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Color name
HEX #BD9A37

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD9A37 it is the complementary color #4265C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD9A37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD9A37 shade: #C29A32, #D3AC45, #E4BE58, #F5D06B and #FFE27E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD9A37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD9A37 shade: #BD9A37, #AC8824, #9B7611, #8A6400 and #795200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD9A37 shade: #BD9A37, #BD7637, #BD5137 and #BD3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD9A37 shade: #BD9A37, #BCBD37, #98BD37, #73BD37 and #4FBD37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD9A37 shade matches the following richer shades: #BD9A37, #D1A423 and #E5AD0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD9A37 shade: #BD9A37, #A9914A, #96875E, #827E72 and #6E7486

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD9A37 shade: #BD5237, #BD7537, #BD9937, #BDBD37 and #99BD37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD9A37 shade: #7D6624, #9D802D, #BD9A37, #CCAC51 and #D5BB71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD9A37 shade: #BD9A37, #40BD37 and #6337BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD9A37 shade: #BD9A37, #37BD99 and #9937BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD9A37 shade: #BD9A37, #40BD37, #375ABD and #B437BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD9A37 shade: #BD9A37, #37BD56, #375ABD and #BD379E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 71 / 26

HEX #BD9A37

RGB 189 154 55

HSL 44.33, 0.55%, 0.48%

LAB 65.13, 2.56, 54.51

 

Complementary color

CMYK 67 / 50 / 0 / 22

HEX #4265C8

RGB 66 101 200

HSL 224.33, 0.55%, 0.52%

LAB 45.13, 20, -55.37

 

CMYK 0 / 21 / 74 / 24

HEX #C29A32

RGB 194 154 50

HSL 43.33, 0.59%, 0.48%

LAB 65.6, 4.52, 57.19

 

CMYK 0 / 18 / 67 / 17

HEX #D3AC45

RGB 211 172 69

HSL 43.52, 0.62%, 0.55%

LAB 72.08, 3.24, 56.43

 

CMYK 0 / 17 / 61 / 11

HEX #E4BE58

RGB 228 190 88

HSL 43.71, 0.72%, 0.62%

LAB 78.48, 2.16, 55.38

 

CMYK 0 / 15 / 56 / 4

HEX #F5D06B

RGB 245 208 107

HSL 43.91, 0.87%, 0.69%

LAB 84.78, 1.22, 54.22

 

CMYK 0 / 11 / 51 / 0

HEX #FFE27E

RGB 255 226 126

HSL 46.51, 1%, 0.75%

LAB 90.39, -2.38, 52.11

 

CMYK 0 / 19 / 71 / 26

HEX #BD9A37

RGB 189 154 55

HSL 44.33, 0.55%, 0.48%

LAB 65.13, 2.56, 54.51

 

CMYK 0 / 21 / 79 / 33

HEX #AC8824

RGB 172 136 36

HSL 44.12, 0.65%, 0.41%

LAB 58.51, 3.96, 54.96

 

CMYK 0 / 24 / 89 / 39

HEX #9B7611

RGB 155 118 17

HSL 43.91, 0.8%, 0.34%

LAB 51.8, 5.64, 54.38

 

CMYK 0 / 28 / 100 / 46

HEX #8A6400

RGB 138 100 0

HSL 43.48, 1%, 0.27%

LAB 44.97, 7.65, 52.26

 

CMYK 0 / 32 / 100 / 53

HEX #795200

RGB 121 82 0

HSL 40.66, 1%, 0.24%

LAB 38.02, 10.09, 46.57

 

CMYK 0 / 19 / 71 / 26

HEX #BD9A37

RGB 189 154 55

HSL 44.33, 0.55%, 0.48%

LAB 65.13, 2.56, 54.51

 

CMYK 0 / 38 / 71 / 26

HEX #BD7637

RGB 189 118 55

HSL 28.21, 0.55%, 0.48%

LAB 56.14, 22.36, 45.13

 

