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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDC0D5 it is the complementary color #423F2A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDC0D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDC0D5 shade: #C2C0D0, #D3D2E3, #E4E4F6 and #F5F6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDC0D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDC0D5 shade: #BDC0D5, #ACAEC2, #9B9CAF, #8A8A9C and #797889

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDC0D5 shade: #BDC0D5, #C1BDD5, #C7BDD5, #CDBDD5 and #D4BDD5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDC0D5 shade: #BDC0D5 and #BDBDD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDC0D5 shade matches the following richer shades: #BDC0D5, #B5BADD, #ACB3E6, #A3ADEF and #9BA6F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDC0D5 shade: #BDC0D5, #C6C7CC, #CECDC3, #D7D4BB and #E0DAB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDC0D5 shade: #BDCDD5, #BDC7D5, #BDC0D5, #C0BDD5 and #C7BDD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDC0D5 shade: #8B90B5, #A4A8C5, #BDC0D5, #D6D8E5 and #F0F0F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDC0D5 shade: #BDC0D5, #D5BDD3 and #CAD5BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDC0D5 shade: #BDC0D5, #D5BDC0 and #C0D5BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDC0D5 shade: #BDC0D5, #D5BDD3, #D5D2BD and #BDD5BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDC0D5 shade: #BDC0D5, #D5BDCC, #D5D2BD and #BDD5C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 10 / 0 / 16

HEX #BDC0D5

RGB 189 192 213

HSL 232.5, 0.22%, 0.79%

LAB 78.06, 3.08, -10.85

 

Complementary color

CMYK 0 / 5 / 36 / 74

HEX #423F2A

RGB 66 63 42

HSL 52.5, 0.22%, 0.21%

LAB 26.39, -2.62, 13.37

 

CMYK 7 / 8 / 0 / 18

HEX #C2C0D0

RGB 194 192 208

HSL 247.5, 0.15%, 0.78%

LAB 78.3, 3.74, -7.76

 

CMYK 7 / 7 / 0 / 11

HEX #D3D2E3

RGB 211 210 227

HSL 243.53, 0.23%, 0.86%

LAB 84.73, 3.53, -8.25

 

CMYK 7 / 7 / 0 / 4

HEX #E4E4F6

RGB 228 228 246

HSL 240, 0.5%, 0.93%

LAB 91.07, 3.34, -8.72

 

CMYK 4 / 4 / 0 / 0

HEX #F5F6FF

RGB 245 246 255

HSL 234, 1%, 0.98%

LAB 97.04, 1.29, -4.43

 

CMYK 11 / 10 / 0 / 16

HEX #BDC0D5

RGB 189 192 213

HSL 232.5, 0.22%, 0.79%

LAB 78.06, 3.08, -10.85

 

CMYK 11 / 10 / 0 / 24

HEX #ACAEC2

RGB 172 174 194

HSL 234.55, 0.15%, 0.72%

LAB 71.51, 3.29, -10.42

 

CMYK 11 / 11 / 0 / 31

HEX #9B9CAF

RGB 155 156 175

HSL 237, 0.11%, 0.65%

LAB 64.84, 3.5, -9.98

 

CMYK 12 / 12 / 0 / 39

HEX #8A8A9C

RGB 138 138 156

HSL 240, 0.08%, 0.58%

LAB 58.02, 3.73, -9.54

 

CMYK 12 / 12 / 0 / 46

HEX #797889

RGB 121 120 137

HSL 243.53, 0.07%, 0.5%

LAB 51.04, 3.98, -9.1

 

CMYK 11 / 10 / 0 / 16

HEX #BDC0D5

RGB 189 192 213

HSL 232.5, 0.22%, 0.79%

LAB 78.06, 3.08, -10.85

 

CMYK 9 / 11 / 0 / 16

HEX #C1BDD5

RGB 193 189 213

HSL 250, 0.22%, 0.79%

LAB 77.6, 6.01, -11.51

 

