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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD6FEC it is the complementary color #429013. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD6FEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD6FEC shade: #C26FE7, #D381FA, #E493FF, #F5A5FF and #FFB7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD6FEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD6FEC shade: #BD6FEC, #AC5DD9, #9B4BC6, #8A39B3 and #7927A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD6FEC shade: #BC6EEC, #DE6EEC, #EC6ED7, #EC6EB5 and #EC6E93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD6FEC shade: #BC6EEC, #9B6EEC, #796EEC and #6E6EEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD6FEC shade matches the following richer shades: #BC6EEC and #C061F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD6FEC shade: #BC6EEC, #B97BDF, #B688D1, #B396C4 and #AFA3B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD6FEC shade: #796EEC, #9A6EEC, #BC6EEC, #DD6EEC and #EC6ED9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD6FEC shade: #9B25E2, #AC4AE7, #BC6EEC, #CD93F0 and #DEB7F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD6FEC shade: #BD6FEC, #EC6E85 and #6EEC89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD6FEC shade: #BD6FEC, #ECBC6E and #6EECBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD6FEC shade: #BD6FEC, #EC6E85, #9EEC6E and #6EECD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD6FEC shade: #BD6FEC, #EC7D6E, #9EEC6E and #6EDDEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 53 / 0 / 7

HEX #BD6FEC

RGB 189 111 236

HSL 277.44, 0.77%, 0.68%

LAB 60.11, 52.21, -51.19

 

Complementary color

CMYK 54 / 0 / 87 / 44

HEX #429013

RGB 66 144 19

HSL 97.44, 0.77%, 0.32%

LAB 53.12, -44.75, 52.41

 

CMYK 16 / 52 / 0 / 9

HEX #C26FE7

RGB 194 111 231

HSL 281.5, 0.71%, 0.67%

LAB 60.43, 52.46, -47.85

 

CMYK 16 / 48 / 0 / 2

HEX #D381FA

RGB 211 129 250

HSL 280.66, 0.92%, 0.74%

LAB 66.86, 51.69, -48.07

 

CMYK 11 / 42 / 0 / 0

HEX #E493FF

RGB 228 147 255

HSL 285, 1%, 0.79%

LAB 72.62, 48.09, -41.64

 

CMYK 4 / 35 / 0 / 0

HEX #F5A5FF

RGB 245 165 255

HSL 293.33, 1%, 0.82%

LAB 78.19, 43.71, -32.84

 

CMYK 0 / 28 / 0 / 0

HEX #FFB7FF

RGB 255 183 255

HSL 300, 1%, 0.86%

LAB 83.1, 37.39, -25.23

 

CMYK 20 / 53 / 0 / 7

HEX #BD6FEC

RGB 189 111 236

HSL 277.44, 0.77%, 0.68%

LAB 60.11, 52.21, -51.19

 

CMYK 21 / 57 / 0 / 15

HEX #AC5DD9

RGB 172 93 217

HSL 278.23, 0.62%, 0.61%

LAB 53.61, 52.98, -50.98

 

CMYK 22 / 62 / 0 / 22

HEX #9B4BC6

RGB 155 75 198

HSL 279.02, 0.52%, 0.54%

LAB 47.08, 53.63, -50.67

 

CMYK 23 / 68 / 0 / 30

HEX #8A39B3

RGB 138 57 179

HSL 279.84, 0.52%, 0.46%

LAB 40.55, 54.06, -50.17

 

CMYK 24 / 76 / 0 / 37

HEX #7927A0

RGB 121 39 160

HSL 280.66, 0.61%, 0.39%

LAB 34.1, 54.01, -49.35

 

CMYK 20 / 53 / 0 / 7

HEX #BC6EEC

RGB 188 110 236

HSL 277.14, 0.77%, 0.68%

LAB 59.8, 52.47, -51.69

 

