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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC94E7 it is the complementary color #436B18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC94E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC94E7 shade: #C194E2, #D2A6F5, #E3B8FF, #F4CAFF and #FFDCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC94E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC94E7 shade: #BC94E7, #AB82D4, #9A70C1, #895EAE and #784C9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC94E7 shade: #BB92E6, #D192E6, #E692E4, #E692CE and #E692B7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC94E7 shade: #BB92E6, #A492E6 and #9292E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC94E7 shade matches the following richer shades: #BB92E6, #BA88F1 and #BA7DFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC94E7 shade: #BB92E6, #BB9DDB, #BBA8D1, #BCB3C6 and #BCBDBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC94E7 shade: #9298E6, #A392E6, #B992E6, #D092E6 and #E692E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC94E7 shade: #914FD7, #A671DE, #BB92E6, #D0B4EE and #E5D6F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC94E7 shade: #BC94E7, #E692AE and #92E698

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC94E7 shade: #BC94E7, #E6B992 and #92E6B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC94E7 shade: #BC94E7, #E692AE, #BFE692 and #92E6CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC94E7 shade: #BC94E7, #E69295, #BFE692 and #92E6E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 36 / 0 / 9

HEX #BC94E7

RGB 188 148 231

HSL 268.92, 0.63%, 0.74%

LAB 67.75, 30.85, -36.41

 

Complementary color

CMYK 37 / 0 / 78 / 58

HEX #436B18

RGB 67 107 24

HSL 88.92, 0.63%, 0.26%

LAB 40.86, -28.37, 39.5

 

CMYK 15 / 35 / 0 / 11

HEX #C194E2

RGB 193 148 226

HSL 274.62, 0.57%, 0.73%

LAB 68.03, 31.26, -33.19

 

CMYK 14 / 32 / 0 / 4

HEX #D2A6F5

RGB 210 166 245

HSL 273.42, 0.8%, 0.81%

LAB 74.55, 30.59, -33.35

 

CMYK 11 / 28 / 0 / 0

HEX #E3B8FF

RGB 227 184 255

HSL 276.34, 1%, 0.86%

LAB 80.65, 28.12, -29.22

 

CMYK 4 / 21 / 0 / 0

HEX #F4CAFF

RGB 244 202 255

HSL 287.55, 1%, 0.9%

LAB 86.35, 23.88, -20.39

 

CMYK 0 / 14 / 0 / 0

HEX #FFDCFF

RGB 255 220 255

HSL 300, 1%, 0.93%

LAB 91.53, 17.99, -12.51

 

CMYK 19 / 36 / 0 / 9

HEX #BC94E7

RGB 188 148 231

HSL 268.92, 0.63%, 0.74%

LAB 67.75, 30.85, -36.41

 

CMYK 19 / 39 / 0 / 17

HEX #AB82D4

RGB 171 130 212

HSL 270, 0.49%, 0.67%

LAB 61.11, 31.58, -36.33

 

CMYK 20 / 42 / 0 / 24

HEX #9A70C1

RGB 154 112 193

HSL 271.11, 0.4%, 0.6%

LAB 54.35, 32.38, -36.27

 

CMYK 21 / 46 / 0 / 32

HEX #895EAE

RGB 137 94 174

HSL 272.25, 0.33%, 0.53%

LAB 47.47, 33.23, -36.22

 

CMYK 23 / 51 / 0 / 39

HEX #784C9B

RGB 120 76 155

HSL 273.42, 0.34%, 0.45%

LAB 40.46, 34.14, -36.16

 

CMYK 19 / 37 / 0 / 10

HEX #BB92E6

RGB 187 146 230

HSL 269.29, 0.63%, 0.74%

LAB 67.15, 31.44, -36.8

 

CMYK 9 / 37 / 0 / 10

HEX #D192E6

RGB 209 146 230

HSL 285, 0.63%, 0.74%

LAB 69.35, 38.05, -33.23

 

CMYK 0 / 37 / 1 / 10

HEX #E692E4

RGB 230 146 228

HSL 301.43, 0.63%, 0.74%

LAB 71.54, 44.1, -28.55

 

CMYK 0 / 37 / 10 / 10

HEX #E692CE

RGB 230 146 206

HSL 317.14, 0.63%, 0.74%

LAB 70.76, 40.29, -17.62

 

CMYK 0 / 37 / 20 / 10

HEX #E692B7

RGB 230 146 183

HSL 333.57, 0.63%, 0.74%

LAB 70.04, 36.67, -5.93

 

CMYK 19 / 37 / 0 / 10

HEX #BB92E6

RGB 187 146 230

HSL 269.29, 0.63%, 0.74%

LAB 67.15, 31.44, -36.8

 

CMYK 29 / 37 / 0 / 10

HEX #A492E6

RGB 164 146 230

HSL 252.86, 0.63%, 0.74%

LAB 65.09, 24.76, -40.17

 

CMYK 37 / 37 / 0 / 10

HEX #9292E6

RGB 146 146 230

HSL 240, 0.63%, 0.74%

LAB 63.66, 19.8, -42.52

 

CMYK 19 / 37 / 0 / 10

HEX #BB92E6

RGB 187 146 230

HSL 269.29, 0.63%, 0.74%

LAB 67.15, 31.44, -36.8

 

CMYK 23 / 44 / 0 / 5

HEX #BA88F1

RGB 186 136 241

HSL 268.57, 0.79%, 0.74%

LAB 65.28, 39.16, -45.8

 

CMYK 26 / 50 / 0 / 2

HEX #BA7DFB

RGB 186 125 251

HSL 269.05, 0.94%, 0.74%

LAB 63.4, 47.44, -54.27

 

