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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD8A91 it is the complementary color #42756E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD8A91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD8A91 shade: #C28A8C, #D39C9F, #E4AEB2, #F5C0C5 and #FFD2D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD8A91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD8A91 shade: #BD8A91, #AC787E, #9B666B, #8A5458 and #794245

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD8A91 shade: #BC8990 and #BC8989

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD8A91 shade: #BC8990, #BC899E, #BC89AC, #BC89BA and #B189BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD8A91 shade matches the following richer shades: #BC8990, #CB7A85, #DA6B7B, #E95C70 and #F84E65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD8A91 shade: #BC8990, #AE989B, #9FA7A6, #90B6B0 and #81C4BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD8A91 shade: #BC89AC, #BC899E, #BC8991, #BC8F89 and #BC9D89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD8A91 shade: #9C5761, #AE6F77, #BC8990, #CBA3A9 and #DABEC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD8A91 shade: #BD8A91, #BABC89 and #89A5BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD8A91 shade: #BD8A91, #91BC89 and #8991BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD8A91 shade: #BD8A91, #BABC89, #89BCB5 and #8C89BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD8A91 shade: #BD8A91, #AABC89, #89BCB5 and #9B89BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 23 / 26

HEX #BD8A91

RGB 189 138 145

HSL 351.76, 0.28%, 0.64%

LAB 62.54, 20.47, 3.95

 

Complementary color

CMYK 44 / 0 / 6 / 54

HEX #42756E

RGB 66 117 110

HSL 171.76, 0.28%, 0.36%

LAB 45.64, -18.96, -1.51

 

CMYK 0 / 29 / 28 / 24

HEX #C28A8C

RGB 194 138 140

HSL 357.86, 0.31%, 0.65%

LAB 62.96, 21.65, 7.46

 

CMYK 0 / 26 / 25 / 17

HEX #D39C9F

RGB 211 156 159

HSL 356.73, 0.38%, 0.72%

LAB 69.56, 20.93, 6.49

 

CMYK 0 / 24 / 22 / 11

HEX #E4AEB2

RGB 228 174 178

HSL 355.56, 0.5%, 0.79%

LAB 76.06, 20.28, 5.6

 

CMYK 0 / 22 / 20 / 4

HEX #F5C0C5

RGB 245 192 197

HSL 354.34, 0.73%, 0.86%

LAB 82.46, 19.69, 4.77

 

CMYK 0 / 18 / 15 / 0

HEX #FFD2D8

RGB 255 210 216

HSL 352, 1%, 0.91%

LAB 88.12, 16.68, 2.98

 

CMYK 0 / 27 / 23 / 26

HEX #BD8A91

RGB 189 138 145

HSL 351.76, 0.28%, 0.64%

LAB 62.54, 20.47, 3.95

 

CMYK 0 / 30 / 27 / 33

HEX #AC787E

RGB 172 120 126

HSL 353.08, 0.24%, 0.57%

LAB 55.8, 21.22, 4.91

 

CMYK 0 / 34 / 31 / 39

HEX #9B666B

RGB 155 102 107

HSL 354.34, 0.21%, 0.5%

LAB 48.92, 22.05, 5.98

 

CMYK 0 / 39 / 36 / 46

HEX #8A5458

RGB 138 84 88

HSL 355.56, 0.24%, 0.44%

LAB 41.92, 23, 7.22

 

CMYK 0 / 45 / 43 / 53

HEX #794245

RGB 121 66 69

HSL 356.73, 0.29%, 0.37%

LAB 34.78, 24.08, 8.7

 

CMYK 0 / 27 / 23 / 26

HEX #BC8990

RGB 188 137 144

HSL 351.76, 0.28%, 0.64%

LAB 62.17, 20.5, 3.96

 

CMYK 0 / 27 / 27 / 26

HEX #BC8989

RGB 188 137 137

HSL 0, 0.28%, 0.64%

LAB 61.99, 19.47, 7.69

 

