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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD7985 it is the complementary color #42867A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD7985. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD7985 shade: #C27980, #D38B93, #E49DA6, #F5AFB9 and #FFC1CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD7985. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD7985 shade: #BD7985, #AC6772, #9B555F, #8A434C and #793139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD7985 shade: #BD7985 and #BD7979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD7985 shade: #BD7985, #BD7997, #BD79AA, #BD79BC and #AC79BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD7985 shade matches the following richer shades: #BD7985, #CD697B, #DD5970, #ED4966 and #FD395C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD7985 shade: #BD7985, #AD8990, #9D999A, #8DAAA4 and #7CBAAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD7985 shade: #BD79AA, #BD7998, #BD7986, #BD7F79 and #BD9179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD7985 shade: #994B59, #AF5E6C, #BD7985, #CA959E and #D8B1B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD7985 shade: #BD7985, #BCBD79 and #79A1BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD7985 shade: #BD7985, #86BD79 and #7986BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD7985 shade: #BD7985, #BCBD79, #79BDB0 and #7A79BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD7985 shade: #BD7985, #A7BD79, #79BDB0 and #8F79BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 30 / 26

HEX #BD7985

RGB 189 121 133

HSL 349.41, 0.34%, 0.61%

LAB 58.21, 28.15, 4.59

 

Complementary color

CMYK 51 / 0 / 9 / 47

HEX #42867A

RGB 66 134 122

HSL 169.41, 0.34%, 0.39%

LAB 51.4, -24.67, -0.16

 

CMYK 0 / 38 / 34 / 24

HEX #C27980

RGB 194 121 128

HSL 354.25, 0.37%, 0.62%

LAB 58.7, 29.38, 8.25

 

CMYK 0 / 34 / 30 / 17

HEX #D38B93

RGB 211 139 147

HSL 353.33, 0.45%, 0.69%

LAB 65.3, 28.49, 7.1

 

CMYK 0 / 31 / 27 / 11

HEX #E49DA6

RGB 228 157 166

HSL 352.39, 0.57%, 0.75%

LAB 71.8, 27.68, 6.07

 

CMYK 0 / 29 / 24 / 4

HEX #F5AFB9

RGB 245 175 185

HSL 351.43, 0.78%, 0.82%

LAB 78.21, 26.94, 5.12

 

CMYK 0 / 24 / 20 / 0

HEX #FFC1CC

RGB 255 193 204

HSL 349.35, 1%, 0.88%

LAB 83.84, 23.77, 3.15

 

CMYK 0 / 36 / 30 / 26

HEX #BD7985

RGB 189 121 133

HSL 349.41, 0.34%, 0.61%

LAB 58.21, 28.15, 4.59

 

CMYK 0 / 40 / 34 / 33

HEX #AC6772

RGB 172 103 114

HSL 350.43, 0.29%, 0.54%

LAB 51.48, 29.07, 5.76

 

CMYK 0 / 45 / 39 / 39

HEX #9B555F

RGB 155 85 95

HSL 351.43, 0.29%, 0.47%

LAB 44.65, 30.07, 7.12

 

CMYK 0 / 51 / 45 / 46

HEX #8A434C

RGB 138 67 76

HSL 352.39, 0.35%, 0.4%

LAB 37.73, 31.14, 8.78

 

CMYK 0 / 60 / 53 / 53

HEX #793139

RGB 121 49 57

HSL 353.33, 0.42%, 0.33%

LAB 30.78, 32.21, 10.87

 

CMYK 0 / 36 / 30 / 26

HEX #BD7985

RGB 189 121 133

HSL 349.41, 0.34%, 0.61%

LAB 58.21, 28.15, 4.59

 

CMYK 0 / 36 / 36 / 26

HEX #BD7979

RGB 189 121 121

HSL 0, 0.34%, 0.61%

LAB 57.92, 26.58, 11.1

 

