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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD57D0 it is the complementary color #42A82F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD57D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD57D0 shade: #C257CB, #D369DE, #E47BF1, #F58DFF and #FF9FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD57D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD57D0 shade: #BD57D0, #AC45BD, #9B33AA, #8A2197 and #790F84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD57D0 shade: #BD57CF, #CF57C2, #CF57A2, #CF5781 and #CF5761

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD57D0 shade: #BD57CF, #9C57CF, #7C57CF, #5C57CF and #5757CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD57D0 shade matches the following richer shades: #BD57CF, #C846E1 and #D435F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD57D0 shade: #BD57CF, #B169BE, #A57AAD, #998B9B and #8D9D8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD57D0 shade: #7B57CF, #9B57CF, #BB57CF, #CF57C3 and #CF57A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD57D0 shade: #932EA6, #B037C6, #BD57CF, #C978D8 and #D698E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD57D0 shade: #BD57D0, #CF5B57 and #57CF8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD57D0 shade: #BD57D0, #CFBB57 and #57CFBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD57D0 shade: #BD57D0, #CF5B57, #6BCF57 and #57CBCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD57D0 shade: #BD57D0, #CF7F57, #6BCF57 and #57A7CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 58 / 0 / 18

HEX #BD57D0

RGB 189 87 208

HSL 290.58, 0.56%, 0.58%

LAB 54.23, 58.32, -44.75

 

Complementary color

CMYK 61 / 0 / 72 / 34

HEX #42A82F

RGB 66 168 47

HSL 110.58, 0.56%, 0.42%

LAB 61.11, -51.96, 51.05

 

CMYK 4 / 57 / 0 / 20

HEX #C257CB

RGB 194 87 203

HSL 295.34, 0.53%, 0.57%

LAB 54.66, 58.67, -41.18

 

CMYK 5 / 53 / 0 / 13

HEX #D369DE

RGB 211 105 222

HSL 294.36, 0.64%, 0.64%

LAB 60.98, 58.17, -41.82

 

CMYK 5 / 49 / 0 / 5

HEX #E47BF1

RGB 228 123 241

HSL 293.39, 0.81%, 0.71%

LAB 67.29, 57.56, -42.32

 

CMYK 4 / 45 / 0 / 0

HEX #F58DFF

RGB 245 141 255

HSL 294.74, 1%, 0.78%

LAB 73.34, 55.96, -40.37

 

CMYK 0 / 38 / 0 / 0

HEX #FF9FFF

RGB 255 159 255

HSL 300, 1%, 0.81%

LAB 78.04, 49.8, -32.99

 

CMYK 9 / 58 / 0 / 18

HEX #BD57D0

RGB 189 87 208

HSL 290.58, 0.56%, 0.58%

LAB 54.23, 58.32, -44.75

 

CMYK 9 / 63 / 0 / 26

HEX #AC45BD

RGB 172 69 189

HSL 291.5, 0.48%, 0.51%

LAB 47.88, 58.63, -44.03

 

CMYK 9 / 70 / 0 / 33

HEX #9B33AA

RGB 155 51 170

HSL 292.44, 0.54%, 0.43%

LAB 41.59, 58.55, -43.02

 

CMYK 9 / 78 / 0 / 41

HEX #8A2197

RGB 138 33 151

HSL 293.39, 0.64%, 0.36%

LAB 35.45, 57.78, -41.56

 

CMYK 8 / 89 / 0 / 48

HEX #790F84

RGB 121 15 132

HSL 294.36, 0.8%, 0.29%

LAB 29.59, 55.83, -39.38

 

CMYK 9 / 58 / 0 / 19

HEX #BD57CF

RGB 189 87 207

HSL 291, 0.56%, 0.58%

LAB 54.18, 58.13, -44.26

 

CMYK 0 / 58 / 6 / 19

HEX #CF57C2

RGB 207 87 194

HSL 306.5, 0.56%, 0.58%

LAB 56.06, 60.53, -33.69

 

