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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC70AA it is the complementary color #438F55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC70AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC70AA shade: #C170A5, #D282B8, #E394CB, #F4A6DE and #FFB8F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC70AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC70AA shade: #BC70AA, #AB5E97, #9A4C84, #893A71 and #78285E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC70AA shade: #BC70AA, #BC7095, #BC7081 and #BC7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC70AA shade: #BC70AA, #B970BC, #A570BC, #9170BC and #7C70BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC70AA shade matches the following richer shades: #BC70AA, #CD5FB3, #DD4EBC and #EE3EC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC70AA shade: #BC70AA, #AB81A1, #9A9298, #89A38F and #78B486

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC70AA shade: #A570BC, #B970BC, #BC70AA, #BC7096 and #BC7082

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC70AA shade: #944581, #AE5499, #BC70AA, #C98CBA and #D6A8CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC70AA shade: #BC70AA, #BC9170 and #70BCAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC70AA shade: #BC70AA, #AABC70 and #70AABC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC70AA shade: #BC70AA, #BC9170, #70BC82 and #709BBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC70AA shade: #BC70AA, #BCA870, #70BC82 and #7084BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 10 / 26

HEX #BC70AA

RGB 188 112 170

HSL 314.21, 0.36%, 0.59%

LAB 57.25, 38.46, -18.26

 

Complementary color

CMYK 53 / 0 / 41 / 44

HEX #438F55

RGB 67 143 85

HSL 134.21, 0.36%, 0.41%

LAB 53.49, -36.86, 23.87

 

CMYK 0 / 42 / 15 / 24

HEX #C170A5

RGB 193 112 165

HSL 320.74, 0.4%, 0.6%

LAB 57.7, 39.28, -14.64

 

CMYK 0 / 38 / 12 / 18

HEX #D282B8

RGB 210 130 184

HSL 319.5, 0.47%, 0.67%

LAB 64.26, 38.5, -15.36

 

CMYK 0 / 35 / 11 / 11

HEX #E394CB

RGB 227 148 203

HSL 318.23, 0.59%, 0.74%

LAB 70.75, 37.75, -16

 

CMYK 0 / 32 / 9 / 4

HEX #F4A6DE

RGB 244 166 222

HSL 316.92, 0.78%, 0.8%

LAB 77.15, 37.04, -16.59

 

CMYK 0 / 28 / 5 / 0

HEX #FFB8F1

RGB 255 184 241

HSL 311.83, 1%, 0.86%

LAB 82.86, 34.41, -18.12

 

CMYK 0 / 40 / 10 / 26

HEX #BC70AA

RGB 188 112 170

HSL 314.21, 0.36%, 0.59%

LAB 57.25, 38.46, -18.26

 

CMYK 0 / 45 / 12 / 33

HEX #AB5E97

RGB 171 94 151

HSL 315.58, 0.31%, 0.52%

LAB 50.57, 39.23, -17.55

 

CMYK 0 / 51 / 14 / 40

HEX #9A4C84

RGB 154 76 132

HSL 316.92, 0.34%, 0.45%

LAB 43.81, 39.98, -16.71

 

CMYK 0 / 58 / 18 / 46

HEX #893A71

RGB 137 58 113

HSL 318.23, 0.41%, 0.38%

LAB 37, 40.62, -15.65

 

CMYK 0 / 67 / 22 / 53

HEX #78285E

RGB 120 40 94

HSL 319.5, 0.5%, 0.31%

LAB 30.2, 40.95, -14.2

 

CMYK 0 / 40 / 10 / 26

HEX #BC70AA

RGB 188 112 170

HSL 314.21, 0.36%, 0.59%

LAB 57.25, 38.46, -18.26

 

CMYK 0 / 40 / 21 / 26

HEX #BC7095

RGB 188 112 149

HSL 330.79, 0.36%, 0.59%

LAB 56.54, 35.03, -7.17

 

