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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD24B3 it is the complementary color #42DB4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD24B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD24B3 shade: #C224AE, #D336C1, #E448D4, #F55AE7 and #FF6CFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD24B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD24B3 shade: #BD24B3, #AC12A0, #9B008D, #8A007A and #790067

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD24B3 shade: #BC23B2, #BC2389, #BC2360, #BC2337 and #BC2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD24B3 shade: #BC23B2, #9D23BC, #7423BC, #4B23BC and #2323BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD24B3 shade matches the following richer shades: #BC23B2 and #CE11C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD24B3 shade: #BC23B2, #AA36A2, #984892, #865A83 and #736C73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD24B3 shade: #7223BC, #9B23BC, #BC23B4, #BC238C and #BC2363

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD24B3 shade: #771670, #991D91, #BC23B2, #D731CD and #DE54D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD24B3 shade: #BD24B3, #BC4A23 and #23BC87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD24B3 shade: #BD24B3, #B4BC23 and #23B4BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD24B3 shade: #BD24B3, #BC4A23, #23BC2B and #2396BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD24B3 shade: #BD24B3, #BC7723, #23BC2B and #2368BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 5 / 26

HEX #BD24B3

RGB 189 36 179

HSL 303.92, 0.68%, 0.44%

LAB 46.09, 71.87, -40.86

 

Complementary color

CMYK 70 / 0 / 65 / 14

HEX #42DB4C

RGB 66 219 76

HSL 123.92, 0.68%, 0.56%

LAB 77.49, -66.8, 56.94

 

CMYK 0 / 81 / 10 / 24

HEX #C224AE

RGB 194 36 174

HSL 307.59, 0.69%, 0.45%

LAB 46.69, 72.15, -36.9

 

CMYK 0 / 74 / 9 / 17

HEX #D336C1

RGB 211 54 193

HSL 306.88, 0.64%, 0.52%

LAB 52.22, 73.69, -39.1

 

CMYK 0 / 68 / 7 / 11

HEX #E448D4

RGB 228 72 212

HSL 306.15, 0.74%, 0.59%

LAB 57.93, 74.48, -40.81

 

CMYK 0 / 63 / 6 / 4

HEX #F55AE7

RGB 245 90 231

HSL 305.42, 0.89%, 0.66%

LAB 63.75, 74.76, -42.17

 

CMYK 0 / 58 / 2 / 0

HEX #FF6CFA

RGB 255 108 250

HSL 302.04, 1%, 0.71%

LAB 68.67, 72.97, -44.85

 

CMYK 0 / 81 / 5 / 26

HEX #BD24B3

RGB 189 36 179

HSL 303.92, 0.68%, 0.44%

LAB 46.09, 71.87, -40.86

 

CMYK 0 / 90 / 7 / 33

HEX #AC12A0

RGB 172 18 160

HSL 304.68, 0.81%, 0.37%

LAB 40.8, 69.32, -38.13

 

CMYK 0 / 100 / 9 / 39

HEX #9B008D

RGB 155 0 141

HSL 305.42, 1%, 0.3%

LAB 35.77, 65.68, -34.73

 

CMYK 0 / 100 / 12 / 46

HEX #8A007A

RGB 138 0 122

HSL 306.96, 1%, 0.27%

LAB 31.37, 59.85, -30.07

 

CMYK 0 / 100 / 15 / 53

HEX #790067

RGB 121 0 103

HSL 308.93, 1%, 0.24%

LAB 26.86, 53.89, -25.24

 

CMYK 0 / 81 / 5 / 26

HEX #BC23B2

RGB 188 35 178

HSL 303.92, 0.69%, 0.44%

LAB 45.78, 71.76, -40.77

 

CMYK 0 / 81 / 27 / 26

HEX #BC2389

RGB 188 35 137

HSL 320, 0.69%, 0.44%

LAB 43.8, 66.22, -19.28

 

