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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD9CAD it is the complementary color #426352. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD9CAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD9CAD shade: #C29CA8, #D3AEBB, #E4C0CE, #F5D2E1 and #FFE4F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD9CAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD9CAD shade: #BD9CAD, #AC8A9A, #9B7887, #8A6674 and #795461

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD9CAD shade: #BD9DAD, #BD9DA5 and #BD9D9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD9CAD shade: #BD9DAD, #BD9DB6, #BB9DBD, #B39DBD and #AA9DBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD9CAD shade matches the following richer shades: #BD9DAD, #CA8FAE, #D882AE, #E575AF and #F268AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD9CAD shade: #BD9DAD, #B0AAAD, #A3B7AD, #96C4AC and #88D1AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD9CAD shade: #BC9DBD, #BD9DB6, #BD9DAD, #BD9DA5 and #BD9D9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD9CAD shade: #9C6B84, #AD8499, #BD9DAD, #CEB5C2 and #DECED6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD9CAD shade: #BD9CAD, #BDB39D and #9DBBBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD9CAD shade: #BD9CAD, #ADBD9D and #9DADBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD9CAD shade: #BD9CAD, #BDB39D, #9DBDAC and #9DA7BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD9CAD shade: #BD9CAD, #BDBD9D, #9DBDAC and #9D9DBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 8 / 26

HEX #BD9CAD

RGB 189 156 173

HSL 329.09, 0.2%, 0.68%

LAB 67.73, 15.07, -4.24

 

Complementary color

CMYK 33 / 0 / 17 / 61

HEX #426352

RGB 66 99 82

HSL 149.09, 0.2%, 0.32%

LAB 39.06, -16.09, 5.87

 

CMYK 0 / 20 / 13 / 24

HEX #C29CA8

RGB 194 156 168

HSL 341.05, 0.24%, 0.69%

LAB 68.07, 16.03, -0.89

 

CMYK 0 / 18 / 11 / 17

HEX #D3AEBB

RGB 211 174 187

HSL 338.92, 0.3%, 0.75%

LAB 74.64, 15.53, -1.58

 

CMYK 0 / 16 / 10 / 11

HEX #E4C0CE

RGB 228 192 206

HSL 336.67, 0.4%, 0.82%

LAB 81.1, 15.07, -2.23

 

CMYK 0 / 14 / 8 / 4

HEX #F5D2E1

RGB 245 210 225

HSL 334.29, 0.64%, 0.89%

LAB 87.46, 14.65, -2.85

 

CMYK 0 / 11 / 4 / 0

HEX #FFE4F4

RGB 255 228 244

HSL 324.44, 1%, 0.95%

LAB 93.14, 11.9, -4.39

 

CMYK 0 / 17 / 8 / 26

HEX #BD9CAD

RGB 189 156 173

HSL 329.09, 0.2%, 0.68%

LAB 67.73, 15.07, -4.24

 

CMYK 0 / 20 / 10 / 33

HEX #AC8A9A

RGB 172 138 154

HSL 331.76, 0.17%, 0.61%

LAB 61.03, 15.58, -3.59

 

CMYK 0 / 23 / 13 / 39

HEX #9B7887

RGB 155 120 135

HSL 334.29, 0.15%, 0.54%

LAB 54.19, 16.14, -2.91

 

CMYK 0 / 26 / 16 / 46

HEX #8A6674

RGB 138 102 116

HSL 336.67, 0.15%, 0.47%

LAB 47.19, 16.78, -2.17

 

CMYK 0 / 31 / 20 / 53

HEX #795461

RGB 121 84 97

HSL 338.92, 0.18%, 0.4%

LAB 40.03, 17.51, -1.34

 

CMYK 0 / 17 / 8 / 26

HEX #BD9DAD

RGB 189 157 173

HSL 330, 0.2%, 0.68%

LAB 67.98, 14.52, -3.87

 

CMYK 0 / 17 / 13 / 26

HEX #BD9DA5

RGB 189 157 165

HSL 345, 0.2%, 0.68%

LAB 67.76, 13.14, 0.27

 

