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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC93F5 it is the complementary color #436C0A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC93F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC93F5 shade: #C193F0, #D2A5FF, #E3B7FF, #F4C9FF and #FFDBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC93F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC93F5 shade: #BC93F5, #AB81E2, #9A6FCF, #895DBC and #784BA9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC93F5 shade: #BC93F5, #D693F5, #F093F5, #F593DE and #F593C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC93F5 shade: #BC93F5, #A293F5 and #9393F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC93F5 shade matches the following richer shades: #BC93F5 and #BA8AFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC93F5 shade: #BC93F5, #BD9DEB, #BFA6E2, #C1B0D8 and #C2B9CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC93F5 shade: #939FF5, #A293F5, #BC93F5, #D693F5 and #F093F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC93F5 shade: #8D48EE, #A46DF1, #BC93F5, #D3B9F8 and #EBDFFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC93F5 shade: #BC93F5, #F593B8 and #93F595

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC93F5 shade: #BC93F5, #F5BC93 and #93F5BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC93F5 shade: #BC93F5, #F593B8, #CCF593 and #93F5CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC93F5 shade: #BC93F5, #F5939B, #CCF593 and #93F5EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 40 / 0 / 4

HEX #BC93F5

RGB 188 147 245

HSL 265.1, 0.83%, 0.77%

LAB 68.13, 34.58, -43.5

 

Complementary color

CMYK 38 / 0 / 91 / 58

HEX #436C0A

RGB 67 108 10

HSL 85.1, 0.83%, 0.23%

LAB 41.12, -29.56, 44.14

 

CMYK 20 / 39 / 0 / 6

HEX #C193F0

RGB 193 147 240

HSL 269.68, 0.76%, 0.76%

LAB 68.38, 34.87, -40.33

 

CMYK 18 / 35 / 0 / 0

HEX #D2A5FF

RGB 210 165 255

HSL 270, 1%, 0.82%

LAB 74.72, 33.27, -38.5

 

CMYK 11 / 28 / 0 / 0

HEX #E3B7FF

RGB 227 183 255

HSL 276.67, 1%, 0.86%

LAB 80.41, 28.66, -29.58

 

CMYK 4 / 21 / 0 / 0

HEX #F4C9FF

RGB 244 201 255

HSL 287.78, 1%, 0.89%

LAB 86.12, 24.41, -20.74

 

CMYK 0 / 14 / 0 / 0

HEX #FFDBFF

RGB 255 219 255

HSL 300, 1%, 0.93%

LAB 91.3, 18.51, -12.86

 

CMYK 23 / 40 / 0 / 4

HEX #BC93F5

RGB 188 147 245

HSL 265.1, 0.83%, 0.77%

LAB 68.13, 34.58, -43.5

 

CMYK 24 / 43 / 0 / 11

HEX #AB81E2

RGB 171 129 226

HSL 265.98, 0.63%, 0.7%

LAB 61.52, 35.39, -43.51

 

CMYK 26 / 46 / 0 / 19

HEX #9A6FCF

RGB 154 111 207

HSL 266.88, 0.5%, 0.62%

LAB 54.81, 36.26, -43.53

 

CMYK 27 / 51 / 0 / 26

HEX #895DBC

RGB 137 93 188

HSL 267.79, 0.41%, 0.55%

LAB 47.98, 37.19, -43.57

 

CMYK 29 / 56 / 0 / 34

HEX #784BA9

RGB 120 75 169

HSL 268.72, 0.39%, 0.48%

LAB 41.04, 38.17, -43.58

 

CMYK 23 / 40 / 0 / 4

HEX #BC93F5

RGB 188 147 245

HSL 265.1, 0.83%, 0.77%

LAB 68.13, 34.58, -43.5

 

CMYK 13 / 40 / 0 / 4

HEX #D693F5

RGB 214 147 245

HSL 281.02, 0.83%, 0.77%

LAB 70.7, 42.04, -39.29

 

CMYK 2 / 40 / 0 / 4

HEX #F093F5

RGB 240 147 245

HSL 296.94, 0.83%, 0.77%

LAB 73.54, 49.67, -34.67

 

CMYK 0 / 40 / 9 / 4

HEX #F593DE

RGB 245 147 222

HSL 314.08, 0.83%, 0.77%

LAB 73.26, 47.21, -22.48

 

CMYK 0 / 40 / 20 / 4

HEX #F593C4

RGB 245 147 196

HSL 330, 0.83%, 0.77%

LAB 72.41, 43.17, -9.43

 

CMYK 23 / 40 / 0 / 4

HEX #BC93F5

RGB 188 147 245

HSL 265.1, 0.83%, 0.77%

LAB 68.13, 34.58, -43.5

 

CMYK 34 / 40 / 0 / 4

HEX #A293F5

RGB 162 147 245

HSL 249.18, 0.83%, 0.77%

LAB 65.86, 27.44, -47.23

 

CMYK 40 / 40 / 0 / 4

HEX #9393F5

RGB 147 147 245

HSL 240, 0.83%, 0.77%

LAB 64.69, 23.56, -49.15

 

CMYK 23 / 40 / 0 / 4

HEX #BC93F5

RGB 188 147 245

HSL 265.1, 0.83%, 0.77%

LAB 68.13, 34.58, -43.5

 

CMYK 27 / 46 / 0 / 0

HEX #BA8AFE

RGB 186 138 254

HSL 264.83, 0.98%, 0.77%

LAB 66.35, 41.09, -51.25

 

CMYK 23 / 40 / 0 / 4

HEX #BC93F5

RGB 188 147 245

HSL 265.1, 0.83%, 0.77%

LAB 68.13, 34.58, -43.5

 

