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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDB028 it is the complementary color #424FD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDB028. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDB028 shade: #C2B023, #D3C236, #E4D449, #F5E65C and #FFF86F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDB028. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDB028 shade: #BDB028, #AC9E15, #9B8C02, #8A7A00 and #796800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDB028 shade: #BDB028, #BD8828, #BD5F28, #BD3728 and #BD2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDB028 shade: #BDB028, #A2BD28, #79BD28, #51BD28 and #29BD28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDB028 shade matches the following richer shades: #BDB028, #CFBF15 and #E2CE03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDB028 shade: #BDB028, #AAA13A, #98914D, #85825F and #737372

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDB028 shade: #BD5E28, #BD8628, #BDAE28, #A4BD28 and #7CBD28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDB028 shade: #797019, #9B9020, #BDB028, #D5C739 and #DCD15B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDB028 shade: #BDB028, #28BD37 and #7228BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDB028 shade: #BDB028, #28BDAE and #AE28BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDB028 shade: #BDB028, #28BD37, #2837BD and #BD28AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDB028 shade: #BDB028, #28BD63, #2837BD and #BD2881

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 79 / 26

HEX #BDB028

RGB 189 176 40

HSL 54.77, 0.65%, 0.45%

LAB 70.89, -9.78, 65.43

 

Complementary color

CMYK 69 / 63 / 0 / 16

HEX #424FD7

RGB 66 79 215

HSL 234.77, 0.65%, 0.55%

LAB 40.66, 39.16, -71.24

 

CMYK 0 / 9 / 82 / 24

HEX #C2B023

RGB 194 176 35

HSL 53.21, 0.69%, 0.45%

LAB 71.31, -7.75, 67.42

 

CMYK 0 / 8 / 74 / 17

HEX #D3C236

RGB 211 194 54

HSL 53.5, 0.64%, 0.52%

LAB 77.7, -8.98, 67.85

 

CMYK 0 / 7 / 68 / 11

HEX #E4D449

RGB 228 212 73

HSL 53.81, 0.74%, 0.59%

LAB 84, -10.02, 67.58

 

CMYK 0 / 6 / 62 / 4

HEX #F5E65C

RGB 245 230 92

HSL 54.12, 0.88%, 0.66%

LAB 90.22, -10.9, 66.91

 

CMYK 0 / 3 / 56 / 0

HEX #FFF86F

RGB 255 248 111

HSL 57.08, 1%, 0.72%

LAB 95.81, -14.46, 65.24

 

CMYK 0 / 7 / 79 / 26

HEX #BDB028

RGB 189 176 40

HSL 54.77, 0.65%, 0.45%

LAB 70.89, -9.78, 65.43

 

CMYK 0 / 8 / 88 / 33

HEX #AC9E15

RGB 172 158 21

HSL 54.44, 0.78%, 0.38%

LAB 64.39, -8.44, 64.29

 

CMYK 0 / 10 / 99 / 39

HEX #9B8C02

RGB 155 140 2

HSL 54.12, 0.97%, 0.31%

LAB 57.78, -6.86, 61.75

 

CMYK 0 / 12 / 100 / 46

HEX #8A7A00

RGB 138 122 0

HSL 53.04, 1%, 0.27%

LAB 51.06, -4.93, 56.52

 

CMYK 0 / 14 / 100 / 53

HEX #796800

RGB 121 104 0

HSL 51.57, 1%, 0.24%

LAB 44.18, -2.89, 50.83

 

CMYK 0 / 7 / 79 / 26

HEX #BDB028

RGB 189 176 40

HSL 54.77, 0.65%, 0.45%

LAB 70.89, -9.78, 65.43

 

CMYK 0 / 28 / 79 / 26

HEX #BD8828

RGB 189 136 40

HSL 38.66, 0.65%, 0.45%

LAB 60.41, 11.74, 55.91

 

