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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD5FFD it is the complementary color #42A002. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD5FFD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD5FFD shade: #C25FF8, #D371FF, #E483FF, #F595FF and #FFA7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD5FFD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD5FFD shade: #BD5FFD, #AC4DEA, #9B3BD7, #8A29C4 and #7917B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD5FFD shade: #BC5DFD, #E75DFD, #FD5DE7, #FD5DBC and #FD5D91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD5FFD shade: #BC5DFD, #915DFD, #665DFD and #5D5DFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD5FFD shade matches the following richer shades: #BC5DFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD5FFD shade: #BC5DFD, #BA6AF0, #B777E2, #B585D5 and #B292C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD5FFD shade: #655DFD, #905DFD, #BA5DFD, #E55DFD and #FD5DEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD5FFD shade: #9B0BFC, #AB34FC, #BC5DFD, #CD86FD and #DEAFFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD5FFD shade: #BD5FFD, #FD5D80 and #5DFD7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD5FFD shade: #BD5FFD, #FDBA5D and #5DFDBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD5FFD shade: #BD5FFD, #FD5D80, #A0FD5D and #5DFDDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD5FFD shade: #BD5FFD, #FD6A5D, #A0FD5D and #5DF0FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 62 / 0 / 1

HEX #BD5FFD

RGB 189 95 253

HSL 275.7, 0.98%, 0.68%

LAB 58.13, 63.75, -63.78

 

Complementary color

CMYK 59 / 0 / 99 / 37

HEX #42A002

RGB 66 160 2

HSL 95.7, 0.98%, 0.32%

LAB 58.32, -51.2, 59.76

 

CMYK 22 / 62 / 0 / 3

HEX #C25FF8

RGB 194 95 248

HSL 278.82, 0.92%, 0.67%

LAB 58.44, 63.8, -60.47

 

CMYK 17 / 56 / 0 / 0

HEX #D371FF

RGB 211 113 255

HSL 281.41, 1%, 0.72%

LAB 64.06, 60.72, -55.24

 

CMYK 11 / 49 / 0 / 0

HEX #E483FF

RGB 228 131 255

HSL 286.94, 1%, 0.76%

LAB 69.43, 56.25, -46.63

 

CMYK 4 / 42 / 0 / 0

HEX #F595FF

RGB 245 149 255

HSL 294.34, 1%, 0.79%

LAB 74.91, 51.94, -37.93

 

CMYK 0 / 35 / 0 / 0

HEX #FFA7FF

RGB 255 167 255

HSL 300, 1%, 0.83%

LAB 79.68, 45.7, -30.46

 

CMYK 25 / 62 / 0 / 1

HEX #BD5FFD

RGB 189 95 253

HSL 275.7, 0.98%, 0.68%

LAB 58.13, 63.75, -63.78

 

CMYK 26 / 67 / 0 / 8

HEX #AC4DEA

RGB 172 77 234

HSL 276.31, 0.79%, 0.61%

LAB 51.86, 64.24, -63.39

 

CMYK 28 / 73 / 0 / 16

HEX #9B3BD7

RGB 155 59 215

HSL 276.92, 0.66%, 0.54%

LAB 45.64, 64.41, -62.77

 

CMYK 30 / 79 / 0 / 23

HEX #8A29C4

RGB 138 41 196

HSL 277.55, 0.65%, 0.46%

LAB 39.54, 64.02, -61.79

 

CMYK 32 / 87 / 0 / 31

HEX #7917B1

RGB 121 23 177

HSL 278.18, 0.77%, 0.39%

LAB 33.67, 62.7, -60.25

 

CMYK 26 / 63 / 0 / 1

HEX #BC5DFD

RGB 188 93 253

HSL 275.63, 0.98%, 0.68%

LAB 57.67, 64.46, -64.53

 

CMYK 9 / 63 / 0 / 1

HEX #E75DFD

RGB 231 93 253

HSL 291.75, 0.98%, 0.68%

LAB 63.27, 73.97, -55.25

 

CMYK 0 / 63 / 9 / 1

HEX #FD5DE7

RGB 253 93 231

HSL 308.25, 0.98%, 0.68%

LAB 65.34, 75.54, -39.59

 

CMYK 0 / 63 / 26 / 1

HEX #FD5DBC

RGB 253 93 188

HSL 324.38, 0.98%, 0.68%

LAB 63.62, 69.62, -18.04

 

CMYK 0 / 63 / 43 / 1

HEX #FD5D91

RGB 253 93 145

HSL 340.5, 0.98%, 0.68%

LAB 62.3, 64.86, 4.7

 

CMYK 26 / 63 / 0 / 1

HEX #BC5DFD

RGB 188 93 253

HSL 275.63, 0.98%, 0.68%

LAB 57.67, 64.46, -64.53

 

CMYK 43 / 63 / 0 / 1

HEX #915DFD

RGB 145 93 253

HSL 259.5, 0.98%, 0.68%

LAB 52.88, 55.64, -72.49

 

CMYK 60 / 63 / 0 / 1

HEX #665DFD

RGB 102 93 253

HSL 243.38, 0.98%, 0.68%

LAB 49.19, 48.21, -78.67

 

CMYK 63 / 63 / 0 / 1

HEX #5D5DFD

RGB 93 93 253

HSL 240, 0.98%, 0.68%

LAB 48.57, 46.91, -79.7

 

CMYK 26 / 63 / 0 / 1

HEX #BC5DFD

RGB 188 93 253

HSL 275.63, 0.98%, 0.68%

LAB 57.67, 64.46, -64.53

 

CMYK 26 / 63 / 0 / 1

HEX #BC5DFD

RGB 188 93 253

HSL 275.63, 0.98%, 0.68%

LAB 57.67, 64.46, -64.53

 

