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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD36C8 it is the complementary color #42C937. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD36C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD36C8 shade: #C236C3, #D348D6, #E45AE9, #F56CFC and #FF7EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD36C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD36C8 shade: #BD36C8, #AC24B5, #9B12A2, #8A008F and #79007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD36C8 shade: #BD36C8, #C836AB, #C83684, #C8365D and #C83636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD36C8 shade: #BD36C8, #9636C8, #6E36C8, #4736C8 and #3636C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD36C8 shade matches the following richer shades: #BD36C8, #CE22DC and #E00DF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD36C8 shade: #BD36C8, #AB4BB3, #9A609E, #88748A and #778975

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD36C8 shade: #6E36C8, #9536C8, #BC36C8, #C836AD and #C83686

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD36C8 shade: #7F2587, #9E2DA7, #BD36C8, #C757D1 and #D277D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD36C8 shade: #BD36C8, #C84736 and #36C881

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD36C8 shade: #BD36C8, #C8BC36 and #36C8BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD36C8 shade: #BD36C8, #C84736, #42C836 and #36B7C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD36C8 shade: #BD36C8, #C87336, #42C836 and #368BC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 73 / 0 / 22

HEX #BD36C8

RGB 189 54 200

HSL 295.48, 0.57%, 0.5%

LAB 49.04, 70.11, -48.41

 

Complementary color

CMYK 67 / 0 / 73 / 21

HEX #42C937

RGB 66 201 55

HSL 115.48, 0.57%, 0.5%

LAB 71.7, -62.75, 58.91

 

CMYK 1 / 72 / 0 / 24

HEX #C236C3

RGB 194 54 195

HSL 299.57, 0.57%, 0.49%

LAB 49.55, 70.34, -44.65

 

CMYK 1 / 66 / 0 / 16

HEX #D348D6

RGB 211 72 214

HSL 298.73, 0.63%, 0.56%

LAB 55.42, 70.93, -46.08

 

CMYK 2 / 61 / 0 / 9

HEX #E45AE9

RGB 228 90 233

HSL 297.9, 0.76%, 0.63%

LAB 61.39, 71.03, -47.17

 

CMYK 3 / 57 / 0 / 1

HEX #F56CFC

RGB 245 108 252

HSL 297.08, 0.96%, 0.71%

LAB 67.4, 70.83, -48.03

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 5 / 73 / 0 / 22

HEX #BD36C8

RGB 189 54 200

HSL 295.48, 0.57%, 0.5%

LAB 49.04, 70.11, -48.41

 

CMYK 5 / 80 / 0 / 29

HEX #AC24B5

RGB 172 36 181

HSL 296.28, 0.67%, 0.43%

LAB 43.31, 68.85, -46.63

 

CMYK 4 / 89 / 0 / 36

HEX #9B12A2

RGB 155 18 162

HSL 297.08, 0.8%, 0.35%

LAB 37.86, 66.5, -44.2

 

CMYK 3 / 100 / 0 / 44

HEX #8A008F

RGB 138 0 143

HSL 297.9, 1%, 0.28%

LAB 32.67, 63.02, -41.11

 

CMYK 2 / 100 / 0 / 51

HEX #79007C

RGB 121 0 124

HSL 298.55, 1%, 0.24%

LAB 28.17, 57.09, -36.63

 

CMYK 5 / 73 / 0 / 22

HEX #BD36C8

RGB 189 54 200

HSL 295.48, 0.57%, 0.5%

LAB 49.04, 70.11, -48.41

 

CMYK 0 / 73 / 15 / 22

HEX #C836AB

RGB 200 54 171

HSL 311.92, 0.57%, 0.5%

LAB 49.32, 68.03, -30.93

 

CMYK 0 / 73 / 34 / 22

HEX #C83684

RGB 200 54 132

HSL 327.95, 0.57%, 0.5%

LAB 47.73, 63.07, -10.06

 

