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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD385E it is the complementary color #42C7A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD385E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD385E shade: #C23859, #D34A6C, #E45C7F, #F56E92 and #FF80A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD385E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD385E shade: #BD385E, #AC264B, #9B1438, #8A0225 and #790012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD385E shade: #BC385E, #BC383A and #BC3838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD385E shade: #BC385E, #BC3881, #BC38A5, #AF38BC and #8C38BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD385E shade matches the following richer shades: #BC385E, #D02455 and #E4104D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD385E shade: #BC385E, #A84C66, #945F6F, #817377 and #6D8780

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD385E shade: #BC38A6, #BC3883, #BC385F, #BC383C and #BC5738

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD385E shade: #7C253E, #9C2E4E, #BC385E, #CB5275 and #D4728E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD385E shade: #BD385E, #BCAF38 and #3894BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD385E shade: #BD385E, #5FBC38 and #385FBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD385E shade: #BD385E, #BCAF38, #38BC94 and #3845BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD385E shade: #BD385E, #A2BC38, #38BC94 and #5238BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 50 / 26

HEX #BD385E

RGB 189 56 94

HSL 342.86, 0.54%, 0.48%

LAB 44.88, 55.46, 8.83

 

Complementary color

CMYK 67 / 0 / 19 / 22

HEX #42C7A1

RGB 66 199 161

HSL 162.86, 0.54%, 0.52%

LAB 72.61, -44.95, 8.61

 

CMYK 0 / 71 / 54 / 24

HEX #C23859

RGB 194 56 89

HSL 345.65, 0.55%, 0.49%

LAB 45.66, 56.56, 13.14

 

CMYK 0 / 65 / 49 / 17

HEX #D34A6C

RGB 211 74 108

HSL 345.11, 0.61%, 0.56%

LAB 51.64, 56.34, 10.37

 

CMYK 0 / 60 / 44 / 11

HEX #E45C7F

RGB 228 92 127

HSL 344.56, 0.72%, 0.63%

LAB 57.73, 55.79, 8.11

 

CMYK 0 / 55 / 40 / 4

HEX #F56E92

RGB 245 110 146

HSL 344, 0.87%, 0.7%

LAB 63.87, 55.07, 6.21

 

CMYK 0 / 50 / 35 / 0

HEX #FF80A5

RGB 255 128 165

HSL 342.52, 1%, 0.75%

LAB 69.05, 51.95, 3.08

 

CMYK 0 / 70 / 50 / 26

HEX #BD385E

RGB 189 56 94

HSL 342.86, 0.54%, 0.48%

LAB 44.88, 55.46, 8.83

 

CMYK 0 / 78 / 56 / 33

HEX #AC264B

RGB 172 38 75

HSL 343.43, 0.64%, 0.41%

LAB 39.01, 55.12, 12.09

 

CMYK 0 / 87 / 64 / 39

HEX #9B1438

RGB 155 20 56

HSL 344, 0.77%, 0.34%

LAB 33.47, 53.84, 16.27

 

CMYK 0 / 99 / 73 / 46

HEX #8A0225

RGB 138 2 37

HSL 344.56, 0.97%, 0.27%

LAB 28.33, 51.38, 21.49

 

CMYK 0 / 100 / 85 / 53

HEX #790012

RGB 121 0 18

HSL 351.07, 1%, 0.24%

LAB 24.03, 46.54, 27.92

 

CMYK 0 / 70 / 50 / 26

HEX #BC385E

RGB 188 56 94

HSL 342.73, 0.54%, 0.48%

LAB 44.7, 55.15, 8.55

 

CMYK 0 / 70 / 69 / 26

HEX #BC383A

RGB 188 56 58

HSL 359.09, 0.54%, 0.48%

LAB 43.98, 52.66, 29.65

 

CMYK 0 / 70 / 70 / 26

HEX #BC3838

RGB 188 56 56

HSL 0, 0.54%, 0.48%

LAB 43.95, 52.56, 30.8

 

CMYK 0 / 70 / 50 / 26

HEX #BC385E

RGB 188 56 94

HSL 342.73, 0.54%, 0.48%

LAB 44.7, 55.15, 8.55

 

CMYK 0 / 70 / 31 / 26

HEX #BC3881

RGB 188 56 129

HSL 326.82, 0.54%, 0.48%

LAB 45.78, 58.77, -11.39

 

CMYK 0 / 70 / 12 / 26

HEX #BC38A5

RGB 188 56 165

HSL 310.45, 0.54%, 0.48%

LAB 47.28, 63.62, -30.71

 

CMYK 7 / 70 / 0 / 26

HEX #AF38BC

RGB 175 56 188

HSL 294.09, 0.54%, 0.48%

LAB 46.41, 64.36, -45.76

 

CMYK 26 / 70 / 0 / 26

HEX #8C38BC

RGB 140 56 188

HSL 278.18, 0.54%, 0.48%

LAB 41.27, 56.88, -54.29

 

CMYK 0 / 70 / 50 / 26

HEX #BC385E

RGB 188 56 94

HSL 342.73, 0.54%, 0.48%

LAB 44.7, 55.15, 8.55

 

CMYK 0 / 83 / 59 / 18

HEX #D02455

RGB 208 36 85

HSL 342.91, 0.7%, 0.48%

LAB 46.08, 66.23, 16.61

 

CMYK 0 / 93 / 66 / 11

HEX #E4104D

RGB 228 16 77

HSL 342.74, 0.87%, 0.48%

LAB 48.76, 74.12, 25.8

 

CMYK 0 / 70 / 50 / 26

HEX #BC385E

RGB 188 56 94

HSL 342.73, 0.54%, 0.48%

LAB 44.7, 55.15, 8.55

 

