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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD977D it is the complementary color #426882. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD977D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD977D shade: #C29778, #D3A98B, #E4BB9E, #F5CDB1 and #FFDFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD977D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD977D shade: #BD977D, #AC856A, #9B7357, #8A6144 and #794F31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD977D shade: #BE987E, #BE867E and #BE7E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD977D shade: #BE987E, #BEA97E, #BEBA7E, #B0BE7E and #9FBE7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD977D shade matches the following richer shades: #BE987E, #CD956E, #DD925E, #ED8F4F and #FC8C3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD977D shade: #BE987E, #AE9B8D, #9E9D9D, #8FA0AD and #7FA3BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD977D shade: #BE7E86, #BE867E, #BE977E, #BEA87E and #BEB97E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD977D shade: #9B6D4E, #B08262, #BE987E, #CBAE99 and #D9C3B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD977D shade: #BD977D, #97BE7E and #7E7EBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD977D shade: #BD977D, #7EBE97 and #977EBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD977D shade: #BD977D, #97BE7E, #7EA4BE and #A47EBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD977D shade: #BD977D, #84BE7E, #7EA4BE and #B77EBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 34 / 26

HEX #BD977D

RGB 189 151 125

HSL 24.38, 0.33%, 0.62%

LAB 65.3, 10.49, 19.09

 

Complementary color

CMYK 49 / 20 / 0 / 49

HEX #426882

RGB 66 104 130

HSL 204.38, 0.33%, 0.38%

LAB 42.26, -5.81, -18.61

 

CMYK 0 / 22 / 38 / 24

HEX #C29778

RGB 194 151 120

HSL 25.14, 0.38%, 0.62%

LAB 65.72, 11.88, 22.5

 

CMYK 0 / 20 / 34 / 17

HEX #D3A98B

RGB 211 169 139

HSL 25, 0.45%, 0.69%

LAB 72.29, 11.19, 21.32

 

CMYK 0 / 18 / 31 / 11

HEX #E4BB9E

RGB 228 187 158

HSL 24.86, 0.56%, 0.76%

LAB 78.75, 10.59, 20.23

 

CMYK 0 / 16 / 28 / 4

HEX #F5CDB1

RGB 245 205 177

HSL 24.71, 0.77%, 0.83%

LAB 85.12, 10.05, 19.2

 

CMYK 0 / 13 / 23 / 0

HEX #FFDFC4

RGB 255 223 196

HSL 27.46, 1%, 0.88%

LAB 90.79, 7, 17.29

 

CMYK 0 / 20 / 34 / 26

HEX #BD977D

RGB 189 151 125

HSL 24.38, 0.33%, 0.62%

LAB 65.3, 10.49, 19.09

 

CMYK 0 / 23 / 38 / 33

HEX #AC856A

RGB 172 133 106

HSL 24.55, 0.28%, 0.55%

LAB 58.59, 11.2, 20.3

 

CMYK 0 / 26 / 44 / 39

HEX #9B7357

RGB 155 115 87

HSL 24.71, 0.28%, 0.47%

LAB 51.74, 12.03, 21.62

 

CMYK 0 / 30 / 51 / 46

HEX #8A6144

RGB 138 97 68

HSL 24.86, 0.34%, 0.4%

LAB 44.76, 13.03, 23.1

 

CMYK 0 / 35 / 60 / 53

HEX #794F31

RGB 121 79 49

HSL 25, 0.42%, 0.33%

LAB 37.62, 14.25, 24.77

 

CMYK 0 / 20 / 34 / 25

HEX #BE987E

RGB 190 152 126

HSL 24.38, 0.33%, 0.62%

LAB 65.68, 10.47, 19.07

 

CMYK 0 / 29 / 34 / 25

HEX #BE867E

RGB 190 134 126

HSL 7.5, 0.33%, 0.62%

LAB 61.22, 20.42, 12.89

 

CMYK 0 / 34 / 34 / 25

HEX #BE7E7E

RGB 190 126 126

HSL 0, 0.33%, 0.62%

LAB 59.32, 24.85, 10.22

 

