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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD13E1 it is the complementary color #42EC1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD13E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD13E1 shade: #C213DC, #D325EF, #E437FF, #F549FF and #FF5BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD13E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD13E1 shade: #BD13E1, #AC01CE, #9B00BB, #8A00A8 and #790095

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD13E1 shade: #BD13E1, #E113CD, #E11396, #E1135E and #E11327

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD13E1 shade: #BD13E1, #8513E1, #4E13E1, #1613E1 and #1313E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD13E1 shade matches the following richer shades: #BD13E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD13E1 shade: #BD13E1, #B027CD, #A33BB9, #964EA5 and #896291

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD13E1 shade: #4D13E1, #8413E1, #BB13E1, #E113D0 and #E11399

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD13E1 shade: #7D0C95, #9D10BB, #BD13E1, #CC30ED and #D556F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD13E1 shade: #BD13E1, #E11713 and #13E169

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD13E1 shade: #BD13E1, #E1BB13 and #13E1BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD13E1 shade: #BD13E1, #E11713, #39E113 and #13DDE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD13E1 shade: #BD13E1, #E15413, #39E113 and #13A0E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 92 / 0 / 12

HEX #BD13E1

RGB 189 19 225

HSL 289.51, 0.84%, 0.48%

LAB 47.91, 82.27, -64.56

 

Complementary color

CMYK 72 / 0 / 87 / 7

HEX #42EC1E

RGB 66 236 30

HSL 109.51, 0.84%, 0.52%

LAB 82.51, -75.05, 75.75

 

CMYK 12 / 91 / 0 / 14

HEX #C213DC

RGB 194 19 220

HSL 292.24, 0.84%, 0.47%

LAB 48.39, 82.2, -60.89

 

CMYK 12 / 85 / 0 / 6

HEX #D325EF

RGB 211 37 239

HSL 291.68, 0.86%, 0.54%

LAB 53.39, 85.06, -63.44

 

CMYK 11 / 78 / 0 / 0

HEX #E437FF

RGB 228 55 255

HSL 291.9, 1%, 0.61%

LAB 58.46, 86.45, -64.07

 

CMYK 4 / 71 / 0 / 0

HEX #F549FF

RGB 245 73 255

HSL 296.7, 1%, 0.64%

LAB 62.84, 84.48, -56.91

 

CMYK 0 / 64 / 0 / 0

HEX #FF5BFF

RGB 255 91 255

HSL 300, 1%, 0.68%

LAB 66.49, 80.46, -51.02

 

CMYK 16 / 92 / 0 / 12

HEX #BD13E1

RGB 189 19 225

HSL 289.51, 0.84%, 0.48%

LAB 47.91, 82.27, -64.56

 

CMYK 17 / 100 / 0 / 19

HEX #AC01CE

RGB 172 1 206

HSL 290.05, 0.99%, 0.41%

LAB 43.14, 78.45, -61.52

 

CMYK 17 / 100 / 0 / 27

HEX #9B00BB

RGB 155 0 187

HSL 289.73, 1%, 0.37%

LAB 38.82, 72.94, -57.55

 

CMYK 18 / 100 / 0 / 34

HEX #8A00A8

RGB 138 0 168

HSL 289.29, 1%, 0.33%

LAB 34.46, 67.22, -53.45

 

CMYK 19 / 100 / 0 / 42

HEX #790095

RGB 121 0 149

HSL 288.72, 1%, 0.29%

LAB 30, 61.38, -49.28

 

CMYK 16 / 92 / 0 / 12

HEX #BD13E1

RGB 189 19 225

HSL 289.51, 0.84%, 0.48%

LAB 47.91, 82.27, -64.56

 

CMYK 0 / 92 / 9 / 12

HEX #E113CD

RGB 225 19 205

HSL 305.83, 0.84%, 0.48%

LAB 52.82, 85.12, -44.91

 

CMYK 0 / 92 / 33 / 12

HEX #E11396

RGB 225 19 150

HSL 321.84, 0.84%, 0.48%

LAB 50.31, 78.59, -16.57

 

CMYK 0 / 92 / 58 / 12

HEX #E1135E

RGB 225 19 94

HSL 338.16, 0.84%, 0.48%

LAB 48.61, 74, 15.06

 

CMYK 0 / 92 / 83 / 12

HEX #E11327

RGB 225 19 39

HSL 354.17, 0.84%, 0.48%

LAB 47.78, 71.66, 46.62

 

CMYK 16 / 92 / 0 / 12

HEX #BD13E1

RGB 189 19 225

HSL 289.51, 0.84%, 0.48%

LAB 47.91, 82.27, -64.56

 

CMYK 41 / 92 / 0 / 12

HEX #8513E1

RGB 133 19 225

HSL 273.2, 0.84%, 0.48%

LAB 39.39, 75.04, -78.82

 

CMYK 65 / 92 / 0 / 12

HEX #4E13E1

RGB 78 19 225

HSL 257.18, 0.84%, 0.48%

LAB 32.97, 70.46, -89.65

 

CMYK 90 / 92 / 0 / 12

HEX #1613E1

RGB 22 19 225

HSL 240.87, 0.84%, 0.48%

LAB 29.59, 68.5, -95.36

 

CMYK 92 / 92 / 0 / 12

HEX #1313E1

RGB 19 19 225

HSL 240, 0.84%, 0.48%

LAB 29.51, 68.45, -95.49

 

CMYK 16 / 92 / 0 / 12

HEX #BD13E1

RGB 189 19 225

HSL 289.51, 0.84%, 0.48%

LAB 47.91, 82.27, -64.56

 

CMYK 16 / 92 / 0 / 12

HEX #BD13E1

RGB 189 19 225

HSL 289.51, 0.84%, 0.48%

LAB 47.91, 82.27, -64.56

 

