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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD9F5F it is the complementary color #4260A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD9F5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD9F5F shade: #C29F5A, #D3B16D, #E4C380, #F5D593 and #FFE7A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD9F5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD9F5F shade: #BD9F5F, #AC8D4C, #9B7B39, #8A6926 and #795713

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD9F5F shade: #BD9F5F, #BD865F, #BD6D5F and #BD5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD9F5F shade: #BD9F5F, #BDB95F, #A9BD5F, #8FBD5F and #76BD5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD9F5F shade matches the following richer shades: #BD9F5F, #D0A64D, #E2AC3B and #F4B329

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD9F5F shade: #BD9F5F, #AB9971, #999283, #878C96 and #7585A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD9F5F shade: #BD6C5F, #BD855F, #BD9E5F, #BDB75F and #ABBD5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD9F5F shade: #90743A, #AD8C46, #BD9F5F, #C9B17C and #D5C29A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD9F5F shade: #BD9F5F, #6CBD5F and #785FBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD9F5F shade: #BD9F5F, #5FBD9E and #9E5FBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD9F5F shade: #BD9F5F, #6CBD5F, #5F7FBD and #B15FBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD9F5F shade: #BD9F5F, #5FBD6F, #5F7FBD and #BD5FAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 50 / 26

HEX #BD9F5F

RGB 189 159 95

HSL 40.85, 0.42%, 0.56%

LAB 66.86, 2.77, 37.33

 

Complementary color

CMYK 59 / 40 / 0 / 37

HEX #4260A0

RGB 66 96 160

HSL 220.85, 0.42%, 0.44%

LAB 41.31, 9.07, -38.07

 

CMYK 0 / 18 / 54 / 24

HEX #C29F5A

RGB 194 159 90

HSL 39.81, 0.46%, 0.56%

LAB 67.28, 4.44, 40.54

 

CMYK 0 / 16 / 48 / 17

HEX #D3B16D

RGB 211 177 109

HSL 40, 0.54%, 0.63%

LAB 73.8, 3.62, 39.22

 

CMYK 0 / 14 / 44 / 11

HEX #E4C380

RGB 228 195 128

HSL 40.2, 0.65%, 0.7%

LAB 80.23, 2.91, 37.94

 

CMYK 0 / 13 / 40 / 4

HEX #F5D593

RGB 245 213 147

HSL 40.41, 0.83%, 0.77%

LAB 86.56, 2.3, 36.72

 

CMYK 0 / 9 / 35 / 0

HEX #FFE7A6

RGB 255 231 166

HSL 43.82, 1%, 0.83%

LAB 92.21, -0.9, 34.66

 

CMYK 0 / 16 / 50 / 26

HEX #BD9F5F

RGB 189 159 95

HSL 40.85, 0.42%, 0.56%

LAB 66.86, 2.77, 37.33

 

CMYK 0 / 18 / 56 / 33

HEX #AC8D4C

RGB 172 141 76

HSL 40.63, 0.39%, 0.49%

LAB 60.2, 3.63, 38.68

 

CMYK 0 / 21 / 63 / 39

HEX #9B7B39

RGB 155 123 57

HSL 40.41, 0.46%, 0.42%

LAB 53.42, 4.68, 40.01

 

CMYK 0 / 24 / 72 / 46

HEX #8A6926

RGB 138 105 38

HSL 40.2, 0.57%, 0.35%

LAB 46.51, 5.97, 41.19

 

CMYK 0 / 28 / 84 / 53

HEX #795713

RGB 121 87 19

HSL 40, 0.73%, 0.27%

LAB 39.46, 7.61, 41.78

 

CMYK 0 / 16 / 50 / 26

HEX #BD9F5F

RGB 189 159 95

HSL 40.85, 0.42%, 0.56%

LAB 66.86, 2.77, 37.33

 

CMYK 0 / 29 / 50 / 26

HEX #BD865F

RGB 189 134 95

HSL 24.89, 0.42%, 0.56%

LAB 60.51, 16.5, 29.31

 

