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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD85FD it is the complementary color #427A02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD85FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD85FD shade: #C285F8, #D397FF, #E4A9FF, #F5BBFF and #FFCDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD85FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD85FD shade: #BD85FD, #AC73EA, #9B61D7, #8A4FC4 and #793DB1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD85FD shade: #BD86FD, #DD86FD, #FD86FC, #FD86DC and #FD86BC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD85FD shade: #BD86FD, #9D86FD and #8686FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD85FD shade matches the following richer shades: #BD86FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD85FD shade: #BD86FD, #BE90F3, #BF9AE9, #BFA4DF and #C0AED5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD85FD shade: #868EFD, #9E86FD, #BD86FD, #DD86FD and #FD86FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD85FD shade: #9135FB, #A75DFC, #BD86FD, #D3AFFD and #E9D7FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD85FD shade: #BD85FD, #FD86AE and #86FD8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD85FD shade: #BD85FD, #FDBD86 and #86FDBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD85FD shade: #BD85FD, #FD86AE, #C5FD86 and #86FDD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD85FD shade: #BD85FD, #FD868A, #C5FD86 and #86FDF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 47 / 0 / 1

HEX #BD85FD

RGB 189 133 253

HSL 268, 0.97%, 0.76%

LAB 65.5, 44.37, -52.01

 

Complementary color

CMYK 46 / 0 / 98 / 52

HEX #427A02

RGB 66 122 2

HSL 88, 0.97%, 0.24%

LAB 45.75, -36.43, 49.75

 

CMYK 22 / 46 / 0 / 3

HEX #C285F8

RGB 194 133 248

HSL 271.83, 0.89%, 0.75%

LAB 65.77, 44.57, -48.82

 

CMYK 17 / 41 / 0 / 0

HEX #D397FF

RGB 211 151 255

HSL 274.62, 1%, 0.8%

LAB 71.69, 41.14, -43.21

 

CMYK 11 / 34 / 0 / 0

HEX #E4A9FF

RGB 228 169 255

HSL 281.16, 1%, 0.83%

LAB 77.33, 36.47, -34.31

 

CMYK 4 / 27 / 0 / 0

HEX #F5BBFF

RGB 245 187 255

HSL 291.18, 1%, 0.87%

LAB 83.01, 32.14, -25.46

 

CMYK 0 / 20 / 0 / 0

HEX #FFCDFF

RGB 255 205 255

HSL 300, 1%, 0.9%

LAB 88.04, 25.84, -17.75

 

CMYK 25 / 47 / 0 / 1

HEX #BD85FD

RGB 189 133 253

HSL 268, 0.97%, 0.76%

LAB 65.5, 44.37, -52.01

 

CMYK 26 / 51 / 0 / 8

HEX #AC73EA

RGB 172 115 234

HSL 268.74, 0.74%, 0.68%

LAB 58.95, 45.27, -52.03

 

CMYK 28 / 55 / 0 / 16

HEX #9B61D7

RGB 155 97 215

HSL 269.49, 0.6%, 0.61%

LAB 52.31, 46.2, -52.03

 

CMYK 30 / 60 / 0 / 23

HEX #8A4FC4

RGB 138 79 196

HSL 270.26, 0.5%, 0.54%

LAB 45.61, 47.11, -51.98

 

CMYK 32 / 66 / 0 / 31

HEX #793DB1

RGB 121 61 177

HSL 271.03, 0.49%, 0.47%

LAB 38.86, 47.93, -51.83

 

CMYK 25 / 47 / 0 / 1

HEX #BD86FD

RGB 189 134 253

HSL 267.73, 0.97%, 0.76%

LAB 65.72, 43.83, -51.67

 

CMYK 13 / 47 / 0 / 1

HEX #DD86FD

RGB 221 134 253

HSL 283.87, 0.97%, 0.76%

LAB 69.12, 52.44, -46.08

 

CMYK 0 / 47 / 0 / 1

HEX #FD86FC

RGB 253 134 252

HSL 300.5, 0.97%, 0.76%

LAB 72.87, 61.07, -39.4

 

CMYK 0 / 47 / 13 / 1

HEX #FD86DC

RGB 253 134 220

HSL 316.64, 0.97%, 0.76%

LAB 71.62, 55.83, -23.78

 

CMYK 0 / 47 / 26 / 1

HEX #FD86BC

RGB 253 134 188

HSL 332.77, 0.97%, 0.76%

LAB 70.57, 51.22, -7.61

 

CMYK 25 / 47 / 0 / 1

HEX #BD86FD

RGB 189 134 253

HSL 267.73, 0.97%, 0.76%

LAB 65.72, 43.83, -51.67

 

CMYK 38 / 47 / 0 / 1

HEX #9D86FD

RGB 157 134 253

HSL 251.6, 0.97%, 0.76%

LAB 62.77, 35.67, -56.54

 

CMYK 47 / 47 / 0 / 1

HEX #8686FD

RGB 134 134 253

HSL 240, 0.97%, 0.76%

LAB 60.97, 30.3, -59.52

 

CMYK 25 / 47 / 0 / 1

HEX #BD86FD

RGB 189 134 253

HSL 267.73, 0.97%, 0.76%

LAB 65.72, 43.83, -51.67

 

CMYK 25 / 47 / 0 / 1

HEX #BD86FD

RGB 189 134 253

HSL 267.73, 0.97%, 0.76%

LAB 65.72, 43.83, -51.67

 

CMYK 22 / 41 / 0 / 5

HEX #BE90F3

RGB 190 144 243

HSL 267.88, 0.8%, 0.76%

LAB 67.55, 36.34, -43.3

 