CMYK 0 / 55 / 39 / 34

HEX #A84C66

RGB 168 76 102

HSL 343.04, 0.38%, 0.48%

LAB 44.88, 40.5, 3.42

 

CMYK 0 / 36 / 25 / 42

HEX #945F6F

RGB 148 95 111

HSL 341.89, 0.22%, 0.48%

LAB 46.48, 23.92, -0.06

 

CMYK 0 / 11 / 8 / 49

HEX #817377

RGB 129 115 119

HSL 342.86, 0.06%, 0.48%

LAB 49.81, 6.17, -0.23

 

CMYK 19 / 0 / 5 / 47

HEX #6D8780

RGB 109 135 128

HSL 163.85, 0.11%, 0.48%

LAB 54.17, -10.8, 0.68

 

CMYK 0 / 70 / 12 / 26

HEX #BC38A6

RGB 188 56 166

HSL 310, 0.54%, 0.48%

LAB 47.33, 63.77, -31.23

 

CMYK 0 / 70 / 30 / 26

HEX #BC3883

RGB 188 56 131

HSL 325.91, 0.54%, 0.48%

LAB 45.85, 59.02, -12.5

 

CMYK 0 / 70 / 49 / 26

HEX #BC385F

RGB 188 56 95

HSL 342.27, 0.54%, 0.48%

LAB 44.73, 55.24, 7.97

 

CMYK 0 / 70 / 68 / 26

HEX #BC383C

RGB 188 56 60

HSL 358.18, 0.54%, 0.48%

LAB 44.01, 52.77, 28.49

 

CMYK 0 / 54 / 70 / 26

HEX #BC5738

RGB 188 87 56

HSL 14.09, 0.54%, 0.48%

LAB 49.24, 38.54, 36.96

 

CMYK 0 / 70 / 50 / 51

HEX #7C253E

RGB 124 37 62

HSL 342.76, 0.54%, 0.32%

LAB 29.3, 39.54, 5.6

 

CMYK 0 / 71 / 50 / 39

HEX #9C2E4E

RGB 156 46 78

HSL 342.55, 0.54%, 0.4%

LAB 37.06, 47.72, 7

 

CMYK 0 / 70 / 50 / 26

HEX #BC385E

RGB 188 56 94

HSL 342.73, 0.54%, 0.48%

LAB 44.7, 55.15, 8.55

 

CMYK 0 / 60 / 42 / 20

HEX #CB5275

RGB 203 82 117

HSL 342.64, 0.54%, 0.56%

LAB 51.85, 51.17, 5.1

 

CMYK 0 / 46 / 33 / 17

HEX #D4728E

RGB 212 114 142

HSL 342.86, 0.53%, 0.64%

LAB 59.87, 41.46, 2.16

 

CMYK 0 / 70 / 50 / 26

HEX #BD385E

RGB 189 56 94

HSL 342.86, 0.54%, 0.48%

LAB 44.88, 55.46, 8.83

 

CMYK 0 / 7 / 70 / 26

HEX #BCAF38

RGB 188 175 56

HSL 54.09, 0.54%, 0.48%

LAB 70.62, -8.99, 59.59

 

CMYK 70 / 21 / 0 / 26

HEX #3894BC

RGB 56 148 188

HSL 198.18, 0.54%, 0.48%

LAB 57.7, -14, -28.66

 

CMYK 0 / 70 / 50 / 26

HEX #BD385E

RGB 189 56 94

HSL 342.86, 0.54%, 0.48%

LAB 44.88, 55.46, 8.83

 

CMYK 49 / 0 / 70 / 26

HEX #5FBC38

RGB 95 188 56

HSL 102.27, 0.54%, 0.48%

LAB 68.52, -50.87, 55.57

 

CMYK 70 / 49 / 0 / 26

HEX #385FBC

RGB 56 95 188

HSL 222.27, 0.54%, 0.48%

LAB 42.24, 17.96, -53.1

 

CMYK 0 / 70 / 50 / 26

HEX #BD385E

RGB 189 56 94

HSL 342.86, 0.54%, 0.48%

LAB 44.88, 55.46, 8.83

 

CMYK 0 / 7 / 70 / 26

HEX #BCAF38

RGB 188 175 56

HSL 54.09, 0.54%, 0.48%

LAB 70.62, -8.99, 59.59

 

CMYK 70 / 0 / 21 / 26

HEX #38BC94

RGB 56 188 148

HSL 161.82, 0.54%, 0.48%

LAB 68.71, -44.95, 10.08

 

CMYK 70 / 63 / 0 / 26

HEX #3845BC

RGB 56 69 188

HSL 234.09, 0.54%, 0.48%

LAB 35.45, 34.74, -64.12

 

CMYK 0 / 70 / 50 / 26

HEX #BD385E

RGB 189 56 94

HSL 342.86, 0.54%, 0.48%

LAB 44.88, 55.46, 8.83

 

CMYK 14 / 0 / 70 / 26

HEX #A2BC38

RGB 162 188 56

HSL 71.82, 0.54%, 0.48%

LAB 72.18, -26.57, 60.47

 

CMYK 70 / 0 / 21 / 26

HEX #38BC94

RGB 56 188 148

HSL 161.82, 0.54%, 0.48%

LAB 68.71, -44.95, 10.08

 

CMYK 56 / 70 / 0 / 26

HEX #5238BC

RGB 82 56 188

HSL 251.82, 0.54%, 0.48%

LAB 34.5, 46.18, -65.6

 

Description

Color code: HEX #BD385E | qconv.com Color code: HEX #BD385E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 56 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 56 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 50 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 50% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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