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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDB62D it is the complementary color #4249D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDB62D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDB62D shade: #C2B628, #D3C83B, #E4DA4E, #F5EC61 and #FFFE74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDB62D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDB62D shade: #BDB62D, #ACA41A, #9B9207, #8A8000 and #796E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDB62D shade: #BEB62C, #BE8F2C, #BE682C, #BE412C and #BE2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDB62D shade: #BEB62C, #9DBE2C, #76BE2C, #4FBE2C and #2CBE30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDB62D shade matches the following richer shades: #BEB62C, #D1C819 and #E3D906

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDB62D shade: #BEB62C, #ABA53F, #989452, #858365 and #727278

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDB62D shade: #BE692C, #BE8F2C, #BEB62C, #9EBE2C and #77BE2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDB62D shade: #7B761C, #9C9624, #BEB62C, #D2CB41 and #DAD462

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDB62D shade: #BDB62D, #2CBE42 and #7C2CBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDB62D shade: #BDB62D, #2CBEB6 and #B62CBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDB62D shade: #BDB62D, #2CBE42, #2C33BE and #BE2CA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDB62D shade: #BDB62D, #2CBE6E, #2C33BE and #BE2C7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 76 / 26

HEX #BDB62D

RGB 189 182 45

HSL 57.08, 0.62%, 0.46%

LAB 72.54, -12.68, 65.36

 

Complementary color

CMYK 69 / 65 / 0 / 18

HEX #4249D2

RGB 66 73 210

HSL 237.08, 0.62%, 0.54%

LAB 38.86, 41.12, -71.33

 

CMYK 0 / 6 / 79 / 24

HEX #C2B628

RGB 194 182 40

HSL 55.32, 0.66%, 0.46%

LAB 72.94, -10.69, 67.43

 

CMYK 0 / 5 / 72 / 17

HEX #D3C83B

RGB 211 200 59

HSL 55.66, 0.63%, 0.53%

LAB 79.31, -11.81, 67.65

 

CMYK 0 / 4 / 66 / 11

HEX #E4DA4E

RGB 228 218 78

HSL 56, 0.74%, 0.6%

LAB 85.6, -12.75, 67.27

 

CMYK 0 / 4 / 60 / 4

HEX #F5EC61

RGB 245 236 97

HSL 56.35, 0.88%, 0.67%

LAB 91.8, -13.55, 66.55

 

CMYK 0 / 0 / 55 / 0

HEX #FFFE74

RGB 255 254 116

HSL 59.57, 1%, 0.73%

LAB 97.39, -17, 64.87

 

CMYK 0 / 4 / 76 / 26

HEX #BDB62D

RGB 189 182 45

HSL 57.08, 0.62%, 0.46%

LAB 72.54, -12.68, 65.36

 

CMYK 0 / 5 / 85 / 33

HEX #ACA41A

RGB 172 164 26

HSL 56.71, 0.74%, 0.39%

LAB 66.06, -11.47, 64.52

 

CMYK 0 / 6 / 95 / 39

HEX #9B9207

RGB 155 146 7

HSL 56.35, 0.91%, 0.32%

LAB 59.47, -10.01, 62.22

 

CMYK 0 / 7 / 100 / 46

HEX #8A8000

RGB 138 128 0

HSL 55.65, 1%, 0.27%

LAB 52.78, -8.25, 57.75

 

CMYK 0 / 9 / 100 / 53

HEX #796E00

RGB 121 110 0

HSL 54.55, 1%, 0.24%

LAB 45.93, -6.31, 52.07

 

CMYK 0 / 4 / 77 / 25

HEX #BEB62C

RGB 190 182 44

HSL 56.71, 0.62%, 0.46%

LAB 72.62, -12.29, 65.78

 

CMYK 0 / 25 / 77 / 25

HEX #BE8F2C

RGB 190 143 44

HSL 40.68, 0.62%, 0.46%

LAB 62.32, 8.49, 56.22

 

