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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD26D8 it is the complementary color #42D927. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD26D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD26D8 shade: #C226D3, #D338E6, #E44AF9, #F55CFF and #FF6EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD26D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD26D8 shade: #BD26D8, #AC14C5, #9B02B2, #8A009F and #79008C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD26D8 shade: #BD26D8, #D826C3, #D82693, #D82663 and #D82633

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD26D8 shade: #BD26D8, #8D26D8, #5D26D8, #2D26D8 and #2626D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD26D8 shade matches the following richer shades: #BD26D8 and #CC11ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD26D8 shade: #BD26D8, #AF3AC4, #A04FAF, #92649A and #847886

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD26D8 shade: #5B26D8, #8B26D8, #BA26D8, #D826C6 and #D82697

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD26D8 shade: #801992, #9E20B5, #BD26D8, #C849DE and #D26CE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD26D8 shade: #BD26D8, #D82C26 and #26D873

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD26D8 shade: #BD26D8, #D8BB26 and #26D8BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD26D8 shade: #BD26D8, #D82C26, #44D826 and #26D2D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD26D8 shade: #BD26D8, #D86126, #44D826 and #269DD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 82 / 0 / 15

HEX #BD26D8

RGB 189 38 216

HSL 290.9, 0.7%, 0.5%

LAB 48.46, 77.33, -58.53

 

Complementary color

CMYK 70 / 0 / 82 / 15

HEX #42D927

RGB 66 217 39

HSL 110.9, 0.7%, 0.5%

LAB 76.64, -68.89, 68.58

 

CMYK 8 / 82 / 0 / 17

HEX #C226D3

RGB 194 38 211

HSL 294.1, 0.69%, 0.49%

LAB 48.96, 77.37, -54.83

 

CMYK 8 / 76 / 0 / 10

HEX #D338E6

RGB 211 56 230

HSL 293.45, 0.78%, 0.56%

LAB 54.44, 78.91, -56.69

 

CMYK 8 / 70 / 0 / 2

HEX #E44AF9

RGB 228 74 249

HSL 292.8, 0.94%, 0.63%

LAB 60.1, 79.73, -58.12

 

CMYK 4 / 64 / 0 / 0

HEX #F55CFF

RGB 245 92 255

HSL 296.32, 1%, 0.68%

LAB 65.19, 77.85, -53.18

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 13 / 82 / 0 / 15

HEX #BD26D8

RGB 189 38 216

HSL 290.9, 0.7%, 0.5%

LAB 48.46, 77.33, -58.53

 

CMYK 13 / 90 / 0 / 23

HEX #AC14C5

RGB 172 20 197

HSL 291.53, 0.82%, 0.43%

LAB 43.22, 74.83, -56.17

 

CMYK 13 / 99 / 0 / 30

HEX #9B02B2

RGB 155 2 178

HSL 292.16, 0.98%, 0.35%

LAB 38.25, 71.19, -53.16

 

CMYK 13 / 100 / 0 / 38

HEX #8A009F

RGB 138 0 159

HSL 292.08, 1%, 0.31%

LAB 33.79, 65.66, -49.1

 

CMYK 14 / 100 / 0 / 45

HEX #79008C

RGB 121 0 140

HSL 291.86, 1%, 0.27%

LAB 29.31, 59.78, -44.83

 

CMYK 13 / 82 / 0 / 15

HEX #BD26D8

RGB 189 38 216

HSL 290.9, 0.7%, 0.5%

LAB 48.46, 77.33, -58.53

 

CMYK 0 / 82 / 10 / 15

HEX #D826C3

RGB 216 38 195

HSL 307.08, 0.7%, 0.5%

LAB 51.75, 79.07, -40.93

 

CMYK 0 / 82 / 32 / 15

HEX #D82693

RGB 216 38 147

HSL 323.26, 0.7%, 0.5%

LAB 49.61, 73.11, -15.99

 

CMYK 0 / 82 / 54 / 15

HEX #D82663

RGB 216 38 99

HSL 339.44, 0.7%, 0.5%

LAB 48.12, 68.79, 11.02

 

CMYK 0 / 82 / 76 / 15

HEX #D82633

RGB 216 38 51

HSL 355.62, 0.7%, 0.5%

LAB 47.27, 66.25, 38.91

 

CMYK 13 / 82 / 0 / 15

HEX #BD26D8

RGB 189 38 216

HSL 290.9, 0.7%, 0.5%

LAB 48.46, 77.33, -58.53

 

CMYK 35 / 82 / 0 / 15

HEX #8D26D8

RGB 141 38 216

HSL 274.72, 0.7%, 0.5%

LAB 41.23, 69.68, -70.61

 

CMYK 57 / 82 / 0 / 15

HEX #5D26D8

RGB 93 38 216

HSL 258.54, 0.7%, 0.5%

LAB 35.34, 63.69, -80.49

 

CMYK 79 / 82 / 0 / 15

HEX #2D26D8

RGB 45 38 216

HSL 242.36, 0.7%, 0.5%

LAB 31.58, 60.02, -86.84

 

CMYK 82 / 82 / 0 / 15

HEX #2626D8

RGB 38 38 216

HSL 240, 0.7%, 0.5%

LAB 31.25, 59.7, -87.41

 

CMYK 13 / 82 / 0 / 15

HEX #BD26D8

RGB 189 38 216

HSL 290.9, 0.7%, 0.5%

LAB 48.46, 77.33, -58.53

 

CMYK 14 / 93 / 0 / 7

HEX #CC11ED

RGB 204 17 237

HSL 291, 0.87%, 0.5%

LAB 51.1, 86.69, -66.08

 

CMYK 13 / 82 / 0 / 15

HEX #BD26D8

RGB 189 38 216

HSL 290.9, 0.7%, 0.5%

LAB 48.46, 77.33, -58.53

 

