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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDB5D2 it is the complementary color #424A2D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDB5D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDB5D2 shade: #C2B5CD, #D3C7E0, #E4D9F3, #F5EBFF and #FFFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDB5D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDB5D2 shade: #BDB5D2, #ACA3BF, #9B91AC, #8A7F99 and #796D86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDB5D2 shade: #BEB6D2, #C5B6D2, #CDB6D2, #D2B6D0 and #D2B6C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDB5D2 shade: #BEB6D2, #B6B6D2 and #B6B6D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDB5D2 shade matches the following richer shades: #BEB6D2, #B9ACDB, #B5A3E5, #B199EE and #AD90F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDB5D2 shade: #BEB6D2, #C2BFC8, #C6C9BF, #CAD2B5 and #CFDCAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDB5D2 shade: #B6BDD2, #B6B6D2, #BDB6D2, #C5B6D2 and #CCB6D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDB5D2 shade: #9083B3, #A79CC2, #BEB6D2, #D4CFE2 and #EBE9F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDB5D2 shade: #BDB5D2, #D2B6C5 and #BAD2B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDB5D2 shade: #BDB5D2, #D2BDB6 and #B6D2BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDB5D2 shade: #BDB5D2, #D2B6C5, #CAD2B6 and #B6D2C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDB5D2 shade: #BDB5D2, #D2B6BC, #CAD2B6 and #B6D2CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 14 / 0 / 18

HEX #BDB5D2

RGB 189 181 210

HSL 256.55, 0.24%, 0.77%

LAB 75.15, 8.41, -13.58

 

Complementary color

CMYK 11 / 0 / 39 / 71

HEX #424A2D

RGB 66 74 45

HSL 76.55, 0.24%, 0.23%

LAB 30.02, -8.94, 16.27

 

CMYK 5 / 12 / 0 / 20

HEX #C2B5CD

RGB 194 181 205

HSL 272.5, 0.19%, 0.76%

LAB 75.4, 9.08, -10.44

 

CMYK 6 / 11 / 0 / 12

HEX #D3C7E0

RGB 211 199 224

HSL 268.8, 0.29%, 0.83%

LAB 81.88, 8.78, -10.89

 

CMYK 6 / 11 / 0 / 5

HEX #E4D9F3

RGB 228 217 243

HSL 265.38, 0.52%, 0.9%

LAB 88.25, 8.5, -11.34

 

CMYK 4 / 8 / 0 / 0

HEX #F5EBFF

RGB 245 235 255

HSL 270, 1%, 0.96%

LAB 94.33, 6.93, -8.43

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 10 / 14 / 0 / 18

HEX #BDB5D2

RGB 189 181 210

HSL 256.55, 0.24%, 0.77%

LAB 75.15, 8.41, -13.58

 

CMYK 10 / 15 / 0 / 25

HEX #ACA3BF

RGB 172 163 191

HSL 259.29, 0.18%, 0.69%

LAB 68.55, 8.72, -13.19

 

CMYK 10 / 16 / 0 / 33

HEX #9B91AC

RGB 155 145 172

HSL 262.22, 0.14%, 0.62%

LAB 61.82, 9.05, -12.8

 

CMYK 10 / 17 / 0 / 40

HEX #8A7F99

RGB 138 127 153

HSL 265.38, 0.11%, 0.55%

LAB 54.95, 9.42, -12.42

 

CMYK 10 / 19 / 0 / 47

HEX #796D86

RGB 121 109 134

HSL 268.8, 0.1%, 0.48%

LAB 47.91, 9.82, -12.04

 

CMYK 10 / 13 / 0 / 18

HEX #BEB6D2

RGB 190 182 210

HSL 257.14, 0.24%, 0.77%

LAB 75.49, 8.2, -13.07

 

CMYK 6 / 13 / 0 / 18

HEX #C5B6D2

RGB 197 182 210

HSL 272.14, 0.24%, 0.77%

LAB 76.06, 10.53, -12.16

 