CMYK 0 / 17 / 17 / 26

HEX #BD9D9D

RGB 189 157 157

HSL 0, 0.2%, 0.68%

LAB 67.55, 11.82, 4.43

 

CMYK 0 / 17 / 8 / 26

HEX #BD9DAD

RGB 189 157 173

HSL 330, 0.2%, 0.68%

LAB 67.98, 14.52, -3.87

 

CMYK 0 / 17 / 4 / 26

HEX #BD9DB6

RGB 189 157 182

HSL 313.13, 0.2%, 0.68%

LAB 68.25, 16.14, -8.49

 

CMYK 1 / 17 / 0 / 26

HEX #BB9DBD

RGB 187 157 189

HSL 296.25, 0.2%, 0.68%

LAB 68.28, 16.76, -12.36

 

CMYK 5 / 17 / 0 / 26

HEX #B39DBD

RGB 179 157 189

HSL 281.25, 0.2%, 0.68%

LAB 67.56, 14.02, -13.52

 

CMYK 10 / 17 / 0 / 26

HEX #AA9DBD

RGB 170 157 189

HSL 264.38, 0.2%, 0.68%

LAB 66.77, 10.97, -14.77

 

CMYK 0 / 17 / 8 / 26

HEX #BD9DAD

RGB 189 157 173

HSL 330, 0.2%, 0.68%

LAB 67.98, 14.52, -3.87

 

CMYK 0 / 29 / 14 / 21

HEX #CA8FAE

RGB 202 143 174

HSL 328.47, 0.36%, 0.68%

LAB 65.95, 27.07, -7.29

 

CMYK 0 / 40 / 19 / 15

HEX #D882AE

RGB 216 130 174

HSL 329.3, 0.52%, 0.68%

LAB 64.66, 38.95, -9.04

 

CMYK 0 / 49 / 24 / 10

HEX #E575AF

RGB 229 117 175

HSL 328.93, 0.68%, 0.68%

LAB 63.73, 50.05, -10.81

 

CMYK 0 / 57 / 28 / 5

HEX #F268AF

RGB 242 104 175

HSL 329.13, 0.84%, 0.68%

LAB 63.24, 60.21, -11.37

 

CMYK 0 / 17 / 8 / 26

HEX #BD9DAD

RGB 189 157 173

HSL 330, 0.2%, 0.68%

LAB 67.98, 14.52, -3.87

 

CMYK 0 / 3 / 2 / 31

HEX #B0AAAD

RGB 176 170 173

HSL 330, 0.04%, 0.68%

LAB 70.17, 2.7, -0.78

 

CMYK 11 / 0 / 5 / 28

HEX #A3B7AD

RGB 163 183 173

HSL 150, 0.12%, 0.68%

LAB 72.67, -8.84, 2.74

 

CMYK 23 / 0 / 12 / 23

HEX #96C4AC

RGB 150 196 172

HSL 148.7, 0.28%, 0.68%

LAB 75.42, -20.08, 7.13

 

CMYK 35 / 0 / 18 / 18

HEX #88D1AC

RGB 136 209 172

HSL 149.59, 0.44%, 0.68%

LAB 78.35, -30.75, 11.22

 

CMYK 1 / 17 / 0 / 26

HEX #BC9DBD

RGB 188 157 189

HSL 298.13, 0.2%, 0.68%

LAB 68.37, 17.11, -12.21

 

CMYK 0 / 17 / 4 / 26

HEX #BD9DB6

RGB 189 157 182

HSL 313.13, 0.2%, 0.68%

LAB 68.25, 16.14, -8.49

 

CMYK 0 / 17 / 8 / 26

HEX #BD9DAD

RGB 189 157 173

HSL 330, 0.2%, 0.68%

LAB 67.98, 14.52, -3.87

 

CMYK 0 / 17 / 13 / 26

HEX #BD9DA5

RGB 189 157 165

HSL 345, 0.2%, 0.68%

LAB 67.76, 13.14, 0.27

 