CMYK 0 / 40 / 31 / 26

HEX #BC7081

RGB 188 112 129

HSL 346.58, 0.36%, 0.59%

LAB 55.95, 32.16, 3.63

 

CMYK 0 / 40 / 40 / 26

HEX #BC7070

RGB 188 112 112

HSL 0, 0.36%, 0.59%

LAB 55.53, 30.04, 12.95

 

CMYK 0 / 40 / 10 / 26

HEX #BC70AA

RGB 188 112 170

HSL 314.21, 0.36%, 0.59%

LAB 57.25, 38.46, -18.26

 

CMYK 2 / 40 / 0 / 26

HEX #B970BC

RGB 185 112 188

HSL 297.63, 0.36%, 0.59%

LAB 57.59, 40.76, -28.1

 

CMYK 12 / 40 / 0 / 26

HEX #A570BC

RGB 165 112 188

HSL 281.84, 0.36%, 0.59%

LAB 55.3, 34.58, -31.84

 

CMYK 23 / 40 / 0 / 26

HEX #9170BC

RGB 145 112 188

HSL 266.05, 0.36%, 0.59%

LAB 53.21, 28.52, -35.26

 

CMYK 34 / 40 / 0 / 26

HEX #7C70BC

RGB 124 112 188

HSL 249.47, 0.36%, 0.59%

LAB 51.27, 22.44, -38.44

 

CMYK 0 / 40 / 10 / 26

HEX #BC70AA

RGB 188 112 170

HSL 314.21, 0.36%, 0.59%

LAB 57.25, 38.46, -18.26

 

CMYK 0 / 54 / 13 / 20

HEX #CD5FB3

RGB 205 95 179

HSL 314.18, 0.52%, 0.59%

LAB 56.5, 53.89, -24.4

 

CMYK 0 / 65 / 15 / 13

HEX #DD4EBC

RGB 221 78 188

HSL 313.85, 0.68%, 0.59%

LAB 56.54, 67.03, -29.34

 

CMYK 0 / 74 / 18 / 7

HEX #EE3EC4

RGB 238 62 196

HSL 314.32, 0.84%, 0.59%

LAB 57.66, 77.72, -31.98

 

CMYK 0 / 40 / 10 / 26

HEX #BC70AA

RGB 188 112 170

HSL 314.21, 0.36%, 0.59%

LAB 57.25, 38.46, -18.26

 

CMYK 0 / 25 / 6 / 33

HEX #AB81A1

RGB 171 129 161

HSL 314.29, 0.2%, 0.59%

LAB 58.91, 21.57, -10.76

 

CMYK 0 / 5 / 1 / 40

HEX #9A9298

RGB 154 146 152

HSL 315, 0.04%, 0.59%

LAB 61.39, 4.08, -2.12

 

CMYK 16 / 0 / 12 / 36

HEX #89A38F

RGB 137 163 143

HSL 133.85, 0.12%, 0.59%

LAB 64.56, -13.09, 7.39

 

CMYK 33 / 0 / 26 / 29

HEX #78B486

RGB 120 180 134

HSL 134, 0.29%, 0.59%

LAB 68.28, -29.14, 17.44

 

CMYK 12 / 40 / 0 / 26

HEX #A570BC

RGB 165 112 188

HSL 281.84, 0.36%, 0.59%

LAB 55.3, 34.58, -31.84

 

CMYK 2 / 40 / 0 / 26

HEX #B970BC

RGB 185 112 188

HSL 297.63, 0.36%, 0.59%

LAB 57.59, 40.76, -28.1

 

CMYK 0 / 40 / 10 / 26

HEX #BC70AA

RGB 188 112 170

HSL 314.21, 0.36%, 0.59%

LAB 57.25, 38.46, -18.26

 

CMYK 0 / 40 / 20 / 26

HEX #BC7096

RGB 188 112 150

HSL 330, 0.36%, 0.59%

LAB 56.57, 35.19, -7.71

 

CMYK 0 / 40 / 31 / 26

HEX #BC7082

RGB 188 112 130

HSL 345.79, 0.36%, 0.59%

LAB 55.98, 32.29, 3.09

 