CMYK 2 / 13 / 0 / 18

HEX #CDB6D2

RGB 205 182 210

HSL 289.29, 0.24%, 0.77%

LAB 76.73, 13.22, -11.08

 

CMYK 0 / 13 / 1 / 18

HEX #D2B6D0

RGB 210 182 208

HSL 304.29, 0.24%, 0.77%

LAB 77.11, 14.55, -9.39

 

CMYK 0 / 13 / 5 / 18

HEX #D2B6C8

RGB 210 182 200

HSL 321.43, 0.24%, 0.77%

LAB 76.88, 13.1, -5.39

 

CMYK 10 / 13 / 0 / 18

HEX #BEB6D2

RGB 190 182 210

HSL 257.14, 0.24%, 0.77%

LAB 75.49, 8.2, -13.07

 

CMYK 13 / 13 / 0 / 18

HEX #B6B6D2

RGB 182 182 210

HSL 240, 0.24%, 0.77%

LAB 74.86, 5.57, -14.08

 

CMYK 13 / 13 / 0 / 18

HEX #B6B6D2

RGB 182 182 210

HSL 240, 0.24%, 0.77%

LAB 74.86, 5.57, -14.08

 

CMYK 10 / 13 / 0 / 18

HEX #BEB6D2

RGB 190 182 210

HSL 257.14, 0.24%, 0.77%

LAB 75.49, 8.2, -13.07

 

CMYK 16 / 21 / 0 / 14

HEX #B9ACDB

RGB 185 172 219

HSL 256.6, 0.39%, 0.77%

LAB 72.85, 13.95, -22.01

 

CMYK 21 / 29 / 0 / 10

HEX #B5A3E5

RGB 181 163 229

HSL 256.36, 0.56%, 0.77%

LAB 70.65, 19.93, -30.88

 

CMYK 26 / 36 / 0 / 7

HEX #B199EE

RGB 177 153 238

HSL 256.94, 0.71%, 0.77%

LAB 68.24, 26.45, -39.56

 

CMYK 30 / 42 / 0 / 3

HEX #AD90F8

RGB 173 144 248

HSL 256.73, 0.88%, 0.77%

LAB 66.22, 32.84, -48.24

 

CMYK 10 / 13 / 0 / 18

HEX #BEB6D2

RGB 190 182 210

HSL 257.14, 0.24%, 0.77%

LAB 75.49, 8.2, -13.07

 

CMYK 3 / 5 / 0 / 22

HEX #C2BFC8

RGB 194 191 200

HSL 260, 0.08%, 0.77%

LAB 77.82, 2.73, -4.15

 

CMYK 1 / 0 / 5 / 21

HEX #C6C9BF

RGB 198 201 191

HSL 78, 0.08%, 0.77%

LAB 80.48, -2.84, 4.62

 

CMYK 4 / 0 / 14 / 18

HEX #CAD2B5

RGB 202 210 181

HSL 76.55, 0.24%, 0.77%

LAB 82.91, -7.79, 13.46

 

CMYK 6 / 0 / 22 / 14

HEX #CFDCAC

RGB 207 220 172

HSL 76.25, 0.41%, 0.77%

LAB 85.72, -12.48, 22.17

 

CMYK 13 / 10 / 0 / 18

HEX #B6BDD2

RGB 182 189 210

HSL 225, 0.24%, 0.77%

LAB 76.68, 1.79, -11.36

 

CMYK 13 / 13 / 0 / 18

HEX #B6B6D2

RGB 182 182 210

HSL 240, 0.24%, 0.77%

LAB 74.86, 5.57, -14.08

 

CMYK 10 / 13 / 0 / 18

HEX #BDB6D2

RGB 189 182 210

HSL 255, 0.24%, 0.77%

LAB 75.41, 7.87, -13.2

 

CMYK 6 / 13 / 0 / 18

HEX #C5B6D2

RGB 197 182 210

HSL 272.14, 0.24%, 0.77%

LAB 76.06, 10.53, -12.16

 

CMYK 3 / 13 / 0 / 18

HEX #CCB6D2

RGB 204 182 210

HSL 287.14, 0.24%, 0.77%

LAB 76.65, 12.88, -11.22

 