CMYK 18 / 34 / 0 / 9

HEX #BF9AE9

RGB 191 154 233

HSL 268.1, 0.64%, 0.76%

LAB 69.52, 28.86, -34.74

 

CMYK 14 / 26 / 0 / 13

HEX #BFA4DF

RGB 191 164 223

HSL 267.46, 0.48%, 0.76%

LAB 71.52, 21.13, -26.17

 

CMYK 10 / 18 / 0 / 16

HEX #C0AED5

RGB 192 174 213

HSL 267.69, 0.32%, 0.76%

LAB 73.73, 13.84, -17.34

 

CMYK 47 / 44 / 0 / 1

HEX #868EFD

RGB 134 142 253

HSL 235.97, 0.97%, 0.76%

LAB 62.93, 25.62, -56.38

 

CMYK 38 / 47 / 0 / 1

HEX #9E86FD

RGB 158 134 253

HSL 252.1, 0.97%, 0.76%

LAB 62.85, 35.92, -56.4

 

CMYK 25 / 47 / 0 / 1

HEX #BD86FD

RGB 189 134 253

HSL 267.73, 0.97%, 0.76%

LAB 65.72, 43.83, -51.67

 

CMYK 13 / 47 / 0 / 1

HEX #DD86FD

RGB 221 134 253

HSL 283.87, 0.97%, 0.76%

LAB 69.12, 52.44, -46.08

 

CMYK 0 / 47 / 0 / 1

HEX #FD86FD

RGB 253 134 253

HSL 300, 0.97%, 0.76%

LAB 72.91, 61.24, -39.88

 

CMYK 42 / 79 / 0 / 2

HEX #9135FB

RGB 145 53 251

HSL 267.88, 0.96%, 0.6%

LAB 46.35, 73.04, -82.03

 

CMYK 34 / 63 / 0 / 1

HEX #A75DFC

RGB 167 93 252

HSL 267.92, 0.96%, 0.68%

LAB 55.15, 59.8, -68.16

 

CMYK 25 / 47 / 0 / 1

HEX #BD86FD

RGB 189 134 253

HSL 267.73, 0.97%, 0.76%

LAB 65.72, 43.83, -51.67

 

CMYK 17 / 31 / 0 / 1

HEX #D3AFFD

RGB 211 175 253

HSL 267.69, 0.95%, 0.84%

LAB 77.04, 27.7, -33.81

 

CMYK 8 / 15 / 0 / 0

HEX #E9D7FE

RGB 233 215 254

HSL 267.69, 0.95%, 0.92%

LAB 88.49, 13.29, -16.74

 

CMYK 25 / 47 / 0 / 1

HEX #BD85FD

RGB 189 133 253

HSL 268, 0.97%, 0.76%

LAB 65.5, 44.37, -52.01

 

CMYK 0 / 47 / 31 / 1

HEX #FD86AE

RGB 253 134 174

HSL 339.83, 0.97%, 0.76%

LAB 70.17, 49.42, -0.38

 

CMYK 47 / 0 / 44 / 1

HEX #86FD8E

RGB 134 253 142

HSL 124.03, 0.97%, 0.76%

LAB 90.45, -55.63, 42.87

 

CMYK 25 / 47 / 0 / 1

HEX #BD85FD

RGB 189 133 253

HSL 268, 0.97%, 0.76%

LAB 65.5, 44.37, -52.01

 

CMYK 0 / 25 / 47 / 1

HEX #FDBD86

RGB 253 189 134

HSL 27.73, 0.97%, 0.76%

LAB 81.29, 16.61, 36.71

 

CMYK 47 / 0 / 25 / 1

HEX #86FDBD

RGB 134 253 189

HSL 147.73, 0.97%, 0.76%

LAB 91.23, -47.72, 20.42

 

CMYK 25 / 47 / 0 / 1

HEX #BD85FD

RGB 189 133 253

HSL 268, 0.97%, 0.76%

LAB 65.5, 44.37, -52.01

 

CMYK 0 / 47 / 31 / 1

HEX #FD86AE

RGB 253 134 174

HSL 339.83, 0.97%, 0.76%

LAB 70.17, 49.42, -0.38

 

CMYK 22 / 0 / 47 / 1

HEX #C5FD86

RGB 197 253 134

HSL 88.24, 0.97%, 0.76%

LAB 93.38, -36.79, 51.01

 

CMYK 47 / 0 / 16 / 1

HEX #86FDD5

RGB 134 253 213

HSL 159.83, 0.97%, 0.76%

LAB 91.74, -42.83, 8.8

 

CMYK 25 / 47 / 0 / 1

HEX #BD85FD

RGB 189 133 253

HSL 268, 0.97%, 0.76%

LAB 65.5, 44.37, -52.01

 

CMYK 0 / 47 / 45 / 1

HEX #FD868A

RGB 253 134 138

HSL 357.98, 0.97%, 0.76%

LAB 69.3, 45.45, 18.55

 

CMYK 22 / 0 / 47 / 1

HEX #C5FD86

RGB 197 253 134

HSL 88.24, 0.97%, 0.76%

LAB 93.38, -36.79, 51.01

 

CMYK 47 / 0 / 2 / 1

HEX #86FDF9

RGB 134 253 249

HSL 177.98, 0.97%, 0.76%

LAB 92.64, -34.53, -8.51

 

Description

Color code: HEX #BD85FD | qconv.com Color code: HEX #BD85FD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 133 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 133 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 47 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 47% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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