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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDC803 it is the complementary color #4237FC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDC803. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDC803 shade: #C2C800, #D3DA11, #E4EC24, #F5FE37 and #FFFF4A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDC803. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDC803 shade: #BDC803, #ACB600, #9BA400, #8A9200 and #798000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDC803 shade: #BDC803, #C89E03, #C86903, #C83303 and #C80303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDC803 shade: #BDC803, #88C803, #53C803, #1DC803 and #03C81D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDC803 shade matches the following richer shades: #BDC803

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDC803 shade: #BDC803, #AFB813, #A0A724, #919734 and #838645

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDC803 shade: #C86903, #C89E03, #BFC803, #8AC803 and #55C803

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDC803 shade: #717701, #97A002, #BDC803, #E4F103 and #EFFB22

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDC803 shade: #BDC803, #03C834 and #8303C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDC803 shade: #BDC803, #03BFC8 and #C803BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDC803 shade: #BDC803, #03C834, #0C03C8 and #C80397

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDC803 shade: #BDC803, #03C86F, #0C03C8 and #C8035C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 99 / 22

HEX #BDC803

RGB 189 200 3

HSL 63.35, 0.97%, 0.4%

LAB 77.36, -22.62, 77.36

 

Complementary color

CMYK 74 / 78 / 0 / 1

HEX #4237FC

RGB 66 55 252

HSL 243.35, 0.97%, 0.6%

LAB 39.44, 64.17, -94.23

 

CMYK 3 / 0 / 100 / 22

HEX #C2C800

RGB 194 200 0

HSL 61.8, 1%, 0.39%

LAB 77.74, -20.52, 78.12

 

CMYK 3 / 0 / 92 / 15

HEX #D3DA11

RGB 211 218 17

HSL 62.09, 0.86%, 0.46%

LAB 83.98, -21.92, 81.71

 

CMYK 3 / 0 / 85 / 7

HEX #E4EC24

RGB 228 236 36

HSL 62.4, 0.84%, 0.53%

LAB 90.14, -23.16, 84.09

 

CMYK 4 / 0 / 78 / 0

HEX #F5FE37

RGB 245 254 55

HSL 62.71, 0.99%, 0.61%

LAB 96.23, -24.23, 85.38

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4A

RGB 255 255 74

HSL 60, 1%, 0.65%

LAB 97.34, -19.94, 81.05

 

CMYK 5 / 0 / 99 / 22

HEX #BDC803

RGB 189 200 3

HSL 63.35, 0.97%, 0.4%

LAB 77.36, -22.62, 77.36

 

CMYK 5 / 0 / 100 / 29

HEX #ACB600

RGB 172 182 0

HSL 63.3, 1%, 0.36%

LAB 71.03, -21.08, 72.4

 

CMYK 5 / 0 / 100 / 36

HEX #9BA400

RGB 155 164 0

HSL 63.29, 1%, 0.32%

LAB 64.58, -19.48, 67.04

 

CMYK 5 / 0 / 100 / 43

HEX #8A9200

RGB 138 146 0

HSL 63.29, 1%, 0.29%

LAB 58, -17.85, 61.56

 

CMYK 5 / 0 / 100 / 50

HEX #798000

RGB 121 128 0

HSL 63.28, 1%, 0.25%

LAB 51.27, -16.18, 55.97

 

CMYK 5 / 0 / 99 / 22

HEX #BDC803

RGB 189 200 3

HSL 63.35, 0.97%, 0.4%

LAB 77.36, -22.62, 77.36

 

CMYK 0 / 21 / 99 / 22

HEX #C89E03

RGB 200 158 3

HSL 47.21, 0.97%, 0.4%

LAB 67.08, 3.86, 70.33

 

CMYK 0 / 48 / 99 / 22

HEX #C86903

RGB 200 105 3

HSL 31.07, 0.97%, 0.4%

LAB 54.44, 32.56, 61.82

 

CMYK 0 / 75 / 99 / 22

HEX #C83303

RGB 200 51 3

HSL 14.62, 0.97%, 0.4%

LAB 45.16, 56.84, 56.5

 

CMYK 0 / 99 / 99 / 22

HEX #C80303

RGB 200 3 3

HSL 0, 0.97%, 0.4%

LAB 41.77, 66.45, 54.94

 

CMYK 5 / 0 / 99 / 22

HEX #BDC803

RGB 189 200 3

HSL 63.35, 0.97%, 0.4%

LAB 77.36, -22.62, 77.36

 

CMYK 32 / 0 / 99 / 22

HEX #88C803

RGB 136 200 3

HSL 79.49, 0.97%, 0.4%

LAB 73.9, -43.98, 73.21

 

CMYK 59 / 0 / 99 / 22

HEX #53C803

RGB 83 200 3

HSL 95.63, 0.97%, 0.4%

LAB 71.66, -60.77, 70.49

 

CMYK 86 / 0 / 99 / 22

HEX #1DC803

RGB 29 200 3

HSL 112.08, 0.97%, 0.4%

LAB 70.58, -70.06, 69.17

 

CMYK 99 / 0 / 86 / 22

HEX #03C81D

RGB 3 200 29

HSL 127.92, 0.97%, 0.4%

LAB 70.47, -70.85, 65.12

 

CMYK 5 / 0 / 99 / 22

HEX #BDC803

RGB 189 200 3

HSL 63.35, 0.97%, 0.4%

LAB 77.36, -22.62, 77.36

 

CMYK 5 / 0 / 99 / 22

HEX #BDC803

RGB 189 200 3

HSL 63.35, 0.97%, 0.4%

LAB 77.36, -22.62, 77.36

 

