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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD5BA0 it is the complementary color #42A45F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD5BA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD5BA0 shade: #C25B9B, #D36DAE, #E47FC1, #F591D4 and #FFA3E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD5BA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD5BA0 shade: #BD5BA0, #AC498D, #9B377A, #8A2567 and #791354

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD5BA0 shade: #BD5AA0, #BD5A85, #BD5A6B and #BD5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD5BA0 shade: #BD5AA0, #BD5ABA, #A55ABD, #8A5ABD and #705ABD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD5BA0 shade matches the following richer shades: #BD5AA0, #D048A7, #E235AF and #F523B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD5BA0 shade: #BD5AA0, #AB6D98, #988091, #859289 and #73A582

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD5BA0 shade: #A45ABD, #BD5ABB, #BD5AA1, #BD5A87 and #BD5A6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD5BA0 shade: #8D3874, #AB448C, #BD5AA0, #C978B1 and #D595C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD5BA0 shade: #BD5BA0, #BD8A5A and #5ABDB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD5BA0 shade: #BD5BA0, #A1BD5A and #5AA1BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD5BA0 shade: #BD5BA0, #BD8A5A, #5ABD76 and #5A8DBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD5BA0 shade: #BD5BA0, #BDA85A, #5ABD76 and #5A70BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 15 / 26

HEX #BD5BA0

RGB 189 91 160

HSL 317.76, 0.43%, 0.55%

LAB 52.77, 48.01, -19.26

 

Complementary color

CMYK 60 / 0 / 42 / 36

HEX #42A45F

RGB 66 164 95

HSL 137.76, 0.43%, 0.45%

LAB 60.37, -44.26, 27.45

 

CMYK 0 / 53 / 20 / 24

HEX #C25B9B

RGB 194 91 155

HSL 322.72, 0.46%, 0.56%

LAB 53.3, 48.8, -15.47

 

CMYK 0 / 48 / 18 / 17

HEX #D36DAE

RGB 211 109 174

HSL 321.76, 0.54%, 0.63%

LAB 59.75, 48.12, -16.49

 

CMYK 0 / 44 / 15 / 11

HEX #E47FC1

RGB 228 127 193

HSL 320.79, 0.65%, 0.7%

LAB 66.15, 47.38, -17.36

 

CMYK 0 / 41 / 13 / 4

HEX #F591D4

RGB 245 145 212

HSL 319.8, 0.83%, 0.76%

LAB 72.51, 46.63, -18.12

 

CMYK 0 / 36 / 9 / 0

HEX #FFA3E7

RGB 255 163 231

HSL 315.65, 1%, 0.82%

LAB 78.01, 43.65, -20.07

 

CMYK 0 / 52 / 15 / 26

HEX #BD5BA0

RGB 189 91 160

HSL 317.76, 0.43%, 0.55%

LAB 52.77, 48.01, -19.26

 

CMYK 0 / 58 / 18 / 33

HEX #AC498D

RGB 172 73 141

HSL 318.79, 0.4%, 0.48%

LAB 46.26, 48.57, -18.17

 

CMYK 0 / 65 / 21 / 39

HEX #9B377A

RGB 155 55 122

HSL 319.8, 0.48%, 0.41%

LAB 39.76, 48.89, -16.76

 

CMYK 0 / 73 / 25 / 46

HEX #8A2567

RGB 138 37 103

HSL 320.79, 0.58%, 0.34%

LAB 33.36, 48.69, -14.87

 

CMYK 0 / 84 / 31 / 53

HEX #791354

RGB 121 19 84

HSL 321.76, 0.73%, 0.27%

LAB 27.22, 47.53, -12.2

 

CMYK 0 / 52 / 15 / 26

HEX #BD5AA0

RGB 189 90 160

HSL 317.58, 0.43%, 0.55%

LAB 52.59, 48.5, -19.55

 

CMYK 0 / 52 / 30 / 26

HEX #BD5A85

RGB 189 90 133

HSL 333.94, 0.43%, 0.55%

LAB 51.64, 44.58, -5.02

 