CMYK 0 / 73 / 54 / 22

HEX #C8365D

RGB 200 54 93

HSL 343.97, 0.57%, 0.5%

LAB 46.59, 59.37, 12.13

 

CMYK 0 / 73 / 73 / 22

HEX #C83636

RGB 200 54 54

HSL 0, 0.57%, 0.5%

LAB 45.89, 57.01, 34.79

 

CMYK 5 / 73 / 0 / 22

HEX #BD36C8

RGB 189 54 200

HSL 295.48, 0.57%, 0.5%

LAB 49.04, 70.11, -48.41

 

CMYK 25 / 73 / 0 / 22

HEX #9636C8

RGB 150 54 200

HSL 279.45, 0.57%, 0.5%

LAB 43.2, 62.26, -58.1

 

CMYK 45 / 73 / 0 / 22

HEX #6E36C8

RGB 110 54 200

HSL 263.01, 0.57%, 0.5%

LAB 38.06, 55.03, -66.68

 

CMYK 65 / 73 / 0 / 22

HEX #4736C8

RGB 71 54 200

HSL 246.99, 0.57%, 0.5%

LAB 34.29, 49.43, -73.02

 

CMYK 73 / 73 / 0 / 22

HEX #3636C8

RGB 54 54 200

HSL 240, 0.57%, 0.5%

LAB 33.12, 47.64, -74.99

 

CMYK 5 / 73 / 0 / 22

HEX #BD36C8

RGB 189 54 200

HSL 295.48, 0.57%, 0.5%

LAB 49.04, 70.11, -48.41

 

CMYK 6 / 85 / 0 / 14

HEX #CE22DC

RGB 206 34 220

HSL 295.48, 0.73%, 0.5%

LAB 51.19, 81.75, -56.28

 

CMYK 7 / 95 / 0 / 5

HEX #E00DF1

RGB 224 13 241

HSL 295.53, 0.9%, 0.5%

LAB 54.54, 90.67, -62.6

 

CMYK 5 / 73 / 0 / 22

HEX #BD36C8

RGB 189 54 200

HSL 295.48, 0.57%, 0.5%

LAB 49.04, 70.11, -48.41

 

CMYK 4 / 58 / 0 / 30

HEX #AB4BB3

RGB 171 75 179

HSL 295.38, 0.41%, 0.5%

LAB 48.19, 53.81, -37.72

 

CMYK 3 / 39 / 0 / 38

HEX #9A609E

RGB 154 96 158

HSL 296.13, 0.24%, 0.5%

LAB 49.14, 33.87, -24.07

 

CMYK 1 / 16 / 0 / 46

HEX #88748A

RGB 136 116 138

HSL 294.55, 0.09%, 0.5%

LAB 51.34, 11.96, -9.11

 

CMYK 13 / 0 / 15 / 46

HEX #778975

RGB 119 137 117

HSL 114, 0.08%, 0.5%

LAB 55.17, -10.56, 8.56

 

CMYK 45 / 73 / 0 / 22

HEX #6E36C8

RGB 110 54 200

HSL 263.01, 0.57%, 0.5%

LAB 38.06, 55.03, -66.68

 

CMYK 26 / 73 / 0 / 22

HEX #9536C8

RGB 149 54 200

HSL 279.04, 0.57%, 0.5%

LAB 43.06, 62.07, -58.34

 

CMYK 6 / 73 / 0 / 22

HEX #BC36C8

RGB 188 54 200

HSL 295.07, 0.57%, 0.5%

LAB 48.88, 69.91, -48.67

 

CMYK 0 / 73 / 14 / 22

HEX #C836AD

RGB 200 54 173

HSL 311.1, 0.57%, 0.5%

LAB 49.42, 68.32, -31.96

 

CMYK 0 / 73 / 33 / 22

HEX #C83686

RGB 200 54 134

HSL 327.12, 0.57%, 0.5%

LAB 47.8, 63.3, -11.17

 

