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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD34D9 it is the complementary color #42CB26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD34D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD34D9 shade: #C234D4, #D346E7, #E458FA, #F56AFF and #FF7CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD34D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD34D9 shade: #BD34D9, #AC22C6, #9B10B3, #8A00A0 and #79008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD34D9 shade: #BC35D8, #D835C8, #D8359C, #D83570 and #D83544

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD34D9 shade: #BC35D8, #9135D8, #6535D8, #3935D8 and #3535D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD34D9 shade matches the following richer shades: #BC35D8 and #C922EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD34D9 shade: #BC35D8, #B049C5, #A35CB1, #966F9E and #89838B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD34D9 shade: #6335D8, #8F35D8, #BA35D8, #D835CB and #D8359F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD34D9 shade: #881E9D, #A524C0, #BC35D8, #C858DF and #D37AE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD34D9 shade: #BD34D9, #D83835 and #35D879

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD34D9 shade: #BD34D9, #D8BA35 and #35D8BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD34D9 shade: #BD34D9, #D83835, #53D835 and #35D5D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD34D9 shade: #BD34D9, #D86935, #53D835 and #35A5D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 76 / 0 / 15

HEX #BD34D9

RGB 189 52 217

HSL 289.82, 0.68%, 0.53%

LAB 49.84, 73.7, -56.89

 

Complementary color

CMYK 67 / 0 / 81 / 20

HEX #42CB26

RGB 66 203 38

HSL 109.82, 0.68%, 0.47%

LAB 72.24, -64.5, 64.8

 

CMYK 8 / 75 / 0 / 17

HEX #C234D4

RGB 194 52 212

HSL 293.25, 0.65%, 0.52%

LAB 50.31, 73.79, -53.23

 

CMYK 9 / 70 / 0 / 9

HEX #D346E7

RGB 211 70 231

HSL 292.55, 0.77%, 0.59%

LAB 56.09, 74.54, -54.62

 

CMYK 9 / 65 / 0 / 2

HEX #E458FA

RGB 228 88 250

HSL 291.85, 0.94%, 0.66%

LAB 61.98, 74.76, -55.67

 

CMYK 4 / 58 / 0 / 0

HEX #F56AFF

RGB 245 106 255

HSL 295.97, 1%, 0.71%

LAB 67.23, 72.2, -49.94

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 13 / 76 / 0 / 15

HEX #BD34D9

RGB 189 52 217

HSL 289.82, 0.68%, 0.53%

LAB 49.84, 73.7, -56.89

 

CMYK 13 / 83 / 0 / 22

HEX #AC22C6

RGB 172 34 198

HSL 290.49, 0.71%, 0.45%

LAB 44.22, 72.24, -55.12

 

CMYK 13 / 91 / 0 / 30

HEX #9B10B3

RGB 155 16 179

HSL 291.17, 0.84%, 0.38%

LAB 38.89, 69.66, -52.71

 

CMYK 14 / 100 / 0 / 37

HEX #8A00A0

RGB 138 0 160

HSL 291.75, 1%, 0.31%

LAB 33.86, 65.84, -49.59

 

CMYK 14 / 100 / 0 / 45

HEX #79008D

RGB 121 0 141

HSL 291.49, 1%, 0.28%

LAB 29.38, 59.96, -45.33

 

CMYK 13 / 75 / 0 / 15

HEX #BC35D8

RGB 188 53 216

HSL 289.69, 0.68%, 0.53%

LAB 49.73, 73.02, -56.5

 

CMYK 0 / 75 / 7 / 15

HEX #D835C8

RGB 216 53 200

HSL 305.89, 0.68%, 0.53%

LAB 53.29, 76.07, -41.39

 

CMYK 0 / 75 / 28 / 15

HEX #D8359C

RGB 216 53 156

HSL 322.09, 0.68%, 0.53%

LAB 51.32, 70.22, -18.75

 

CMYK 0 / 75 / 48 / 15

HEX #D83570

RGB 216 53 112

HSL 338.28, 0.68%, 0.53%

LAB 49.88, 65.75, 5.57

 

CMYK 0 / 75 / 69 / 15

HEX #D83544

RGB 216 53 68

HSL 354.48, 0.68%, 0.53%

LAB 48.96, 62.81, 30.96

 

CMYK 13 / 75 / 0 / 15

HEX #BC35D8

RGB 188 53 216

HSL 289.69, 0.68%, 0.53%

LAB 49.73, 73.02, -56.5

 

CMYK 33 / 75 / 0 / 15

HEX #9135D8

RGB 145 53 216

HSL 273.87, 0.68%, 0.53%

LAB 43.54, 65.18, -66.81

 

CMYK 53 / 75 / 0 / 15

HEX #6535D8

RGB 101 53 216

HSL 257.67, 0.68%, 0.53%

LAB 38.32, 58.38, -75.55

 

CMYK 74 / 75 / 0 / 15

HEX #3935D8

RGB 57 53 216

HSL 241.47, 0.68%, 0.53%

LAB 34.75, 53.57, -81.57

 

CMYK 75 / 75 / 0 / 15

HEX #3535D8

RGB 53 53 216

HSL 240, 0.68%, 0.53%

LAB 34.52, 53.25, -81.95

 

CMYK 13 / 75 / 0 / 15

HEX #BC35D8

RGB 188 53 216

HSL 289.69, 0.68%, 0.53%

LAB 49.73, 73.02, -56.5

 

CMYK 15 / 86 / 0 / 7

HEX #C922EC

RGB 201 34 236

HSL 289.6, 0.84%, 0.53%

LAB 51.4, 83.54, -65.04

 

CMYK 13 / 75 / 0 / 15

HEX #BC35D8

RGB 188 53 216

HSL 289.69, 0.68%, 0.53%

LAB 49.73, 73.02, -56.5

 