CMYK 0 / 81 / 49 / 26

HEX #BC2360

RGB 188 35 96

HSL 336.08, 0.69%, 0.44%

LAB 42.37, 62.03, 3.98

 

CMYK 0 / 81 / 71 / 26

HEX #BC2337

RGB 188 35 55

HSL 352.16, 0.69%, 0.44%

LAB 41.48, 59.36, 28.45

 

CMYK 0 / 81 / 81 / 26

HEX #BC2323

RGB 188 35 35

HSL 0, 0.69%, 0.44%

LAB 41.24, 58.61, 39.88

 

CMYK 0 / 81 / 5 / 26

HEX #BC23B2

RGB 188 35 178

HSL 303.92, 0.69%, 0.44%

LAB 45.78, 71.76, -40.77

 

CMYK 16 / 81 / 0 / 26

HEX #9D23BC

RGB 157 35 188

HSL 287.84, 0.69%, 0.44%

LAB 41.22, 67.56, -54.25

 

CMYK 38 / 81 / 0 / 26

HEX #7423BC

RGB 116 35 188

HSL 271.76, 0.69%, 0.44%

LAB 35.09, 60.82, -64.48

 

CMYK 60 / 81 / 0 / 26

HEX #4B23BC

RGB 75 35 188

HSL 255.69, 0.69%, 0.44%

LAB 30.23, 55.55, -72.66

 

CMYK 81 / 81 / 0 / 26

HEX #2323BC

RGB 35 35 188

HSL 240, 0.69%, 0.44%

LAB 27.27, 52.42, -77.65

 

CMYK 0 / 81 / 5 / 26

HEX #BC23B2

RGB 188 35 178

HSL 303.92, 0.69%, 0.44%

LAB 45.78, 71.76, -40.77

 

CMYK 0 / 92 / 6 / 19

HEX #CE11C2

RGB 206 17 194

HSL 303.81, 0.85%, 0.44%

LAB 48.78, 80.48, -45.17

 

CMYK 0 / 81 / 5 / 26

HEX #BC23B2

RGB 188 35 178

HSL 303.92, 0.69%, 0.44%

LAB 45.78, 71.76, -40.77

 

CMYK 0 / 68 / 5 / 33

HEX #AA36A2

RGB 170 54 162

HSL 304.14, 0.52%, 0.44%

LAB 43.93, 59.52, -34.39

 

CMYK 0 / 53 / 4 / 40

HEX #984892

RGB 152 72 146

HSL 304.5, 0.36%, 0.44%

LAB 43.34, 43.86, -25.93

 

CMYK 0 / 33 / 2 / 47

HEX #865A83

RGB 134 90 131

HSL 304.09, 0.2%, 0.44%

LAB 44.26, 25.16, -15.65

 

CMYK 0 / 6 / 0 / 55

HEX #736C73

RGB 115 108 115

HSL 300, 0.03%, 0.44%

LAB 46.46, 4.13, -2.92

 

CMYK 39 / 81 / 0 / 26

HEX #7223BC

RGB 114 35 188

HSL 270.98, 0.69%, 0.44%

LAB 34.82, 60.52, -64.93

 

CMYK 18 / 81 / 0 / 26

HEX #9B23BC

RGB 155 35 188

HSL 287.06, 0.69%, 0.44%

LAB 40.9, 67.21, -54.78

 

CMYK 0 / 81 / 4 / 26

HEX #BC23B4

RGB 188 35 180

HSL 303.14, 0.69%, 0.44%

LAB 45.89, 72.06, -41.77

 

CMYK 0 / 81 / 26 / 26

HEX #BC238C

RGB 188 35 140

HSL 318.82, 0.69%, 0.44%

LAB 43.93, 66.58, -20.92

 

CMYK 0 / 81 / 47 / 26

HEX #BC2363

RGB 188 35 99

HSL 334.9, 0.69%, 0.44%

LAB 42.45, 62.28, 2.22

 