CMYK 0 / 57 / 71 / 26

HEX #BD5137

RGB 189 81 55

HSL 11.64, 0.55%, 0.48%

LAB 48.23, 41.85, 36.4

 

CMYK 0 / 71 / 71 / 26

HEX #BD3737

RGB 189 55 55

HSL 0, 0.55%, 0.48%

LAB 43.98, 53.22, 31.47

 

CMYK 0 / 19 / 71 / 26

HEX #BD9A37

RGB 189 154 55

HSL 44.33, 0.55%, 0.48%

LAB 65.13, 2.56, 54.51

 

CMYK 1 / 0 / 71 / 26

HEX #BCBD37

RGB 188 189 55

HSL 60.45, 0.55%, 0.48%

LAB 74.42, -16.22, 63.7

 

CMYK 20 / 0 / 71 / 26

HEX #98BD37

RGB 152 189 55

HSL 76.57, 0.55%, 0.48%

LAB 71.79, -31.16, 60.22

 

CMYK 39 / 0 / 71 / 26

HEX #73BD37

RGB 115 189 55

HSL 93.13, 0.55%, 0.48%

LAB 69.69, -44.97, 57.43

 

CMYK 58 / 0 / 71 / 26

HEX #4FBD37

RGB 79 189 55

HSL 109.25, 0.55%, 0.48%

LAB 68.27, -55.7, 55.51

 

CMYK 0 / 19 / 71 / 26

HEX #BD9A37

RGB 189 154 55

HSL 44.33, 0.55%, 0.48%

LAB 65.13, 2.56, 54.51

 

CMYK 0 / 22 / 83 / 18

HEX #D1A423

RGB 209 164 35

HSL 44.48, 0.71%, 0.48%

LAB 69.63, 5.2, 66.57

 

CMYK 0 / 24 / 93 / 10

HEX #E5AD0F

RGB 229 173 15

HSL 44.3, 0.88%, 0.48%

LAB 73.92, 8.76, 75.12

 

CMYK 0 / 19 / 71 / 26

HEX #BD9A37

RGB 189 154 55

HSL 44.33, 0.55%, 0.48%

LAB 65.13, 2.56, 54.51

 

CMYK 0 / 14 / 56 / 34

HEX #A9914A

RGB 169 145 74

HSL 44.84, 0.39%, 0.48%

LAB 60.94, -0.05, 40.51

 

CMYK 0 / 10 / 37 / 41

HEX #96875E

RGB 150 135 94

HSL 43.93, 0.23%, 0.48%

LAB 56.7, -0.62, 24.13

 

CMYK 0 / 3 / 12 / 49

HEX #827E72

RGB 130 126 114

HSL 45, 0.07%, 0.48%

LAB 52.82, -0.72, 7.07

 

CMYK 18 / 13 / 0 / 47

HEX #6E7486

RGB 110 116 134

HSL 225, 0.1%, 0.48%

LAB 48.92, 1.78, -10.61

 

CMYK 0 / 57 / 71 / 26

HEX #BD5237

RGB 189 82 55

HSL 12.09, 0.55%, 0.48%

LAB 48.42, 41.36, 36.61

 

CMYK 0 / 38 / 71 / 26

HEX #BD7537

RGB 189 117 55

HSL 27.76, 0.55%, 0.48%

LAB 55.9, 22.91, 44.88

 

CMYK 0 / 19 / 71 / 26

HEX #BD9937

RGB 189 153 55

HSL 43.88, 0.55%, 0.48%

LAB 64.86, 3.1, 54.25

 

CMYK 0 / 0 / 71 / 26

HEX #BDBD37

RGB 189 189 55

HSL 60, 0.55%, 0.48%

LAB 74.5, -15.8, 63.8

 

CMYK 19 / 0 / 71 / 26

HEX #99BD37

RGB 153 189 55

HSL 76.12, 0.55%, 0.48%

LAB 71.85, -30.76, 60.31

 

