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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDA593 it is the complementary color #425A6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDA593. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDA593 shade: #C2A58E, #D3B7A1, #E4C9B4, #F5DBC7 and #FFEDDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDA593. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDA593 shade: #BDA593, #AC9380, #9B816D, #8A6F5A and #795D47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDA593 shade: #BDA593, #BD9A93 and #BD9393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDA593 shade: #BDA593, #BDB093, #BDBB93, #B3BD93 and #A8BD93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDA593 shade matches the following richer shades: #BDA593, #CBA385, #D9A177, #E79F69 and #F59D5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDA593 shade: #BDA593, #AFA7A1, #A1A9AF, #93ABBD and #84ADCB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDA593 shade: #BD9398, #BD9993, #BDA493, #BDAF93 and #BDBB93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDA593 shade: #9D7A60, #AD8F79, #BDA593, #CCBAAD and #DCCFC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDA593 shade: #BDA593, #A3BD93 and #9493BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDA593 shade: #BDA593, #93BDA4 and #A493BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDA593 shade: #BDA593, #A3BD93, #93ABBD and #AD93BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDA593 shade: #BDA593, #96BD93, #93ABBD and #B993BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 22 / 26

HEX #BDA593

RGB 189 165 147

HSL 25.71, 0.24%, 0.66%

LAB 69.35, 5.88, 12.55

 

Complementary color

CMYK 39 / 17 / 0 / 58

HEX #425A6C

RGB 66 90 108

HSL 205.71, 0.24%, 0.34%

LAB 37.03, -4.02, -13.17

 

CMYK 0 / 15 / 27 / 24

HEX #C2A58E

RGB 194 165 142

HSL 26.54, 0.3%, 0.66%

LAB 69.71, 7.09, 15.86

 

CMYK 0 / 13 / 24 / 17

HEX #D3B7A1

RGB 211 183 161

HSL 26.4, 0.36%, 0.73%

LAB 76.25, 6.63, 14.88

 

CMYK 0 / 12 / 21 / 11

HEX #E4C9B4

RGB 228 201 180

HSL 26.25, 0.47%, 0.8%

LAB 82.68, 6.22, 13.97

 

CMYK 0 / 11 / 19 / 4

HEX #F5DBC7

RGB 245 219 199

HSL 26.09, 0.7%, 0.87%

LAB 89.02, 5.86, 13.1

 

CMYK 0 / 7 / 15 / 0

HEX #FFEDDA

RGB 255 237 218

HSL 30.81, 1%, 0.93%

LAB 94.69, 3.05, 11.39

 

CMYK 0 / 13 / 22 / 26

HEX #BDA593

RGB 189 165 147

HSL 25.71, 0.24%, 0.66%

LAB 69.35, 5.88, 12.55

 

CMYK 0 / 15 / 26 / 33

HEX #AC9380

RGB 172 147 128

HSL 25.91, 0.21%, 0.59%

LAB 62.67, 6.33, 13.52

 

CMYK 0 / 17 / 30 / 39

HEX #9B816D

RGB 155 129 109

HSL 26.09, 0.19%, 0.52%

LAB 55.86, 6.85, 14.57

 

CMYK 0 / 20 / 35 / 46

HEX #8A6F5A

RGB 138 111 90

HSL 26.25, 0.21%, 0.45%

LAB 48.9, 7.46, 15.73

 

CMYK 0 / 23 / 41 / 53

HEX #795D47

RGB 121 93 71

HSL 26.4, 0.26%, 0.38%

LAB 41.76, 8.21, 17.02

 

CMYK 0 / 13 / 22 / 26

HEX #BDA593

RGB 189 165 147

HSL 25.71, 0.24%, 0.66%

LAB 69.35, 5.88, 12.55

 

CMYK 0 / 19 / 22 / 26

HEX #BD9A93

RGB 189 154 147

HSL 10, 0.24%, 0.66%

LAB 66.55, 11.91, 8.57

 

