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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD88CD it is the complementary color #427732. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD88CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD88CD shade: #C288C8, #D39ADB, #E4ACEE, #F5BEFF and #FFD0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD88CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD88CD shade: #BD88CD, #AC76BA, #9B64A7, #8A5294 and #794081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD88CD shade: #BD88CD, #CD88CA, #CD88B8, #CD88A5 and #CD8892

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD88CD shade: #BD88CD, #AA88CD, #9888CD and #8888CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD88CD shade matches the following richer shades: #BD88CD, #C47ADA, #CB6DE8 and #D35FF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD88CD shade: #BD88CD, #B695BF, #AEA3B2, #A7B1A4 and #A0BE96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD88CD shade: #9888CD, #AA88CD, #BD88CD, #CD88CB and #CD88B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD88CD shade: #9D4EB5, #AD6BC1, #BD88CD, #CDA5D9 and #DDC2E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD88CD shade: #BD88CD, #CD888A and #88CDA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD88CD shade: #BD88CD, #CDBD88 and #88CDBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD88CD shade: #BD88CD, #CD888A, #98CD88 and #88CDCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD88CD shade: #BD88CD, #CD9A88, #98CD88 and #88BACD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 34 / 0 / 20

HEX #BD88CD

RGB 189 136 205

HSL 286.09, 0.41%, 0.67%

LAB 64.03, 32.26, -27.74

 

Complementary color

CMYK 45 / 0 / 58 / 53

HEX #427732

RGB 66 119 50

HSL 106.09, 0.41%, 0.33%

LAB 45.06, -31.79, 32.08

 

CMYK 3 / 32 / 0 / 22

HEX #C288C8

RGB 194 136 200

HSL 294.38, 0.37%, 0.66%

LAB 64.36, 32.87, -24.38

 

CMYK 4 / 30 / 0 / 14

HEX #D39ADB

RGB 211 154 219

HSL 292.62, 0.47%, 0.73%

LAB 70.92, 32.18, -24.73

 

CMYK 4 / 28 / 0 / 7

HEX #E4ACEE

RGB 228 172 238

HSL 290.91, 0.66%, 0.8%

LAB 77.38, 31.54, -25.07

 

CMYK 4 / 25 / 0 / 0

HEX #F5BEFF

RGB 245 190 255

HSL 290.77, 1%, 0.87%

LAB 83.68, 30.55, -24.43

 

CMYK 0 / 18 / 0 / 0

HEX #FFD0FF

RGB 255 208 255

HSL 300, 1%, 0.91%

LAB 88.73, 24.27, -16.71

 

CMYK 8 / 34 / 0 / 20

HEX #BD88CD

RGB 189 136 205

HSL 286.09, 0.41%, 0.67%

LAB 64.03, 32.26, -27.74

 

CMYK 8 / 37 / 0 / 27

HEX #AC76BA

RGB 172 118 186

HSL 287.65, 0.33%, 0.6%

LAB 57.34, 32.99, -27.47

 

CMYK 7 / 40 / 0 / 35

HEX #9B64A7

RGB 155 100 167

HSL 289.25, 0.28%, 0.52%

LAB 50.54, 33.77, -27.17

 

CMYK 7 / 45 / 0 / 42

HEX #8A5294

RGB 138 82 148

HSL 290.91, 0.29%, 0.45%

LAB 43.62, 34.57, -26.83

 

CMYK 6 / 50 / 0 / 49

HEX #794081

RGB 121 64 129

HSL 292.62, 0.34%, 0.38%

LAB 36.59, 35.37, -26.42

 

CMYK 8 / 34 / 0 / 20

HEX #BD88CD

RGB 189 136 205

HSL 286.09, 0.41%, 0.67%

LAB 64.03, 32.26, -27.74

 

CMYK 0 / 34 / 1 / 20

HEX #CD88CA

RGB 205 136 202

HSL 302.61, 0.41%, 0.67%

LAB 65.63, 36.79, -23.45

 

