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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC618C it is the complementary color #439E73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC618C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC618C shade: #C16187, #D2739A, #E385AD, #F497C0 and #FFA9D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC618C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC618C shade: #BC618C, #AB4F79, #9A3D66, #892B53 and #781940

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC618C shade: #BB618C, #BB6174 and #BB6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC618C shade: #BB618C, #BB61A4, #BA61BB, #A261BB and #8A61BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC618C shade matches the following richer shades: #BB618C, #CD4F8B, #DF3D8A and #F22B89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC618C shade: #BB618C, #A9748D, #97868E, #85988F and #73AA90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC618C shade: #BA61BB, #BB61A5, #BB618D, #BB6175 and #BB6661

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC618C shade: #8E3C63, #AB4977, #BB618C, #C87EA1 and #D49BB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC618C shade: #BC618C, #BBA261 and #61B1BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC618C shade: #BC618C, #8DBB61 and #618DBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC618C shade: #BC618C, #BBA261, #61BB90 and #617BBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC618C shade: #BC618C, #BABB61, #61BB90 and #6361BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 26 / 26

HEX #BC618C

RGB 188 97 140

HSL 331.65, 0.4%, 0.56%

LAB 53.1, 41.65, -7.02

 

Complementary color

CMYK 58 / 0 / 27 / 38

HEX #439E73

RGB 67 158 115

HSL 151.65, 0.4%, 0.44%

LAB 58.87, -37.52, 14.49

 

CMYK 0 / 50 / 30 / 24

HEX #C16187

RGB 193 97 135

HSL 336.25, 0.44%, 0.57%

LAB 53.64, 42.67, -3.18

 

CMYK 0 / 45 / 27 / 18

HEX #D2739A

RGB 210 115 154

HSL 335.37, 0.51%, 0.64%

LAB 60.16, 41.83, -4.39

 

CMYK 0 / 41 / 24 / 11

HEX #E385AD

RGB 227 133 173

HSL 334.47, 0.63%, 0.71%

LAB 66.61, 40.99, -5.42

 

CMYK 0 / 38 / 21 / 4

HEX #F497C0

RGB 244 151 192

HSL 333.55, 0.81%, 0.77%

LAB 73.01, 40.19, -6.34

 

CMYK 0 / 34 / 17 / 0

HEX #FFA9D3

RGB 255 169 211

HSL 330.7, 1%, 0.83%

LAB 78.66, 37.39, -8.23

 

CMYK 0 / 48 / 26 / 26

HEX #BC618C

RGB 188 97 140

HSL 331.65, 0.4%, 0.56%

LAB 53.1, 41.65, -7.02

 

CMYK 0 / 54 / 29 / 33

HEX #AB4F79

RGB 171 79 121

HSL 332.61, 0.37%, 0.49%

LAB 46.49, 42.43, -5.75

 

CMYK 0 / 60 / 34 / 40

HEX #9A3D66

RGB 154 61 102

HSL 333.55, 0.43%, 0.42%

LAB 39.86, 43.09, -4.17

 

CMYK 0 / 69 / 39 / 46

HEX #892B53

RGB 137 43 83

HSL 334.47, 0.52%, 0.35%

LAB 33.29, 43.45, -2.12

 

CMYK 0 / 79 / 47 / 53

HEX #781940

RGB 120 25 64

HSL 335.37, 0.66%, 0.28%

LAB 26.9, 43.14, 0.71

 

CMYK 0 / 48 / 25 / 27

HEX #BB618C

RGB 187 97 140

HSL 331.33, 0.4%, 0.56%

LAB 52.96, 41.31, -7.24

 

CMYK 0 / 48 / 38 / 27

HEX #BB6174

RGB 187 97 116

HSL 347.33, 0.4%, 0.56%

LAB 52.26, 38.16, 5.96

 

CMYK 0 / 48 / 48 / 27

HEX #BB6161

RGB 187 97 97

HSL 0, 0.4%, 0.56%

LAB 51.81, 36.09, 16.59

 

CMYK 0 / 48 / 25 / 27

HEX #BB618C

RGB 187 97 140

HSL 331.33, 0.4%, 0.56%

LAB 52.96, 41.31, -7.24

 

CMYK 0 / 48 / 12 / 27

HEX #BB61A4

RGB 187 97 164

HSL 315.33, 0.4%, 0.56%

LAB 53.81, 45, -20.04

 

CMYK 1 / 48 / 0 / 27

HEX #BA61BB

RGB 186 97 187

HSL 299.33, 0.4%, 0.56%

LAB 54.63, 48.71, -32.11

 

CMYK 13 / 48 / 0 / 27

HEX #A261BB

RGB 162 97 187

HSL 283.33, 0.4%, 0.56%

LAB 51.63, 41.75, -37.03

 

CMYK 26 / 48 / 0 / 27

HEX #8A61BB

RGB 138 97 187

HSL 267.33, 0.4%, 0.56%

LAB 48.93, 34.93, -41.46

 

CMYK 0 / 48 / 25 / 27

HEX #BB618C

RGB 187 97 140

HSL 331.33, 0.4%, 0.56%

LAB 52.96, 41.31, -7.24

 

CMYK 0 / 61 / 32 / 20

HEX #CD4F8B

RGB 205 79 139

HSL 331.43, 0.56%, 0.56%

LAB 52.33, 55.61, -7.3

 