CMYK 7 / 11 / 0 / 16

HEX #C7BDD5

RGB 199 189 213

HSL 265, 0.22%, 0.79%

LAB 78.08, 8, -10.75

 

CMYK 4 / 11 / 0 / 16

HEX #CDBDD5

RGB 205 189 213

HSL 280, 0.22%, 0.79%

LAB 78.57, 10.01, -9.97

 

CMYK 0 / 11 / 0 / 16

HEX #D4BDD5

RGB 212 189 213

HSL 297.5, 0.22%, 0.79%

LAB 79.15, 12.38, -9.03

 

CMYK 11 / 10 / 0 / 16

HEX #BDC0D5

RGB 189 192 213

HSL 232.5, 0.22%, 0.79%

LAB 78.06, 3.08, -10.85

 

CMYK 11 / 11 / 0 / 16

HEX #BDBDD5

RGB 189 189 213

HSL 240, 0.22%, 0.79%

LAB 77.29, 4.7, -12.01

 

CMYK 11 / 10 / 0 / 16

HEX #BDC0D5

RGB 189 192 213

HSL 232.5, 0.22%, 0.79%

LAB 78.06, 3.08, -10.85

 

CMYK 18 / 16 / 0 / 13

HEX #B5BADD

RGB 181 186 221

HSL 232.5, 0.37%, 0.79%

LAB 76.17, 5.45, -18.09

 

CMYK 25 / 22 / 0 / 10

HEX #ACB3E6

RGB 172 179 230

HSL 232.76, 0.54%, 0.79%

LAB 74.01, 8.56, -26.31

 

CMYK 32 / 28 / 0 / 6

HEX #A3ADEF

RGB 163 173 239

HSL 232.11, 0.7%, 0.79%

LAB 72.17, 11.48, -34.1

 

CMYK 37 / 33 / 0 / 3

HEX #9BA6F7

RGB 155 166 247

HSL 232.83, 0.85%, 0.79%

LAB 70.15, 15.3, -41.63

 

CMYK 11 / 10 / 0 / 16

HEX #BDC0D5

RGB 189 192 213

HSL 232.5, 0.22%, 0.79%

LAB 78.06, 3.08, -10.85

 

CMYK 3 / 2 / 0 / 20

HEX #C6C7CC

RGB 198 199 204

HSL 230, 0.06%, 0.79%

LAB 80.3, 0.59, -2.62

 

CMYK 0 / 0 / 5 / 19

HEX #CECDC3

RGB 206 205 195

HSL 54.55, 0.1%, 0.79%

LAB 82.23, -1.43, 5.09

 

CMYK 0 / 1 / 13 / 16

HEX #D7D4BB

RGB 215 212 187

HSL 53.57, 0.26%, 0.79%

LAB 84.55, -3.2, 12.74

 

CMYK 0 / 3 / 21 / 12

HEX #E0DAB2

RGB 224 218 178

HSL 52.17, 0.43%, 0.79%

LAB 86.61, -4.37, 20.46

 

CMYK 11 / 4 / 0 / 16

HEX #BDCDD5

RGB 189 205 213

HSL 200, 0.22%, 0.79%

LAB 81.45, -3.81, -5.83

 

CMYK 11 / 7 / 0 / 16

HEX #BDC7D5

RGB 189 199 213

HSL 215, 0.22%, 0.79%

LAB 79.88, -0.65, -8.15

 

CMYK 11 / 10 / 0 / 16

HEX #BDC0D5

RGB 189 192 213

HSL 232.5, 0.22%, 0.79%

LAB 78.06, 3.08, -10.85

 

CMYK 10 / 11 / 0 / 16

HEX #C0BDD5

RGB 192 189 213

HSL 247.5, 0.22%, 0.79%

LAB 77.52, 5.68, -11.64

 

CMYK 7 / 11 / 0 / 16

HEX #C7BDD5

RGB 199 189 213

HSL 265, 0.22%, 0.79%

LAB 78.08, 8, -10.75

 