CMYK 0 / 45 / 77 / 25

HEX #BE682C

RGB 190 104 44

HSL 24.66, 0.62%, 0.46%

LAB 52.98, 29.88, 47.13

 

CMYK 0 / 66 / 77 / 25

HEX #BE412C

RGB 190 65 44

HSL 8.63, 0.62%, 0.46%

LAB 45.51, 49.05, 39.47

 

CMYK 0 / 77 / 77 / 25

HEX #BE2C2C

RGB 190 44 44

HSL 0, 0.62%, 0.46%

LAB 42.66, 56.88, 36.42

 

CMYK 0 / 4 / 77 / 25

HEX #BEB62C

RGB 190 182 44

HSL 56.71, 0.62%, 0.46%

LAB 72.62, -12.29, 65.78

 

CMYK 17 / 0 / 77 / 25

HEX #9DBE2C

RGB 157 190 44

HSL 73.56, 0.62%, 0.46%

LAB 72.35, -30.19, 64.62

 

CMYK 38 / 0 / 77 / 25

HEX #76BE2C

RGB 118 190 44

HSL 89.59, 0.62%, 0.46%

LAB 70.08, -45.04, 61.67

 

CMYK 58 / 0 / 77 / 25

HEX #4FBE2C

RGB 79 190 44

HSL 105.62, 0.62%, 0.46%

LAB 68.51, -56.85, 59.63

 

CMYK 77 / 0 / 75 / 25

HEX #2CBE30

RGB 44 190 48

HSL 121.64, 0.62%, 0.46%

LAB 67.71, -63.48, 57.21

 

CMYK 0 / 4 / 77 / 25

HEX #BEB62C

RGB 190 182 44

HSL 56.71, 0.62%, 0.46%

LAB 72.62, -12.29, 65.78

 

CMYK 0 / 4 / 88 / 18

HEX #D1C819

RGB 209 200 25

HSL 57.07, 0.79%, 0.46%

LAB 79, -13.76, 76.55

 

CMYK 0 / 4 / 97 / 11

HEX #E3D906

RGB 227 217 6

HSL 57.29, 0.95%, 0.46%

LAB 84.98, -14.79, 84.09

 

CMYK 0 / 4 / 77 / 25

HEX #BEB62C

RGB 190 182 44

HSL 56.71, 0.62%, 0.46%

LAB 72.62, -12.29, 65.78

 

CMYK 0 / 4 / 63 / 33

HEX #ABA53F

RGB 171 165 63

HSL 56.67, 0.46%, 0.46%

LAB 66.46, -10.73, 51.96

 

CMYK 0 / 3 / 46 / 40

HEX #989452

RGB 152 148 82

HSL 56.57, 0.3%, 0.46%

LAB 60.31, -8.28, 35.26

 

CMYK 0 / 2 / 24 / 48

HEX #858365

RGB 133 131 101

HSL 56.25, 0.14%, 0.46%

LAB 54.2, -4.49, 16.54

 

CMYK 5 / 5 / 0 / 53

HEX #727278

RGB 114 114 120

HSL 240, 0.03%, 0.46%

LAB 48.22, 1.25, -3.31

 

CMYK 0 / 45 / 77 / 25

HEX #BE692C

RGB 190 105 44

HSL 25.07, 0.62%, 0.46%

LAB 53.2, 29.34, 47.35

 

CMYK 0 / 25 / 77 / 25

HEX #BE8F2C

RGB 190 143 44

HSL 40.68, 0.62%, 0.46%

LAB 62.32, 8.49, 56.22

 

CMYK 0 / 4 / 77 / 25

HEX #BEB62C

RGB 190 182 44

HSL 56.71, 0.62%, 0.46%

LAB 72.62, -12.29, 65.78

 

CMYK 17 / 0 / 77 / 25

HEX #9EBE2C

RGB 158 190 44

HSL 73.15, 0.62%, 0.46%

LAB 72.41, -29.78, 64.7

 

CMYK 37 / 0 / 77 / 25

HEX #77BE2C

RGB 119 190 44

HSL 89.18, 0.62%, 0.46%

LAB 70.13, -44.7, 61.74

 

