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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDAE0E it is the complementary color #4251F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDAE0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDAE0E shade: #C2AE09, #D3C01C, #E4D22F, #F5E442 and #FFF655

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDAE0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDAE0E shade: #BDAE0E, #AC9C00, #9B8A00, #8A7800 and #796600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDAE0E shade: #BDAE0E, #BD7F0E, #BD500E, #BD200E and #BD0E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDAE0E shade: #BDAE0E, #9DBD0E, #6EBD0E, #3EBD0E and #0FBD0E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDAE0E shade matches the following richer shades: #BDAE0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDAE0E shade: #BDAE0E, #ADA11E, #9C932F, #8C853F and #7B7750

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDAE0E shade: #BD4E0E, #BD7D0E, #BDAC0E, #A0BD0E and #71BD0E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDAE0E shade: #706808, #978B0B, #BDAE0E, #E4D211 and #EFDE2F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDAE0E shade: #BDAE0E, #0EBD1F and #660EBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDAE0E shade: #BDAE0E, #0EBDAC and #AC0EBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDAE0E shade: #BDAE0E, #0EBD1F, #0E1FBD and #BD0EAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDAE0E shade: #BDAE0E, #0EBD54, #0E1FBD and #BD0E77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 93 / 26

HEX #BDAE0E

RGB 189 174 14

HSL 54.86, 0.86%, 0.4%

LAB 70.26, -9.38, 70.78

 

Complementary color

CMYK 73 / 66 / 0 / 5

HEX #4251F1

RGB 66 81 241

HSL 234.86, 0.86%, 0.6%

LAB 43.35, 46.77, -81.6

 

CMYK 0 / 10 / 95 / 24

HEX #C2AE09

RGB 194 174 9

HSL 53.51, 0.91%, 0.4%

LAB 70.71, -7.23, 71.95

 

CMYK 0 / 9 / 87 / 17

HEX #D3C01C

RGB 211 192 28

HSL 53.77, 0.77%, 0.47%

LAB 77.06, -8.78, 74.49

 

CMYK 0 / 8 / 79 / 11

HEX #E4D22F

RGB 228 210 47

HSL 54.03, 0.77%, 0.54%

LAB 83.33, -10.11, 75.69

 

CMYK 0 / 7 / 73 / 4

HEX #F5E442

RGB 245 228 66

HSL 54.3, 0.9%, 0.61%

LAB 89.53, -11.25, 76

 

CMYK 0 / 4 / 67 / 0

HEX #FFF655

RGB 255 246 85

HSL 56.82, 1%, 0.67%

LAB 95.09, -15.08, 74.98

 

CMYK 0 / 8 / 93 / 26

HEX #BDAE0E

RGB 189 174 14

HSL 54.86, 0.86%, 0.4%

LAB 70.26, -9.38, 70.78

 

CMYK 0 / 9 / 100 / 33

HEX #AC9C00

RGB 172 156 0

HSL 54.42, 1%, 0.34%

LAB 63.79, -7.71, 67.12

 

CMYK 0 / 11 / 100 / 39

HEX #9B8A00

RGB 155 138 0

HSL 53.42, 1%, 0.3%

LAB 57.22, -5.8, 61.68

 

CMYK 0 / 13 / 100 / 46

HEX #8A7800

RGB 138 120 0

HSL 52.17, 1%, 0.27%

LAB 50.5, -3.82, 56.11

 

CMYK 0 / 16 / 100 / 53

HEX #796600

RGB 121 102 0

HSL 50.58, 1%, 0.24%

LAB 43.61, -1.73, 50.42

 

CMYK 0 / 8 / 93 / 26

HEX #BDAE0E

RGB 189 174 14

HSL 54.86, 0.86%, 0.4%

LAB 70.26, -9.38, 70.78

 

CMYK 0 / 33 / 93 / 26

HEX #BD7F0E

RGB 189 127 14

HSL 38.74, 0.86%, 0.4%

LAB 58.06, 16.02, 61.61

 