CMYK 0 / 27 / 23 / 26

HEX #BC8990

RGB 188 137 144

HSL 351.76, 0.28%, 0.64%

LAB 62.17, 20.5, 3.96

 

CMYK 0 / 27 / 16 / 26

HEX #BC899E

RGB 188 137 158

HSL 335.29, 0.28%, 0.64%

LAB 62.55, 22.7, -3.44

 

CMYK 0 / 27 / 9 / 26

HEX #BC89AC

RGB 188 137 172

HSL 318.82, 0.28%, 0.64%

LAB 62.98, 25.09, -10.75

 

CMYK 0 / 27 / 1 / 26

HEX #BC89BA

RGB 188 137 186

HSL 302.35, 0.28%, 0.64%

LAB 63.45, 27.65, -17.96

 

CMYK 6 / 27 / 0 / 26

HEX #B189BC

RGB 177 137 188

HSL 287.06, 0.28%, 0.64%

LAB 62.4, 24.36, -20.79

 

CMYK 0 / 27 / 23 / 26

HEX #BC8990

RGB 188 137 144

HSL 351.76, 0.28%, 0.64%

LAB 62.17, 20.5, 3.96

 

CMYK 0 / 40 / 34 / 20

HEX #CB7A85

RGB 203 122 133

HSL 351.85, 0.44%, 0.64%

LAB 60.17, 32.86, 7.62

 

CMYK 0 / 51 / 44 / 15

HEX #DA6B7B

RGB 218 107 123

HSL 351.35, 0.6%, 0.64%

LAB 58.84, 44.95, 11.79

 

CMYK 0 / 61 / 52 / 9

HEX #E95C70

RGB 233 92 112

HSL 351.49, 0.76%, 0.64%

LAB 58.18, 56.07, 17.62

 

CMYK 0 / 69 / 59 / 3

HEX #F84E65

RGB 248 78 101

HSL 351.88, 0.92%, 0.64%

LAB 58.36, 65.63, 24.71

 

CMYK 0 / 27 / 23 / 26

HEX #BC8990

RGB 188 137 144

HSL 351.76, 0.28%, 0.64%

LAB 62.17, 20.5, 3.96

 

CMYK 0 / 13 / 11 / 32

HEX #AE989B

RGB 174 152 155

HSL 351.82, 0.12%, 0.64%

LAB 64.82, 8.65, 1.42

 

CMYK 5 / 0 / 1 / 35

HEX #9FA7A6

RGB 159 167 166

HSL 172.5, 0.04%, 0.64%

LAB 67.84, -3.02, -0.47

 

CMYK 21 / 0 / 3 / 29

HEX #90B6B0

RGB 144 182 176

HSL 170.53, 0.21%, 0.64%

LAB 71.23, -14, -1.16

 

CMYK 34 / 0 / 5 / 23

HEX #81C4BB

RGB 129 196 187

HSL 171.94, 0.36%, 0.64%

LAB 74.66, -23.19, -2.24

 

CMYK 0 / 27 / 9 / 26

HEX #BC89AC

RGB 188 137 172

HSL 318.82, 0.28%, 0.64%

LAB 62.98, 25.09, -10.75

 

CMYK 0 / 27 / 16 / 26

HEX #BC899E

RGB 188 137 158

HSL 335.29, 0.28%, 0.64%

LAB 62.55, 22.7, -3.44

 

CMYK 0 / 27 / 23 / 26

HEX #BC8991

RGB 188 137 145

HSL 350.59, 0.28%, 0.64%

LAB 62.19, 20.65, 3.43

 

CMYK 0 / 24 / 27 / 26

HEX #BC8F89

RGB 188 143 137

HSL 7.06, 0.28%, 0.64%

LAB 63.46, 16.14, 9.78

 

CMYK 0 / 16 / 27 / 26

HEX #BC9D89

RGB 188 157 137

HSL 23.53, 0.28%, 0.64%

LAB 66.98, 8.41, 14.74

 