CMYK 5 / 0 / 90 / 28

HEX #AFB813

RGB 175 184 19

HSL 63.27, 0.81%, 0.4%

LAB 71.85, -20.51, 70.75

 

CMYK 4 / 0 / 78 / 35

HEX #A0A724

RGB 160 167 36

HSL 63.21, 0.65%, 0.4%

LAB 65.93, -17.98, 61.29

 

CMYK 4 / 0 / 66 / 41

HEX #919734

RGB 145 151 52

HSL 63.64, 0.49%, 0.4%

LAB 60.25, -15.45, 49.48

 

CMYK 2 / 0 / 49 / 47

HEX #838645

RGB 131 134 69

HSL 62.77, 0.32%, 0.4%

LAB 54.35, -11.08, 34.38

 

CMYK 0 / 48 / 99 / 22

HEX #C86903

RGB 200 105 3

HSL 31.07, 0.97%, 0.4%

LAB 54.44, 32.56, 61.82

 

CMYK 0 / 21 / 99 / 22

HEX #C89E03

RGB 200 158 3

HSL 47.21, 0.97%, 0.4%

LAB 67.08, 3.86, 70.33

 

CMYK 5 / 0 / 99 / 22

HEX #BFC803

RGB 191 200 3

HSL 62.74, 0.97%, 0.4%

LAB 77.51, -21.77, 77.55

 

CMYK 31 / 0 / 99 / 22

HEX #8AC803

RGB 138 200 3

HSL 78.88, 0.97%, 0.4%

LAB 74.01, -43.24, 73.34

 

CMYK 58 / 0 / 99 / 22

HEX #55C803

RGB 85 200 3

HSL 95.03, 0.97%, 0.4%

LAB 71.72, -60.26, 70.57

 

CMYK 5 / 0 / 99 / 53

HEX #717701

RGB 113 119 1

HSL 63.05, 0.98%, 0.24%

LAB 47.89, -15.07, 52.96

 

CMYK 6 / 0 / 99 / 37

HEX #97A002

RGB 151 160 2

HSL 63.42, 0.98%, 0.32%

LAB 63.12, -19.19, 65.53

 

CMYK 5 / 0 / 99 / 22

HEX #BDC803

RGB 189 200 3

HSL 63.35, 0.97%, 0.4%

LAB 77.36, -22.62, 77.36

 

CMYK 5 / 0 / 99 / 5

HEX #E4F103

RGB 228 241 3

HSL 63.28, 0.98%, 0.48%

LAB 91.42, -25.99, 89.13

 

CMYK 5 / 0 / 86 / 2

HEX #EFFB22

RGB 239 251 34

HSL 63.32, 0.96%, 0.56%

LAB 94.93, -25.81, 88.7

 

CMYK 5 / 0 / 99 / 22

HEX #BDC803

RGB 189 200 3

HSL 63.35, 0.97%, 0.4%

LAB 77.36, -22.62, 77.36

 

CMYK 99 / 0 / 74 / 22

HEX #03C834

RGB 3 200 52

HSL 134.92, 0.97%, 0.4%

LAB 70.58, -69.42, 58.59

 

CMYK 35 / 99 / 0 / 22

HEX #8303C8

RGB 131 3 200

HSL 278.98, 0.97%, 0.4%

LAB 36.1, 71.92, -69.79

 

CMYK 5 / 0 / 99 / 22

HEX #BDC803

RGB 189 200 3

HSL 63.35, 0.97%, 0.4%

LAB 77.36, -22.62, 77.36

 

CMYK 99 / 5 / 0 / 22

HEX #03BFC8

RGB 3 191 200

HSL 182.74, 0.97%, 0.4%

LAB 70.49, -35.84, -15.85

 

CMYK 0 / 99 / 5 / 22

HEX #C803BF

RGB 200 3 191

HSL 302.74, 0.97%, 0.4%

LAB 47.11, 80.29, -46.15

 

CMYK 5 / 0 / 99 / 22

HEX #BDC803

RGB 189 200 3

HSL 63.35, 0.97%, 0.4%

LAB 77.36, -22.62, 77.36

 

CMYK 99 / 0 / 74 / 22

HEX #03C834

RGB 3 200 52

HSL 134.92, 0.97%, 0.4%

LAB 70.58, -69.42, 58.59

 

CMYK 94 / 99 / 0 / 22

HEX #0C03C8

RGB 12 3 200

HSL 242.74, 0.97%, 0.4%

LAB 24.68, 65.39, -89.06

 

CMYK 0 / 99 / 25 / 22

HEX #C80397

RGB 200 3 151

HSL 314.92, 0.97%, 0.4%

LAB 45.05, 75.14, -25.66

 

CMYK 5 / 0 / 99 / 22

HEX #BDC803

RGB 189 200 3

HSL 63.35, 0.97%, 0.4%

LAB 77.36, -22.62, 77.36

 

CMYK 99 / 0 / 45 / 22

HEX #03C86F

RGB 3 200 111

HSL 152.89, 0.97%, 0.4%

LAB 71.2, -61.76, 32.99

 

CMYK 94 / 99 / 0 / 22

HEX #0C03C8

RGB 12 3 200

HSL 242.74, 0.97%, 0.4%

LAB 24.68, 65.39, -89.06

 

CMYK 0 / 99 / 54 / 22

HEX #C8035C

RGB 200 3 92

HSL 332.89, 0.97%, 0.4%

LAB 42.94, 69.62, 7.64

 

Description

Color code: HEX #BDC803 | qconv.com Color code: HEX #BDC803 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 200 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 200 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 99 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 99% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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