CMYK 11 / 63 / 0 / 23

HEX #B049C5

RGB 176 73 197

HSL 289.84, 0.52%, 0.53%

LAB 49.53, 59.36, -46.01

 

CMYK 8 / 48 / 0 / 31

HEX #A35CB1

RGB 163 92 177

HSL 290.12, 0.35%, 0.53%

LAB 50.23, 42.65, -33.41

 

CMYK 5 / 30 / 0 / 38

HEX #966F9E

RGB 150 111 158

HSL 289.79, 0.2%, 0.53%

LAB 52.2, 23.96, -19.4

 

CMYK 1 / 6 / 0 / 45

HEX #89838B

RGB 137 131 139

HSL 285, 0.03%, 0.53%

LAB 55.5, 3.82, -3.5

 

CMYK 54 / 75 / 0 / 15

HEX #6335D8

RGB 99 53 216

HSL 256.93, 0.68%, 0.53%

LAB 38.12, 58.11, -75.89

 

CMYK 34 / 75 / 0 / 15

HEX #8F35D8

RGB 143 53 216

HSL 273.13, 0.68%, 0.53%

LAB 43.28, 64.84, -67.25

 

CMYK 14 / 75 / 0 / 15

HEX #BA35D8

RGB 186 53 216

HSL 288.96, 0.68%, 0.53%

LAB 49.43, 72.64, -57

 

CMYK 0 / 75 / 6 / 15

HEX #D835CB

RGB 216 53 203

HSL 304.79, 0.68%, 0.53%

LAB 53.45, 76.51, -42.87

 

CMYK 0 / 75 / 26 / 15

HEX #D8359F

RGB 216 53 159

HSL 320.98, 0.68%, 0.53%

LAB 51.44, 70.58, -20.35

 

CMYK 13 / 81 / 0 / 38

HEX #881E9D

RGB 136 30 157

HSL 290.08, 0.68%, 0.37%

LAB 35.2, 59.39, -45.63

 

CMYK 14 / 81 / 0 / 25

HEX #A524C0

RGB 165 36 192

HSL 289.62, 0.68%, 0.45%

LAB 42.86, 69.44, -53.87

 

CMYK 13 / 75 / 0 / 15

HEX #BC35D8

RGB 188 53 216

HSL 289.69, 0.68%, 0.53%

LAB 49.73, 73.02, -56.5

 

CMYK 10 / 61 / 0 / 13

HEX #C858DF

RGB 200 88 223

HSL 289.78, 0.68%, 0.61%

LAB 56.67, 63.41, -49.28

 

CMYK 8 / 47 / 0 / 10

HEX #D37AE5

RGB 211 122 229

HSL 289.91, 0.67%, 0.69%

LAB 64.5, 51.08, -40.19

 

CMYK 13 / 76 / 0 / 15

HEX #BD34D9

RGB 189 52 217

HSL 289.82, 0.68%, 0.53%

LAB 49.84, 73.7, -56.89

 

CMYK 0 / 74 / 75 / 15

HEX #D83835

RGB 216 56 53

HSL 1.1, 0.68%, 0.53%

LAB 49.11, 61.2, 39.79

 

CMYK 75 / 0 / 44 / 15

HEX #35D879

RGB 53 216 121

HSL 145.03, 0.68%, 0.53%

LAB 76.83, -61.69, 35.29

 

CMYK 13 / 76 / 0 / 15

HEX #BD34D9

RGB 189 52 217

HSL 289.82, 0.68%, 0.53%

LAB 49.84, 73.7, -56.89

 

CMYK 0 / 14 / 75 / 15

HEX #D8BA35

RGB 216 186 53

HSL 48.96, 0.68%, 0.53%

LAB 76.05, -2.74, 66.82

 

CMYK 75 / 0 / 14 / 15

HEX #35D8BA

RGB 53 216 186

HSL 168.96, 0.68%, 0.53%

LAB 78.12, -47.69, 3.06

 

CMYK 13 / 76 / 0 / 15

HEX #BD34D9

RGB 189 52 217

HSL 289.82, 0.68%, 0.53%

LAB 49.84, 73.7, -56.89

 

CMYK 0 / 74 / 75 / 15

HEX #D83835

RGB 216 56 53

HSL 1.1, 0.68%, 0.53%

LAB 49.11, 61.2, 39.79

 

CMYK 62 / 0 / 75 / 15

HEX #53D835

RGB 83 216 53

HSL 108.96, 0.68%, 0.53%

LAB 76.8, -64.32, 64.83

 

CMYK 75 / 1 / 0 / 15

HEX #35D5D8

RGB 53 213 216

HSL 181.1, 0.68%, 0.53%

LAB 78.05, -38.17, -13.1

 

CMYK 13 / 76 / 0 / 15

HEX #BD34D9

RGB 189 52 217

HSL 289.82, 0.68%, 0.53%

LAB 49.84, 73.7, -56.89

 

CMYK 0 / 51 / 75 / 15

HEX #D86935

RGB 216 105 53

HSL 19.14, 0.68%, 0.53%

LAB 57.04, 40.17, 48.19

 

CMYK 62 / 0 / 75 / 15

HEX #53D835

RGB 83 216 53

HSL 108.96, 0.68%, 0.53%

LAB 76.8, -64.32, 64.83

 

CMYK 75 / 24 / 0 / 15

HEX #35A5D8

RGB 53 165 216

HSL 198.77, 0.68%, 0.53%

LAB 63.86, -14.24, -34.79

 

Description

Color code: HEX #BD34D9 | qconv.com Color code: HEX #BD34D9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 52 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 52 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 76 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 76% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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