CMYK 0 / 36 / 30 / 26

HEX #BD7985

RGB 189 121 133

HSL 349.41, 0.34%, 0.61%

LAB 58.21, 28.15, 4.59

 

CMYK 0 / 36 / 20 / 26

HEX #BD7997

RGB 189 121 151

HSL 333.53, 0.34%, 0.61%

LAB 58.72, 30.79, -5.07

 

CMYK 0 / 36 / 10 / 26

HEX #BD79AA

RGB 189 121 170

HSL 316.76, 0.34%, 0.61%

LAB 59.34, 33.92, -15.08

 

CMYK 0 / 36 / 1 / 26

HEX #BD79BC

RGB 189 121 188

HSL 300.88, 0.34%, 0.61%

LAB 60, 37.17, -24.35

 

CMYK 9 / 36 / 0 / 26

HEX #AC79BD

RGB 172 121 189

HSL 285, 0.34%, 0.61%

LAB 58.15, 31.94, -27.93

 

CMYK 0 / 36 / 30 / 26

HEX #BD7985

RGB 189 121 133

HSL 349.41, 0.34%, 0.61%

LAB 58.21, 28.15, 4.59

 

CMYK 0 / 49 / 40 / 20

HEX #CD697B

RGB 205 105 123

HSL 349.2, 0.5%, 0.61%

LAB 56.6, 41.33, 8.36

 

CMYK 0 / 60 / 49 / 13

HEX #DD5970

RGB 221 89 112

HSL 349.55, 0.66%, 0.61%

LAB 55.77, 53.45, 14.01

 

CMYK 0 / 69 / 57 / 7

HEX #ED4966

RGB 237 73 102

HSL 349.39, 0.82%, 0.61%

LAB 55.82, 64.22, 20.39

 

CMYK 0 / 77 / 64 / 1

HEX #FD395C

RGB 253 57 92

HSL 349.29, 0.98%, 0.61%

LAB 56.67, 73.29, 27.94

 

CMYK 0 / 36 / 30 / 26

HEX #BD7985

RGB 189 121 133

HSL 349.41, 0.34%, 0.61%

LAB 58.21, 28.15, 4.59

 

CMYK 0 / 21 / 17 / 32

HEX #AD8990

RGB 173 137 144

HSL 348.33, 0.18%, 0.61%

LAB 60.6, 14.81, 1.49

 

CMYK 0 / 3 / 2 / 38

HEX #9D999A

RGB 157 153 154

HSL 345, 0.02%, 0.61%

LAB 63.58, 1.65, -0.01

 

CMYK 17 / 0 / 4 / 33

HEX #8DAAA4

RGB 141 170 164

HSL 167.59, 0.15%, 0.61%

LAB 67.35, -11.2, -0.24

 

CMYK 33 / 0 / 6 / 27

HEX #7CBAAF

RGB 124 186 175

HSL 169.35, 0.31%, 0.61%

LAB 71.21, -22.35, -0.77

 

CMYK 0 / 36 / 10 / 26

HEX #BD79AA

RGB 189 121 170

HSL 316.76, 0.34%, 0.61%

LAB 59.34, 33.92, -15.08

 

CMYK 0 / 36 / 20 / 26

HEX #BD7998

RGB 189 121 152

HSL 332.65, 0.34%, 0.61%

LAB 58.75, 30.95, -5.6

 

CMYK 0 / 36 / 29 / 26

HEX #BD7986

RGB 189 121 134

HSL 348.53, 0.34%, 0.61%

LAB 58.24, 28.29, 4.05

 

CMYK 0 / 33 / 36 / 26

HEX #BD7F79

RGB 189 127 121

HSL 5.29, 0.34%, 0.61%

LAB 59.32, 23.27, 13.07

 

CMYK 0 / 23 / 36 / 26

HEX #BD9179

RGB 189 145 121

HSL 21.18, 0.34%, 0.61%

LAB 63.71, 13.29, 19.14

 