CMYK 0 / 20 / 34 / 25

HEX #BE987E

RGB 190 152 126

HSL 24.38, 0.33%, 0.62%

LAB 65.68, 10.47, 19.07

 

CMYK 0 / 11 / 34 / 25

HEX #BEA97E

RGB 190 169 126

HSL 40.31, 0.33%, 0.62%

LAB 70.06, 1.21, 25.01

 

CMYK 0 / 2 / 34 / 25

HEX #BEBA7E

RGB 190 186 126

HSL 56.25, 0.33%, 0.62%

LAB 74.55, -7.79, 30.98

 

CMYK 7 / 0 / 34 / 25

HEX #B0BE7E

RGB 176 190 126

HSL 73.13, 0.33%, 0.62%

LAB 74.55, -15.34, 30.77

 

CMYK 16 / 0 / 34 / 25

HEX #9FBE7E

RGB 159 190 126

HSL 89.06, 0.33%, 0.62%

LAB 73.35, -21.79, 28.97

 

CMYK 0 / 20 / 34 / 25

HEX #BE987E

RGB 190 152 126

HSL 24.38, 0.33%, 0.62%

LAB 65.68, 10.47, 19.07

 

CMYK 0 / 27 / 46 / 20

HEX #CD956E

RGB 205 149 110

HSL 24.63, 0.49%, 0.62%

LAB 66.21, 16.35, 28.86

 

CMYK 0 / 34 / 57 / 13

HEX #DD925E

RGB 221 146 94

HSL 24.57, 0.65%, 0.62%

LAB 67.08, 23.09, 38.9

 

CMYK 0 / 40 / 67 / 7

HEX #ED8F4F

RGB 237 143 79

HSL 24.3, 0.81%, 0.62%

LAB 68.18, 30.18, 48.35

 

CMYK 0 / 44 / 75 / 1

HEX #FC8C3F

RGB 252 140 63

HSL 24.44, 0.97%, 0.62%

LAB 69.33, 36.93, 57.71

 

CMYK 0 / 20 / 34 / 25

HEX #BE987E

RGB 190 152 126

HSL 24.38, 0.33%, 0.62%

LAB 65.68, 10.47, 19.07

 

CMYK 0 / 11 / 19 / 32

HEX #AE9B8D

RGB 174 155 141

HSL 25.45, 0.17%, 0.62%

LAB 65.25, 4.66, 9.89

 

CMYK 0 / 1 / 1 / 38

HEX #9E9D9D

RGB 158 157 157

HSL 0, 0.01%, 0.62%

LAB 64.82, 0.36, 0.12

 

CMYK 17 / 8 / 0 / 32

HEX #8FA0AD

RGB 143 160 173

HSL 206, 0.15%, 0.62%

LAB 64.96, -3.17, -8.77

 

CMYK 32 / 13 / 0 / 26

HEX #7FA3BC

RGB 127 163 188

HSL 204.59, 0.31%, 0.62%

LAB 65.23, -6.22, -16.85

 

CMYK 0 / 34 / 29 / 25

HEX #BE7E86

RGB 190 126 134

HSL 352.5, 0.33%, 0.62%

LAB 59.52, 25.92, 5.9

 

CMYK 0 / 29 / 34 / 25

HEX #BE867E

RGB 190 134 126

HSL 7.5, 0.33%, 0.62%

LAB 61.22, 20.42, 12.89

 

CMYK 0 / 21 / 34 / 25

HEX #BE977E

RGB 190 151 126

HSL 23.44, 0.33%, 0.62%

LAB 65.43, 11.02, 18.72

 

CMYK 0 / 12 / 34 / 25

HEX #BEA87E

RGB 190 168 126

HSL 39.38, 0.33%, 0.62%

LAB 69.8, 1.75, 24.66

 

CMYK 0 / 3 / 34 / 25

HEX #BEB97E

RGB 190 185 126

HSL 55.31, 0.33%, 0.62%

LAB 74.29, -7.27, 30.63

 

