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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD839D it is the complementary color #427C62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD839D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD839D shade: #C28398, #D395AB, #E4A7BE, #F5B9D1 and #FFCBE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD839D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD839D shade: #BD839D, #AC718A, #9B5F77, #8A4D64 and #793B51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD839D shade: #BD839D, #BD838D and #BD8383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD839D shade: #BD839D, #BD83AD, #BD83BD, #AE83BD and #9F83BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD839D shade matches the following richer shades: #BD839D, #CD749C, #DC649A, #EB5598 and #FA4697

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD839D shade: #BD839D, #AE929F, #9FA1A0, #90B1A2 and #80C0A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD839D shade: #BD83BC, #BD83AD, #BD839D, #BD838E and #BD8883

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD839D shade: #9C5273, #AF6888, #BD839D, #CC9EB2 and #DAB9C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD839D shade: #BD839D, #BDAF83 and #83B5BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD839D shade: #BD839D, #9DBD83 and #839DBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD839D shade: #BD839D, #BDAF83, #83BDA3 and #8392BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD839D shade: #BD839D, #BABD83, #83BDA3 and #8683BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 17 / 26

HEX #BD839D

RGB 189 131 157

HSL 333.1, 0.31%, 0.63%

LAB 61.21, 26.23, -4.84

 

Complementary color

CMYK 47 / 0 / 21 / 51

HEX #427C62

RGB 66 124 98

HSL 153.1, 0.31%, 0.37%

LAB 47.57, -25.56, 8.37

 

CMYK 0 / 32 / 22 / 24

HEX #C28398

RGB 194 131 152

HSL 340, 0.34%, 0.64%

LAB 61.63, 27.27, -1.3

 

CMYK 0 / 29 / 19 / 17

HEX #D395AB

RGB 211 149 171

HSL 338.71, 0.41%, 0.71%

LAB 68.23, 26.53, -2.13

 

CMYK 0 / 27 / 17 / 11

HEX #E4A7BE

RGB 228 167 190

HSL 337.38, 0.53%, 0.77%

LAB 74.73, 25.85, -2.9

 

CMYK 0 / 24 / 15 / 4

HEX #F5B9D1

RGB 245 185 209

HSL 336, 0.75%, 0.84%

LAB 81.13, 25.23, -3.61

 

CMYK 0 / 20 / 11 / 0

HEX #FFCBE4

RGB 255 203 228

HSL 331.15, 1%, 0.9%

LAB 86.79, 22.25, -5.33

 

CMYK 0 / 31 / 17 / 26

HEX #BD839D

RGB 189 131 157

HSL 333.1, 0.31%, 0.63%

LAB 61.21, 26.23, -4.84

 

CMYK 0 / 34 / 20 / 33

HEX #AC718A

RGB 172 113 138

HSL 334.58, 0.26%, 0.56%

LAB 54.47, 26.99, -4.04

 

CMYK 0 / 39 / 23 / 39

HEX #9B5F77

RGB 155 95 119

HSL 336, 0.24%, 0.49%

LAB 47.6, 27.82, -3.13

 

CMYK 0 / 44 / 28 / 46

HEX #8A4D64

RGB 138 77 100

HSL 337.38, 0.28%, 0.42%

LAB 40.62, 28.72, -2.07

 

CMYK 0 / 51 / 33 / 53

HEX #793B51

RGB 121 59 81

HSL 338.71, 0.34%, 0.35%

LAB 33.54, 29.66, -0.77

 

CMYK 0 / 31 / 17 / 26

HEX #BD839D

RGB 189 131 157

HSL 333.1, 0.31%, 0.63%

LAB 61.21, 26.23, -4.84

 

CMYK 0 / 31 / 25 / 26

HEX #BD838D

RGB 189 131 141

HSL 349.66, 0.31%, 0.63%

LAB 60.76, 23.77, 3.66

 

CMYK 0 / 31 / 31 / 26

HEX #BD8383

RGB 189 131 131

HSL 0, 0.31%, 0.63%

LAB 60.51, 22.36, 9.02

 

