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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD74AD it is the complementary color #428B52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD74AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD74AD shade: #C274A8, #D386BB, #E498CE, #F5AAE1 and #FFBCF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD74AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD74AD shade: #BD74AD, #AC629A, #9B5087, #8A3E74 and #792C61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD74AD shade: #BD74AD, #BD7499, #BD7486 and #BD7474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD74AD shade: #BD74AD, #BA74BD, #A674BD, #9274BD and #7E74BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD74AD shade matches the following richer shades: #BD74AD, #CE63B6, #DE53C0 and #EF42C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD74AD shade: #BD74AD, #AD84A4, #9C959B, #8CA591 and #7BB688

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD74AD shade: #A674BD, #BA74BD, #BD74AD, #BD749A and #BD7486

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD74AD shade: #974786, #B0589D, #BD74AD, #CA90BE and #D8ACCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD74AD shade: #BD74AD, #BD9274 and #74BDB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD74AD shade: #BD74AD, #ADBD74 and #74ADBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD74AD shade: #BD74AD, #BD9274, #74BD84 and #749FBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD74AD shade: #BD74AD, #BDA874, #74BD84 and #7489BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 8 / 26

HEX #BD74AD

RGB 189 116 173

HSL 313.15, 0.36%, 0.6%

LAB 58.35, 37.15, -18.31

 

Complementary color

CMYK 53 / 0 / 41 / 45

HEX #428B52

RGB 66 139 82

HSL 133.15, 0.36%, 0.4%

LAB 52.1, -35.9, 23.7

 

CMYK 0 / 40 / 13 / 24

HEX #C274A8

RGB 194 116 168

HSL 320, 0.39%, 0.61%

LAB 58.78, 37.97, -14.72

 

CMYK 0 / 36 / 11 / 17

HEX #D386BB

RGB 211 134 187

HSL 318.7, 0.47%, 0.68%

LAB 65.35, 37.2, -15.4

 

CMYK 0 / 33 / 10 / 11

HEX #E498CE

RGB 228 152 206

HSL 317.37, 0.58%, 0.75%

LAB 71.83, 36.47, -16.02

 

CMYK 0 / 31 / 8 / 4

HEX #F5AAE1

RGB 245 170 225

HSL 316, 0.79%, 0.81%

LAB 78.23, 35.77, -16.59

 

CMYK 0 / 26 / 4 / 0

HEX #FFBCF4

RGB 255 188 244

HSL 309.85, 1%, 0.87%

LAB 83.84, 32.83, -18.24

 

CMYK 0 / 39 / 8 / 26

HEX #BD74AD

RGB 189 116 173

HSL 313.15, 0.36%, 0.6%

LAB 58.35, 37.15, -18.31

 

CMYK 0 / 43 / 10 / 33

HEX #AC629A

RGB 172 98 154

HSL 314.59, 0.31%, 0.53%

LAB 51.65, 37.93, -17.65

 

CMYK 0 / 48 / 13 / 39

HEX #9B5087

RGB 155 80 135

HSL 316, 0.32%, 0.46%

LAB 44.88, 38.7, -16.88

 

CMYK 0 / 55 / 16 / 46

HEX #8A3E74

RGB 138 62 116

HSL 317.37, 0.38%, 0.39%

LAB 38.04, 39.4, -15.91

 

CMYK 0 / 64 / 20 / 53

HEX #792C61

RGB 121 44 97

HSL 318.7, 0.47%, 0.32%

LAB 31.18, 39.87, -14.62

 

CMYK 0 / 39 / 8 / 26

HEX #BD74AD

RGB 189 116 173

HSL 313.15, 0.36%, 0.6%

LAB 58.35, 37.15, -18.31

 

CMYK 0 / 39 / 19 / 26

HEX #BD7499

RGB 189 116 153

HSL 329.59, 0.36%, 0.6%

LAB 57.66, 33.84, -7.8

 