CMYK 23 / 56 / 0 / 6

HEX #BA6AF0

RGB 186 106 240

HSL 275.82, 0.82%, 0.68%

LAB 59.01, 54.88, -55.18

 

CMYK 19 / 47 / 0 / 11

HEX #B777E2

RGB 183 119 226

HSL 275.89, 0.65%, 0.68%

LAB 60.56, 44.23, -44.94

 

CMYK 15 / 38 / 0 / 16

HEX #B585D5

RGB 181 133 213

HSL 276, 0.49%, 0.68%

LAB 62.85, 33.13, -34.11

 

CMYK 11 / 27 / 0 / 22

HEX #B292C8

RGB 178 146 200

HSL 275.56, 0.33%, 0.68%

LAB 65.12, 22.11, -23.37

 

CMYK 60 / 63 / 0 / 1

HEX #655DFD

RGB 101 93 253

HSL 243, 0.98%, 0.68%

LAB 49.11, 48.06, -78.79

 

CMYK 43 / 63 / 0 / 1

HEX #905DFD

RGB 144 93 253

HSL 259.13, 0.98%, 0.68%

LAB 52.78, 55.45, -72.65

 

CMYK 26 / 63 / 0 / 1

HEX #BA5DFD

RGB 186 93 253

HSL 274.88, 0.98%, 0.68%

LAB 57.42, 64.03, -64.93

 

CMYK 9 / 63 / 0 / 1

HEX #E55DFD

RGB 229 93 253

HSL 291, 0.98%, 0.68%

LAB 62.99, 73.52, -55.7

 

CMYK 0 / 63 / 8 / 1

HEX #FD5DEA

RGB 253 93 234

HSL 307.13, 0.98%, 0.68%

LAB 65.48, 75.99, -41.04

 

CMYK 38 / 96 / 0 / 1

HEX #9B0BFC

RGB 155 11 252

HSL 275.85, 0.98%, 0.52%

LAB 44.57, 83.87, -85.46

 

CMYK 32 / 79 / 0 / 1

HEX #AB34FC

RGB 171 52 252

HSL 275.7, 0.97%, 0.6%

LAB 49.67, 77.34, -77.03

 

CMYK 26 / 63 / 0 / 1

HEX #BC5DFD

RGB 188 93 253

HSL 275.63, 0.98%, 0.68%

LAB 57.67, 64.46, -64.53

 

CMYK 19 / 47 / 0 / 1

HEX #CD86FD

RGB 205 134 253

HSL 275.8, 0.97%, 0.76%

LAB 67.37, 48.1, -48.96

 

CMYK 13 / 31 / 0 / 0

HEX #DEAFFE

RGB 222 175 254

HSL 275.7, 0.98%, 0.84%

LAB 78.08, 31.23, -32.67

 

CMYK 25 / 62 / 0 / 1

HEX #BD5FFD

RGB 189 95 253

HSL 275.7, 0.98%, 0.68%

LAB 58.13, 63.75, -63.78

 

CMYK 0 / 63 / 49 / 1

HEX #FD5D80

RGB 253 93 128

HSL 346.88, 0.98%, 0.68%

LAB 61.89, 63.33, 13.95

 

CMYK 63 / 0 / 52 / 1

HEX #5DFD7A

RGB 93 253 122

HSL 130.88, 0.98%, 0.68%

LAB 88.91, -67.93, 50.14

 

CMYK 25 / 62 / 0 / 1

HEX #BD5FFD

RGB 189 95 253

HSL 275.7, 0.98%, 0.68%

LAB 58.13, 63.75, -63.78

 

CMYK 0 / 26 / 63 / 1

HEX #FDBA5D

RGB 253 186 93

HSL 34.88, 0.98%, 0.68%

LAB 80.06, 14.96, 55.55

 

CMYK 63 / 0 / 26 / 1

HEX #5DFDBA

RGB 93 253 186

HSL 154.88, 0.98%, 0.68%

LAB 89.92, -56.98, 19.94

 

CMYK 25 / 62 / 0 / 1

HEX #BD5FFD

RGB 189 95 253

HSL 275.7, 0.98%, 0.68%

LAB 58.13, 63.75, -63.78

 

CMYK 0 / 63 / 49 / 1

HEX #FD5D80

RGB 253 93 128

HSL 346.88, 0.98%, 0.68%

LAB 61.89, 63.33, 13.95

 

CMYK 37 / 0 / 63 / 1

HEX #A0FD5D

RGB 160 253 93

HSL 94.88, 0.98%, 0.68%

LAB 91.01, -53.38, 65.76

 

CMYK 63 / 0 / 14 / 1

HEX #5DFDDA

RGB 93 253 218

HSL 166.88, 0.98%, 0.68%

LAB 90.62, -49.84, 4.44

 

CMYK 25 / 62 / 0 / 1

HEX #BD5FFD

RGB 189 95 253

HSL 275.7, 0.98%, 0.68%

LAB 58.13, 63.75, -63.78

 

CMYK 0 / 58 / 63 / 1

HEX #FD6A5D

RGB 253 106 93

HSL 4.88, 0.98%, 0.68%

LAB 63.33, 55.24, 35.78

 

CMYK 37 / 0 / 63 / 1

HEX #A0FD5D

RGB 160 253 93

HSL 94.88, 0.98%, 0.68%

LAB 91.01, -53.38, 65.76

 

CMYK 63 / 5 / 0 / 1

HEX #5DF0FD

RGB 93 240 253

HSL 184.88, 0.98%, 0.68%

LAB 87.84, -35.01, -17.9

 

Description

Color code: HEX #BD5FFD | qconv.com Color code: HEX #BD5FFD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 95 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 95 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 62 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 62% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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