CMYK 0 / 51 / 42 / 40

HEX #994B59

RGB 153 75 89

HSL 349.23, 0.34%, 0.45%

LAB 42.04, 34.04, 7.06

 

CMYK 0 / 46 / 38 / 31

HEX #AF5E6C

RGB 175 94 108

HSL 349.63, 0.34%, 0.53%

LAB 49.74, 34.36, 6.9

 

CMYK 0 / 36 / 30 / 26

HEX #BD7985

RGB 189 121 133

HSL 349.41, 0.34%, 0.61%

LAB 58.21, 28.15, 4.59

 

CMYK 0 / 26 / 22 / 21

HEX #CA959E

RGB 202 149 158

HSL 349.81, 0.33%, 0.69%

LAB 66.92, 21.24, 3.11

 

CMYK 0 / 18 / 15 / 15

HEX #D8B1B8

RGB 216 177 184

HSL 349.23, 0.33%, 0.77%

LAB 75.76, 15.21, 1.76

 

CMYK 0 / 36 / 30 / 26

HEX #BD7985

RGB 189 121 133

HSL 349.41, 0.34%, 0.61%

LAB 58.21, 28.15, 4.59

 

CMYK 1 / 0 / 36 / 26

HEX #BCBD79

RGB 188 189 121

HSL 60.88, 0.34%, 0.61%

LAB 75.12, -10.75, 34.29

 

CMYK 36 / 15 / 0 / 26

HEX #79A1BD

RGB 121 161 189

HSL 204.71, 0.34%, 0.61%

LAB 64.35, -6.59, -18.79

 

CMYK 0 / 36 / 30 / 26

HEX #BD7985

RGB 189 121 133

HSL 349.41, 0.34%, 0.61%

LAB 58.21, 28.15, 4.59

 

CMYK 29 / 0 / 36 / 26

HEX #86BD79

RGB 134 189 121

HSL 108.53, 0.34%, 0.61%

LAB 71.45, -30.99, 28.8

 

CMYK 36 / 29 / 0 / 26

HEX #7986BD

RGB 121 134 189

HSL 228.53, 0.34%, 0.61%

LAB 56.87, 8.79, -30.27

 

CMYK 0 / 36 / 30 / 26

HEX #BD7985

RGB 189 121 133

HSL 349.41, 0.34%, 0.61%

LAB 58.21, 28.15, 4.59

 

CMYK 1 / 0 / 36 / 26

HEX #BCBD79

RGB 188 189 121

HSL 60.88, 0.34%, 0.61%

LAB 75.12, -10.75, 34.29

 

CMYK 36 / 0 / 7 / 26

HEX #79BDB0

RGB 121 189 176

HSL 168.53, 0.34%, 0.61%

LAB 71.96, -24.47, -0.25

 

CMYK 35 / 36 / 0 / 26

HEX #7A79BD

RGB 122 121 189

HSL 240.88, 0.34%, 0.61%

LAB 53.48, 16.77, -35.56

 

CMYK 0 / 36 / 30 / 26

HEX #BD7985

RGB 189 121 133

HSL 349.41, 0.34%, 0.61%

LAB 58.21, 28.15, 4.59

 

CMYK 12 / 0 / 36 / 26

HEX #A7BD79

RGB 167 189 121

HSL 79.41, 0.34%, 0.61%

LAB 73.54, -18.95, 31.93

 

CMYK 36 / 0 / 7 / 26

HEX #79BDB0

RGB 121 189 176

HSL 168.53, 0.34%, 0.61%

LAB 71.96, -24.47, -0.25

 

CMYK 24 / 36 / 0 / 26

HEX #8F79BD

RGB 143 121 189

HSL 259.41, 0.34%, 0.61%

LAB 55.27, 22.92, -32.63

 

Description

Color code: HEX #BD7985 | qconv.com Color code: HEX #BD7985 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 121 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 121 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 30 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 30% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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