CMYK 0 / 58 / 22 / 19

HEX #CF57A2

RGB 207 87 162

HSL 322.5, 0.56%, 0.58%

LAB 54.75, 55.66, -17.18

 

CMYK 0 / 58 / 38 / 19

HEX #CF5781

RGB 207 87 129

HSL 339, 0.56%, 0.58%

LAB 53.67, 51.48, 0.66

 

CMYK 0 / 58 / 53 / 19

HEX #CF5761

RGB 207 87 97

HSL 355, 0.56%, 0.58%

LAB 52.89, 48.34, 18.55

 

CMYK 9 / 58 / 0 / 19

HEX #BD57CF

RGB 189 87 207

HSL 291, 0.56%, 0.58%

LAB 54.18, 58.13, -44.26

 

CMYK 25 / 58 / 0 / 19

HEX #9C57CF

RGB 156 87 207

HSL 274.5, 0.56%, 0.58%

LAB 49.96, 49.86, -51.22

 

CMYK 40 / 58 / 0 / 19

HEX #7C57CF

RGB 124 87 207

HSL 258.5, 0.56%, 0.58%

LAB 46.45, 42.3, -57.04

 

CMYK 56 / 58 / 0 / 19

HEX #5C57CF

RGB 92 87 207

HSL 242.5, 0.56%, 0.58%

LAB 43.65, 35.68, -61.72

 

CMYK 58 / 58 / 0 / 19

HEX #5757CF

RGB 87 87 207

HSL 240, 0.56%, 0.58%

LAB 43.28, 34.77, -62.33

 

CMYK 9 / 58 / 0 / 19

HEX #BD57CF

RGB 189 87 207

HSL 291, 0.56%, 0.58%

LAB 54.18, 58.13, -44.26

 

CMYK 11 / 69 / 0 / 12

HEX #C846E1

RGB 200 70 225

HSL 290.32, 0.72%, 0.58%

LAB 54.13, 71.16, -54.46

 

CMYK 12 / 78 / 0 / 5

HEX #D435F2

RGB 212 53 242

HSL 290.48, 0.88%, 0.58%

LAB 55.02, 81.97, -62.48

 

CMYK 9 / 58 / 0 / 19

HEX #BD57CF

RGB 189 87 207

HSL 291, 0.56%, 0.58%

LAB 54.18, 58.13, -44.26

 

CMYK 7 / 45 / 0 / 25

HEX #B169BE

RGB 177 105 190

HSL 290.82, 0.4%, 0.58%

LAB 55.24, 42.47, -32.97

 

CMYK 5 / 29 / 0 / 32

HEX #A57AAD

RGB 165 122 173

HSL 290.59, 0.24%, 0.58%

LAB 57.01, 25.8, -20.58

 

CMYK 1 / 10 / 0 / 39

HEX #998B9B

RGB 153 139 155

HSL 292.5, 0.07%, 0.58%

LAB 59.53, 8.26, -6.58

 

CMYK 10 / 0 / 12 / 38

HEX #8D9D8A

RGB 141 157 138

HSL 110.53, 0.09%, 0.58%

LAB 63.02, -9.39, 8.02

 

CMYK 41 / 58 / 0 / 19

HEX #7B57CF

RGB 123 87 207

HSL 258, 0.56%, 0.58%

LAB 46.35, 42.08, -57.21

 

CMYK 25 / 58 / 0 / 19

HEX #9B57CF

RGB 155 87 207

HSL 274, 0.56%, 0.58%

LAB 49.85, 49.62, -51.42

 

CMYK 10 / 58 / 0 / 19

HEX #BB57CF

RGB 187 87 207

HSL 290, 0.56%, 0.58%

LAB 53.91, 57.62, -44.71

 

CMYK 0 / 58 / 6 / 19

HEX #CF57C3

RGB 207 87 195

HSL 306, 0.56%, 0.58%

LAB 56.11, 60.7, -34.19

 

