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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDB65C it is the complementary color #4249A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDB65C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDB65C shade: #C2B657, #D3C86A, #E4DA7D, #F5EC90 and #FFFEA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDB65C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDB65C shade: #BDB65C, #ACA449, #9B9236, #8A8023 and #796E10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDB65C shade: #BCB55C, #BC9B5C, #BC815C, #BC675C and #BC5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDB65C shade: #BCB55C, #A9BC5C, #8FBC5C, #75BC5C and #5CBC5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDB65C shade matches the following richer shades: #BCB55C, #CFC549, #E1D536 and #F4E524

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDB65C shade: #BCB55C, #A9A56E, #979581, #848593 and #7275A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDB65C shade: #BC815C, #BC9A5C, #BCB45C, #AABC5C and #91BC5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDB65C shade: #8C8639, #A9A245, #BCB55C, #C8C279 and #D4CF96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDB65C shade: #BDB65C, #5CBC67 and #8D5CBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDB65C shade: #BDB65C, #5CBCB4 and #B45CBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDB65C shade: #BDB65C, #5CBC67, #5C64BC and #BC5CB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDB65C shade: #BDB65C, #5CBC84, #5C64BC and #BC5C94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 51 / 26

HEX #BDB65C

RGB 189 182 92

HSL 55.67, 0.42%, 0.55%

LAB 72.92, -9.7, 46.19

 

Complementary color

CMYK 60 / 55 / 0 / 36

HEX #4249A3

RGB 66 73 163

HSL 235.67, 0.42%, 0.45%

LAB 35.14, 25, -49.76

 

CMYK 0 / 6 / 55 / 24

HEX #C2B657

RGB 194 182 87

HSL 53.27, 0.47%, 0.55%

LAB 73.29, -8.03, 49.13

 

CMYK 0 / 5 / 50 / 17

HEX #D3C86A

RGB 211 200 106

HSL 53.71, 0.54%, 0.62%

LAB 79.73, -8.66, 47.97

 

CMYK 0 / 4 / 45 / 11

HEX #E4DA7D

RGB 228 218 125

HSL 54.17, 0.66%, 0.69%

LAB 86.07, -9.2, 46.78

 

CMYK 0 / 4 / 41 / 4

HEX #F5EC90

RGB 245 236 144

HSL 54.65, 0.83%, 0.76%

LAB 92.32, -9.65, 45.61

 

CMYK 0 / 0 / 36 / 0

HEX #FFFEA3

RGB 255 254 163

HSL 59.35, 1%, 0.82%

LAB 97.95, -12.68, 43.66

 

CMYK 0 / 4 / 51 / 26

HEX #BDB65C

RGB 189 182 92

HSL 55.67, 0.42%, 0.55%

LAB 72.92, -9.7, 46.19

 

CMYK 0 / 5 / 58 / 33

HEX #ACA449

RGB 172 164 73

HSL 55.15, 0.4%, 0.48%

LAB 66.37, -9.06, 47.33

 

CMYK 0 / 6 / 65 / 39

HEX #9B9236

RGB 155 146 54

HSL 54.65, 0.48%, 0.41%

LAB 59.7, -8.25, 48.3

 

CMYK 0 / 7 / 75 / 46

HEX #8A8023

RGB 138 128 35

HSL 54.17, 0.6%, 0.34%

LAB 52.91, -7.24, 48.84

 

CMYK 0 / 9 / 87 / 53

HEX #796E10

RGB 121 110 16

HSL 53.71, 0.77%, 0.27%

LAB 45.98, -5.93, 48.4

 

CMYK 0 / 4 / 51 / 26

HEX #BCB55C

RGB 188 181 92

HSL 55.63, 0.42%, 0.55%

LAB 72.57, -9.6, 45.75

 

CMYK 0 / 18 / 51 / 26

HEX #BC9B5C

RGB 188 155 92

HSL 39.38, 0.42%, 0.55%

LAB 65.68, 4.24, 37.41

 

CMYK 0 / 31 / 51 / 26

HEX #BC815C

RGB 188 129 92

HSL 23.13, 0.42%, 0.55%

LAB 59.13, 18.57, 29.16

 