CMYK 11 / 70 / 0 / 23

HEX #AF3AC4

RGB 175 58 196

HSL 290.87, 0.54%, 0.5%

LAB 47.14, 65.06, -49.25

 

CMYK 9 / 55 / 0 / 31

HEX #A04FAF

RGB 160 79 175

HSL 290.63, 0.38%, 0.5%

LAB 47.18, 48.14, -37.06

 

CMYK 5 / 35 / 0 / 40

HEX #92649A

RGB 146 100 154

HSL 291.11, 0.21%, 0.5%

LAB 48.96, 28.14, -22.06

 

CMYK 1 / 10 / 0 / 47

HEX #847886

RGB 132 120 134

HSL 291.43, 0.06%, 0.5%

LAB 51.9, 7.33, -5.95

 

CMYK 58 / 82 / 0 / 15

HEX #5B26D8

RGB 91 38 216

HSL 257.87, 0.7%, 0.5%

LAB 35.14, 63.49, -80.84

 

CMYK 36 / 82 / 0 / 15

HEX #8B26D8

RGB 139 38 216

HSL 274.04, 0.7%, 0.5%

LAB 40.95, 69.39, -71.07

 

CMYK 14 / 82 / 0 / 15

HEX #BA26D8

RGB 186 38 216

HSL 289.89, 0.7%, 0.5%

LAB 47.99, 76.82, -59.32

 

CMYK 0 / 82 / 8 / 15

HEX #D826C6

RGB 216 38 198

HSL 306.07, 0.7%, 0.5%

LAB 51.91, 79.49, -42.42

 

CMYK 0 / 82 / 30 / 15

HEX #D82697

RGB 216 38 151

HSL 321.91, 0.7%, 0.5%

LAB 49.76, 73.55, -18.15

 

CMYK 12 / 83 / 0 / 43

HEX #801992

RGB 128 25 146

HSL 291.07, 0.71%, 0.34%

LAB 32.61, 57.25, -43.15

 

CMYK 13 / 82 / 0 / 29

HEX #9E20B5

RGB 158 32 181

HSL 290.74, 0.7%, 0.42%

LAB 40.64, 67.27, -51.05

 

CMYK 13 / 82 / 0 / 15

HEX #BD26D8

RGB 189 38 216

HSL 290.9, 0.7%, 0.5%

LAB 48.46, 77.33, -58.53

 

CMYK 10 / 67 / 0 / 13

HEX #C849DE

RGB 200 73 222

HSL 291.14, 0.69%, 0.58%

LAB 54.36, 69.48, -52.39

 

CMYK 8 / 53 / 0 / 10

HEX #D26CE5

RGB 210 108 229

HSL 290.58, 0.7%, 0.66%

LAB 61.73, 57.77, -44.56

 

CMYK 13 / 82 / 0 / 15

HEX #BD26D8

RGB 189 38 216

HSL 290.9, 0.7%, 0.5%

LAB 48.46, 77.33, -58.53

 

CMYK 0 / 80 / 82 / 15

HEX #D82C26

RGB 216 44 38

HSL 2.02, 0.7%, 0.5%

LAB 47.68, 64.33, 46.39

 

CMYK 82 / 0 / 47 / 15

HEX #26D873

RGB 38 216 115

HSL 145.96, 0.7%, 0.5%

LAB 76.53, -64.39, 37.87

 

CMYK 13 / 82 / 0 / 15

HEX #BD26D8

RGB 189 38 216

HSL 290.9, 0.7%, 0.5%

LAB 48.46, 77.33, -58.53

 

CMYK 0 / 13 / 82 / 15

HEX #D8BB26

RGB 216 187 38

HSL 50.22, 0.7%, 0.5%

LAB 76.24, -3.78, 71.62

 

CMYK 82 / 0 / 13 / 15

HEX #26D8BB

RGB 38 216 187

HSL 170.22, 0.7%, 0.5%

LAB 77.94, -48.85, 2.25

 

CMYK 13 / 82 / 0 / 15

HEX #BD26D8

RGB 189 38 216

HSL 290.9, 0.7%, 0.5%

LAB 48.46, 77.33, -58.53

 

CMYK 0 / 80 / 82 / 15

HEX #D82C26

RGB 216 44 38

HSL 2.02, 0.7%, 0.5%

LAB 47.68, 64.33, 46.39

 

CMYK 69 / 0 / 82 / 15

HEX #44D826

RGB 68 216 38

HSL 109.89, 0.7%, 0.5%

LAB 76.36, -68.26, 68.6

 

CMYK 82 / 3 / 0 / 15

HEX #26D2D8

RGB 38 210 216

HSL 182.02, 0.7%, 0.5%

LAB 76.96, -38.12, -14.76

 

CMYK 13 / 82 / 0 / 15

HEX #BD26D8

RGB 189 38 216

HSL 290.9, 0.7%, 0.5%

LAB 48.46, 77.33, -58.53

 

CMYK 0 / 55 / 82 / 15

HEX #D86126

RGB 216 97 38

HSL 19.89, 0.7%, 0.5%

LAB 55.37, 43.6, 53.43

 

CMYK 69 / 0 / 82 / 15

HEX #44D826

RGB 68 216 38

HSL 109.89, 0.7%, 0.5%

LAB 76.36, -68.26, 68.6

 

CMYK 82 / 27 / 0 / 15

HEX #269DD8

RGB 38 157 216

HSL 199.89, 0.7%, 0.5%

LAB 61.21, -11.36, -38.94

 

Description

Color code: HEX #BD26D8 | qconv.com Color code: HEX #BD26D8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 38 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 38 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 82 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 82% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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