CMYK 0 / 39 / 29 / 26

HEX #BD7486

RGB 189 116 134

HSL 345.21, 0.36%, 0.6%

LAB 57.11, 31.03, 2.41

 

CMYK 0 / 39 / 39 / 26

HEX #BD7474

RGB 189 116 116

HSL 0, 0.36%, 0.6%

LAB 56.65, 28.71, 12.22

 

CMYK 0 / 39 / 8 / 26

HEX #BD74AD

RGB 189 116 173

HSL 313.15, 0.36%, 0.6%

LAB 58.35, 37.15, -18.31

 

CMYK 2 / 39 / 0 / 26

HEX #BA74BD

RGB 186 116 189

HSL 297.53, 0.36%, 0.6%

LAB 58.61, 39.11, -27.09

 

CMYK 12 / 39 / 0 / 26

HEX #A674BD

RGB 166 116 189

HSL 281.1, 0.36%, 0.6%

LAB 56.36, 32.86, -30.75

 

CMYK 23 / 39 / 0 / 26

HEX #9274BD

RGB 146 116 189

HSL 264.66, 0.36%, 0.6%

LAB 54.32, 26.74, -34.09

 

CMYK 33 / 39 / 0 / 26

HEX #7E74BD

RGB 126 116 189

HSL 248.22, 0.36%, 0.6%

LAB 52.51, 20.88, -37.05

 

CMYK 0 / 39 / 8 / 26

HEX #BD74AD

RGB 189 116 173

HSL 313.15, 0.36%, 0.6%

LAB 58.35, 37.15, -18.31

 

CMYK 0 / 52 / 12 / 19

HEX #CE63B6

RGB 206 99 182

HSL 313.46, 0.52%, 0.6%

LAB 57.49, 52.75, -24.6

 

CMYK 0 / 63 / 14 / 13

HEX #DE53C0

RGB 222 83 192

HSL 312.95, 0.68%, 0.6%

LAB 57.58, 65.88, -30.01

 

CMYK 0 / 72 / 16 / 6

HEX #EF42C9

RGB 239 66 201

HSL 313.18, 0.84%, 0.6%

LAB 58.48, 77.4, -33.56

 

CMYK 0 / 39 / 8 / 26

HEX #BD74AD

RGB 189 116 173

HSL 313.15, 0.36%, 0.6%

LAB 58.35, 37.15, -18.31

 

CMYK 0 / 24 / 5 / 32

HEX #AD84A4

RGB 173 132 164

HSL 313.17, 0.2%, 0.6%

LAB 59.95, 21.14, -10.9

 

CMYK 0 / 4 / 1 / 39

HEX #9C959B

RGB 156 149 155

HSL 308.57, 0.03%, 0.6%

LAB 62.45, 3.7, -2.24

 

CMYK 15 / 0 / 12 / 35

HEX #8CA591

RGB 140 165 145

HSL 132, 0.12%, 0.6%

LAB 65.38, -12.71, 7.47

 

CMYK 32 / 0 / 25 / 29

HEX #7BB688

RGB 123 182 136

HSL 133.22, 0.29%, 0.6%

LAB 69.07, -28.77, 17.47

 

CMYK 12 / 39 / 0 / 26

HEX #A674BD

RGB 166 116 189

HSL 281.1, 0.36%, 0.6%

LAB 56.36, 32.86, -30.75

 

CMYK 2 / 39 / 0 / 26

HEX #BA74BD

RGB 186 116 189

HSL 297.53, 0.36%, 0.6%

LAB 58.61, 39.11, -27.09

 

CMYK 0 / 39 / 8 / 26

HEX #BD74AD

RGB 189 116 173

HSL 313.15, 0.36%, 0.6%

LAB 58.35, 37.15, -18.31

 

CMYK 0 / 39 / 19 / 26

HEX #BD749A

RGB 189 116 154

HSL 328.77, 0.36%, 0.6%

LAB 57.7, 33.99, -8.33

 

CMYK 0 / 39 / 29 / 26

HEX #BD7486

RGB 189 116 134

HSL 345.21, 0.36%, 0.6%

LAB 57.11, 31.03, 2.41

 

