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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDD2E5 it is the complementary color #422D1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDD2E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDD2E5 shade: #C2D2E0, #D3E4F3, #E4F6FF and #F5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDD2E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDD2E5 shade: #BDD2E5, #ACC0D2, #9BAEBF, #8A9CAC and #798A99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDD2E5 shade: #BDD2E4, #BDC7E4, #BDBDE4, #C8BDE4 and #D3BDE4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDD2E5 shade: #BDD2E4, #BDC7E4 and #BDBDE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDD2E5 shade matches the following richer shades: #BDD2E4, #B5D2EC, #AED2F3 and #A7D3FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDD2E5 shade: #BDD2E4, #C4D1DD, #CCD1D5, #D3D0CE and #DBD0C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDD2E5 shade: #BDE4E2, #BDDCE4, #BDD2E4, #BDC7E4 and #BDBDE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDD2E5 shade: #82A9CD, #9FBDD9, #BDD2E4, #DAE6F0 and #F8FAFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDD2E5 shade: #BDD2E5, #D7BDE4 and #E2E4BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDD2E5 shade: #BDD2E5, #E4BDD2 and #D2E4BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDD2E5 shade: #BDD2E5, #D7BDE4, #E4CFBD and #CAE4BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDD2E5 shade: #BDD2E5, #E3BDE4, #E4CFBD and #BEE4BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 8 / 0 / 10

HEX #BDD2E5

RGB 189 210 229

HSL 208.5, 0.43%, 0.82%

LAB 83.22, -3.13, -11.74

 

Complementary color

CMYK 0 / 32 / 61 / 74

HEX #422D1A

RGB 66 45 26

HSL 28.5, 0.43%, 0.18%

LAB 20.48, 7.06, 16.04

 

CMYK 13 / 6 / 0 / 12

HEX #C2D2E0

RGB 194 210 224

HSL 208, 0.33%, 0.82%

LAB 83.41, -2.59, -8.75

 

CMYK 13 / 6 / 0 / 5

HEX #D3E4F3

RGB 211 228 243

HSL 208.13, 0.57%, 0.89%

LAB 89.77, -2.69, -9.21

 

CMYK 11 / 4 / 0 / 0

HEX #E4F6FF

RGB 228 246 255

HSL 200, 1%, 0.95%

LAB 95.84, -4.16, -6.34

 

CMYK 4 / 0 / 0 / 0

HEX #F5FFFF

RGB 245 255 255

HSL 180, 1%, 0.98%

LAB 99.28, -3.26, -1.15

 

CMYK 17 / 8 / 0 / 10

HEX #BDD2E5

RGB 189 210 229

HSL 208.5, 0.43%, 0.82%

LAB 83.22, -3.13, -11.74

 

CMYK 18 / 9 / 0 / 18

HEX #ACC0D2

RGB 172 192 210

HSL 208.42, 0.3%, 0.75%

LAB 76.75, -3.03, -11.32

 

CMYK 19 / 9 / 0 / 25

HEX #9BAEBF

RGB 155 174 191

HSL 208.33, 0.22%, 0.68%

LAB 70.18, -2.93, -10.89

 

CMYK 20 / 9 / 0 / 33

HEX #8A9CAC

RGB 138 156 172

HSL 208.24, 0.17%, 0.61%

LAB 63.47, -2.82, -10.46

 

CMYK 21 / 10 / 0 / 40

HEX #798A99

RGB 121 138 153

HSL 208.13, 0.14%, 0.54%

LAB 56.63, -2.72, -10.04

 

CMYK 17 / 8 / 0 / 11

HEX #BDD2E4

RGB 189 210 228

HSL 207.69, 0.42%, 0.82%

LAB 83.19, -3.34, -11.25

 

CMYK 17 / 13 / 0 / 11

HEX #BDC7E4

RGB 189 199 228

HSL 224.62, 0.42%, 0.82%

LAB 80.33, 2.48, -15.53

 

