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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC8186 it is the complementary color #437E79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC8186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC8186 shade: #C18181, #D29394, #E3A5A7, #F4B7BA and #FFC9CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC8186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC8186 shade: #BC8186, #AB6F73, #9A5D60, #894B4D and #78393A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC8186 shade: #BC8085 and #BC8080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC8186 shade: #BC8085, #BC8095, #BC80A5, #BC80B5 and #B280BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC8186 shade matches the following richer shades: #BC8085, #CB7078, #DB606B, #EB515E and #FA4151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC8186 shade: #BC8085, #AC8F92, #9C9F9F, #8DAFAC and #7DBEB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC8186 shade: #BC80A6, #BC8096, #BC8086, #BC8A80 and #BC9A80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC8186 shade: #995056, #AD656B, #BC8085, #CA9B9F and #D8B6B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC8186 shade: #BC8186, #B6BC80 and #809EBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC8186 shade: #BC8186, #86BC80 and #8086BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC8186 shade: #BC8186, #B6BC80, #80BCB6 and #8680BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC8186 shade: #BC8186, #A4BC80, #80BCB6 and #9880BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 29 / 26

HEX #BC8186

RGB 188 129 134

HSL 354.92, 0.31%, 0.62%

LAB 59.99, 23.49, 6.55

 

Complementary color

CMYK 47 / 0 / 4 / 51

HEX #437E79

RGB 67 126 121

HSL 174.92, 0.31%, 0.38%

LAB 48.88, -20.54, -3.27

 

CMYK 0 / 33 / 33 / 24

HEX #C18181

RGB 193 129 129

HSL 0, 0.34%, 0.63%

LAB 60.45, 24.74, 10.14

 

CMYK 0 / 30 / 30 / 18

HEX #D29394

RGB 210 147 148

HSL 359.05, 0.41%, 0.7%

LAB 67.06, 23.91, 9.04

 

CMYK 0 / 27 / 26 / 11

HEX #E3A5A7

RGB 227 165 167

HSL 358.06, 0.53%, 0.77%

LAB 73.57, 23.16, 8.03

 

CMYK 0 / 25 / 24 / 4

HEX #F4B7BA

RGB 244 183 186

HSL 357.05, 0.73%, 0.84%

LAB 79.98, 22.49, 7.11

 

CMYK 0 / 21 / 20 / 0

HEX #FFC9CD

RGB 255 201 205

HSL 355.56, 1%, 0.89%

LAB 85.73, 19.72, 5.35

 

CMYK 0 / 31 / 29 / 26

HEX #BC8186

RGB 188 129 134

HSL 354.92, 0.31%, 0.62%

LAB 59.99, 23.49, 6.55

 

CMYK 0 / 35 / 33 / 33

HEX #AB6F73

RGB 171 111 115

HSL 356, 0.26%, 0.55%

LAB 53.24, 24.35, 7.66

 

CMYK 0 / 40 / 38 / 40

HEX #9A5D60

RGB 154 93 96

HSL 357.05, 0.25%, 0.48%

LAB 46.37, 25.31, 8.93

 

CMYK 0 / 45 / 44 / 46

HEX #894B4D

RGB 137 75 77

HSL 358.06, 0.29%, 0.42%

LAB 39.39, 26.39, 10.44

 

CMYK 0 / 53 / 52 / 53

HEX #78393A

RGB 120 57 58

HSL 359.05, 0.36%, 0.35%

LAB 32.31, 27.58, 12.3

 

CMYK 0 / 32 / 29 / 26

HEX #BC8085

RGB 188 128 133

HSL 355, 0.31%, 0.62%

LAB 59.73, 23.91, 6.75

 

CMYK 0 / 32 / 32 / 26

HEX #BC8080

RGB 188 128 128

HSL 0, 0.31%, 0.62%

LAB 59.61, 23.23, 9.44

 

CMYK 0 / 32 / 29 / 26

HEX #BC8085

RGB 188 128 133

HSL 355, 0.31%, 0.62%

LAB 59.73, 23.91, 6.75

 

CMYK 0 / 32 / 21 / 26

HEX #BC8095

RGB 188 128 149

HSL 339, 0.31%, 0.62%

LAB 60.16, 26.26, -1.82

 

CMYK 0 / 32 / 12 / 26

HEX #BC80A5

RGB 188 128 165

HSL 323, 0.31%, 0.62%

LAB 60.65, 28.86, -10.26

 

CMYK 0 / 32 / 4 / 26

HEX #BC80B5

RGB 188 128 181

HSL 307, 0.31%, 0.62%

LAB 61.19, 31.7, -18.56

 

CMYK 5 / 32 / 0 / 26

HEX #B280BC

RGB 178 128 188

HSL 290, 0.31%, 0.62%

LAB 60.37, 29.74, -23.89

 

CMYK 0 / 32 / 29 / 26

HEX #BC8085

RGB 188 128 133

HSL 355, 0.31%, 0.62%

LAB 59.73, 23.91, 6.75

 

CMYK 0 / 45 / 41 / 20

HEX #CB7078

RGB 203 112 120

HSL 354.73, 0.47%, 0.62%

LAB 57.69, 36.63, 11.62

 

CMYK 0 / 56 / 51 / 14

HEX #DB606B

RGB 219 96 107

HSL 354.63, 0.63%, 0.62%

LAB 56.57, 49.12, 17.99

 

CMYK 0 / 66 / 60 / 8

HEX #EB515E

RGB 235 81 94

HSL 354.94, 0.79%, 0.62%

LAB 56.44, 60.01, 25.86

 

CMYK 0 / 74 / 68 / 2

HEX #FA4151

RGB 250 65 81

HSL 354.81, 0.95%, 0.62%

LAB 56.78, 69.53, 34.37

 