CMYK 0 / 22 / 22 / 26

HEX #BD9393

RGB 189 147 147

HSL 0, 0.24%, 0.66%

LAB 64.8, 15.78, 6.07

 

CMYK 0 / 13 / 22 / 26

HEX #BDA593

RGB 189 165 147

HSL 25.71, 0.24%, 0.66%

LAB 69.35, 5.88, 12.55

 

CMYK 0 / 7 / 22 / 26

HEX #BDB093

RGB 189 176 147

HSL 41.43, 0.24%, 0.66%

LAB 72.21, -0.06, 16.55

 

CMYK 0 / 1 / 22 / 26

HEX #BDBB93

RGB 189 187 147

HSL 57.14, 0.24%, 0.66%

LAB 75.12, -5.89, 20.57

 

CMYK 5 / 0 / 22 / 26

HEX #B3BD93

RGB 179 189 147

HSL 74.29, 0.24%, 0.66%

LAB 74.88, -10.72, 20.12

 

CMYK 11 / 0 / 22 / 26

HEX #A8BD93

RGB 168 189 147

HSL 90, 0.24%, 0.66%

LAB 74.08, -14.79, 18.89

 

CMYK 0 / 13 / 22 / 26

HEX #BDA593

RGB 189 165 147

HSL 25.71, 0.24%, 0.66%

LAB 69.35, 5.88, 12.55

 

CMYK 0 / 20 / 34 / 20

HEX #CBA385

RGB 203 163 133

HSL 25.71, 0.4%, 0.66%

LAB 69.88, 10.53, 21.18

 

CMYK 0 / 26 / 45 / 15

HEX #D9A177

RGB 217 161 119

HSL 25.71, 0.56%, 0.66%

LAB 70.58, 15.63, 29.95

 

CMYK 0 / 31 / 55 / 9

HEX #E79F69

RGB 231 159 105

HSL 25.71, 0.72%, 0.66%

LAB 71.42, 21.08, 38.77

 

CMYK 0 / 36 / 63 / 4

HEX #F59D5B

RGB 245 157 91

HSL 25.71, 0.89%, 0.66%

LAB 72.42, 26.79, 47.51

 

CMYK 0 / 13 / 22 / 26

HEX #BDA593

RGB 189 165 147

HSL 25.71, 0.24%, 0.66%

LAB 69.35, 5.88, 12.55

 

CMYK 0 / 5 / 8 / 31

HEX #AFA7A1

RGB 175 167 161

HSL 25.71, 0.08%, 0.66%

LAB 68.99, 1.8, 4.12

 

CMYK 8 / 3 / 0 / 31

HEX #A1A9AF

RGB 161 169 175

HSL 205.71, 0.08%, 0.66%

LAB 68.79, -1.62, -4.07

 

CMYK 22 / 10 / 0 / 26

HEX #93ABBD

RGB 147 171 189

HSL 205.71, 0.24%, 0.66%

LAB 68.75, -4.29, -11.97

 

CMYK 35 / 15 / 0 / 20

HEX #84ADCB

RGB 132 173 203

HSL 205.35, 0.41%, 0.66%

LAB 68.83, -6.44, -19.69

 

CMYK 0 / 22 / 20 / 26

HEX #BD9398

RGB 189 147 152

HSL 352.86, 0.24%, 0.66%

LAB 64.93, 16.55, 3.44

 

CMYK 0 / 19 / 22 / 26

HEX #BD9993

RGB 189 153 147

HSL 8.57, 0.24%, 0.66%

LAB 66.3, 12.46, 8.21

 

CMYK 0 / 13 / 22 / 26

HEX #BDA493

RGB 189 164 147

HSL 24.29, 0.24%, 0.66%

LAB 69.09, 6.43, 12.18

 

CMYK 0 / 7 / 22 / 26

HEX #BDAF93

RGB 189 175 147

HSL 40, 0.24%, 0.66%

LAB 71.95, 0.48, 16.19

 

CMYK 0 / 1 / 22 / 26

HEX #BDBB93

RGB 189 187 147

HSL 57.14, 0.24%, 0.66%

LAB 75.12, -5.89, 20.57

 