CMYK 0 / 4 / 77 / 52

HEX #7B761C

RGB 123 118 28

HSL 56.84, 0.63%, 0.3%

LAB 48.58, -9.01, 46.88

 

CMYK 0 / 4 / 77 / 39

HEX #9C9624

RGB 156 150 36

HSL 57, 0.63%, 0.38%

LAB 60.79, -10.9, 56.48

 

CMYK 0 / 4 / 77 / 25

HEX #BEB62C

RGB 190 182 44

HSL 56.71, 0.62%, 0.46%

LAB 72.62, -12.29, 65.78

 

CMYK 0 / 3 / 69 / 18

HEX #D2CB41

RGB 210 203 65

HSL 57.1, 0.62%, 0.54%

LAB 80.06, -13.46, 66.18

 

CMYK 0 / 3 / 55 / 15

HEX #DAD462

RGB 218 212 98

HSL 57, 0.62%, 0.62%

LAB 83.38, -12.55, 56.13

 

CMYK 0 / 4 / 76 / 26

HEX #BDB62D

RGB 189 182 45

HSL 57.08, 0.62%, 0.46%

LAB 72.54, -12.68, 65.36

 

CMYK 77 / 0 / 65 / 25

HEX #2CBE42

RGB 44 190 66

HSL 129.04, 0.62%, 0.46%

LAB 67.84, -61.84, 50.39

 

CMYK 35 / 77 / 0 / 25

HEX #7C2CBE

RGB 124 44 190

HSL 272.88, 0.62%, 0.46%

LAB 37.49, 59.25, -61.7

 

CMYK 0 / 4 / 76 / 26

HEX #BDB62D

RGB 189 182 45

HSL 57.08, 0.62%, 0.46%

LAB 72.54, -12.68, 65.36

 

CMYK 77 / 0 / 4 / 25

HEX #2CBEB6

RGB 44 190 182

HSL 176.71, 0.62%, 0.46%

LAB 69.99, -38.38, -6.7

 

CMYK 4 / 77 / 0 / 25

HEX #B62CBE

RGB 182 44 190

HSL 296.71, 0.62%, 0.46%

LAB 46.26, 70.1, -47.1

 

CMYK 0 / 4 / 76 / 26

HEX #BDB62D

RGB 189 182 45

HSL 57.08, 0.62%, 0.46%

LAB 72.54, -12.68, 65.36

 

CMYK 77 / 0 / 65 / 25

HEX #2CBE42

RGB 44 190 66

HSL 129.04, 0.62%, 0.46%

LAB 67.84, -61.84, 50.39

 

CMYK 77 / 73 / 0 / 25

HEX #2C33BE

RGB 44 51 190

HSL 237.12, 0.62%, 0.46%

LAB 30.93, 45.15, -72.76

 

CMYK 0 / 77 / 12 / 25

HEX #BE2CA8

RGB 190 44 168

HSL 309.04, 0.62%, 0.46%

LAB 46.41, 68.37, -33.83

 

CMYK 0 / 4 / 76 / 26

HEX #BDB62D

RGB 189 182 45

HSL 57.08, 0.62%, 0.46%

LAB 72.54, -12.68, 65.36

 

CMYK 77 / 0 / 42 / 25

HEX #2CBE6E

RGB 44 190 110

HSL 147.12, 0.62%, 0.46%

LAB 68.38, -55.47, 29.91

 

CMYK 77 / 73 / 0 / 25

HEX #2C33BE

RGB 44 51 190

HSL 237.12, 0.62%, 0.46%

LAB 30.93, 45.15, -72.76

 

CMYK 0 / 77 / 35 / 25

HEX #BE2C7C

RGB 190 44 124

HSL 327.12, 0.62%, 0.46%

LAB 44.52, 62.75, -10.19

 

Description

Color code: HEX #BDB62D | qconv.com Color code: HEX #BDB62D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 182 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 182 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 76 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 76% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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