CMYK 0 / 18 / 71 / 51

HEX #7D6624

RGB 125 102 36

HSL 44.49, 0.55%, 0.32%

LAB 44.22, 1.49, 39.3

 

CMYK 0 / 18 / 71 / 38

HEX #9D802D

RGB 157 128 45

HSL 44.46, 0.55%, 0.4%

LAB 54.86, 2.01, 47.28

 

CMYK 0 / 19 / 71 / 26

HEX #BD9A37

RGB 189 154 55

HSL 44.33, 0.55%, 0.48%

LAB 65.13, 2.56, 54.51

 

CMYK 0 / 16 / 60 / 20

HEX #CCAC51

RGB 204 172 81

HSL 44.39, 0.55%, 0.56%

LAB 71.51, 1.01, 50.17

 

CMYK 0 / 12 / 47 / 16

HEX #D5BB71

RGB 213 187 113

HSL 44.4, 0.54%, 0.64%

LAB 76.61, -0.46, 40.72

 

CMYK 0 / 19 / 71 / 26

HEX #BD9A37

RGB 189 154 55

HSL 44.33, 0.55%, 0.48%

LAB 65.13, 2.56, 54.51

 

CMYK 66 / 0 / 71 / 26

HEX #40BD37

RGB 64 189 55

HSL 115.97, 0.55%, 0.48%

LAB 67.84, -59.12, 54.94

 

CMYK 48 / 71 / 0 / 26

HEX #6337BD

RGB 99 55 189

HSL 259.7, 0.55%, 0.48%

LAB 36.1, 49.76, -63.51

 

CMYK 0 / 19 / 71 / 26

HEX #BD9A37

RGB 189 154 55

HSL 44.33, 0.55%, 0.48%

LAB 65.13, 2.56, 54.51

 

CMYK 71 / 0 / 19 / 26

HEX #37BD99

RGB 55 189 153

HSL 163.88, 0.55%, 0.48%

LAB 69.12, -44.31, 7.92

 

CMYK 19 / 71 / 0 / 26

HEX #9937BD

RGB 153 55 189

HSL 283.88, 0.55%, 0.48%

LAB 43.03, 60.21, -51.94

 

CMYK 0 / 19 / 71 / 26

HEX #BD9A37

RGB 189 154 55

HSL 44.33, 0.55%, 0.48%

LAB 65.13, 2.56, 54.51

 

CMYK 66 / 0 / 71 / 26

HEX #40BD37

RGB 64 189 55

HSL 115.97, 0.55%, 0.48%

LAB 67.84, -59.12, 54.94

 

CMYK 71 / 52 / 0 / 26

HEX #375ABD

RGB 55 90 189

HSL 224.33, 0.55%, 0.48%

LAB 40.89, 21.42, -55.86

 

CMYK 5 / 71 / 0 / 26

HEX #B437BD

RGB 180 55 189

HSL 295.97, 0.55%, 0.48%

LAB 47.12, 65.99, -45.17

 

CMYK 0 / 19 / 71 / 26

HEX #BD9A37

RGB 189 154 55

HSL 44.33, 0.55%, 0.48%

LAB 65.13, 2.56, 54.51

 

CMYK 71 / 0 / 54 / 26

HEX #37BD56

RGB 55 189 86

HSL 133.88, 0.55%, 0.48%

LAB 67.93, -57.35, 41.45

 

CMYK 71 / 52 / 0 / 26

HEX #375ABD

RGB 55 90 189

HSL 224.33, 0.55%, 0.48%

LAB 40.89, 21.42, -55.86

 

CMYK 0 / 71 / 16 / 26

HEX #BD379E

RGB 189 55 158

HSL 313.88, 0.55%, 0.48%

LAB 47, 63.2, -26.98

 

Description

Color code: HEX #BD9A37 | qconv.com Color code: HEX #BD9A37 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 154 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 154 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 71 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 71% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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