CMYK 0 / 44 / 38 / 39

HEX #9C5761

RGB 156 87 97

HSL 351.3, 0.28%, 0.48%

LAB 45.29, 29.6, 6.83

 

CMYK 0 / 36 / 32 / 32

HEX #AE6F77

RGB 174 111 119

HSL 352.38, 0.28%, 0.56%

LAB 53.71, 26.06, 6.03

 

CMYK 0 / 27 / 23 / 26

HEX #BC8990

RGB 188 137 144

HSL 351.76, 0.28%, 0.64%

LAB 62.17, 20.5, 3.96

 

CMYK 0 / 20 / 17 / 20

HEX #CBA3A9

RGB 203 163 169

HSL 351, 0.28%, 0.72%

LAB 70.7, 15.66, 2.49

 

CMYK 0 / 13 / 11 / 15

HEX #DABEC2

RGB 218 190 194

HSL 351.43, 0.27%, 0.8%

LAB 79.4, 10.59, 1.65

 

CMYK 0 / 27 / 23 / 26

HEX #BD8A91

RGB 189 138 145

HSL 351.76, 0.28%, 0.64%

LAB 62.54, 20.47, 3.95

 

CMYK 1 / 0 / 27 / 26

HEX #BABC89

RGB 186 188 137

HSL 62.35, 0.28%, 0.64%

LAB 74.96, -8.98, 25.65

 

CMYK 27 / 12 / 0 / 26

HEX #89A5BC

RGB 137 165 188

HSL 207.06, 0.28%, 0.64%

LAB 66.41, -4.34, -15.01

 

CMYK 0 / 27 / 23 / 26

HEX #BD8A91

RGB 189 138 145

HSL 351.76, 0.28%, 0.64%

LAB 62.54, 20.47, 3.95

 

CMYK 23 / 0 / 27 / 26

HEX #91BC89

RGB 145 188 137

HSL 110.59, 0.28%, 0.64%

LAB 72.09, -24.15, 21.28

 

CMYK 27 / 23 / 0 / 26

HEX #8991BC

RGB 137 145 188

HSL 230.59, 0.28%, 0.64%

LAB 60.96, 6.89, -23.3

 

CMYK 0 / 27 / 23 / 26

HEX #BD8A91

RGB 189 138 145

HSL 351.76, 0.28%, 0.64%

LAB 62.54, 20.47, 3.95

 

CMYK 1 / 0 / 27 / 26

HEX #BABC89

RGB 186 188 137

HSL 62.35, 0.28%, 0.64%

LAB 74.96, -8.98, 25.65

 

CMYK 27 / 0 / 4 / 26

HEX #89BCB5

RGB 137 188 181

HSL 171.76, 0.28%, 0.64%

LAB 72.64, -18.18, -1.88

 

CMYK 26 / 27 / 0 / 26

HEX #8C89BC

RGB 140 137 188

HSL 243.53, 0.28%, 0.64%

LAB 59.06, 12.42, -26.19

 

CMYK 0 / 27 / 23 / 26

HEX #BD8A91

RGB 189 138 145

HSL 351.76, 0.28%, 0.64%

LAB 62.54, 20.47, 3.95

 

CMYK 10 / 0 / 27 / 26

HEX #AABC89

RGB 170 188 137

HSL 81.18, 0.28%, 0.64%

LAB 73.75, -15.07, 23.82

 

CMYK 27 / 0 / 4 / 26

HEX #89BCB5

RGB 137 188 181

HSL 171.76, 0.28%, 0.64%

LAB 72.64, -18.18, -1.88

 

CMYK 18 / 27 / 0 / 26

HEX #9B89BC

RGB 155 137 188

HSL 261.18, 0.28%, 0.64%

LAB 60.33, 17.16, -24.14

 

Description

Color code: HEX #BD8A91 | qconv.com Color code: HEX #BD8A91 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 138 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 138 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 23 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 23% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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