CMYK 6 / 53 / 0 / 7

HEX #DE6EEC

RGB 222 110 236

HSL 293.33, 0.77%, 0.68%

LAB 63.95, 61.27, -44.86

 

CMYK 0 / 53 / 9 / 7

HEX #EC6ED7

RGB 236 110 215

HSL 310, 0.77%, 0.68%

LAB 64.88, 61.47, -31.57

 

CMYK 0 / 53 / 23 / 7

HEX #EC6EB5

RGB 236 110 181

HSL 326.19, 0.77%, 0.68%

LAB 63.61, 56.44, -14.32

 

CMYK 0 / 53 / 38 / 7

HEX #EC6E93

RGB 236 110 147

HSL 342.38, 0.77%, 0.68%

LAB 62.58, 52.22, 3.62

 

CMYK 20 / 53 / 0 / 7

HEX #BC6EEC

RGB 188 110 236

HSL 277.14, 0.77%, 0.68%

LAB 59.8, 52.47, -51.69

 

CMYK 34 / 53 / 0 / 7

HEX #9B6EEC

RGB 155 110 236

HSL 261.43, 0.77%, 0.68%

LAB 56.26, 44.26, -57.53

 

CMYK 49 / 53 / 0 / 7

HEX #796EEC

RGB 121 110 236

HSL 245.24, 0.77%, 0.68%

LAB 53.25, 36.58, -62.54

 

CMYK 53 / 53 / 0 / 7

HEX #6E6EEC

RGB 110 110 236

HSL 240, 0.77%, 0.68%

LAB 52.42, 34.35, -63.91

 

CMYK 20 / 53 / 0 / 7

HEX #BC6EEC

RGB 188 110 236

HSL 277.14, 0.77%, 0.68%

LAB 59.8, 52.47, -51.69

 

CMYK 23 / 61 / 0 / 2

HEX #C061F9

RGB 192 97 249

HSL 277.5, 0.93%, 0.68%

LAB 58.6, 62.63, -60.79

 

CMYK 20 / 53 / 0 / 7

HEX #BC6EEC

RGB 188 110 236

HSL 277.14, 0.77%, 0.68%

LAB 59.8, 52.47, -51.69

 

CMYK 17 / 45 / 0 / 13

HEX #B97BDF

RGB 185 123 223

HSL 277.2, 0.61%, 0.68%

LAB 61.49, 41.97, -41.79

 

CMYK 13 / 35 / 0 / 18

HEX #B688D1

RGB 182 136 209

HSL 277.81, 0.44%, 0.68%

LAB 63.47, 30.9, -30.9

 

CMYK 9 / 23 / 0 / 23

HEX #B396C4

RGB 179 150 196

HSL 277.83, 0.28%, 0.68%

LAB 66.04, 19.36, -19.71

 

CMYK 4 / 11 / 0 / 28

HEX #AFA3B7

RGB 175 163 183

HSL 276, 0.12%, 0.68%

LAB 68.55, 8.12, -8.73

 

CMYK 49 / 53 / 0 / 7

HEX #796EEC

RGB 121 110 236

HSL 245.24, 0.77%, 0.68%

LAB 53.25, 36.58, -62.54

 

CMYK 35 / 53 / 0 / 7

HEX #9A6EEC

RGB 154 110 236

HSL 260.95, 0.77%, 0.68%

LAB 56.17, 44.02, -57.69

 

CMYK 20 / 53 / 0 / 7

HEX #BC6EEC

RGB 188 110 236

HSL 277.14, 0.77%, 0.68%

LAB 59.8, 52.47, -51.69

 

CMYK 6 / 53 / 0 / 7

HEX #DD6EEC

RGB 221 110 236

HSL 292.86, 0.77%, 0.68%

LAB 63.82, 61.01, -45.07

 

CMYK 0 / 53 / 8 / 7

HEX #EC6ED9

RGB 236 110 217

HSL 309.05, 0.77%, 0.68%

LAB 64.96, 61.79, -32.56

 