CMYK 0 / 34 / 10 / 20

HEX #CD88B8

RGB 205 136 184

HSL 318.26, 0.41%, 0.67%

LAB 65, 33.6, -14.31

 

CMYK 0 / 34 / 20 / 20

HEX #CD88A5

RGB 205 136 165

HSL 334.78, 0.41%, 0.67%

LAB 64.41, 30.51, -4.46

 

CMYK 0 / 34 / 29 / 20

HEX #CD8892

RGB 205 136 146

HSL 351.3, 0.41%, 0.67%

LAB 63.89, 27.74, 5.55

 

CMYK 8 / 34 / 0 / 20

HEX #BD88CD

RGB 189 136 205

HSL 286.09, 0.41%, 0.67%

LAB 64.03, 32.26, -27.74

 

CMYK 17 / 34 / 0 / 20

HEX #AA88CD

RGB 170 136 205

HSL 269.57, 0.41%, 0.67%

LAB 62.14, 26.31, -30.82

 

CMYK 26 / 34 / 0 / 20

HEX #9888CD

RGB 152 136 205

HSL 253.91, 0.41%, 0.67%

LAB 60.51, 20.83, -33.47

 

CMYK 34 / 34 / 0 / 20

HEX #8888CD

RGB 136 136 205

HSL 240, 0.41%, 0.67%

LAB 59.21, 16.18, -35.6

 

CMYK 8 / 34 / 0 / 20

HEX #BD88CD

RGB 189 136 205

HSL 286.09, 0.41%, 0.67%

LAB 64.03, 32.26, -27.74

 

CMYK 10 / 44 / 0 / 15

HEX #C47ADA

RGB 196 122 218

HSL 286.25, 0.56%, 0.67%

LAB 62.27, 44.62, -37.69

 

CMYK 13 / 53 / 0 / 9

HEX #CB6DE8

RGB 203 109 232

HSL 285.85, 0.73%, 0.67%

LAB 61.19, 56.03, -47.15

 

CMYK 14 / 61 / 0 / 4

HEX #D35FF6

RGB 211 95 246

HSL 286.09, 0.89%, 0.67%

LAB 60.5, 67.28, -55.94

 

CMYK 8 / 34 / 0 / 20

HEX #BD88CD

RGB 189 136 205

HSL 286.09, 0.41%, 0.67%

LAB 64.03, 32.26, -27.74

 

CMYK 5 / 22 / 0 / 25

HEX #B695BF

RGB 182 149 191

HSL 287.14, 0.25%, 0.67%

LAB 65.91, 19.91, -17.1

 

CMYK 2 / 8 / 0 / 30

HEX #AEA3B2

RGB 174 163 178

HSL 284, 0.09%, 0.67%

LAB 68.32, 6.79, -6.3

 

CMYK 6 / 0 / 7 / 31

HEX #A7B1A4

RGB 167 177 164

HSL 106.15, 0.08%, 0.67%

LAB 71.1, -5.95, 5.44

 

CMYK 16 / 0 / 21 / 25

HEX #A0BE96

RGB 160 190 150

HSL 105, 0.24%, 0.67%

LAB 73.87, -17.69, 16.9

 

CMYK 26 / 34 / 0 / 20

HEX #9888CD

RGB 152 136 205

HSL 253.91, 0.41%, 0.67%

LAB 60.51, 20.83, -33.47

 

CMYK 17 / 34 / 0 / 20

HEX #AA88CD

RGB 170 136 205

HSL 269.57, 0.41%, 0.67%

LAB 62.14, 26.31, -30.82

 

CMYK 8 / 34 / 0 / 20

HEX #BD88CD

RGB 189 136 205

HSL 286.09, 0.41%, 0.67%

LAB 64.03, 32.26, -27.74

 

CMYK 0 / 34 / 1 / 20

HEX #CD88CB

RGB 205 136 203

HSL 301.74, 0.41%, 0.67%

LAB 65.67, 36.98, -23.95

 