CMYK 0 / 50 / 79 / 26

HEX #BD5F28

RGB 189 95 40

HSL 22.15, 0.65%, 0.45%

LAB 50.87, 34.09, 46.85

 

CMYK 0 / 71 / 79 / 26

HEX #BD3728

RGB 189 55 40

HSL 6.04, 0.65%, 0.45%

LAB 43.81, 52.59, 39.8

 

CMYK 0 / 79 / 79 / 26

HEX #BD2828

RGB 189 40 40

HSL 0, 0.65%, 0.45%

LAB 41.98, 57.66, 37.92

 

CMYK 0 / 7 / 79 / 26

HEX #BDB028

RGB 189 176 40

HSL 54.77, 0.65%, 0.45%

LAB 70.89, -9.78, 65.43

 

CMYK 14 / 0 / 79 / 26

HEX #A2BD28

RGB 162 189 40

HSL 70.87, 0.65%, 0.45%

LAB 72.38, -27.84, 65.98

 

CMYK 36 / 0 / 79 / 26

HEX #79BD28

RGB 121 189 40

HSL 87.38, 0.65%, 0.45%

LAB 69.9, -43.77, 62.8

 

CMYK 57 / 0 / 79 / 26

HEX #51BD28

RGB 81 189 40

HSL 103.49, 0.65%, 0.45%

LAB 68.24, -56.23, 60.64

 

CMYK 78 / 0 / 79 / 26

HEX #29BD28

RGB 41 189 40

HSL 119.6, 0.65%, 0.45%

LAB 67.29, -64.15, 59.4

 

CMYK 0 / 7 / 79 / 26

HEX #BDB028

RGB 189 176 40

HSL 54.77, 0.65%, 0.45%

LAB 70.89, -9.78, 65.43

 

CMYK 0 / 8 / 90 / 19

HEX #CFBF15

RGB 207 191 21

HSL 54.84, 0.82%, 0.45%

LAB 76.42, -10.14, 75.14

 

CMYK 0 / 9 / 99 / 11

HEX #E2CE03

RGB 226 206 3

HSL 54.62, 0.97%, 0.45%

LAB 82.01, -9.75, 82.15

 

CMYK 0 / 7 / 79 / 26

HEX #BDB028

RGB 189 176 40

HSL 54.77, 0.65%, 0.45%

LAB 70.89, -9.78, 65.43

 

CMYK 0 / 5 / 66 / 33

HEX #AAA13A

RGB 170 161 58

HSL 55.18, 0.49%, 0.45%

LAB 65.23, -9.38, 52.79

 

CMYK 0 / 5 / 49 / 40

HEX #98914D

RGB 152 145 77

HSL 54.4, 0.33%, 0.45%

LAB 59.4, -7.16, 36.75

 

CMYK 0 / 2 / 29 / 48

HEX #85825F

RGB 133 130 95

HSL 55.26, 0.17%, 0.45%

LAB 53.79, -4.82, 19.41

 

CMYK 0 / 0 / 1 / 55

HEX #737372

RGB 115 115 114

HSL 60, 0%, 0.45%

LAB 48.41, -0.2, 0.55

 

CMYK 0 / 50 / 79 / 26

HEX #BD5E28

RGB 189 94 40

HSL 21.74, 0.65%, 0.45%

LAB 50.66, 34.61, 46.65

 

CMYK 0 / 29 / 79 / 26

HEX #BD8628

RGB 189 134 40

HSL 37.85, 0.65%, 0.45%

LAB 59.91, 12.84, 55.45

 

CMYK 0 / 8 / 79 / 26

HEX #BDAE28

RGB 189 174 40

HSL 53.96, 0.65%, 0.45%

LAB 70.35, -8.74, 64.95

 

CMYK 13 / 0 / 79 / 26

HEX #A4BD28

RGB 164 189 40

HSL 70.07, 0.65%, 0.45%

LAB 72.52, -27.01, 66.16

 

CMYK 34 / 0 / 79 / 26

HEX #7CBD28

RGB 124 189 40

HSL 86.17, 0.65%, 0.45%

LAB 70.06, -42.7, 63

 