CMYK 0 / 42 / 50 / 26

HEX #BD6D5F

RGB 189 109 95

HSL 8.94, 0.42%, 0.56%

LAB 54.64, 30.26, 21.62

 

CMYK 0 / 50 / 50 / 26

HEX #BD5F5F

RGB 189 95 95

HSL 0, 0.42%, 0.56%

LAB 51.64, 37.7, 17.58

 

CMYK 0 / 16 / 50 / 26

HEX #BD9F5F

RGB 189 159 95

HSL 40.85, 0.42%, 0.56%

LAB 66.86, 2.77, 37.33

 

CMYK 0 / 2 / 50 / 26

HEX #BDB95F

RGB 189 185 95

HSL 57.45, 0.42%, 0.56%

LAB 73.77, -10.99, 45.74

 

CMYK 11 / 0 / 50 / 26

HEX #A9BD5F

RGB 169 189 95

HSL 72.77, 0.42%, 0.56%

LAB 73.32, -21.16, 44.83

 

CMYK 24 / 0 / 50 / 26

HEX #8FBD5F

RGB 143 189 95

HSL 89.36, 0.42%, 0.56%

LAB 71.6, -31.22, 42.34

 

CMYK 38 / 0 / 50 / 26

HEX #76BD5F

RGB 118 189 95

HSL 105.32, 0.42%, 0.56%

LAB 70.23, -40.03, 40.36

 

CMYK 0 / 16 / 50 / 26

HEX #BD9F5F

RGB 189 159 95

HSL 40.85, 0.42%, 0.56%

LAB 66.86, 2.77, 37.33

 

CMYK 0 / 20 / 63 / 18

HEX #D0A64D

RGB 208 166 77

HSL 40.76, 0.58%, 0.56%

LAB 70.33, 5.65, 50.82

 

CMYK 0 / 24 / 74 / 11

HEX #E2AC3B

RGB 226 172 59

HSL 40.6, 0.74%, 0.56%

LAB 73.54, 9.18, 62.54

 

CMYK 0 / 27 / 83 / 4

HEX #F4B329

RGB 244 179 41

HSL 40.79, 0.9%, 0.56%

LAB 77.06, 12.55, 72.6

 

CMYK 0 / 16 / 50 / 26

HEX #BD9F5F

RGB 189 159 95

HSL 40.85, 0.42%, 0.56%

LAB 66.86, 2.77, 37.33

 

CMYK 0 / 11 / 34 / 33

HEX #AB9971

RGB 171 153 113

HSL 41.38, 0.26%, 0.56%

LAB 63.86, 0.55, 23.48

 

CMYK 0 / 5 / 14 / 40

HEX #999283

RGB 153 146 131

HSL 40.91, 0.1%, 0.56%

LAB 60.75, -0.09, 8.87

 

CMYK 10 / 7 / 0 / 41

HEX #878C96

RGB 135 140 150

HSL 220, 0.07%, 0.56%

LAB 58.14, 0.25, -5.95

 

CMYK 30 / 21 / 0 / 34

HEX #7585A8

RGB 117 133 168

HSL 221.18, 0.23%, 0.56%

LAB 55.47, 2.59, -20.45

 

CMYK 0 / 43 / 50 / 26

HEX #BD6C5F

RGB 189 108 95

HSL 8.3, 0.42%, 0.56%

LAB 54.42, 30.8, 21.32

 

CMYK 0 / 30 / 50 / 26

HEX #BD855F

RGB 189 133 95

HSL 24.26, 0.42%, 0.56%

LAB 60.27, 17.06, 29

 

CMYK 0 / 16 / 50 / 26

HEX #BD9E5F

RGB 189 158 95

HSL 40.21, 0.42%, 0.56%

LAB 66.6, 3.32, 37.01

 

CMYK 0 / 3 / 50 / 26

HEX #BDB75F

RGB 189 183 95

HSL 56.17, 0.42%, 0.56%

LAB 73.23, -9.95, 45.09

 

CMYK 10 / 0 / 50 / 26

HEX #ABBD5F

RGB 171 189 95

HSL 71.49, 0.42%, 0.56%

LAB 73.47, -20.36, 45.04

 