CMYK 20 / 27 / 0 / 30

HEX #9083B3

RGB 144 131 179

HSL 256.25, 0.24%, 0.61%

LAB 57.48, 15, -23.48

 

CMYK 14 / 20 / 0 / 24

HEX #A79CC2

RGB 167 156 194

HSL 257.37, 0.24%, 0.69%

LAB 66.43, 11.6, -18.1

 

CMYK 10 / 13 / 0 / 18

HEX #BEB6D2

RGB 190 182 210

HSL 257.14, 0.24%, 0.77%

LAB 75.49, 8.2, -13.07

 

CMYK 6 / 8 / 0 / 11

HEX #D4CFE2

RGB 212 207 226

HSL 255.79, 0.25%, 0.85%

LAB 84.02, 5.25, -8.76

 

CMYK 2 / 3 / 0 / 5

HEX #EBE9F1

RGB 235 233 241

HSL 255, 0.22%, 0.93%

LAB 92.7, 2.11, -3.64

 

CMYK 10 / 14 / 0 / 18

HEX #BDB5D2

RGB 189 181 210

HSL 256.55, 0.24%, 0.77%

LAB 75.15, 8.41, -13.58

 

CMYK 0 / 13 / 6 / 18

HEX #D2B6C5

RGB 210 182 197

HSL 327.86, 0.24%, 0.77%

LAB 76.79, 12.57, -3.88

 

CMYK 11 / 0 / 13 / 18

HEX #BAD2B6

RGB 186 210 182

HSL 111.43, 0.24%, 0.77%

LAB 81.79, -13.25, 11.18

 

CMYK 10 / 14 / 0 / 18

HEX #BDB5D2

RGB 189 181 210

HSL 256.55, 0.24%, 0.77%

LAB 75.15, 8.41, -13.58

 

CMYK 0 / 10 / 13 / 18

HEX #D2BDB6

RGB 210 189 182

HSL 15, 0.24%, 0.77%

LAB 78.15, 6.27, 6.23

 

CMYK 13 / 0 / 10 / 18

HEX #B6D2BD

RGB 182 210 189

HSL 135, 0.24%, 0.77%

LAB 81.68, -13.36, 7.27

 

CMYK 10 / 14 / 0 / 18

HEX #BDB5D2

RGB 189 181 210

HSL 256.55, 0.24%, 0.77%

LAB 75.15, 8.41, -13.58

 

CMYK 0 / 13 / 6 / 18

HEX #D2B6C5

RGB 210 182 197

HSL 327.86, 0.24%, 0.77%

LAB 76.79, 12.57, -3.88

 

CMYK 4 / 0 / 13 / 18

HEX #CAD2B6

RGB 202 210 182

HSL 77.14, 0.24%, 0.77%

LAB 82.93, -7.63, 12.96

 

CMYK 13 / 0 / 7 / 18

HEX #B6D2C3

RGB 182 210 195

HSL 147.86, 0.24%, 0.77%

LAB 81.83, -12.23, 4.28

 

CMYK 10 / 14 / 0 / 18

HEX #BDB5D2

RGB 189 181 210

HSL 256.55, 0.24%, 0.77%

LAB 75.15, 8.41, -13.58

 

CMYK 0 / 13 / 10 / 18

HEX #D2B6BC

RGB 210 182 188

HSL 347.14, 0.24%, 0.77%

LAB 76.55, 11.02, 0.66

 

CMYK 4 / 0 / 13 / 18

HEX #CAD2B6

RGB 202 210 182

HSL 77.14, 0.24%, 0.77%

LAB 82.93, -7.63, 12.96

 

CMYK 13 / 0 / 3 / 18

HEX #B6D2CB

RGB 182 210 203

HSL 165, 0.24%, 0.77%

LAB 82.03, -10.69, 0.31

 

Description

Color code: HEX #BDB5D2 | qconv.com Color code: HEX #BDB5D2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 181 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 181 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 14 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 14% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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