CMYK 0 / 58 / 21 / 19

HEX #CF57A3

RGB 207 87 163

HSL 322, 0.56%, 0.58%

LAB 54.79, 55.8, -17.71

 

CMYK 11 / 72 / 0 / 35

HEX #932EA6

RGB 147 46 166

HSL 290.5, 0.57%, 0.42%

LAB 39.43, 57.94, -44.17

 

CMYK 11 / 72 / 0 / 22

HEX #B037C6

RGB 176 55 198

HSL 290.77, 0.57%, 0.5%

LAB 47.03, 66.73, -50.58

 

CMYK 9 / 58 / 0 / 19

HEX #BD57CF

RGB 189 87 207

HSL 291, 0.56%, 0.58%

LAB 54.18, 58.13, -44.26

 

CMYK 7 / 44 / 0 / 15

HEX #C978D8

RGB 201 120 216

HSL 290.63, 0.55%, 0.66%

LAB 62.35, 46.73, -36.41

 

CMYK 5 / 33 / 0 / 11

HEX #D698E2

RGB 214 152 226

HSL 290.27, 0.56%, 0.74%

LAB 71.04, 35.57, -28.37

 

CMYK 9 / 58 / 0 / 18

HEX #BD57D0

RGB 189 87 208

HSL 290.58, 0.56%, 0.58%

LAB 54.23, 58.32, -44.75

 

CMYK 0 / 56 / 58 / 19

HEX #CF5B57

RGB 207 91 87

HSL 2, 0.56%, 0.58%

LAB 53.42, 45.65, 25.13

 

CMYK 58 / 0 / 33 / 19

HEX #57CF8B

RGB 87 207 139

HSL 146, 0.56%, 0.58%

LAB 75.15, -49.07, 23.96

 

CMYK 9 / 58 / 0 / 18

HEX #BD57D0

RGB 189 87 208

HSL 290.58, 0.56%, 0.58%

LAB 54.23, 58.32, -44.75

 

CMYK 0 / 10 / 58 / 19

HEX #CFBB57

RGB 207 187 87

HSL 50, 0.56%, 0.58%

LAB 75.76, -5.17, 52.25

 

CMYK 58 / 0 / 10 / 19

HEX #57CFBB

RGB 87 207 187

HSL 170, 0.56%, 0.58%

LAB 76.22, -38.38, -0.15

 

CMYK 9 / 58 / 0 / 18

HEX #BD57D0

RGB 189 87 208

HSL 290.58, 0.56%, 0.58%

LAB 54.23, 58.32, -44.75

 

CMYK 0 / 56 / 58 / 19

HEX #CF5B57

RGB 207 91 87

HSL 2, 0.56%, 0.58%

LAB 53.42, 45.65, 25.13

 

CMYK 48 / 0 / 58 / 19

HEX #6BCF57

RGB 107 207 87

HSL 110, 0.56%, 0.58%

LAB 75.1, -51.88, 49.84

 

CMYK 58 / 2 / 0 / 19

HEX #57CBCF

RGB 87 203 207

HSL 182, 0.56%, 0.58%

LAB 75.6, -31.24, -11.85

 

CMYK 9 / 58 / 0 / 18

HEX #BD57D0

RGB 189 87 208

HSL 290.58, 0.56%, 0.58%

LAB 54.23, 58.32, -44.75

 

CMYK 0 / 39 / 58 / 19

HEX #CF7F57

RGB 207 127 87

HSL 20, 0.56%, 0.58%

LAB 60.9, 27.07, 34.63

 

CMYK 48 / 0 / 58 / 19

HEX #6BCF57

RGB 107 207 87

HSL 110, 0.56%, 0.58%

LAB 75.1, -51.88, 49.84

 

CMYK 58 / 19 / 0 / 19

HEX #57A7CF

RGB 87 167 207

HSL 200, 0.56%, 0.58%

LAB 65.1, -12.9, -27.8

 

Description

Color code: HEX #BD57D0 | qconv.com Color code: HEX #BD57D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 87 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 87 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 58 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 58% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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