CMYK 31 / 84 / 0 / 11

HEX #9B25E2

RGB 155 37 226

HSL 277.46, 0.77%, 0.52%

LAB 43.92, 74.05, -71.85

 

CMYK 26 / 68 / 0 / 9

HEX #AC4AE7

RGB 172 74 231

HSL 277.45, 0.77%, 0.6%

LAB 51.2, 64.9, -62.77

 

CMYK 20 / 53 / 0 / 7

HEX #BC6EEC

RGB 188 110 236

HSL 277.14, 0.77%, 0.68%

LAB 59.8, 52.47, -51.69

 

CMYK 15 / 39 / 0 / 6

HEX #CD93F0

RGB 205 147 240

HSL 277.42, 0.76%, 0.76%

LAB 69.57, 38.37, -38.4

 

CMYK 9 / 25 / 0 / 4

HEX #DEB7F5

RGB 222 183 245

HSL 277.74, 0.76%, 0.84%

LAB 79.61, 25.09, -25.49

 

CMYK 20 / 53 / 0 / 7

HEX #BD6FEC

RGB 189 111 236

HSL 277.44, 0.77%, 0.68%

LAB 60.11, 52.21, -51.19

 

CMYK 0 / 53 / 44 / 7

HEX #EC6E85

RGB 236 110 133

HSL 349.05, 0.77%, 0.68%

LAB 62.24, 50.74, 11.17

 

CMYK 53 / 0 / 42 / 7

HEX #6EEC89

RGB 110 236 137

HSL 132.86, 0.77%, 0.68%

LAB 84.54, -55.76, 37.56

 

CMYK 20 / 53 / 0 / 7

HEX #BD6FEC

RGB 189 111 236

HSL 277.44, 0.77%, 0.68%

LAB 60.11, 52.21, -51.19

 

CMYK 0 / 20 / 53 / 7

HEX #ECBC6E

RGB 236 188 110

HSL 37.14, 0.77%, 0.68%

LAB 79, 8.16, 45.66

 

CMYK 53 / 0 / 20 / 7

HEX #6EECBC

RGB 110 236 188

HSL 157.14, 0.77%, 0.68%

LAB 85.47, -46.23, 12.73

 

CMYK 20 / 53 / 0 / 7

HEX #BD6FEC

RGB 189 111 236

HSL 277.44, 0.77%, 0.68%

LAB 60.11, 52.21, -51.19

 

CMYK 0 / 53 / 44 / 7

HEX #EC6E85

RGB 236 110 133

HSL 349.05, 0.77%, 0.68%

LAB 62.24, 50.74, 11.17

 

CMYK 33 / 0 / 53 / 7

HEX #9EEC6E

RGB 158 236 110

HSL 97.14, 0.77%, 0.68%

LAB 86.2, -45.38, 52.96

 

CMYK 53 / 0 / 10 / 7

HEX #6EECD5

RGB 110 236 213

HSL 169.05, 0.77%, 0.68%

LAB 86.06, -40.55, 0.49

 

CMYK 20 / 53 / 0 / 7

HEX #BD6FEC

RGB 189 111 236

HSL 277.44, 0.77%, 0.68%

LAB 60.11, 52.21, -51.19

 

CMYK 0 / 47 / 53 / 7

HEX #EC7D6E

RGB 236 125 110

HSL 7.14, 0.77%, 0.68%

LAB 64.66, 41.25, 27.54

 

CMYK 33 / 0 / 53 / 7

HEX #9EEC6E

RGB 158 236 110

HSL 97.14, 0.77%, 0.68%

LAB 86.2, -45.38, 52.96

 

CMYK 53 / 6 / 0 / 7

HEX #6EDDEC

RGB 110 221 236

HSL 187.14, 0.77%, 0.68%

LAB 82.42, -27.66, -17.06

 

Description

Color code: HEX #BD6FEC | qconv.com Color code: HEX #BD6FEC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 111 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 111 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 53 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 53% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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