CMYK 17 / 17 / 0 / 11

HEX #BDBDE4

RGB 189 189 228

HSL 240, 0.42%, 0.82%

LAB 77.77, 7.86, -19.4

 

CMYK 12 / 17 / 0 / 11

HEX #C8BDE4

RGB 200 189 228

HSL 256.92, 0.42%, 0.82%

LAB 78.62, 11.36, -18.02

 

CMYK 7 / 17 / 0 / 11

HEX #D3BDE4

RGB 211 189 228

HSL 273.85, 0.42%, 0.82%

LAB 79.53, 14.93, -16.57

 

CMYK 17 / 8 / 0 / 11

HEX #BDD2E4

RGB 189 210 228

HSL 207.69, 0.42%, 0.82%

LAB 83.19, -3.34, -11.25

 

CMYK 17 / 13 / 0 / 11

HEX #BDC7E4

RGB 189 199 228

HSL 224.62, 0.42%, 0.82%

LAB 80.33, 2.48, -15.53

 

CMYK 17 / 17 / 0 / 11

HEX #BDBDE4

RGB 189 189 228

HSL 240, 0.42%, 0.82%

LAB 77.77, 7.86, -19.4

 

CMYK 17 / 8 / 0 / 11

HEX #BDD2E4

RGB 189 210 228

HSL 207.69, 0.42%, 0.82%

LAB 83.19, -3.34, -11.25

 

CMYK 23 / 11 / 0 / 7

HEX #B5D2EC

RGB 181 210 236

HSL 208.36, 0.59%, 0.82%

LAB 82.9, -4.04, -15.99

 

CMYK 28 / 14 / 0 / 5

HEX #AED2F3

RGB 174 210 243

HSL 208.7, 0.74%, 0.82%

LAB 82.68, -4.49, -20.09

 

CMYK 33 / 16 / 0 / 2

HEX #A7D3FB

RGB 167 211 251

HSL 208.57, 0.91%, 0.82%

LAB 82.79, -5.06, -24.21

 

CMYK 17 / 8 / 0 / 11

HEX #BDD2E4

RGB 189 210 228

HSL 207.69, 0.42%, 0.82%

LAB 83.19, -3.34, -11.25

 

CMYK 11 / 5 / 0 / 13

HEX #C4D1DD

RGB 196 209 221

HSL 208.8, 0.27%, 0.82%

LAB 83.21, -2.03, -7.44

 

CMYK 4 / 2 / 0 / 16

HEX #CCD1D5

RGB 204 209 213

HSL 206.67, 0.1%, 0.82%

LAB 83.57, -0.95, -2.58

 

CMYK 0 / 1 / 2 / 17

HEX #D3D0CE

RGB 211 208 206

HSL 24, 0.05%, 0.82%

LAB 83.66, 0.68, 1.35

 

CMYK 0 / 5 / 9 / 14

HEX #DBD0C7

RGB 219 208 199

HSL 27, 0.22%, 0.82%

LAB 84.12, 2.27, 5.81

 

CMYK 17 / 0 / 1 / 11

HEX #BDE4E2

RGB 189 228 226

HSL 176.92, 0.42%, 0.82%

LAB 87.87, -13.02, -3.26

 

CMYK 17 / 4 / 0 / 11

HEX #BDDCE4

RGB 189 220 228

HSL 192.31, 0.42%, 0.82%

LAB 85.81, -8.53, -7.35

 

CMYK 17 / 8 / 0 / 11

HEX #BDD2E4

RGB 189 210 228

HSL 207.69, 0.42%, 0.82%

LAB 83.19, -3.34, -11.25

 

CMYK 17 / 13 / 0 / 11

HEX #BDC7E4

RGB 189 199 228

HSL 224.62, 0.42%, 0.82%

LAB 80.33, 2.48, -15.53

 

CMYK 17 / 17 / 0 / 11

HEX #BDBDE4

RGB 189 189 228

HSL 240, 0.42%, 0.82%

LAB 77.77, 7.86, -19.4

 

