28

 

CMYK 42 / 18 / 0 / 9

HEX #87BDE7

RGB 135 189 231

HSL 206.25, 0.67%, 0.72%

LAB 74.39, -6.94, -26.48

 

CMYK 0 / 42 / 18 / 9

HEX #E787BD

RGB 231 135 189

HSL 326.25, 0.67%, 0.72%

LAB 68.01, 43.65, -12.28

 

CMYK 18 / 0 / 42 / 9

HEX #BDE787

RGB 189 231 135

HSL 86.25, 0.67%, 0.72%

LAB 86.86, -29.41, 42.28

 

CMYK 42 / 0 / 15 / 9

HEX #87E7C4

RGB 135 231 196

HSL 158.13, 0.67%, 0.72%

LAB 85.14, -36.33, 8.2

 

CMYK 23 / 42 / 0 / 9

HEX #B187E7

RGB 177 135 231

HSL 266.25, 0.67%, 0.72%

LAB 63.71, 34.89, -42.81

 

CMYK 0 / 42 / 26 / 9

HEX #E787AA

RGB 231 135 170

HSL 338.13, 0.67%, 0.72%

LAB 67.44, 40.92, -2.46

 

CMYK 18 / 0 / 42 / 9

HEX #BDE787

RGB 189 231 135

HSL 86.25, 0.67%, 0.72%

LAB 86.86, -29.41, 42.28

 

CMYK 42 / 0 / 3 / 9

HEX #87E7E1

RGB 135 231 225

HSL 176.25, 0.67%, 0.72%

LAB 85.88, -29.77, -5.99

 

CMYK 23 / 42 / 0 / 9

HEX #B187E7

RGB 177 135 231

HSL 266.25, 0.67%, 0.72%

LAB 63.71, 34.89, -42.81

 

CMYK 0 / 42 / 39 / 9

HEX #E7878E

RGB 231 135 142

HSL 355.63, 0.67%, 0.72%

LAB 66.73, 37.41, 12.28

 

Description

Color code: HEX #BDE787 | qconv.com Color code: HEX #BDE787 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 231 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 231 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 42 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 42% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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