CMYK 0 / 32 / 29 / 26

HEX #BC8085

RGB 188 128 133

HSL 355, 0.31%, 0.62%

LAB 59.73, 23.91, 6.75

 

CMYK 0 / 17 / 15 / 33

HEX #AC8F92

RGB 172 143 146

HSL 353.79, 0.15%, 0.62%

LAB 62.08, 11.39, 2.49

 

CMYK 2 / 0 / 0 / 38

HEX #9C9F9F

RGB 156 159 159

HSL 180, 0.02%, 0.62%

LAB 65.25, -1.07, -0.38

 

CMYK 19 / 0 / 2 / 31

HEX #8DAFAC

RGB 141 175 172

HSL 174.71, 0.18%, 0.62%

LAB 68.97, -12.14, -2.3

 

CMYK 34 / 0 / 3 / 25

HEX #7DBEB9

RGB 125 190 185

HSL 175.38, 0.33%, 0.62%

LAB 72.69, -21.76, -4.07

 

CMYK 0 / 32 / 12 / 26

HEX #BC80A6

RGB 188 128 166

HSL 322, 0.31%, 0.62%

LAB 60.68, 29.03, -10.78

 

CMYK 0 / 32 / 20 / 26

HEX #BC8096

RGB 188 128 150

HSL 338, 0.31%, 0.62%

LAB 60.19, 26.41, -2.35

 

CMYK 0 / 32 / 29 / 26

HEX #BC8086

RGB 188 128 134

HSL 354, 0.31%, 0.62%

LAB 59.75, 24.05, 6.21

 

CMYK 0 / 27 / 32 / 26

HEX #BC8A80

RGB 188 138 128

HSL 10, 0.31%, 0.62%

LAB 62.02, 17.68, 12.84

 

CMYK 0 / 18 / 32 / 26

HEX #BC9A80

RGB 188 154 128

HSL 26, 0.31%, 0.62%

LAB 66.03, 8.83, 18.41

 

CMYK 0 / 48 / 44 / 40

HEX #995056

RGB 153 80 86

HSL 355.07, 0.31%, 0.46%

LAB 43.04, 30.99, 10.31

 

CMYK 0 / 42 / 38 / 32

HEX #AD656B

RGB 173 101 107

HSL 355, 0.31%, 0.54%

LAB 50.98, 29.67, 9.22

 

CMYK 0 / 32 / 29 / 26

HEX #BC8085

RGB 188 128 133

HSL 355, 0.31%, 0.62%

LAB 59.73, 23.91, 6.75

 

CMYK 0 / 23 / 21 / 21

HEX #CA9B9F

RGB 202 155 159

HSL 354.89, 0.31%, 0.7%

LAB 68.39, 18.11, 4.69

 

CMYK 0 / 16 / 14 / 15

HEX #D8B6B9

RGB 216 182 185

HSL 354.71, 0.3%, 0.78%

LAB 77.02, 12.68, 3.03

 

CMYK 0 / 31 / 29 / 26

HEX #BC8186

RGB 188 129 134

HSL 354.92, 0.31%, 0.62%

LAB 59.99, 23.49, 6.55

 

CMYK 3 / 0 / 32 / 26

HEX #B6BC80

RGB 182 188 128

HSL 66, 0.31%, 0.62%

LAB 74.49, -11.73, 29.73

 

CMYK 32 / 16 / 0 / 26

HEX #809EBC

RGB 128 158 188

HSL 210, 0.31%, 0.62%

LAB 63.9, -3.17, -18.87

 

CMYK 0 / 31 / 29 / 26

HEX #BC8186

RGB 188 129 134

HSL 354.92, 0.31%, 0.62%

LAB 59.99, 23.49, 6.55

 

CMYK 29 / 0 / 32 / 26

HEX #86BC80

RGB 134 188 128

HSL 114, 0.31%, 0.62%

LAB 71.28, -29.41, 24.87

 

CMYK 32 / 29 / 0 / 26

HEX #8086BC

RGB 128 134 188

HSL 234, 0.31%, 0.62%

LAB 57.34, 10.55, -28.94

 

CMYK 0 / 31 / 29 / 26

HEX #BC8186

RGB 188 129 134

HSL 354.92, 0.31%, 0.62%

LAB 59.99, 23.49, 6.55

 

CMYK 3 / 0 / 32 / 26

HEX #B6BC80

RGB 182 188 128

HSL 66, 0.31%, 0.62%

LAB 74.49, -11.73, 29.73

 

CMYK 32 / 0 / 3 / 26

HEX #80BCB6

RGB 128 188 182

HSL 174, 0.31%, 0.62%

LAB 72.18, -20.6, -3.15

 

CMYK 29 / 32 / 0 / 26

HEX #8680BC

RGB 134 128 188

HSL 246, 0.31%, 0.62%

LAB 56.23, 15.85, -30.63

 

CMYK 0 / 31 / 29 / 26

HEX #BC8186

RGB 188 129 134

HSL 354.92, 0.31%, 0.62%

LAB 59.99, 23.49, 6.55

 

CMYK 13 / 0 / 32 / 26

HEX #A4BC80

RGB 164 188 128

HSL 84, 0.31%, 0.62%

LAB 73.17, -18.63, 27.73

 

CMYK 32 / 0 / 3 / 26

HEX #80BCB6

RGB 128 188 182

HSL 174, 0.31%, 0.62%

LAB 72.18, -20.6, -3.15

 

CMYK 19 / 32 / 0 / 26

HEX #9880BC

RGB 152 128 188

HSL 264, 0.31%, 0.62%

LAB 57.79, 21.39, -28.07

 

Description

Color code: HEX #BC8186 | qconv.com Color code: HEX #BC8186 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 129 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 129 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 29 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 29% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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