CMYK 37 / 18 / 0 / 20

HEX #82A9CD

RGB 130 169 205

HSL 208.8, 0.43%, 0.66%

LAB 67.67, -4.29, -22.56

 

CMYK 27 / 13 / 0 / 15

HEX #9FBDD9

RGB 159 189 217

HSL 208.97, 0.43%, 0.74%

LAB 75.31, -3.83, -17.36

 

CMYK 17 / 8 / 0 / 11

HEX #BDD2E4

RGB 189 210 228

HSL 207.69, 0.42%, 0.82%

LAB 83.19, -3.34, -11.25

 

CMYK 9 / 4 / 0 / 6

HEX #DAE6F0

RGB 218 230 240

HSL 207.27, 0.42%, 0.9%

LAB 90.68, -2.08, -6.23

 

CMYK 2 / 1 / 0 / 1

HEX #F8FAFC

RGB 248 250 252

HSL 210, 0.4%, 0.98%

LAB 98.18, -0.3, -1.2

 

CMYK 17 / 8 / 0 / 10

HEX #BDD2E5

RGB 189 210 229

HSL 208.5, 0.43%, 0.82%

LAB 83.22, -3.13, -11.74

 

CMYK 6 / 17 / 0 / 11

HEX #D7BDE4

RGB 215 189 228

HSL 280, 0.42%, 0.82%

LAB 79.87, 16.24, -16.02

 

CMYK 1 / 0 / 17 / 11

HEX #E2E4BD

RGB 226 228 189

HSL 63.08, 0.42%, 0.82%

LAB 89.55, -7.11, 18.85

 

CMYK 17 / 8 / 0 / 10

HEX #BDD2E5

RGB 189 210 229

HSL 208.5, 0.43%, 0.82%

LAB 83.22, -3.13, -11.74

 

CMYK 0 / 17 / 8 / 11

HEX #E4BDD2

RGB 228 189 210

HSL 327.69, 0.42%, 0.82%

LAB 80.48, 17.35, -5.29

 

CMYK 8 / 0 / 17 / 11

HEX #D2E4BD

RGB 210 228 189

HSL 87.69, 0.42%, 0.82%

LAB 88.38, -12.81, 17.05

 

CMYK 17 / 8 / 0 / 10

HEX #BDD2E5

RGB 189 210 229

HSL 208.5, 0.43%, 0.82%

LAB 83.22, -3.13, -11.74

 

CMYK 6 / 17 / 0 / 11

HEX #D7BDE4

RGB 215 189 228

HSL 280, 0.42%, 0.82%

LAB 79.87, 16.24, -16.02

 

CMYK 0 / 9 / 17 / 11

HEX #E4CFBD

RGB 228 207 189

HSL 27.69, 0.42%, 0.82%

LAB 84.38, 4.42, 11.59

 

CMYK 11 / 0 / 17 / 11

HEX #CAE4BD

RGB 202 228 189

HSL 100, 0.42%, 0.82%

LAB 87.83, -15.59, 16.19

 

CMYK 17 / 8 / 0 / 10

HEX #BDD2E5

RGB 189 210 229

HSL 208.5, 0.43%, 0.82%

LAB 83.22, -3.13, -11.74

 

CMYK 0 / 17 / 0 / 11

HEX #E3BDE4

RGB 227 189 228

HSL 298.46, 0.42%, 0.82%

LAB 80.92, 20.21, -14.33

 

CMYK 0 / 9 / 17 / 11

HEX #E4CFBD

RGB 228 207 189

HSL 27.69, 0.42%, 0.82%

LAB 84.38, 4.42, 11.59

 

CMYK 17 / 0 / 17 / 11

HEX #BEE4BD

RGB 190 228 189

HSL 118.46, 0.42%, 0.82%

LAB 87.05, -19.68, 14.98

 

Description

Color code: HEX #BDD2E5 | qconv.com Color code: HEX #BDD2E5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 210 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 210 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 8 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 8% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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