CMYK 6 / 73 / 0 / 47

HEX #7F2587

RGB 127 37 135

HSL 295.1, 0.57%, 0.34%

LAB 33.1, 51.07, -35.58

 

CMYK 5 / 73 / 0 / 35

HEX #9E2DA7

RGB 158 45 167

HSL 295.57, 0.58%, 0.42%

LAB 41.11, 60.88, -41.97

 

CMYK 5 / 73 / 0 / 22

HEX #BD36C8

RGB 189 54 200

HSL 295.48, 0.57%, 0.5%

LAB 49.04, 70.11, -48.41

 

CMYK 5 / 58 / 0 / 18

HEX #C757D1

RGB 199 87 209

HSL 295.08, 0.57%, 0.58%

LAB 55.65, 61.03, -42.99

 

CMYK 3 / 45 / 0 / 15

HEX #D277D9

RGB 210 119 217

HSL 295.71, 0.56%, 0.66%

LAB 63.26, 50.05, -35.45

 

CMYK 5 / 73 / 0 / 22

HEX #BD36C8

RGB 189 54 200

HSL 295.48, 0.57%, 0.5%

LAB 49.04, 70.11, -48.41

 

CMYK 0 / 65 / 73 / 22

HEX #C84736

RGB 200 71 54

HSL 6.99, 0.57%, 0.5%

LAB 48.33, 50.35, 37.55

 

CMYK 73 / 0 / 36 / 22

HEX #36C881

RGB 54 200 129

HSL 150.82, 0.57%, 0.5%

LAB 72.01, -54.22, 24.83

 

CMYK 5 / 73 / 0 / 22

HEX #BD36C8

RGB 189 54 200

HSL 295.48, 0.57%, 0.5%

LAB 49.04, 70.11, -48.41

 

CMYK 0 / 6 / 73 / 22

HEX #C8BC36

RGB 200 188 54

HSL 55.07, 0.57%, 0.5%

LAB 75.15, -10.63, 65.1

 

CMYK 73 / 0 / 6 / 22

HEX #36C8BC

RGB 54 200 188

HSL 175.07, 0.57%, 0.5%

LAB 73.37, -40.09, -4.97

 

CMYK 5 / 73 / 0 / 22

HEX #BD36C8

RGB 189 54 200

HSL 295.48, 0.57%, 0.5%

LAB 49.04, 70.11, -48.41

 

CMYK 0 / 65 / 73 / 22

HEX #C84736

RGB 200 71 54

HSL 6.99, 0.57%, 0.5%

LAB 48.33, 50.35, 37.55

 

CMYK 67 / 0 / 73 / 22

HEX #42C836

RGB 66 200 54

HSL 115.07, 0.57%, 0.5%

LAB 71.37, -62.49, 58.94

 

CMYK 73 / 9 / 0 / 22

HEX #36B7C8

RGB 54 183 200

HSL 186.99, 0.57%, 0.5%

LAB 68.62, -28.61, -18.63

 

CMYK 5 / 73 / 0 / 22

HEX #BD36C8

RGB 189 54 200

HSL 295.48, 0.57%, 0.5%

LAB 49.04, 70.11, -48.41

 

CMYK 0 / 43 / 73 / 22

HEX #C87336

RGB 200 115 54

HSL 25.07, 0.57%, 0.5%

LAB 56.89, 28.58, 46.85

 

CMYK 67 / 0 / 73 / 22

HEX #42C836

RGB 66 200 54

HSL 115.07, 0.57%, 0.5%

LAB 71.37, -62.49, 58.94

 

CMYK 73 / 31 / 0 / 22

HEX #368BC8

RGB 54 139 200

HSL 205.07, 0.57%, 0.5%

LAB 55.5, -5.07, -38.89

 

Description

Color code: HEX #BD36C8 | qconv.com Color code: HEX #BD36C8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 54 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 54 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 73 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 73% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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