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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD2227 it is the complementary color #42DDD8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD2227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD2227 shade: #C22222, #D33435, #E44648, #F5585B and #FF6A6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD2227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD2227 shade: #BD2227, #AC1014, #9B0001, #8A0000 and #790000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD2227 shade: #BE2126 and #BE2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD2227 shade: #BE2126, #BE2151, #BE217B, #BE21A5 and #AD21BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD2227 shade matches the following richer shades: #BE2126 and #D00F15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD2227 shade: #BE2126, #AC3337, #9A4548, #885859 and #766A6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD2227 shade: #BE217A, #BE2150, #BE2126, #BE4621 and #BE7021

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD2227 shade: #781518, #9B1B1F, #BE2126, #DA2F34 and #E05256

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD2227 shade: #BD2227, #A4BE21 and #2165BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD2227 shade: #BD2227, #26BE21 and #2126BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD2227 shade: #BD2227, #A4BE21, #21BEB9 and #3B21BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD2227 shade: #BD2227, #75BE21, #21BEB9 and #6A21BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 79 / 26

HEX #BD2227

RGB 189 34 39

HSL 358.06, 0.7%, 0.44%

LAB 41.39, 59.28, 37.87

 

Complementary color

CMYK 70 / 0 / 2 / 13

HEX #42DDD8

RGB 66 221 216

HSL 178.06, 0.7%, 0.56%

LAB 80.64, -40.32, -9.21

 

CMYK 0 / 82 / 82 / 24

HEX #C22222

RGB 194 34 34

HSL 0, 0.7%, 0.45%

LAB 42.35, 60.55, 41.91

 

CMYK 0 / 75 / 75 / 17

HEX #D33435

RGB 211 52 53

HSL 359.62, 0.64%, 0.52%

LAB 47.7, 60.99, 37.97

 

CMYK 0 / 69 / 68 / 11

HEX #E44648

RGB 228 70 72

HSL 359.24, 0.75%, 0.58%

LAB 53.32, 60.79, 34.42

 

CMYK 0 / 64 / 63 / 4

HEX #F5585B

RGB 245 88 91

HSL 358.85, 0.89%, 0.65%

LAB 59.11, 60.19, 31.35

 

CMYK 0 / 58 / 57 / 0

HEX #FF6A6E

RGB 255 106 110

HSL 358.39, 1%, 0.71%

LAB 63.91, 57.04, 27.07

 

CMYK 0 / 82 / 79 / 26

HEX #BD2227

RGB 189 34 39

HSL 358.06, 0.7%, 0.44%

LAB 41.39, 59.28, 37.87

 

CMYK 0 / 91 / 88 / 33

HEX #AC1014

RGB 172 16 20

HSL 358.46, 0.83%, 0.37%

LAB 36.35, 57.85, 42.07

 

CMYK 0 / 100 / 99 / 39

HEX #9B0001

RGB 155 0 1

HSL 359.61, 1%, 0.3%

LAB 31.74, 55.25, 45.26

 

CMYK 0 / 100 / 100 / 46

HEX #8A0000

RGB 138 0 0

HSL 0, 1%, 0.27%

LAB 27.85, 50.74, 41.01

 

CMYK 0 / 100 / 100 / 53

HEX #790000

RGB 121 0 0

HSL 0, 1%, 0.24%

LAB 23.89, 46.15, 35.9

 

CMYK 0 / 83 / 80 / 25

HEX #BE2126

RGB 190 33 38

HSL 358.09, 0.7%, 0.44%

LAB 41.49, 59.78, 38.6

 

CMYK 0 / 83 / 83 / 25

HEX #BE2121

RGB 190 33 33

HSL 0, 0.7%, 0.44%

LAB 41.45, 59.64, 41.3

 

CMYK 0 / 83 / 80 / 25

HEX #BE2126

RGB 190 33 38

HSL 358.09, 0.7%, 0.44%

LAB 41.49, 59.78, 38.6

 

CMYK 0 / 83 / 57 / 25

HEX #BE2151

RGB 190 33 81

HSL 341.66, 0.7%, 0.44%

LAB 42.2, 61.91, 13.23

 

CMYK 0 / 83 / 35 / 25

HEX #BE217B

RGB 190 33 123

HSL 325.61, 0.7%, 0.44%

LAB 43.46, 65.59, -11.18

 

CMYK 0 / 83 / 13 / 25

HEX #BE21A5

RGB 190 33 165

HSL 309.55, 0.7%, 0.44%

LAB 45.29, 70.75, -33.81

 

CMYK 9 / 83 / 0 / 25

HEX #AD21BE

RGB 173 33 190

HSL 293.5, 0.7%, 0.44%

LAB 43.78, 71.28, -51.15

 

CMYK 0 / 83 / 80 / 25

HEX #BE2126

RGB 190 33 38

HSL 358.09, 0.7%, 0.44%

LAB 41.49, 59.78, 38.6

 

CMYK 0 / 93 / 90 / 18

HEX #D00F15

RGB 208 15 21

HSL 358.13, 0.87%, 0.44%

LAB 43.95, 67.48, 50.71

 

CMYK 0 / 83 / 80 / 25

HEX #BE2126

RGB 190 33 38

HSL 358.09, 0.7%, 0.44%

LAB 41.49, 59.78, 38.6

 

CMYK 0 / 70 / 68 / 33

HEX #AC3337

RGB 172 51 55

HSL 358.02, 0.54%, 0.44%

LAB 40.27, 49.23, 26.26

 