CMYK 0 / 45 / 51 / 26

HEX #BC675C

RGB 188 103 92

HSL 6.88, 0.42%, 0.55%

LAB 53.13, 32.81, 21.32

 

CMYK 0 / 51 / 51 / 26

HEX #BC5C5C

RGB 188 92 92

HSL 0, 0.42%, 0.55%

LAB 50.83, 38.59, 18.22

 

CMYK 0 / 4 / 51 / 26

HEX #BCB55C

RGB 188 181 92

HSL 55.63, 0.42%, 0.55%

LAB 72.57, -9.6, 45.75

 

CMYK 10 / 0 / 51 / 26

HEX #A9BC5C

RGB 169 188 92

HSL 71.88, 0.42%, 0.55%

LAB 73.01, -20.96, 45.91

 

CMYK 24 / 0 / 51 / 26

HEX #8FBC5C

RGB 143 188 92

HSL 88.13, 0.42%, 0.55%

LAB 71.27, -31.09, 43.41

 

CMYK 38 / 0 / 51 / 26

HEX #75BC5C

RGB 117 188 92

HSL 104.38, 0.42%, 0.55%

LAB 69.84, -40.3, 41.35

 

CMYK 51 / 0 / 51 / 26

HEX #5CBC5C

RGB 92 188 92

HSL 120, 0.42%, 0.55%

LAB 68.76, -47.89, 39.79

 

CMYK 0 / 4 / 51 / 26

HEX #BCB55C

RGB 188 181 92

HSL 55.63, 0.42%, 0.55%

LAB 72.57, -9.6, 45.75

 

CMYK 0 / 5 / 65 / 19

HEX #CFC549

RGB 207 197 73

HSL 55.52, 0.58%, 0.55%

LAB 78.27, -11.24, 61.14

 

CMYK 0 / 5 / 76 / 12

HEX #E1D536

RGB 225 213 54

HSL 55.79, 0.74%, 0.55%

LAB 83.89, -12.63, 74.03

 

CMYK 0 / 6 / 85 / 4

HEX #F4E524

RGB 244 229 36

HSL 55.67, 0.9%, 0.55%

LAB 89.58, -13.11, 84.15

 

CMYK 0 / 4 / 51 / 26

HEX #BCB55C

RGB 188 181 92

HSL 55.63, 0.42%, 0.55%

LAB 72.57, -9.6, 45.75

 

CMYK 0 / 2 / 35 / 34

HEX #A9A56E

RGB 169 165 110

HSL 55.93, 0.26%, 0.55%

LAB 66.88, -7.12, 29.07

 

CMYK 0 / 1 / 15 / 41

HEX #979581

RGB 151 149 129

HSL 54.55, 0.1%, 0.55%

LAB 61.36, -2.85, 10.83

 

CMYK 10 / 10 / 0 / 42

HEX #848593

RGB 132 133 147

HSL 236, 0.06%, 0.55%

LAB 55.87, 2.54, -7.61

 

CMYK 31 / 30 / 0 / 35

HEX #7275A6

RGB 114 117 166

HSL 236.54, 0.23%, 0.55%

LAB 50.75, 10.59, -26.57

 

CMYK 0 / 31 / 51 / 26

HEX #BC815C

RGB 188 129 92

HSL 23.13, 0.42%, 0.55%

LAB 59.13, 18.57, 29.16

 

CMYK 0 / 18 / 51 / 26

HEX #BC9A5C

RGB 188 154 92

HSL 38.75, 0.42%, 0.55%

LAB 65.42, 4.79, 37.09

 

CMYK 0 / 4 / 51 / 26

HEX #BCB45C

RGB 188 180 92

HSL 55, 0.42%, 0.55%

LAB 72.3, -9.08, 45.43

 

CMYK 10 / 0 / 51 / 26

HEX #AABC5C

RGB 170 188 92

HSL 71.25, 0.42%, 0.55%

LAB 73.08, -20.56, 46.01

 