CMYK 0 / 19 / 60 / 44

HEX #90743A

RGB 144 116 58

HSL 40.47, 0.43%, 0.4%

LAB 50.36, 3.77, 35.69

 

CMYK 0 / 19 / 60 / 32

HEX #AD8C46

RGB 173 140 70

HSL 40.78, 0.42%, 0.48%

LAB 59.96, 4.14, 41.48

 

CMYK 0 / 16 / 50 / 26

HEX #BD9F5F

RGB 189 159 95

HSL 40.85, 0.42%, 0.56%

LAB 66.86, 2.77, 37.33

 

CMYK 0 / 12 / 38 / 21

HEX #C9B17C

RGB 201 177 124

HSL 41.3, 0.42%, 0.64%

LAB 73.1, 1.11, 30.3

 

CMYK 0 / 9 / 28 / 16

HEX #D5C29A

RGB 213 194 154

HSL 40.68, 0.41%, 0.72%

LAB 79.08, 0.6, 22.59

 

CMYK 0 / 16 / 50 / 26

HEX #BD9F5F

RGB 189 159 95

HSL 40.85, 0.42%, 0.56%

LAB 66.86, 2.77, 37.33

 

CMYK 43 / 0 / 50 / 26

HEX #6CBD5F

RGB 108 189 95

HSL 111.7, 0.42%, 0.56%

LAB 69.76, -43.23, 39.68

 

CMYK 37 / 50 / 0 / 26

HEX #785FBD

RGB 120 95 189

HSL 255.96, 0.42%, 0.56%

LAB 46.78, 31.78, -46.16

 

CMYK 0 / 16 / 50 / 26

HEX #BD9F5F

RGB 189 159 95

HSL 40.85, 0.42%, 0.56%

LAB 66.86, 2.77, 37.33

 

CMYK 50 / 0 / 16 / 26

HEX #5FBD9E

RGB 95 189 158

HSL 160.21, 0.42%, 0.56%

LAB 70.38, -35.39, 7.16

 

CMYK 16 / 50 / 0 / 26

HEX #9E5FBD

RGB 158 95 189

HSL 280.21, 0.42%, 0.56%

LAB 50.84, 42.12, -39.47

 

CMYK 0 / 16 / 50 / 26

HEX #BD9F5F

RGB 189 159 95

HSL 40.85, 0.42%, 0.56%

LAB 66.86, 2.77, 37.33

 

CMYK 43 / 0 / 50 / 26

HEX #6CBD5F

RGB 108 189 95

HSL 111.7, 0.42%, 0.56%

LAB 69.76, -43.23, 39.68

 

CMYK 50 / 33 / 0 / 26

HEX #5F7FBD

RGB 95 127 189

HSL 219.57, 0.42%, 0.56%

LAB 53.26, 6.09, -36.03

 

CMYK 6 / 50 / 0 / 26

HEX #B15FBD

RGB 177 95 189

HSL 292.34, 0.42%, 0.56%

LAB 53.17, 47.52, -35.63

 

CMYK 0 / 16 / 50 / 26

HEX #BD9F5F

RGB 189 159 95

HSL 40.85, 0.42%, 0.56%

LAB 66.86, 2.77, 37.33

 

CMYK 50 / 0 / 41 / 26

HEX #5FBD6F

RGB 95 189 111

HSL 130.21, 0.42%, 0.56%

LAB 69.45, -44.65, 31.06

 

CMYK 50 / 33 / 0 / 26

HEX #5F7FBD

RGB 95 127 189

HSL 219.57, 0.42%, 0.56%

LAB 53.26, 6.09, -36.03

 

CMYK 0 / 50 / 8 / 26

HEX #BD5FAE

RGB 189 95 174

HSL 309.57, 0.42%, 0.56%

LAB 54.09, 48.31, -25.41

 

Description

Color code: HEX #BD9F5F | qconv.com Color code: HEX #BD9F5F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 159 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 159 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 50 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 50% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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