CMYK 0 / 34 / 10 / 20

HEX #CD88B8

RGB 205 136 184

HSL 318.26, 0.41%, 0.67%

LAB 65, 33.6, -14.31

 

CMYK 13 / 57 / 0 / 29

HEX #9D4EB5

RGB 157 78 181

HSL 286.02, 0.41%, 0.51%

LAB 46.91, 49.05, -41.03

 

CMYK 10 / 45 / 0 / 24

HEX #AD6BC1

RGB 173 107 193

HSL 286.05, 0.41%, 0.59%

LAB 55.33, 40.81, -34.59

 

CMYK 8 / 34 / 0 / 20

HEX #BD88CD

RGB 189 136 205

HSL 286.09, 0.41%, 0.67%

LAB 64.03, 32.26, -27.74

 

CMYK 6 / 24 / 0 / 15

HEX #CDA5D9

RGB 205 165 217

HSL 286.15, 0.41%, 0.75%

LAB 72.83, 23.85, -20.78

 

CMYK 3 / 15 / 0 / 10

HEX #DDC2E5

RGB 221 194 229

HSL 286.29, 0.4%, 0.83%

LAB 81.63, 15.73, -13.86

 

CMYK 8 / 34 / 0 / 20

HEX #BD88CD

RGB 189 136 205

HSL 286.09, 0.41%, 0.67%

LAB 64.03, 32.26, -27.74

 

CMYK 0 / 34 / 33 / 20

HEX #CD888A

RGB 205 136 138

HSL 358.26, 0.41%, 0.67%

LAB 63.69, 26.68, 9.81

 

CMYK 34 / 0 / 21 / 20

HEX #88CDA1

RGB 136 205 161

HSL 141.74, 0.41%, 0.67%

LAB 76.96, -31.02, 15.12

 

CMYK 8 / 34 / 0 / 20

HEX #BD88CD

RGB 189 136 205

HSL 286.09, 0.41%, 0.67%

LAB 64.03, 32.26, -27.74

 

CMYK 0 / 8 / 34 / 20

HEX #CDBD88

RGB 205 189 136

HSL 46.09, 0.41%, 0.67%

LAB 76.77, -2.21, 28.88

 

CMYK 34 / 0 / 8 / 20

HEX #88CDBD

RGB 136 205 189

HSL 166.09, 0.41%, 0.67%

LAB 77.62, -25.23, 1.06

 

CMYK 8 / 34 / 0 / 20

HEX #BD88CD

RGB 189 136 205

HSL 286.09, 0.41%, 0.67%

LAB 64.03, 32.26, -27.74

 

CMYK 0 / 34 / 33 / 20

HEX #CD888A

RGB 205 136 138

HSL 358.26, 0.41%, 0.67%

LAB 63.69, 26.68, 9.81

 

CMYK 26 / 0 / 34 / 20

HEX #98CD88

RGB 152 205 136

HSL 106.09, 0.41%, 0.67%

LAB 77.35, -30.11, 28.97

 

CMYK 34 / 0 / 1 / 20

HEX #88CDCB

RGB 136 205 203

HSL 178.26, 0.41%, 0.67%

LAB 78, -22.03, -5.92

 

CMYK 8 / 34 / 0 / 20

HEX #BD88CD

RGB 189 136 205

HSL 286.09, 0.41%, 0.67%

LAB 64.03, 32.26, -27.74

 

CMYK 0 / 25 / 34 / 20

HEX #CD9A88

RGB 205 154 136

HSL 15.65, 0.41%, 0.67%

LAB 67.92, 16.59, 16.86

 

CMYK 26 / 0 / 34 / 20

HEX #98CD88

RGB 152 205 136

HSL 106.09, 0.41%, 0.67%

LAB 77.35, -30.11, 28.97

 

CMYK 34 / 9 / 0 / 20

HEX #88BACD

RGB 136 186 205

HSL 196.52, 0.41%, 0.67%

LAB 72.73, -11.78, -14.86

 

Description

Color code: HEX #BD88CD | qconv.com Color code: HEX #BD88CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 136 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 136 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 34 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 34% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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