CMYK 23 / 0 / 51 / 26

HEX #91BC5C

RGB 145 188 92

HSL 86.88, 0.42%, 0.55%

LAB 71.39, -30.33, 43.59

 

CMYK 0 / 4 / 59 / 45

HEX #8C8639

RGB 140 134 57

HSL 55.66, 0.42%, 0.39%

LAB 54.99, -8.21, 41.38

 

CMYK 0 / 4 / 59 / 34

HEX #A9A245

RGB 169 162 69

HSL 55.8, 0.42%, 0.47%

LAB 65.52, -9.6, 48.17

 

CMYK 0 / 4 / 51 / 26

HEX #BCB55C

RGB 188 181 92

HSL 55.63, 0.42%, 0.55%

LAB 72.57, -9.6, 45.75

 

CMYK 0 / 3 / 40 / 22

HEX #C8C279

RGB 200 194 121

HSL 55.44, 0.42%, 0.63%

LAB 77.43, -8.54, 37.45

HEX #C8C279

CMYK 0 / 2 / 29 / 17

HEX #D4CF96

RGB 212 207 150

HSL 55.16, 0.42%, 0.71%

LAB 82.28, -7.06, 29.02

HEX #D4CF96

CMYK 0 / 4 / 51 / 26

HEX #BDB65C

RGB 189 182 92

HSL 55.67, 0.42%, 0.55%

LAB 72.92, -9.7, 46.19

 

CMYK 51 / 0 / 45 / 26

HEX #5CBC67

RGB 92 188 103

HSL 126.88, 0.42%, 0.55%

LAB 68.91, -46.3, 34.45

 

CMYK 25 / 51 / 0 / 26

HEX #8D5CBC

RGB 141 92 188

HSL 270.63, 0.42%, 0.55%

LAB 48.19, 38.84, -43.2

 

CMYK 0 / 4 / 51 / 26

HEX #BDB65C

RGB 189 182 92

HSL 55.67, 0.42%, 0.55%

LAB 72.92, -9.7, 46.19

 

CMYK 51 / 0 / 4 / 26

HEX #5CBCB4

RGB 92 188 180

HSL 175, 0.42%, 0.55%

LAB 70.55, -30.24, -4.64

 

CMYK 4 / 51 / 0 / 26

HEX #B45CBC

RGB 180 92 188

HSL 295, 0.42%, 0.55%

LAB 52.94, 49.7, -35.4

 

CMYK 0 / 4 / 51 / 26

HEX #BDB65C

RGB 189 182 92

HSL 55.67, 0.42%, 0.55%

LAB 72.92, -9.7, 46.19

 

CMYK 51 / 0 / 45 / 26

HEX #5CBC67

RGB 92 188 103

HSL 126.88, 0.42%, 0.55%

LAB 68.91, -46.3, 34.45

 

CMYK 51 / 47 / 0 / 26

HEX #5C64BC

RGB 92 100 188

HSL 235, 0.42%, 0.55%

LAB 45.66, 21.6, -47.5

 

CMYK 0 / 51 / 6 / 26

HEX #BC5CB1

RGB 188 92 177

HSL 306.88, 0.42%, 0.55%

LAB 53.51, 50.02, -28.05

 

CMYK 0 / 4 / 51 / 26

HEX #BDB65C

RGB 189 182 92

HSL 55.67, 0.42%, 0.55%

LAB 72.92, -9.7, 46.19

 

CMYK 51 / 0 / 30 / 26

HEX #5CBC84

RGB 92 188 132

HSL 145, 0.42%, 0.55%

LAB 69.4, -41.22, 19.86

 

CMYK 51 / 47 / 0 / 26

HEX #5C64BC

RGB 92 100 188

HSL 235, 0.42%, 0.55%

LAB 45.66, 21.6, -47.5

 

CMYK 0 / 51 / 21 / 26

HEX #BC5C94

RGB 188 92 148

HSL 325, 0.42%, 0.55%

LAB 52.38, 45.36, -12.81

 

Description

Color code: HEX #BDB65C | qconv.com Color code: HEX #BDB65C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 182 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 182 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 51 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 51% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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