CMYK 0 / 17 / 17 / 26

HEX #BD9D9D

RGB 189 157 157

HSL 0, 0.2%, 0.68%

LAB 67.55, 11.82, 4.43

 

CMYK 0 / 31 / 15 / 39

HEX #9C6B84

RGB 156 107 132

HSL 329.39, 0.2%, 0.52%

LAB 50.98, 23.48, -5.88

 

CMYK 0 / 24 / 12 / 32

HEX #AD8499

RGB 173 132 153

HSL 329.27, 0.2%, 0.6%

LAB 59.6, 19.16, -5.11

 

CMYK 0 / 17 / 8 / 26

HEX #BD9DAD

RGB 189 157 173

HSL 330, 0.2%, 0.68%

LAB 67.98, 14.52, -3.87

 

CMYK 0 / 12 / 6 / 19

HEX #CEB5C2

RGB 206 181 194

HSL 328.8, 0.2%, 0.76%

LAB 76.11, 11.17, -3.3

 

CMYK 0 / 7 / 4 / 13

HEX #DECED6

RGB 222 206 214

HSL 330, 0.2%, 0.84%

LAB 84.24, 6.94, -1.96

 

CMYK 0 / 17 / 8 / 26

HEX #BD9CAD

RGB 189 156 173

HSL 329.09, 0.2%, 0.68%

LAB 67.73, 15.07, -4.24

 

CMYK 0 / 5 / 17 / 26

HEX #BDB39D

RGB 189 179 157

HSL 41.25, 0.2%, 0.68%

LAB 73.22, -0.14, 12.51

 

CMYK 17 / 1 / 0 / 26

HEX #9DBBBD

RGB 157 187 189

HSL 183.75, 0.2%, 0.68%

LAB 73.79, -9.68, -4.41

 

CMYK 0 / 17 / 8 / 26

HEX #BD9CAD

RGB 189 156 173

HSL 329.09, 0.2%, 0.68%

LAB 67.73, 15.07, -4.24

 

CMYK 8 / 0 / 17 / 26

HEX #ADBD9D

RGB 173 189 157

HSL 90, 0.2%, 0.68%

LAB 74.64, -11.33, 14.34

 

CMYK 17 / 8 / 0 / 26

HEX #9DADBD

RGB 157 173 189

HSL 210, 0.2%, 0.68%

LAB 69.99, -2.18, -10.06

 

CMYK 0 / 17 / 8 / 26

HEX #BD9CAD

RGB 189 156 173

HSL 329.09, 0.2%, 0.68%

LAB 67.73, 15.07, -4.24

 

CMYK 0 / 5 / 17 / 26

HEX #BDB39D

RGB 189 179 157

HSL 41.25, 0.2%, 0.68%

LAB 73.22, -0.14, 12.51

 

CMYK 17 / 0 / 9 / 26

HEX #9DBDAC

RGB 157 189 172

HSL 148.13, 0.2%, 0.68%

LAB 73.9, -14.2, 5

 

CMYK 17 / 12 / 0 / 26

HEX #9DA7BD

RGB 157 167 189

HSL 221.25, 0.2%, 0.68%

LAB 68.37, 1.11, -12.47

 

CMYK 0 / 17 / 8 / 26

HEX #BD9CAD

RGB 189 156 173

HSL 329.09, 0.2%, 0.68%

LAB 67.73, 15.07, -4.24

 

CMYK 0 / 0 / 17 / 26

HEX #BDBD9D

RGB 189 189 157

HSL 60, 0.2%, 0.68%

LAB 75.85, -5.44, 16.22

 

CMYK 17 / 0 / 9 / 26

HEX #9DBDAC

RGB 157 189 172

HSL 148.13, 0.2%, 0.68%

LAB 73.9, -14.2, 5

 

CMYK 17 / 17 / 0 / 26

HEX #9D9DBD

RGB 157 157 189

HSL 240, 0.2%, 0.68%

LAB 65.71, 6.67, -16.48

 

Description

Color code: HEX #BD9CAD | qconv.com Color code: HEX #BD9CAD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 156 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 156 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 8 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 8% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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