CMYK 0 / 52 / 43 / 26

HEX #BD5A6B

RGB 189 90 107

HSL 349.7, 0.43%, 0.55%

LAB 50.91, 41.47, 9.44

 

CMYK 0 / 52 / 52 / 26

HEX #BD5A5A

RGB 189 90 90

HSL 0, 0.43%, 0.55%

LAB 50.53, 39.81, 19.04

 

CMYK 0 / 52 / 15 / 26

HEX #BD5AA0

RGB 189 90 160

HSL 317.58, 0.43%, 0.55%

LAB 52.59, 48.5, -19.55

 

CMYK 0 / 52 / 2 / 26

HEX #BD5ABA

RGB 189 90 186

HSL 301.82, 0.43%, 0.55%

LAB 53.68, 52.85, -32.99

 

CMYK 13 / 52 / 0 / 26

HEX #A55ABD

RGB 165 90 189

HSL 285.45, 0.43%, 0.55%

LAB 50.67, 46.73, -39.67

 

CMYK 27 / 52 / 0 / 26

HEX #8A5ABD

RGB 138 90 189

HSL 269.09, 0.43%, 0.55%

LAB 47.48, 39.4, -44.93

 

CMYK 41 / 52 / 0 / 26

HEX #705ABD

RGB 112 90 189

HSL 253.33, 0.43%, 0.55%

LAB 44.85, 32.75, -49.29

 

CMYK 0 / 52 / 15 / 26

HEX #BD5AA0

RGB 189 90 160

HSL 317.58, 0.43%, 0.55%

LAB 52.59, 48.5, -19.55

 

CMYK 0 / 65 / 20 / 18

HEX #D048A7

RGB 208 72 167

HSL 318.09, 0.59%, 0.55%

LAB 52.77, 63.01, -23.13

 

CMYK 0 / 77 / 23 / 11

HEX #E235AF

RGB 226 53 175

HSL 317.69, 0.75%, 0.55%

LAB 53.82, 74.89, -25.94

 

CMYK 0 / 86 / 25 / 4

HEX #F523B7

RGB 245 35 183

HSL 317.71, 0.91%, 0.55%

LAB 56.12, 83.97, -26.77

 

CMYK 0 / 52 / 15 / 26

HEX #BD5AA0

RGB 189 90 160

HSL 317.58, 0.43%, 0.55%

LAB 52.59, 48.5, -19.55

 

CMYK 0 / 36 / 11 / 33

HEX #AB6D98

RGB 171 109 152

HSL 318.39, 0.27%, 0.55%

LAB 53.88, 31.21, -13.11

 

CMYK 0 / 16 / 5 / 40

HEX #988091

RGB 152 128 145

HSL 317.5, 0.1%, 0.55%

LAB 56.25, 12.25, -5.71

 

CMYK 9 / 0 / 6 / 43

HEX #859289

RGB 133 146 137

HSL 138.46, 0.06%, 0.55%

LAB 59.3, -6.49, 3.16

 

CMYK 30 / 0 / 21 / 35

HEX #73A582

RGB 115 165 130

HSL 138, 0.22%, 0.55%

LAB 63.48, -24.14, 12.9

 

CMYK 13 / 52 / 0 / 26

HEX #A45ABD

RGB 164 90 189

HSL 284.85, 0.43%, 0.55%

LAB 50.55, 46.46, -39.88

 

CMYK 0 / 52 / 1 / 26

HEX #BD5ABB

RGB 189 90 187

HSL 301.21, 0.43%, 0.55%

LAB 53.73, 53.03, -33.5

 

CMYK 0 / 52 / 15 / 26

HEX #BD5AA1

RGB 189 90 161

HSL 316.97, 0.43%, 0.55%

LAB 52.62, 48.66, -20.08

 

CMYK 0 / 52 / 29 / 26

HEX #BD5A87

RGB 189 90 135

HSL 332.73, 0.43%, 0.55%

LAB 51.7, 44.85, -6.11

 