CMYK 0 / 22 / 39 / 38

HEX #9D7A60

RGB 157 122 96

HSL 25.57, 0.24%, 0.5%

LAB 53.95, 9.94, 19.45

 

CMYK 0 / 17 / 30 / 32

HEX #AD8F79

RGB 173 143 121

HSL 25.38, 0.24%, 0.58%

LAB 61.58, 7.96, 15.94

 

CMYK 0 / 13 / 22 / 26

HEX #BDA593

RGB 189 165 147

HSL 25.71, 0.24%, 0.66%

LAB 69.35, 5.88, 12.55

 

CMYK 0 / 9 / 15 / 20

HEX #CCBAAD

RGB 204 186 173

HSL 25.16, 0.23%, 0.74%

LAB 76.66, 4.23, 8.89

 

CMYK 0 / 6 / 10 / 14

HEX #DCCFC6

RGB 220 207 198

HSL 24.55, 0.24%, 0.82%

LAB 83.92, 2.98, 6.07

 

CMYK 0 / 13 / 22 / 26

HEX #BDA593

RGB 189 165 147

HSL 25.71, 0.24%, 0.66%

LAB 69.35, 5.88, 12.55

 

CMYK 14 / 0 / 22 / 26

HEX #A3BD93

RGB 163 189 147

HSL 97.14, 0.24%, 0.66%

LAB 73.73, -16.61, 18.36

 

CMYK 22 / 22 / 0 / 26

HEX #9493BD

RGB 148 147 189

HSL 241.43, 0.24%, 0.66%

LAB 62.37, 9.42, -21.63

 

CMYK 0 / 13 / 22 / 26

HEX #BDA593

RGB 189 165 147

HSL 25.71, 0.24%, 0.66%

LAB 69.35, 5.88, 12.55

 

CMYK 22 / 0 / 13 / 26

HEX #93BDA4

RGB 147 189 164

HSL 144.29, 0.24%, 0.66%

LAB 73.07, -19.09, 8.09

 

CMYK 13 / 22 / 0 / 26

HEX #A493BD

RGB 164 147 189

HSL 264.29, 0.24%, 0.66%

LAB 63.7, 14.6, -19.48

 

CMYK 0 / 13 / 22 / 26

HEX #BDA593

RGB 189 165 147

HSL 25.71, 0.24%, 0.66%

LAB 69.35, 5.88, 12.55

 

CMYK 14 / 0 / 22 / 26

HEX #A3BD93

RGB 163 189 147

HSL 97.14, 0.24%, 0.66%

LAB 73.73, -16.61, 18.36

 

CMYK 22 / 10 / 0 / 26

HEX #93ABBD

RGB 147 171 189

HSL 205.71, 0.24%, 0.66%

LAB 68.75, -4.29, -11.97

 

CMYK 8 / 22 / 0 / 26

HEX #AD93BD

RGB 173 147 189

HSL 277.14, 0.24%, 0.66%

LAB 64.5, 17.6, -18.18

 

CMYK 0 / 13 / 22 / 26

HEX #BDA593

RGB 189 165 147

HSL 25.71, 0.24%, 0.66%

LAB 69.35, 5.88, 12.55

 

CMYK 21 / 0 / 22 / 26

HEX #96BD93

RGB 150 189 147

HSL 115.71, 0.24%, 0.66%

LAB 72.88, -21.21, 17.05

 

CMYK 22 / 10 / 0 / 26

HEX #93ABBD

RGB 147 171 189

HSL 205.71, 0.24%, 0.66%

LAB 68.75, -4.29, -11.97

 

CMYK 2 / 22 / 0 / 26

HEX #B993BD

RGB 185 147 189

HSL 294.29, 0.24%, 0.66%

LAB 65.64, 21.64, -16.36

 

Description

Color code: HEX #BDA593 | qconv.com Color code: HEX #BDA593 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 165 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 165 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 22 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 22% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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