CMYK 0 / 53 / 13 / 42

HEX #944581

RGB 148 69 129

HSL 314.43, 0.36%, 0.43%

LAB 41.43, 41.18, -18.6

 

CMYK 0 / 52 / 12 / 32

HEX #AE5499

RGB 174 84 153

HSL 314, 0.36%, 0.51%

LAB 49.06, 45.72, -21.02

 

CMYK 0 / 40 / 10 / 26

HEX #BC70AA

RGB 188 112 170

HSL 314.21, 0.36%, 0.59%

LAB 57.25, 38.46, -18.26

 

CMYK 0 / 30 / 7 / 21

HEX #C98CBA

RGB 201 140 186

HSL 314.75, 0.36%, 0.67%

LAB 65.53, 30.41, -14.68

 

CMYK 0 / 21 / 5 / 16

HEX #D6A8CB

RGB 214 168 203

HSL 314.35, 0.36%, 0.75%

LAB 73.94, 22.6, -11.35

 

CMYK 0 / 40 / 10 / 26

HEX #BC70AA

RGB 188 112 170

HSL 314.21, 0.36%, 0.59%

LAB 57.25, 38.46, -18.26

 

CMYK 0 / 23 / 40 / 26

HEX #BC9170

RGB 188 145 112

HSL 26.05, 0.36%, 0.59%

LAB 63.44, 11.81, 23.75

 

CMYK 40 / 0 / 7 / 26

HEX #70BCAF

RGB 112 188 175

HSL 169.74, 0.36%, 0.59%

LAB 71.22, -26.65, -0.83

 

CMYK 0 / 40 / 10 / 26

HEX #BC70AA

RGB 188 112 170

HSL 314.21, 0.36%, 0.59%

LAB 57.25, 38.46, -18.26

 

CMYK 10 / 0 / 40 / 26

HEX #AABC70

RGB 170 188 112

HSL 74.21, 0.36%, 0.59%

LAB 73.34, -18.41, 36.37

 

CMYK 40 / 10 / 0 / 26

HEX #70AABC

RGB 112 170 188

HSL 194.21, 0.36%, 0.59%

LAB 66.39, -14.17, -15.19

 

CMYK 0 / 40 / 10 / 26

HEX #BC70AA

RGB 188 112 170

HSL 314.21, 0.36%, 0.59%

LAB 57.25, 38.46, -18.26

 

CMYK 0 / 23 / 40 / 26

HEX #BC9170

RGB 188 145 112

HSL 26.05, 0.36%, 0.59%

LAB 63.44, 11.81, 23.75

 

CMYK 40 / 0 / 31 / 26

HEX #70BC82

RGB 112 188 130

HSL 134.21, 0.36%, 0.59%

LAB 70.19, -36.1, 22.15

 

CMYK 40 / 18 / 0 / 26

HEX #709BBC

RGB 112 155 188

HSL 206.05, 0.36%, 0.59%

LAB 62.1, -6.01, -21.7

 

CMYK 0 / 40 / 10 / 26

HEX #BC70AA

RGB 188 112 170

HSL 314.21, 0.36%, 0.59%

LAB 57.25, 38.46, -18.26

 

CMYK 0 / 11 / 40 / 26

HEX #BCA870

RGB 188 168 112

HSL 44.21, 0.36%, 0.59%

LAB 69.37, -0.73, 31.57

 

CMYK 40 / 0 / 31 / 26

HEX #70BC82

RGB 112 188 130

HSL 134.21, 0.36%, 0.59%

LAB 70.19, -36.1, 22.15

 

CMYK 40 / 30 / 0 / 26

HEX #7084BC

RGB 112 132 188

HSL 224.21, 0.36%, 0.59%

LAB 55.66, 7.18, -31.63

 

Description

Color code: HEX #BC70AA | qconv.com Color code: HEX #BC70AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 112 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 112 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 10 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 10% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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