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Color name
HEX #BD4B1D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD4B1D it is the complementary color #42B4E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD4B1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD4B1D shade: #C24B18, #D35D2B, #E46F3E, #F58151 and #FF9364

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD4B1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD4B1D shade: #BD4B1D, #AC390A, #9B2700, #8A1500 and #790300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD4B1D shade: #BD4B1D, #BD201D and #BD1D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD4B1D shade: #BD4B1D, #BD761D, #BDA11D, #AEBD1D and #83BD1D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD4B1D shade matches the following richer shades: #BD4B1D and #CF440B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD4B1D shade: #BD4B1D, #AB532F, #9A5A41, #886252 and #766964

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD4B1D shade: #BD1D45, #BD201D, #BD4A1D, #BD751D and #BDA01D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD4B1D shade: #762F12, #9A3D18, #BD4B1D, #DD5B27 and #E2764A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD4B1D shade: #BD4B1D, #70BD1D and #1D30BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD4B1D shade: #BD4B1D, #1DBD4A and #4A1DBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD4B1D shade: #BD4B1D, #70BD1D, #1D90BD and #6A1DBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD4B1D shade: #BD4B1D, #40BD1D, #1D90BD and #9B1DBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 85 / 26

HEX #BD4B1D

RGB 189 75 29

HSL 17.25, 0.73%, 0.43%

LAB 46.9, 43.71, 48.11

 

Complementary color

CMYK 71 / 20 / 0 / 11

HEX #42B4E2

RGB 66 180 226

HSL 197.25, 0.73%, 0.57%

LAB 68.96, -17.31, -32.34

 

CMYK 0 / 61 / 88 / 24

HEX #C24B18

RGB 194 75 24

HSL 18, 0.78%, 0.43%

LAB 47.71, 45.44, 51.18

 

CMYK 0 / 56 / 80 / 17

HEX #D35D2B

RGB 211 93 43

HSL 17.86, 0.66%, 0.5%

LAB 53.87, 43.8, 49.53

 

CMYK 0 / 51 / 73 / 11

HEX #E46F3E

RGB 228 111 62

HSL 17.71, 0.75%, 0.57%

LAB 60.08, 42.18, 47.5

 

CMYK 0 / 47 / 67 / 4

HEX #F58151

RGB 245 129 81

HSL 17.56, 0.89%, 0.64%

LAB 66.3, 40.64, 45.47

 

CMYK 0 / 42 / 61 / 0

HEX #FF9364

RGB 255 147 100

HSL 18.19, 1%, 0.7%

LAB 71.59, 36.52, 42.23

 

CMYK 0 / 60 / 85 / 26

HEX #BD4B1D

RGB 189 75 29

HSL 17.25, 0.73%, 0.43%

LAB 46.9, 43.71, 48.11

 

CMYK 0 / 67 / 94 / 33

HEX #AC390A

RGB 172 57 10

HSL 17.41, 0.89%, 0.36%

LAB 40.77, 45.25, 49.17

 

CMYK 0 / 75 / 100 / 39

HEX #9B2700

RGB 155 39 0

HSL 15.1, 1%, 0.3%

LAB 34.84, 46.43, 47.56

 

CMYK 0 / 85 / 100 / 46

HEX #8A1500

RGB 138 21 0

HSL 9.13, 1%, 0.27%

LAB 29.26, 46.71, 42.15

 

CMYK 0 / 98 / 100 / 53

HEX #790300

RGB 121 3 0

HSL 1.49, 1%, 0.24%

LAB 24.1, 45.54, 36.11

 

CMYK 0 / 60 / 85 / 26

HEX #BD4B1D

RGB 189 75 29

HSL 17.25, 0.73%, 0.43%

LAB 46.9, 43.71, 48.11

 

CMYK 0 / 83 / 85 / 26

HEX #BD201D

RGB 189 32 29

HSL 1.13, 0.73%, 0.43%

LAB 41.12, 59.5, 43.02

 

CMYK 0 / 85 / 85 / 26

HEX #BD1D1D

RGB 189 29 29

HSL 0, 0.73%, 0.43%

LAB 40.87, 60.2, 42.8

 

CMYK 0 / 60 / 85 / 26

HEX #BD4B1D

RGB 189 75 29

HSL 17.25, 0.73%, 0.43%

LAB 46.9, 43.71, 48.11

 

CMYK 0 / 38 / 85 / 26

HEX #BD761D

RGB 189 118 29

HSL 33.38, 0.73%, 0.43%

LAB 55.95, 21.31, 55.9

 

CMYK 0 / 15 / 85 / 26

HEX #BDA11D

RGB 189 161 29

HSL 49.5, 0.73%, 0.43%

LAB 66.82, -2.22, 65.04

 

CMYK 8 / 0 / 85 / 26

HEX #AEBD1D

RGB 174 189 29

HSL 65.63, 0.73%, 0.43%

LAB 73.21, -23.18, 69.86

 

CMYK 31 / 0 / 85 / 26

HEX #83BD1D

RGB 131 189 29

HSL 81.75, 0.73%, 0.43%

LAB 70.39, -40.56, 66.35

 

CMYK 0 / 60 / 85 / 26

HEX #BD4B1D

RGB 189 75 29

HSL 17.25, 0.73%, 0.43%

LAB 46.9, 43.71, 48.11

 

CMYK 0 / 67 / 95 / 19

HEX #CF440B

RGB 207 68 11

HSL 17.45, 0.9%, 0.43%

LAB 48.79, 52.87, 57.14

 

CMYK 0 / 60 / 85 / 26

HEX #BD4B1D

RGB 189 75 29

HSL 17.25, 0.73%, 0.43%

LAB 46.9, 43.71, 48.11

 