CMYK 23 / 20 / 0 / 29

HEX #8B90B5

RGB 139 144 181

HSL 232.86, 0.22%, 0.63%

LAB 60.58, 6.37, -19.91

 

CMYK 17 / 15 / 0 / 23

HEX #A4A8C5

RGB 164 168 197

HSL 232.73, 0.22%, 0.71%

LAB 69.42, 4.6, -15.27

 

CMYK 11 / 10 / 0 / 16

HEX #BDC0D5

RGB 189 192 213

HSL 232.5, 0.22%, 0.79%

LAB 78.06, 3.08, -10.85

 

CMYK 7 / 6 / 0 / 10

HEX #D6D8E5

RGB 214 216 229

HSL 232, 0.22%, 0.87%

LAB 86.54, 1.76, -6.61

 

CMYK 2 / 2 / 0 / 4

HEX #F0F0F5

RGB 240 240 245

HSL 240, 0.2%, 0.95%

LAB 94.92, 0.9, -2.42

 

CMYK 11 / 10 / 0 / 16

HEX #BDC0D5

RGB 189 192 213

HSL 232.5, 0.22%, 0.79%

LAB 78.06, 3.08, -10.85

 

CMYK 0 / 11 / 1 / 16

HEX #D5BDD3

RGB 213 189 211

HSL 305, 0.22%, 0.79%

LAB 79.18, 12.35, -7.9

 

CMYK 5 / 0 / 11 / 16

HEX #CAD5BD

RGB 202 213 189

HSL 87.5, 0.22%, 0.79%

LAB 83.87, -8.01, 10.59

 

CMYK 11 / 10 / 0 / 16

HEX #BDC0D5

RGB 189 192 213

HSL 232.5, 0.22%, 0.79%

LAB 78.06, 3.08, -10.85

 

CMYK 0 / 11 / 10 / 16

HEX #D5BDC0

RGB 213 189 192

HSL 352.5, 0.22%, 0.79%

LAB 78.66, 9.01, 1.6

 

CMYK 10 / 0 / 11 / 16

HEX #C0D5BD

RGB 192 213 189

HSL 112.5, 0.22%, 0.79%

LAB 83.16, -11.48, 9.48

 

CMYK 11 / 10 / 0 / 16

HEX #BDC0D5

RGB 189 192 213

HSL 232.5, 0.22%, 0.79%

LAB 78.06, 3.08, -10.85

 

CMYK 0 / 11 / 1 / 16

HEX #D5BDD3

RGB 213 189 211

HSL 305, 0.22%, 0.79%

LAB 79.18, 12.35, -7.9

 

CMYK 0 / 1 / 11 / 16

HEX #D5D2BD

RGB 213 210 189

HSL 52.5, 0.22%, 0.79%

LAB 83.92, -2.56, 10.77

 

CMYK 11 / 0 / 10 / 16

HEX #BDD5BF

RGB 189 213 191

HSL 125, 0.22%, 0.79%

LAB 83, -12.15, 8.17

 

CMYK 11 / 10 / 0 / 16

HEX #BDC0D5

RGB 189 192 213

HSL 232.5, 0.22%, 0.79%

LAB 78.06, 3.08, -10.85

 

CMYK 0 / 11 / 4 / 16

HEX #D5BDCC

RGB 213 189 204

HSL 322.5, 0.22%, 0.79%

LAB 78.98, 11.09, -4.41

 

CMYK 0 / 1 / 11 / 16

HEX #D5D2BD

RGB 213 210 189

HSL 52.5, 0.22%, 0.79%

LAB 83.92, -2.56, 10.77

 

CMYK 11 / 0 / 7 / 16

HEX #BDD5C6

RGB 189 213 198

HSL 142.5, 0.22%, 0.79%

LAB 83.17, -10.87, 4.69

 

Description

Color code: HEX #BDC0D5 | qconv.com Color code: HEX #BDC0D5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 192 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 192 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 10 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 10% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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