CMYK 0 / 82 / 6 / 53

HEX #771670

RGB 119 22 112

HSL 304.33, 0.69%, 0.28%

LAB 28.55, 50.28, -28.4

 

CMYK 0 / 81 / 5 / 40

HEX #991D91

RGB 153 29 145

HSL 303.87, 0.68%, 0.36%

LAB 37.29, 61.04, -34.81

 

CMYK 0 / 81 / 5 / 26

HEX #BC23B2

RGB 188 35 178

HSL 303.92, 0.69%, 0.44%

LAB 45.78, 71.76, -40.77

 

CMYK 0 / 77 / 5 / 16

HEX #D731CD

RGB 215 49 205

HSL 303.61, 0.67%, 0.52%

LAB 53.01, 77.7, -44.72

 

CMYK 0 / 62 / 4 / 13

HEX #DE54D5

RGB 222 84 213

HSL 303.91, 0.68%, 0.6%

LAB 58.67, 68.71, -40.27

 

CMYK 0 / 81 / 5 / 26

HEX #BD24B3

RGB 189 36 179

HSL 303.92, 0.68%, 0.44%

LAB 46.09, 71.87, -40.86

 

CMYK 0 / 61 / 81 / 26

HEX #BC4A23

RGB 188 74 35

HSL 15.29, 0.69%, 0.44%

LAB 46.59, 43.99, 45.03

 

CMYK 81 / 0 / 28 / 26

HEX #23BC87

RGB 35 188 135

HSL 159.22, 0.69%, 0.44%

LAB 68.07, -50.59, 16.19

 

CMYK 0 / 81 / 5 / 26

HEX #BD24B3

RGB 189 36 179

HSL 303.92, 0.68%, 0.44%

LAB 46.09, 71.87, -40.86

 

CMYK 4 / 0 / 81 / 26

HEX #B4BC23

RGB 180 188 35

HSL 63.14, 0.69%, 0.44%

LAB 73.41, -19.95, 68.77

 

CMYK 81 / 4 / 0 / 26

HEX #23B4BC

RGB 35 180 188

HSL 183.14, 0.69%, 0.44%

LAB 67, -32.8, -14.49

 

CMYK 0 / 81 / 5 / 26

HEX #BD24B3

RGB 189 36 179

HSL 303.92, 0.68%, 0.44%

LAB 46.09, 71.87, -40.86

 

CMYK 0 / 61 / 81 / 26

HEX #BC4A23

RGB 188 74 35

HSL 15.29, 0.69%, 0.44%

LAB 46.59, 43.99, 45.03

 

CMYK 81 / 0 / 77 / 26

HEX #23BC2B

RGB 35 188 43

HSL 123.14, 0.69%, 0.44%

LAB 66.9, -64.39, 58.05

 

CMYK 81 / 20 / 0 / 26

HEX #2396BC

RGB 35 150 188

HSL 194.9, 0.69%, 0.44%

LAB 57.85, -17.6, -28.47

 

CMYK 0 / 81 / 5 / 26

HEX #BD24B3

RGB 189 36 179

HSL 303.92, 0.68%, 0.44%

LAB 46.09, 71.87, -40.86

 

CMYK 0 / 37 / 81 / 26

HEX #BC7723

RGB 188 119 35

HSL 32.94, 0.69%, 0.44%

LAB 56.09, 20.51, 53.81

 

CMYK 81 / 0 / 77 / 26

HEX #23BC2B

RGB 35 188 43

HSL 123.14, 0.69%, 0.44%

LAB 66.9, -64.39, 58.05

 

CMYK 81 / 45 / 0 / 26

HEX #2368BC

RGB 35 104 188

HSL 212.94, 0.69%, 0.44%

LAB 44.07, 9.58, -50.19

 

Description

Color code: HEX #BD24B3 | qconv.com Color code: HEX #BD24B3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 36 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 36 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 5 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 5% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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