CMYK 0 / 52 / 43 / 26

HEX #BD5A6C

RGB 189 90 108

HSL 349.09, 0.43%, 0.55%

LAB 50.94, 41.58, 8.88

 

CMYK 0 / 60 / 18 / 45

HEX #8D3874

RGB 141 56 116

HSL 317.65, 0.43%, 0.39%

LAB 37.39, 43.33, -16.86

 

CMYK 0 / 60 / 18 / 33

HEX #AB448C

RGB 171 68 140

HSL 318.06, 0.43%, 0.47%

LAB 45.2, 50.45, -19.2

 

CMYK 0 / 52 / 15 / 26

HEX #BD5AA0

RGB 189 90 160

HSL 317.58, 0.43%, 0.55%

LAB 52.59, 48.5, -19.55

 

CMYK 0 / 40 / 12 / 21

HEX #C978B1

RGB 201 120 177

HSL 317.78, 0.43%, 0.63%

LAB 60.8, 39.67, -16.73

 

CMYK 0 / 30 / 9 / 16

HEX #D595C2

RGB 213 149 194

HSL 317.81, 0.43%, 0.71%

LAB 69.14, 30.99, -13.59

 

CMYK 0 / 52 / 15 / 26

HEX #BD5BA0

RGB 189 91 160

HSL 317.76, 0.43%, 0.55%

LAB 52.77, 48.01, -19.26

 

CMYK 0 / 27 / 52 / 26

HEX #BD8A5A

RGB 189 138 90

HSL 29.09, 0.43%, 0.55%

LAB 61.42, 13.82, 33.2

 

CMYK 52 / 0 / 6 / 26

HEX #5ABDB2

RGB 90 189 178

HSL 173.33, 0.43%, 0.55%

LAB 70.72, -31.67, -3.31

 

CMYK 0 / 52 / 15 / 26

HEX #BD5BA0

RGB 189 91 160

HSL 317.76, 0.43%, 0.55%

LAB 52.77, 48.01, -19.26

 

CMYK 15 / 0 / 52 / 26

HEX #A1BD5A

RGB 161 189 90

HSL 76.97, 0.43%, 0.55%

LAB 72.7, -24.84, 46.37

 

CMYK 52 / 15 / 0 / 26

HEX #5AA1BD

RGB 90 161 189

HSL 196.97, 0.43%, 0.55%

LAB 62.79, -14.43, -21.3

 

CMYK 0 / 52 / 15 / 26

HEX #BD5BA0

RGB 189 91 160

HSL 317.76, 0.43%, 0.55%

LAB 52.77, 48.01, -19.26

 

CMYK 0 / 27 / 52 / 26

HEX #BD8A5A

RGB 189 138 90

HSL 29.09, 0.43%, 0.55%

LAB 61.42, 13.82, 33.2

 

CMYK 52 / 0 / 38 / 26

HEX #5ABD76

RGB 90 189 118

HSL 136.97, 0.43%, 0.55%

LAB 69.38, -44.77, 27.27

 

CMYK 52 / 25 / 0 / 26

HEX #5A8DBD

RGB 90 141 189

HSL 209.09, 0.43%, 0.55%

LAB 56.98, -3.3, -30.25

 

CMYK 0 / 52 / 15 / 26

HEX #BD5BA0

RGB 189 91 160

HSL 317.76, 0.43%, 0.55%

LAB 52.77, 48.01, -19.26

 

CMYK 0 / 11 / 52 / 26

HEX #BDA85A

RGB 189 168 90

HSL 47.27, 0.43%, 0.55%

LAB 69.16, -2.52, 42.69

 

CMYK 52 / 0 / 38 / 26

HEX #5ABD76

RGB 90 189 118

HSL 136.97, 0.43%, 0.55%

LAB 69.38, -44.77, 27.27

 

CMYK 52 / 41 / 0 / 26

HEX #5A70BD

RGB 90 112 189

HSL 226.67, 0.43%, 0.55%

LAB 48.8, 14.02, -43.08

 

Description

Color code: HEX #BD5BA0 | qconv.com Color code: HEX #BD5BA0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 91 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 91 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 15 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 15% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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