CMYK 20 / 33 / 0 / 8

HEX #BD9DEB

RGB 189 157 235

HSL 264.62, 0.66%, 0.77%

LAB 70.13, 27.04, -34.91

 

CMYK 15 / 27 / 0 / 11

HEX #BFA6E2

RGB 191 166 226

HSL 265, 0.51%, 0.77%

LAB 72.12, 20.67, -26.9

 

CMYK 11 / 19 / 0 / 15

HEX #C1B0D8

RGB 193 176 216

HSL 265.5, 0.34%, 0.77%

LAB 74.41, 13.69, -17.94

 

CMYK 6 / 11 / 0 / 19

HEX #C2B9CF

RGB 194 185 207

HSL 264.55, 0.19%, 0.77%

LAB 76.48, 7.31, -9.93

 

CMYK 40 / 35 / 0 / 4

HEX #939FF5

RGB 147 159 245

HSL 232.65, 0.83%, 0.77%

LAB 67.72, 16.66, -44.38

 

CMYK 34 / 40 / 0 / 4

HEX #A293F5

RGB 162 147 245

HSL 249.18, 0.83%, 0.77%

LAB 65.86, 27.44, -47.23

 

CMYK 23 / 40 / 0 / 4

HEX #BC93F5

RGB 188 147 245

HSL 265.1, 0.83%, 0.77%

LAB 68.13, 34.58, -43.5

 

CMYK 13 / 40 / 0 / 4

HEX #D693F5

RGB 214 147 245

HSL 281.02, 0.83%, 0.77%

LAB 70.7, 42.04, -39.29

 

CMYK 2 / 40 / 0 / 4

HEX #F093F5

RGB 240 147 245

HSL 296.94, 0.83%, 0.77%

LAB 73.54, 49.67, -34.67

 

CMYK 41 / 70 / 0 / 7

HEX #8D48EE

RGB 141 72 238

HSL 264.94, 0.83%, 0.61%

LAB 47.59, 61.5, -72.74

 

CMYK 32 / 55 / 0 / 5

HEX #A46DF1

RGB 164 109 241

HSL 265, 0.83%, 0.69%

LAB 57.25, 48.21, -58.68

 

CMYK 23 / 40 / 0 / 4

HEX #BC93F5

RGB 188 147 245

HSL 265.1, 0.83%, 0.77%

LAB 68.13, 34.58, -43.5

 

CMYK 15 / 25 / 0 / 3

HEX #D3B9F8

RGB 211 185 248

HSL 264.76, 0.82%, 0.85%

LAB 79.23, 21.19, -27.77

 

CMYK 7 / 12 / 0 / 1

HEX #EBDFFC

RGB 235 223 252

HSL 264.83, 0.83%, 0.93%

LAB 90.54, 9.35, -12.6

 

CMYK 23 / 40 / 0 / 4

HEX #BC93F5

RGB 188 147 245

HSL 265.1, 0.83%, 0.77%

LAB 68.13, 34.58, -43.5

 

CMYK 0 / 40 / 25 / 4

HEX #F593B8

RGB 245 147 184

HSL 337.35, 0.83%, 0.77%

LAB 72.05, 41.46, -3.3

 

CMYK 40 / 0 / 39 / 4

HEX #93F595

RGB 147 245 149

HSL 121.22, 0.83%, 0.77%

LAB 88.77, -47.67, 37.38

 

CMYK 23 / 40 / 0 / 4

HEX #BC93F5

RGB 188 147 245

HSL 265.1, 0.83%, 0.77%

LAB 68.13, 34.58, -43.5

 

CMYK 0 / 23 / 40 / 4

HEX #F5BC93

RGB 245 188 147

HSL 25.1, 0.83%, 0.77%

LAB 80.45, 15.32, 28.66

 

CMYK 40 / 0 / 23 / 4

HEX #93F5BC

RGB 147 245 188

HSL 145.1, 0.83%, 0.77%

LAB 89.46, -41.05, 18.54

 

CMYK 23 / 40 / 0 / 4

HEX #BC93F5

RGB 188 147 245

HSL 265.1, 0.83%, 0.77%

LAB 68.13, 34.58, -43.5

 

CMYK 0 / 40 / 25 / 4

HEX #F593B8

RGB 245 147 184

HSL 337.35, 0.83%, 0.77%

LAB 72.05, 41.46, -3.3

 

CMYK 17 / 0 / 40 / 4

HEX #CCF593

RGB 204 245 147

HSL 85.1, 0.83%, 0.77%

LAB 91.8, -29.1, 42.88

 

CMYK 40 / 0 / 16 / 4

HEX #93F5CF

RGB 147 245 207

HSL 156.73, 0.83%, 0.77%

LAB 89.87, -37.28, 9.29

 

CMYK 23 / 40 / 0 / 4

HEX #BC93F5

RGB 188 147 245

HSL 265.1, 0.83%, 0.77%

LAB 68.13, 34.58, -43.5

 

CMYK 0 / 40 / 37 / 4

HEX #F5939B

RGB 245 147 155

HSL 355.1, 0.83%, 0.77%

LAB 71.31, 37.78, 11.74

 

CMYK 17 / 0 / 40 / 4

HEX #CCF593

RGB 204 245 147

HSL 85.1, 0.83%, 0.77%

LAB 91.8, -29.1, 42.88

 

CMYK 40 / 0 / 4 / 4

HEX #93F5EC

RGB 147 245 236

HSL 174.49, 0.83%, 0.77%

LAB 90.58, -30.9, -4.75

 

Description

Color code: HEX #BC93F5 | qconv.com Color code: HEX #BC93F5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 147 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 147 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 40 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 40% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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