CMYK 0 / 55 / 53 / 40

HEX #9A4548

RGB 154 69 72

HSL 357.88, 0.38%, 0.44%

LAB 40.56, 35.81, 15.57

 

CMYK 0 / 35 / 35 / 47

HEX #885859

RGB 136 88 89

HSL 358.75, 0.21%, 0.44%

LAB 42.67, 19.99, 7.62

 

CMYK 0 / 10 / 10 / 54

HEX #766A6A

RGB 118 106 106

HSL 0, 0.05%, 0.44%

LAB 45.91, 4.71, 1.71

 

CMYK 0 / 83 / 36 / 25

HEX #BE217A

RGB 190 33 122

HSL 325.99, 0.7%, 0.44%

LAB 43.42, 65.49, -10.62

 

CMYK 0 / 83 / 58 / 25

HEX #BE2150

RGB 190 33 80

HSL 342.04, 0.7%, 0.44%

LAB 42.18, 61.84, 13.83

 

CMYK 0 / 83 / 80 / 25

HEX #BE2126

RGB 190 33 38

HSL 358.09, 0.7%, 0.44%

LAB 41.49, 59.78, 38.6

 

CMYK 0 / 63 / 83 / 25

HEX #BE4621

RGB 190 70 33

HSL 14.14, 0.7%, 0.44%

LAB 46.23, 46.49, 45.77

 

CMYK 0 / 41 / 83 / 25

HEX #BE7021

RGB 190 112 33

HSL 30.19, 0.7%, 0.44%

LAB 54.71, 25.15, 53.43

 

CMYK 0 / 83 / 80 / 53

HEX #781518

RGB 120 21 24

HSL 358.18, 0.7%, 0.28%

LAB 25.55, 41.65, 25.69

 

CMYK 0 / 83 / 80 / 39

HEX #9B1B1F

RGB 155 27 31

HSL 358.13, 0.7%, 0.36%

LAB 33.67, 50.94, 32.3

 

CMYK 0 / 83 / 80 / 25

HEX #BE2126

RGB 190 33 38

HSL 358.09, 0.7%, 0.44%

LAB 41.49, 59.78, 38.6

 

CMYK 0 / 78 / 76 / 15

HEX #DA2F34

RGB 218 47 52

HSL 358.25, 0.7%, 0.52%

LAB 48.49, 64.51, 39.79

 

CMYK 0 / 63 / 62 / 12

HEX #E05256

RGB 224 82 86

HSL 358.31, 0.7%, 0.6%

LAB 54.61, 55.52, 27.78

 

CMYK 0 / 82 / 79 / 26

HEX #BD2227

RGB 189 34 39

HSL 358.06, 0.7%, 0.44%

LAB 41.39, 59.28, 37.87

 

CMYK 14 / 0 / 83 / 25

HEX #A4BE21

RGB 164 190 33

HSL 69.94, 0.7%, 0.44%

LAB 72.78, -27.74, 68.27

 

CMYK 83 / 47 / 0 / 25

HEX #2165BE

RGB 33 101 190

HSL 214.01, 0.7%, 0.44%

LAB 43.28, 12.09, -52.62

 

CMYK 0 / 82 / 79 / 26

HEX #BD2227

RGB 189 34 39

HSL 358.06, 0.7%, 0.44%

LAB 41.39, 59.28, 37.87

 

CMYK 80 / 0 / 83 / 25

HEX #26BE21

RGB 38 190 33

HSL 118.09, 0.7%, 0.44%

LAB 67.54, -65.25, 61.61

 

CMYK 83 / 80 / 0 / 25

HEX #2126BE

RGB 33 38 190

HSL 238.09, 0.7%, 0.44%

LAB 27.92, 51.48, -77.75

 

CMYK 0 / 82 / 79 / 26

HEX #BD2227

RGB 189 34 39

HSL 358.06, 0.7%, 0.44%

LAB 41.39, 59.28, 37.87

 

CMYK 14 / 0 / 83 / 25

HEX #A4BE21

RGB 164 190 33

HSL 69.94, 0.7%, 0.44%

LAB 72.78, -27.74, 68.27

 

CMYK 83 / 0 / 3 / 25

HEX #21BEB9

RGB 33 190 185

HSL 178.09, 0.7%, 0.44%

LAB 69.93, -38.51, -8.45

 

CMYK 69 / 83 / 0 / 25

HEX #3B21BE

RGB 59 33 190

HSL 249.94, 0.7%, 0.44%

LAB 28.73, 55.49, -76.35

 

CMYK 0 / 82 / 79 / 26

HEX #BD2227

RGB 189 34 39

HSL 358.06, 0.7%, 0.44%

LAB 41.39, 59.28, 37.87

 

CMYK 38 / 0 / 83 / 25

HEX #75BE21

RGB 117 190 33

HSL 87.9, 0.7%, 0.44%

LAB 69.98, -45.92, 64.73

 

CMYK 83 / 0 / 3 / 25

HEX #21BEB9

RGB 33 190 185

HSL 178.09, 0.7%, 0.44%

LAB 69.93, -38.51, -8.45

 

CMYK 44 / 83 / 0 / 25

HEX #6A21BE

RGB 106 33 190

HSL 267.9, 0.7%, 0.44%

LAB 33.71, 60.55, -67.98

 

Description

Color code: HEX #BD2227 | qconv.com Color code: HEX #BD2227 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 34 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 34 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 79 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 79% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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