CMYK 0 / 58 / 93 / 26

HEX #BD500E

RGB 189 80 14

HSL 22.63, 0.86%, 0.4%

LAB 47.74, 41.01, 54.16

 

CMYK 0 / 83 / 93 / 26

HEX #BD200E

RGB 189 32 14

HSL 6.17, 0.86%, 0.4%

LAB 41.03, 59.22, 49.63

 

CMYK 0 / 93 / 93 / 26

HEX #BD0E0E

RGB 189 14 14

HSL 0, 0.86%, 0.4%

LAB 39.86, 62.58, 48.88

 

CMYK 0 / 8 / 93 / 26

HEX #BDAE0E

RGB 189 174 14

HSL 54.86, 0.86%, 0.4%

LAB 70.26, -9.38, 70.78

 

CMYK 17 / 0 / 93 / 26

HEX #9DBD0E

RGB 157 189 14

HSL 70.97, 0.86%, 0.4%

LAB 71.96, -30.63, 71.02

 

CMYK 42 / 0 / 93 / 26

HEX #6EBD0E

RGB 110 189 14

HSL 87.09, 0.86%, 0.4%

LAB 69.29, -48.51, 67.76

 

CMYK 67 / 0 / 93 / 26

HEX #3EBD0E

RGB 62 189 14

HSL 103.54, 0.86%, 0.4%

LAB 67.61, -61.71, 65.69

 

CMYK 92 / 0 / 93 / 26

HEX #0FBD0E

RGB 15 189 14

HSL 119.66, 0.86%, 0.4%

LAB 66.92, -67.79, 64.83

 

CMYK 0 / 8 / 93 / 26

HEX #BDAE0E

RGB 189 174 14

HSL 54.86, 0.86%, 0.4%

LAB 70.26, -9.38, 70.78

 

CMYK 0 / 8 / 93 / 26

HEX #BDAE0E

RGB 189 174 14

HSL 54.86, 0.86%, 0.4%

LAB 70.26, -9.38, 70.78

 

CMYK 0 / 7 / 83 / 32

HEX #ADA11E

RGB 173 161 30

HSL 54.97, 0.7%, 0.4%

LAB 65.33, -9.33, 62.92

 

CMYK 0 / 6 / 70 / 39

HEX #9C932F

RGB 156 147 47

HSL 55.05, 0.54%, 0.4%

LAB 60.02, -8.77, 51.63

 

CMYK 0 / 5 / 55 / 45

HEX #8C853F

RGB 140 133 63

HSL 54.55, 0.38%, 0.4%

LAB 54.77, -7.16, 38.16

 

CMYK 0 / 3 / 35 / 52

HEX #7B7750

RGB 123 119 80

HSL 54.42, 0.21%, 0.4%

LAB 49.48, -4.93, 22.04

 

CMYK 0 / 59 / 93 / 26

HEX #BD4E0E

RGB 189 78 14

HSL 21.94, 0.86%, 0.4%

LAB 47.36, 41.98, 53.9

 

CMYK 0 / 34 / 93 / 26

HEX #BD7D0E

RGB 189 125 14

HSL 38.06, 0.86%, 0.4%

LAB 57.58, 17.13, 61.25

 

CMYK 0 / 9 / 93 / 26

HEX #BDAC0E

RGB 189 172 14

HSL 54.17, 0.86%, 0.4%

LAB 69.72, -8.34, 70.37

 

CMYK 15 / 0 / 93 / 26

HEX #A0BD0E

RGB 160 189 14

HSL 69.94, 0.86%, 0.4%

LAB 72.16, -29.39, 71.27

 

CMYK 40 / 0 / 93 / 26

HEX #71BD0E

RGB 113 189 14

HSL 86.06, 0.86%, 0.4%

LAB 69.43, -47.48, 67.93

 