CMYK 0 / 31 / 17 / 26

HEX #BD839D

RGB 189 131 157

HSL 333.1, 0.31%, 0.63%

LAB 61.21, 26.23, -4.84

 

CMYK 0 / 31 / 8 / 26

HEX #BD83AD

RGB 189 131 173

HSL 316.55, 0.31%, 0.63%

LAB 61.71, 28.94, -13.21

 

CMYK 0 / 31 / 0 / 26

HEX #BD83BD

RGB 189 131 189

HSL 300, 0.31%, 0.63%

LAB 62.28, 31.88, -21.43

 

CMYK 8 / 31 / 0 / 26

HEX #AE83BD

RGB 174 131 189

HSL 284.48, 0.31%, 0.63%

LAB 60.7, 26.96, -23.98

 

CMYK 16 / 31 / 0 / 26

HEX #9F83BD

RGB 159 131 189

HSL 268.97, 0.31%, 0.63%

LAB 59.23, 22.11, -26.37

 

CMYK 0 / 31 / 17 / 26

HEX #BD839D

RGB 189 131 157

HSL 333.1, 0.31%, 0.63%

LAB 61.21, 26.23, -4.84

 

CMYK 0 / 43 / 24 / 20

HEX #CD749C

RGB 205 116 156

HSL 333.03, 0.47%, 0.63%

LAB 59.77, 39.87, -6.18

 

CMYK 0 / 55 / 30 / 14

HEX #DC649A

RGB 220 100 154

HSL 333, 0.63%, 0.63%

LAB 58.66, 52.58, -6.45

 

CMYK 0 / 64 / 35 / 8

HEX #EB5598

RGB 235 85 152

HSL 333.2, 0.79%, 0.63%

LAB 58.44, 63.5, -5.36

 

CMYK 0 / 72 / 40 / 2

HEX #FA4697

RGB 250 70 151

HSL 333, 0.95%, 0.63%

LAB 58.92, 73.03, -3.79

 

CMYK 0 / 31 / 17 / 26

HEX #BD839D

RGB 189 131 157

HSL 333.1, 0.31%, 0.63%

LAB 61.21, 26.23, -4.84

 

CMYK 0 / 16 / 9 / 32

HEX #AE929F

RGB 174 146 159

HSL 332.14, 0.15%, 0.63%

LAB 63.39, 12.7, -2.93

 

CMYK 1 / 0 / 1 / 37

HEX #9FA1A0

RGB 159 161 160

HSL 150, 0.01%, 0.63%

LAB 66.06, -0.9, 0.26

 

CMYK 19 / 0 / 8 / 31

HEX #90B1A2

RGB 144 177 162

HSL 152.73, 0.17%, 0.63%

LAB 69.46, -14.3, 3.96

 

CMYK 33 / 0 / 15 / 25

HEX #80C0A3

RGB 128 192 163

HSL 152.81, 0.34%, 0.63%

LAB 72.85, -26.77, 8.16

 

CMYK 0 / 31 / 1 / 26

HEX #BD83BC

RGB 189 131 188

HSL 301.03, 0.31%, 0.63%

LAB 62.24, 31.69, -20.92

 

CMYK 0 / 31 / 8 / 26

HEX #BD83AD

RGB 189 131 173

HSL 316.55, 0.31%, 0.63%

LAB 61.71, 28.94, -13.21

 

CMYK 0 / 31 / 17 / 26

HEX #BD839D

RGB 189 131 157

HSL 333.1, 0.31%, 0.63%

LAB 61.21, 26.23, -4.84

 

CMYK 0 / 31 / 25 / 26

HEX #BD838E

RGB 189 131 142

HSL 348.62, 0.31%, 0.63%

LAB 60.79, 23.91, 3.12

 

CMYK 0 / 28 / 31 / 26

HEX #BD8883

RGB 189 136 131

HSL 5.17, 0.31%, 0.63%

LAB 61.71, 19.58, 10.72

 