CMYK 0 / 30 / 50 / 39

HEX #9B6D4E

RGB 155 109 78

HSL 24.16, 0.33%, 0.46%

LAB 50.04, 14.5, 24.56

 

CMYK 0 / 26 / 44 / 31

HEX #B08262

RGB 176 130 98

HSL 24.62, 0.33%, 0.54%

LAB 58.11, 13.61, 24.24

 

CMYK 0 / 20 / 34 / 25

HEX #BE987E

RGB 190 152 126

HSL 24.38, 0.33%, 0.62%

LAB 65.68, 10.47, 19.07

 

CMYK 0 / 14 / 25 / 20

HEX #CBAE99

RGB 203 174 153

HSL 25.2, 0.32%, 0.7%

LAB 73.07, 7.26, 14.66

 

CMYK 0 / 10 / 17 / 15

HEX #D9C3B4

RGB 217 195 180

HSL 24.32, 0.33%, 0.78%

LAB 80.22, 5.33, 10.35

 

CMYK 0 / 20 / 34 / 26

HEX #BD977D

RGB 189 151 125

HSL 24.38, 0.33%, 0.62%

LAB 65.3, 10.49, 19.09

 

CMYK 21 / 0 / 34 / 25

HEX #97BE7E

RGB 151 190 126

HSL 96.56, 0.33%, 0.62%

LAB 72.83, -24.72, 28.19

 

CMYK 34 / 34 / 0 / 25

HEX #7E7EBE

RGB 126 126 190

HSL 240, 0.33%, 0.62%

LAB 55.15, 15.21, -33.49

 

CMYK 0 / 20 / 34 / 26

HEX #BD977D

RGB 189 151 125

HSL 24.38, 0.33%, 0.62%

LAB 65.3, 10.49, 19.09

 

CMYK 34 / 0 / 21 / 25

HEX #7EBE97

RGB 126 190 151

HSL 143.44, 0.33%, 0.62%

LAB 71.89, -28.83, 13.3

 

CMYK 21 / 34 / 0 / 25

HEX #977EBE

RGB 151 126 190

HSL 263.44, 0.33%, 0.62%

LAB 57.29, 22.7, -30

 

CMYK 0 / 20 / 34 / 26

HEX #BD977D

RGB 189 151 125

HSL 24.38, 0.33%, 0.62%

LAB 65.3, 10.49, 19.09

 

CMYK 21 / 0 / 34 / 25

HEX #97BE7E

RGB 151 190 126

HSL 96.56, 0.33%, 0.62%

LAB 72.83, -24.72, 28.19

 

CMYK 34 / 14 / 0 / 25

HEX #7EA4BE

RGB 126 164 190

HSL 204.38, 0.33%, 0.62%

LAB 65.52, -6.55, -17.54

 

CMYK 14 / 34 / 0 / 25

HEX #A47EBE

RGB 164 126 190

HSL 275.63, 0.33%, 0.62%

LAB 58.54, 26.78, -27.96

 

CMYK 0 / 20 / 34 / 26

HEX #BD977D

RGB 189 151 125

HSL 24.38, 0.33%, 0.62%

LAB 65.3, 10.49, 19.09

 

CMYK 31 / 0 / 34 / 25

HEX #84BE7E

RGB 132 190 126

HSL 114.38, 0.33%, 0.62%

LAB 71.72, -31.36, 26.5

 

CMYK 34 / 14 / 0 / 25

HEX #7EA4BE

RGB 126 164 190

HSL 204.38, 0.33%, 0.62%

LAB 65.52, -6.55, -17.54

 

CMYK 4 / 34 / 0 / 25

HEX #B77EBE

RGB 183 126 190

HSL 293.44, 0.33%, 0.62%

LAB 60.52, 32.88, -24.74

 

Description

Color code: HEX #BD977D | qconv.com Color code: HEX #BD977D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 151 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 151 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 34 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 34% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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