CMYK 0 / 51 / 73 / 33

HEX #AB532F

RGB 171 83 47

HSL 17.42, 0.57%, 0.43%

LAB 45.7, 33.41, 37.14

 

CMYK 0 / 42 / 58 / 40

HEX #9A5A41

RGB 154 90 65

HSL 16.85, 0.41%, 0.43%

LAB 45.03, 23.73, 25.62

 

CMYK 0 / 28 / 40 / 47

HEX #886252

RGB 136 98 82

HSL 17.78, 0.25%, 0.43%

LAB 45.05, 13.18, 15.17

 

CMYK 0 / 11 / 15 / 54

HEX #766964

RGB 118 105 100

HSL 16.67, 0.08%, 0.43%

LAB 45.46, 4.21, 4.67

 

CMYK 0 / 85 / 63 / 26

HEX #BD1D45

RGB 189 29 69

HSL 345, 0.73%, 0.43%

LAB 41.42, 61.81, 19.7

 

CMYK 0 / 83 / 85 / 26

HEX #BD201D

RGB 189 32 29

HSL 1.13, 0.73%, 0.43%

LAB 41.12, 59.5, 43.02

 

CMYK 0 / 61 / 85 / 26

HEX #BD4A1D

RGB 189 74 29

HSL 16.88, 0.73%, 0.43%

LAB 46.72, 44.18, 47.95

 

CMYK 0 / 38 / 85 / 26

HEX #BD751D

RGB 189 117 29

HSL 33, 0.73%, 0.43%

LAB 55.72, 21.86, 55.7

 

CMYK 0 / 15 / 85 / 26

HEX #BDA01D

RGB 189 160 29

HSL 49.13, 0.73%, 0.43%

LAB 66.56, -1.69, 64.82

 

CMYK 0 / 60 / 85 / 54

HEX #762F12

RGB 118 47 18

HSL 17.4, 0.74%, 0.27%

LAB 29.23, 29.48, 32.71

 

CMYK 0 / 60 / 84 / 40

HEX #9A3D18

RGB 154 61 24

HSL 17.08, 0.73%, 0.35%

LAB 38.33, 36.98, 40.48

 

CMYK 0 / 60 / 85 / 26

HEX #BD4B1D

RGB 189 75 29

HSL 17.25, 0.73%, 0.43%

LAB 46.9, 43.71, 48.11

 

CMYK 0 / 59 / 82 / 13

HEX #DD5B27

RGB 221 91 39

HSL 17.14, 0.73%, 0.51%

LAB 55.07, 48.33, 53.03

 

CMYK 0 / 48 / 67 / 11

HEX #E2764A

RGB 226 118 74

HSL 17.37, 0.72%, 0.59%

LAB 61.32, 38.5, 42.68

 

CMYK 0 / 60 / 85 / 26

HEX #BD4B1D

RGB 189 75 29

HSL 17.25, 0.73%, 0.43%

LAB 46.9, 43.71, 48.11

 

CMYK 41 / 0 / 85 / 26

HEX #70BD1D

RGB 112 189 29

HSL 88.88, 0.73%, 0.43%

LAB 69.42, -47.39, 65.12

 

CMYK 85 / 75 / 0 / 26

HEX #1D30BD

RGB 29 48 189

HSL 232.88, 0.73%, 0.43%

LAB 29.54, 45.52, -74.49

 

CMYK 0 / 60 / 85 / 26

HEX #BD4B1D

RGB 189 75 29

HSL 17.25, 0.73%, 0.43%

LAB 46.9, 43.71, 48.11

 

CMYK 85 / 0 / 61 / 26

HEX #1DBD4A

RGB 29 189 74

HSL 136.88, 0.73%, 0.43%

LAB 67.39, -62.34, 46.32

 

CMYK 61 / 85 / 0 / 26

HEX #4A1DBD

RGB 74 29 189

HSL 256.88, 0.73%, 0.43%

LAB 29.43, 58.08, -74.56

 

CMYK 0 / 60 / 85 / 26

HEX #BD4B1D

RGB 189 75 29

HSL 17.25, 0.73%, 0.43%

LAB 46.9, 43.71, 48.11

 

CMYK 41 / 0 / 85 / 26

HEX #70BD1D

RGB 112 189 29

HSL 88.88, 0.73%, 0.43%

LAB 69.42, -47.39, 65.12

 

CMYK 85 / 24 / 0 / 26

HEX #1D90BD

RGB 29 144 189

HSL 196.88, 0.73%, 0.43%

LAB 55.97, -14.49, -31.96

 

CMYK 44 / 85 / 0 / 26

HEX #6A1DBD

RGB 106 29 189

HSL 268.88, 0.73%, 0.43%

LAB 33.17, 61.62, -68.27

 

CMYK 0 / 60 / 85 / 26

HEX #BD4B1D

RGB 189 75 29

HSL 17.25, 0.73%, 0.43%

LAB 46.9, 43.71, 48.11

 

CMYK 66 / 0 / 85 / 26

HEX #40BD1D

RGB 64 189 29

HSL 106.88, 0.73%, 0.43%

LAB 67.71, -60.78, 62.95

 

CMYK 85 / 24 / 0 / 26

HEX #1D90BD

RGB 29 144 189

HSL 196.88, 0.73%, 0.43%

LAB 55.97, -14.49, -31.96

 

CMYK 18 / 85 / 0 / 26

HEX #9B1DBD

RGB 155 29 189

HSL 287.25, 0.73%, 0.43%

LAB 40.45, 68.92, -56.1

 

Description

Color code: HEX #BD4B1D | qconv.com Color code: HEX #BD4B1D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 75 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 75 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 85 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 85% 26% C M Y K

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Provide designers and agencies with accurate color values.

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