CMYK 0 / 47 / 26 / 39

HEX #9C5273

RGB 156 82 115

HSL 333.24, 0.31%, 0.47%

LAB 44.72, 34.8, -4.97

 

CMYK 0 / 41 / 22 / 31

HEX #AF6888

RGB 175 104 136

HSL 332.96, 0.31%, 0.55%

LAB 52.72, 32.77, -5.4

 

CMYK 0 / 31 / 17 / 26

HEX #BD839D

RGB 189 131 157

HSL 333.1, 0.31%, 0.63%

LAB 61.21, 26.23, -4.84

 

CMYK 0 / 23 / 13 / 20

HEX #CC9EB2

RGB 204 158 178

HSL 333.91, 0.31%, 0.71%

LAB 69.83, 20.22, -3.77

 

CMYK 0 / 15 / 8 / 15

HEX #DAB9C8

RGB 218 185 200

HSL 332.73, 0.31%, 0.79%

LAB 78.33, 14.28, -3.16

 

CMYK 0 / 31 / 17 / 26

HEX #BD839D

RGB 189 131 157

HSL 333.1, 0.31%, 0.63%

LAB 61.21, 26.23, -4.84

 

CMYK 0 / 7 / 31 / 26

HEX #BDAF83

RGB 189 175 131

HSL 45.52, 0.31%, 0.63%

LAB 71.63, -1.76, 24.42

 

CMYK 31 / 4 / 0 / 26

HEX #83B5BD

RGB 131 181 189

HSL 188.28, 0.31%, 0.63%

LAB 70.56, -14.47, -9.38

 

CMYK 0 / 31 / 17 / 26

HEX #BD839D

RGB 189 131 157

HSL 333.1, 0.31%, 0.63%

LAB 61.21, 26.23, -4.84

 

CMYK 17 / 0 / 31 / 26

HEX #9DBD83

RGB 157 189 131

HSL 93.1, 0.31%, 0.63%

LAB 73.02, -21.3, 25.87

 

CMYK 31 / 17 / 0 / 26

HEX #839DBD

RGB 131 157 189

HSL 213.1, 0.31%, 0.63%

LAB 63.85, -1.47, -19.49

 

CMYK 0 / 31 / 17 / 26

HEX #BD839D

RGB 189 131 157

HSL 333.1, 0.31%, 0.63%

LAB 61.21, 26.23, -4.84

 

CMYK 0 / 7 / 31 / 26

HEX #BDAF83

RGB 189 175 131

HSL 45.52, 0.31%, 0.63%

LAB 71.63, -1.76, 24.42

 

CMYK 31 / 0 / 14 / 26

HEX #83BDA3

RGB 131 189 163

HSL 153.1, 0.31%, 0.63%

LAB 72.14, -24.38, 7.17

 

CMYK 31 / 23 / 0 / 26

HEX #8392BD

RGB 131 146 189

HSL 224.48, 0.31%, 0.63%

LAB 60.83, 4.75, -24.1

 

CMYK 0 / 31 / 17 / 26

HEX #BD839D

RGB 189 131 157

HSL 333.1, 0.31%, 0.63%

LAB 61.21, 26.23, -4.84

 

CMYK 2 / 0 / 31 / 26

HEX #BABD83

RGB 186 189 131

HSL 63.1, 0.31%, 0.63%

LAB 75.12, -10.29, 29.04

 

CMYK 31 / 0 / 14 / 26

HEX #83BDA3

RGB 131 189 163

HSL 153.1, 0.31%, 0.63%

LAB 72.14, -24.38, 7.17

 

CMYK 29 / 31 / 0 / 26

HEX #8683BD

RGB 134 131 189

HSL 243.1, 0.31%, 0.63%

LAB 57.05, 14.35, -29.91

 

Description

Color code: HEX #BD839D | qconv.com Color code: HEX #BD839D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 131 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 131 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 17 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 17% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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