CMYK 19 / 37 / 0 / 10

HEX #BB92E6

RGB 187 146 230

HSL 269.29, 0.63%, 0.74%

LAB 67.15, 31.44, -36.8

 

CMYK 15 / 28 / 0 / 14

HEX #BB9DDB

RGB 187 157 219

HSL 269.03, 0.46%, 0.74%

LAB 69.32, 22.9, -27.38

 

CMYK 11 / 20 / 0 / 18

HEX #BBA8D1

RGB 187 168 209

HSL 267.8, 0.31%, 0.74%

LAB 71.67, 14.68, -18.3

 

CMYK 5 / 10 / 0 / 22

HEX #BCB3C6

RGB 188 179 198

HSL 268.42, 0.14%, 0.74%

LAB 74.2, 6.76, -8.48

 

CMYK 1 / 0 / 1 / 26

HEX #BCBDBB

RGB 188 189 187

HSL 90, 0.01%, 0.74%

LAB 76.48, -0.71, 0.88

 

CMYK 37 / 34 / 0 / 10

HEX #9298E6

RGB 146 152 230

HSL 235.71, 0.63%, 0.74%

LAB 65.18, 16.35, -40.13

 

CMYK 29 / 37 / 0 / 10

HEX #A392E6

RGB 163 146 230

HSL 252.14, 0.63%, 0.74%

LAB 65.01, 24.48, -40.31

 

CMYK 20 / 37 / 0 / 10

HEX #B992E6

RGB 185 146 230

HSL 267.86, 0.63%, 0.74%

LAB 66.96, 30.84, -37.11

 

CMYK 10 / 37 / 0 / 10

HEX #D092E6

RGB 208 146 230

HSL 284.29, 0.63%, 0.74%

LAB 69.24, 37.75, -33.39

 

CMYK 0 / 37 / 0 / 10

HEX #E692E6

RGB 230 146 230

HSL 300, 0.63%, 0.74%

LAB 71.62, 44.46, -29.53

 

CMYK 33 / 63 / 0 / 16

HEX #914FD7

RGB 145 79 215

HSL 269.12, 0.63%, 0.58%

LAB 47.65, 53.28, -59.58

 

CMYK 25 / 49 / 0 / 13

HEX #A671DE

RGB 166 113 222

HSL 269.17, 0.62%, 0.66%

LAB 57.26, 41.97, -48.04

 

CMYK 19 / 37 / 0 / 10

HEX #BB92E6

RGB 187 146 230

HSL 269.29, 0.63%, 0.74%

LAB 67.15, 31.44, -36.8

 

CMYK 13 / 24 / 0 / 7

HEX #D0B4EE

RGB 208 180 238

HSL 268.97, 0.63%, 0.82%

LAB 77.42, 20.88, -25.18

 

CMYK 7 / 13 / 0 / 4

HEX #E5D6F5

RGB 229 214 245

HSL 269.03, 0.61%, 0.9%

LAB 87.65, 10.79, -13.28

 

CMYK 19 / 36 / 0 / 9

HEX #BC94E7

RGB 188 148 231

HSL 268.92, 0.63%, 0.74%

LAB 67.75, 30.85, -36.41

 

CMYK 0 / 37 / 24 / 10

HEX #E692AE

RGB 230 146 174

HSL 340, 0.63%, 0.74%

LAB 69.78, 35.37, -1.28

 

CMYK 37 / 0 / 34 / 10

HEX #92E698

RGB 146 230 152

HSL 124.29, 0.63%, 0.74%

LAB 84.47, -41.01, 30.18

 

CMYK 19 / 36 / 0 / 9

HEX #BC94E7

RGB 188 148 231

HSL 268.92, 0.63%, 0.74%

LAB 67.75, 30.85, -36.41

 

CMYK 0 / 20 / 37 / 10

HEX #E6B992

RGB 230 185 146

HSL 27.86, 0.63%, 0.74%

LAB 78.23, 10.94, 25.94

 

CMYK 37 / 0 / 20 / 10

HEX #92E6B9

RGB 146 230 185

HSL 147.86, 0.63%, 0.74%

LAB 85.1, -35.12, 13.98

 

CMYK 19 / 36 / 0 / 9

HEX #BC94E7

RGB 188 148 231

HSL 268.92, 0.63%, 0.74%

LAB 67.75, 30.85, -36.41

 

CMYK 0 / 37 / 24 / 10

HEX #E692AE

RGB 230 146 174

HSL 340, 0.63%, 0.74%

LAB 69.78, 35.37, -1.28

 

CMYK 17 / 0 / 37 / 10

HEX #BFE692

RGB 191 230 146

HSL 87.86, 0.63%, 0.74%

LAB 86.87, -26.83, 36.85

 

CMYK 37 / 0 / 12 / 10

HEX #92E6CA

RGB 146 230 202

HSL 160, 0.63%, 0.74%

LAB 85.49, -31.65, 5.61

 

CMYK 19 / 36 / 0 / 9

HEX #BC94E7

RGB 188 148 231

HSL 268.92, 0.63%, 0.74%

LAB 67.75, 30.85, -36.41

 

CMYK 0 / 37 / 35 / 10

HEX #E69295

RGB 230 146 149

HSL 357.86, 0.63%, 0.74%

LAB 69.15, 32.08, 11.76

 

CMYK 17 / 0 / 37 / 10

HEX #BFE692

RGB 191 230 146

HSL 87.86, 0.63%, 0.74%

LAB 86.87, -26.83, 36.85

 

CMYK 37 / 0 / 1 / 10

HEX #92E6E3

RGB 146 230 227

HSL 177.86, 0.63%, 0.74%

LAB 86.13, -26.07, -6.61

 

Description

Color code: HEX #BC94E7 | qconv.com Color code: HEX #BC94E7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 148 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 148 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 36 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 36% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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