CMYK 0 / 53 / 11 / 41

HEX #974786

RGB 151 71 134

HSL 312.75, 0.36%, 0.44%

LAB 42.47, 41.95, -20.01

 

CMYK 0 / 50 / 11 / 31

HEX #B0589D

RGB 176 88 157

HSL 312.95, 0.36%, 0.52%

LAB 50.27, 44.98, -21.5

 

CMYK 0 / 39 / 8 / 26

HEX #BD74AD

RGB 189 116 173

HSL 313.15, 0.36%, 0.6%

LAB 58.35, 37.15, -18.31

 

CMYK 0 / 29 / 6 / 21

HEX #CA90BE

RGB 202 144 190

HSL 312.41, 0.35%, 0.68%

LAB 66.69, 29.27, -15.16

 

CMYK 0 / 20 / 5 / 15

HEX #D8ACCE

RGB 216 172 206

HSL 313.64, 0.36%, 0.76%

LAB 75.18, 21.65, -11.12

 

CMYK 0 / 39 / 8 / 26

HEX #BD74AD

RGB 189 116 173

HSL 313.15, 0.36%, 0.6%

LAB 58.35, 37.15, -18.31

 

CMYK 0 / 23 / 39 / 26

HEX #BD9274

RGB 189 146 116

HSL 24.66, 0.36%, 0.6%

LAB 63.87, 12.13, 22.13

 

CMYK 39 / 0 / 7 / 26

HEX #74BDB0

RGB 116 189 176

HSL 169.32, 0.36%, 0.6%

LAB 71.72, -25.84, -0.62

 

CMYK 0 / 39 / 8 / 26

HEX #BD74AD

RGB 189 116 173

HSL 313.15, 0.36%, 0.6%

LAB 58.35, 37.15, -18.31

 

CMYK 8 / 0 / 39 / 26

HEX #ADBD74

RGB 173 189 116

HSL 73.15, 0.36%, 0.6%

LAB 73.89, -17.26, 35.07

 

CMYK 39 / 8 / 0 / 26

HEX #74ADBD

RGB 116 173 189

HSL 193.15, 0.36%, 0.6%

LAB 67.48, -14.44, -14.07

 

CMYK 0 / 39 / 8 / 26

HEX #BD74AD

RGB 189 116 173

HSL 313.15, 0.36%, 0.6%

LAB 58.35, 37.15, -18.31

 

CMYK 0 / 23 / 39 / 26

HEX #BD9274

RGB 189 146 116

HSL 24.66, 0.36%, 0.6%

LAB 63.87, 12.13, 22.13

 

CMYK 39 / 0 / 30 / 26

HEX #74BD84

RGB 116 189 132

HSL 133.15, 0.36%, 0.6%

LAB 70.71, -34.99, 21.82

 

CMYK 39 / 16 / 0 / 26

HEX #749FBD

RGB 116 159 189

HSL 204.66, 0.36%, 0.6%

LAB 63.49, -6.87, -20.11

 

CMYK 0 / 39 / 8 / 26

HEX #BD74AD

RGB 189 116 173

HSL 313.15, 0.36%, 0.6%

LAB 58.35, 37.15, -18.31

 

CMYK 0 / 11 / 39 / 26

HEX #BDA874

RGB 189 168 116

HSL 42.74, 0.36%, 0.6%

LAB 69.53, 0.13, 29.66

 

CMYK 39 / 0 / 30 / 26

HEX #74BD84

RGB 116 189 132

HSL 133.15, 0.36%, 0.6%

LAB 70.71, -34.99, 21.82

 

CMYK 39 / 28 / 0 / 26

HEX #7489BD

RGB 116 137 189

HSL 222.74, 0.36%, 0.6%

LAB 57.35, 5.63, -29.56

 

Description

Color code: HEX #BD74AD | qconv.com Color code: HEX #BD74AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 116 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 116 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 8 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 8% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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