CMYK 0 / 7 / 93 / 56

HEX #706808

RGB 112 104 8

HSL 55.38, 0.87%, 0.24%

LAB 43.31, -7.07, 47.83

 

CMYK 0 / 8 / 93 / 41

HEX #978B0B

RGB 151 139 11

HSL 54.86, 0.86%, 0.32%

LAB 57.14, -8.02, 59.66

 

CMYK 0 / 8 / 93 / 26

HEX #BDAE0E

RGB 189 174 14

HSL 54.86, 0.86%, 0.4%

LAB 70.26, -9.38, 70.78

 

CMYK 0 / 8 / 93 / 11

HEX #E4D211

RGB 228 210 17

HSL 54.88, 0.86%, 0.48%

LAB 83.25, -10.77, 81.75

 

CMYK 0 / 7 / 80 / 6

HEX #EFDE2F

RGB 239 222 47

HSL 54.69, 0.86%, 0.56%

LAB 87.39, -11.46, 79.58

 

CMYK 0 / 8 / 93 / 26

HEX #BDAE0E

RGB 189 174 14

HSL 54.86, 0.86%, 0.4%

LAB 70.26, -9.38, 70.78

 

CMYK 93 / 0 / 84 / 26

HEX #0EBD1F

RGB 14 189 31

HSL 125.83, 0.86%, 0.4%

LAB 66.97, -67.19, 61.51

 

CMYK 46 / 93 / 0 / 26

HEX #660EBD

RGB 102 14 189

HSL 270.17, 0.86%, 0.4%

LAB 31.38, 64.91, -71.24

 

CMYK 0 / 8 / 93 / 26

HEX #BDAE0E

RGB 189 174 14

HSL 54.86, 0.86%, 0.4%

LAB 70.26, -9.38, 70.78

 

CMYK 93 / 0 / 9 / 26

HEX #0EBDAC

RGB 14 189 172

HSL 174.17, 0.86%, 0.4%

LAB 69.09, -42.91, -2.59

 

CMYK 9 / 93 / 0 / 26

HEX #AC0EBD

RGB 172 14 189

HSL 294.17, 0.86%, 0.4%

LAB 42.4, 74.33, -52.81

 

CMYK 0 / 8 / 93 / 26

HEX #BDAE0E

RGB 189 174 14

HSL 54.86, 0.86%, 0.4%

LAB 70.26, -9.38, 70.78

 

CMYK 93 / 0 / 84 / 26

HEX #0EBD1F

RGB 14 189 31

HSL 125.83, 0.86%, 0.4%

LAB 66.97, -67.19, 61.51

 

CMYK 93 / 84 / 0 / 26

HEX #0E1FBD

RGB 14 31 189

HSL 234.17, 0.86%, 0.4%

LAB 26, 53.86, -80.37

 

CMYK 0 / 93 / 9 / 26

HEX #BD0EAC

RGB 189 14 172

HSL 305.83, 0.86%, 0.4%

LAB 44.39, 74.7, -39.41

 

CMYK 0 / 8 / 93 / 26

HEX #BDAE0E

RGB 189 174 14

HSL 54.86, 0.86%, 0.4%

LAB 70.26, -9.38, 70.78

 

CMYK 93 / 0 / 56 / 26

HEX #0EBD54

RGB 14 189 84

HSL 144, 0.86%, 0.4%

LAB 67.37, -62.08, 41.61

 

CMYK 93 / 84 / 0 / 26

HEX #0E1FBD

RGB 14 31 189

HSL 234.17, 0.86%, 0.4%

LAB 26, 53.86, -80.37

 

CMYK 0 / 93 / 37 / 26

HEX #BD0E77

RGB 189 14 119

HSL 324, 0.86%, 0.4%

LAB 41.95, 68.33, -11

 

Description

Color code: HEX #BDAE0E | qconv.com Color code: HEX #BDAE0E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 174 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 174 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 93 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 93% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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