CMYK 0 / 7 / 79 / 53

HEX #797019

RGB 121 112 25

HSL 54.38, 0.66%, 0.29%

LAB 46.61, -6.73, 46.07

 

CMYK 0 / 7 / 79 / 39

HEX #9B9020

RGB 155 144 32

HSL 54.63, 0.66%, 0.37%

LAB 58.99, -8.31, 56.14

 

CMYK 0 / 7 / 79 / 26

HEX #BDB028

RGB 189 176 40

HSL 54.77, 0.65%, 0.45%

LAB 70.89, -9.78, 65.43

 

CMYK 0 / 7 / 73 / 16

HEX #D5C739

RGB 213 199 57

HSL 54.62, 0.65%, 0.53%

LAB 79.21, -10.54, 68.31

 

CMYK 0 / 5 / 59 / 14

HEX #DCD15B

RGB 220 209 91

HSL 54.88, 0.65%, 0.61%

LAB 82.69, -10.73, 58.53

 

CMYK 0 / 7 / 79 / 26

HEX #BDB028

RGB 189 176 40

HSL 54.77, 0.65%, 0.45%

LAB 70.89, -9.78, 65.43

 

CMYK 79 / 0 / 71 / 26

HEX #28BD37

RGB 40 189 55

HSL 126.04, 0.65%, 0.45%

LAB 67.37, -63.14, 54.3

 

CMYK 40 / 79 / 0 / 26

HEX #7228BD

RGB 114 40 189

HSL 269.8, 0.65%, 0.45%

LAB 35.54, 58.93, -64.35

 

CMYK 0 / 7 / 79 / 26

HEX #BDB028

RGB 189 176 40

HSL 54.77, 0.65%, 0.45%

LAB 70.89, -9.78, 65.43

 

CMYK 79 / 0 / 8 / 26

HEX #28BDAE

RGB 40 189 174

HSL 173.96, 0.65%, 0.45%

LAB 69.4, -40.59, -3.2

 

CMYK 8 / 79 / 0 / 26

HEX #AE28BD

RGB 174 40 189

HSL 293.96, 0.65%, 0.45%

LAB 44.5, 69.5, -49.4

 

CMYK 0 / 7 / 79 / 26

HEX #BDB028

RGB 189 176 40

HSL 54.77, 0.65%, 0.45%

LAB 70.89, -9.78, 65.43

 

CMYK 79 / 0 / 71 / 26

HEX #28BD37

RGB 40 189 55

HSL 126.04, 0.65%, 0.45%

LAB 67.37, -63.14, 54.3

 

CMYK 79 / 71 / 0 / 26

HEX #2837BD

RGB 40 55 189

HSL 233.96, 0.65%, 0.45%

LAB 31.48, 42.11, -71.26

 

CMYK 0 / 79 / 8 / 26

HEX #BD28AE

RGB 189 40 174

HSL 306.04, 0.65%, 0.45%

LAB 46.17, 70.13, -37.78

 

CMYK 0 / 7 / 79 / 26

HEX #BDB028

RGB 189 176 40

HSL 54.77, 0.65%, 0.45%

LAB 70.89, -9.78, 65.43

 

CMYK 79 / 0 / 48 / 26

HEX #28BD63

RGB 40 189 99

HSL 143.76, 0.65%, 0.45%

LAB 67.83, -57.53, 34.84

 

CMYK 79 / 71 / 0 / 26

HEX #2837BD

RGB 40 55 189

HSL 233.96, 0.65%, 0.45%

LAB 31.48, 42.11, -71.26

 

CMYK 0 / 79 / 32 / 26

HEX #BD2881

RGB 189 40 129

HSL 324.16, 0.65%, 0.45%

LAB 44.12, 64.22, -13.88

 

Description

Color code: HEX #BDB028 | qconv.com Color code: HEX #BDB028 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 176 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 176 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 79 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 79% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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