CMYK 14 / 81 / 0 / 20

HEX #B027CD

RGB 176 39 205

HSL 289.52, 0.68%, 0.48%

LAB 45.76, 72.91, -56.68

 

CMYK 12 / 68 / 0 / 27

HEX #A33BB9

RGB 163 59 185

HSL 289.52, 0.52%, 0.48%

LAB 44.83, 59.99, -46.64

 

CMYK 9 / 53 / 0 / 35

HEX #964EA5

RGB 150 78 165

HSL 289.66, 0.36%, 0.48%

LAB 45.15, 43.85, -34.46

 

CMYK 6 / 32 / 0 / 43

HEX #896291

RGB 137 98 145

HSL 289.79, 0.19%, 0.48%

LAB 47.1, 24.38, -19.66

 

CMYK 66 / 92 / 0 / 12

HEX #4D13E1

RGB 77 19 225

HSL 256.89, 0.84%, 0.48%

LAB 32.88, 70.4, -89.8

 

CMYK 41 / 92 / 0 / 12

HEX #8413E1

RGB 132 19 225

HSL 272.91, 0.84%, 0.48%

LAB 39.25, 74.94, -79.05

 

CMYK 17 / 92 / 0 / 12

HEX #BB13E1

RGB 187 19 225

HSL 288.93, 0.84%, 0.48%

LAB 47.58, 81.98, -65.11

 

CMYK 0 / 92 / 8 / 12

HEX #E113D0

RGB 225 19 208

HSL 304.95, 0.84%, 0.48%

LAB 52.98, 85.53, -46.38

 

CMYK 0 / 92 / 32 / 12

HEX #E11399

RGB 225 19 153

HSL 320.97, 0.84%, 0.48%

LAB 50.42, 78.9, -18.19

 

CMYK 16 / 92 / 0 / 42

HEX #7D0C95

RGB 125 12 149

HSL 289.49, 0.85%, 0.32%

LAB 31.33, 60.13, -47.08

 

CMYK 16 / 91 / 0 / 27

HEX #9D10BB

RGB 157 16 187

HSL 289.47, 0.84%, 0.4%

LAB 39.79, 71.36, -55.96

 

CMYK 16 / 92 / 0 / 12

HEX #BD13E1

RGB 189 19 225

HSL 289.51, 0.84%, 0.48%

LAB 47.91, 82.27, -64.56

 

CMYK 14 / 80 / 0 / 7

HEX #CC30ED

RGB 204 48 237

HSL 289.52, 0.84%, 0.56%

LAB 53.02, 81.04, -62.97

 

CMYK 11 / 64 / 0 / 6

HEX #D556F0

RGB 213 86 240

HSL 289.48, 0.84%, 0.64%

LAB 59.06, 70.44, -54.9

 

CMYK 16 / 92 / 0 / 12

HEX #BD13E1

RGB 189 19 225

HSL 289.51, 0.84%, 0.48%

LAB 47.91, 82.27, -64.56

 

CMYK 0 / 90 / 92 / 12

HEX #E11713

RGB 225 23 19

HSL 1.17, 0.84%, 0.48%

LAB 47.84, 70.76, 55.81

 

CMYK 92 / 0 / 53 / 12

HEX #13E169

RGB 19 225 105

HSL 145.05, 0.84%, 0.48%

LAB 79.05, -70.22, 45.78

 

CMYK 16 / 92 / 0 / 12

HEX #BD13E1

RGB 189 19 225

HSL 289.51, 0.84%, 0.48%

LAB 47.91, 82.27, -64.56

 

CMYK 0 / 17 / 92 / 12

HEX #E1BB13

RGB 225 187 19

HSL 48.93, 0.84%, 0.48%

LAB 77.04, -0.27, 76.66

 

CMYK 92 / 0 / 17 / 12

HEX #13E1BB

RGB 19 225 187

HSL 168.93, 0.84%, 0.48%

LAB 80.5, -53.65, 5.93

 

CMYK 16 / 92 / 0 / 12

HEX #BD13E1

RGB 189 19 225

HSL 289.51, 0.84%, 0.48%

LAB 47.91, 82.27, -64.56

 

CMYK 0 / 90 / 92 / 12

HEX #E11713

RGB 225 23 19

HSL 1.17, 0.84%, 0.48%

LAB 47.84, 70.76, 55.81

 

CMYK 75 / 0 / 92 / 12

HEX #39E113

RGB 57 225 19

HSL 108.93, 0.84%, 0.48%

LAB 78.91, -73.52, 74.39

 

CMYK 92 / 2 / 0 / 12

HEX #13DDE1

RGB 19 221 225

HSL 181.17, 0.84%, 0.48%

LAB 80.34, -41.46, -14.51

 

CMYK 16 / 92 / 0 / 12

HEX #BD13E1

RGB 189 19 225

HSL 289.51, 0.84%, 0.48%

LAB 47.91, 82.27, -64.56

 

CMYK 0 / 63 / 92 / 12

HEX #E15413

RGB 225 84 19

HSL 18.93, 0.84%, 0.48%

LAB 54.44, 52.48, 60.2

 

CMYK 75 / 0 / 92 / 12

HEX #39E113

RGB 57 225 19

HSL 108.93, 0.84%, 0.48%

LAB 78.91, -73.52, 74.39

 

CMYK 92 / 29 / 0 / 12

HEX #13A0E1

RGB 19 160 225

HSL 198.93, 0.84%, 0.48%

LAB 62.27, -11.01, -42.29

 

Description

Color code: HEX #BD13E1 | qconv.com Color code: HEX #BD13E1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 19 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 19 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 92 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 92% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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