CMYK 0 / 73 / 38 / 13

HEX #DF3D8A

RGB 223 61 138

HSL 331.48, 0.72%, 0.56%

LAB 52.8, 67.52, -5.68

 

CMYK 0 / 82 / 43 / 5

HEX #F22B89

RGB 242 43 137

HSL 331.66, 0.88%, 0.56%

LAB 54.46, 77.12, -2.24

 

CMYK 0 / 48 / 25 / 27

HEX #BB618C

RGB 187 97 140

HSL 331.33, 0.4%, 0.56%

LAB 52.96, 41.31, -7.24

 

CMYK 0 / 31 / 17 / 34

HEX #A9748D

RGB 169 116 141

HSL 331.7, 0.24%, 0.56%

LAB 54.92, 24.69, -5.16

 

CMYK 0 / 11 / 6 / 41

HEX #97868E

RGB 151 134 142

HSL 331.76, 0.08%, 0.56%

LAB 57.64, 7.87, -1.94

 

CMYK 13 / 0 / 6 / 40

HEX #85988F

RGB 133 152 143

HSL 151.58, 0.08%, 0.56%

LAB 61.16, -8.58, 2.45

 

CMYK 32 / 0 / 15 / 33

HEX #73AA90

RGB 115 170 144

HSL 151.64, 0.24%, 0.56%

LAB 65.29, -23.81, 7.69

 

CMYK 1 / 48 / 0 / 27

HEX #BA61BB

RGB 186 97 187

HSL 299.33, 0.4%, 0.56%

LAB 54.63, 48.71, -32.11

 

CMYK 0 / 48 / 12 / 27

HEX #BB61A5

RGB 187 97 165

HSL 314.67, 0.4%, 0.56%

LAB 53.85, 45.17, -20.57

 

CMYK 0 / 48 / 25 / 27

HEX #BB618D

RGB 187 97 141

HSL 330.67, 0.4%, 0.56%

LAB 52.99, 41.45, -7.78

 

CMYK 0 / 48 / 37 / 27

HEX #BB6175

RGB 187 97 117

HSL 346.67, 0.4%, 0.56%

LAB 52.28, 38.28, 5.4

 

CMYK 0 / 45 / 48 / 27

HEX #BB6661

RGB 187 102 97

HSL 3.33, 0.4%, 0.56%

LAB 52.87, 33.44, 18.03

 

CMYK 0 / 58 / 30 / 44

HEX #8E3C63

RGB 142 60 99

HSL 331.46, 0.41%, 0.4%

LAB 37.63, 39.17, -5.81

 

CMYK 0 / 57 / 30 / 33

HEX #AB4977

RGB 171 73 119

HSL 331.84, 0.4%, 0.48%

LAB 45.3, 45.13, -6.3

 

CMYK 0 / 48 / 25 / 27

HEX #BB618C

RGB 187 97 140

HSL 331.33, 0.4%, 0.56%

LAB 52.96, 41.31, -7.24

 

CMYK 0 / 37 / 20 / 22

HEX #C87EA1

RGB 200 126 161

HSL 331.62, 0.4%, 0.64%

LAB 61.46, 33.54, -6.61

 

CMYK 0 / 27 / 14 / 17

HEX #D49BB6

RGB 212 155 182

HSL 331.58, 0.4%, 0.72%

LAB 70.05, 25.38, -5.57

 

CMYK 0 / 48 / 26 / 26

HEX #BC618C

RGB 188 97 140

HSL 331.65, 0.4%, 0.56%

LAB 53.1, 41.65, -7.02

 

CMYK 0 / 13 / 48 / 27

HEX #BBA261

RGB 187 162 97

HSL 43.33, 0.4%, 0.56%

LAB 67.48, 0.5, 37.02

 

CMYK 48 / 5 / 0 / 27

HEX #61B1BB

RGB 97 177 187

HSL 186.67, 0.4%, 0.56%

LAB 67.71, -21.8, -12.71

 

CMYK 0 / 48 / 26 / 26

HEX #BC618C

RGB 188 97 140

HSL 331.65, 0.4%, 0.56%

LAB 53.1, 41.65, -7.02

 

CMYK 25 / 0 / 48 / 27

HEX #8DBB61

RGB 141 187 97

HSL 90.67, 0.4%, 0.56%

LAB 70.92, -30.79, 40.5

 

CMYK 48 / 25 / 0 / 27

HEX #618DBB

RGB 97 141 187

HSL 210.67, 0.4%, 0.56%

LAB 57.25, -2.25, -28.66

 

CMYK 0 / 48 / 26 / 26

HEX #BC618C

RGB 188 97 140

HSL 331.65, 0.4%, 0.56%

LAB 53.1, 41.65, -7.02

 

CMYK 0 / 13 / 48 / 27

HEX #BBA261

RGB 187 162 97

HSL 43.33, 0.4%, 0.56%

LAB 67.48, 0.5, 37.02

 

CMYK 48 / 0 / 23 / 27

HEX #61BB90

RGB 97 187 144

HSL 151.33, 0.4%, 0.56%

LAB 69.54, -37.06, 13.59

 

CMYK 48 / 34 / 0 / 27

HEX #617BBB

RGB 97 123 187

HSL 222.67, 0.4%, 0.56%

LAB 52.17, 8.35, -36.59

 

CMYK 0 / 48 / 26 / 26

HEX #BC618C

RGB 188 97 140

HSL 331.65, 0.4%, 0.56%

LAB 53.1, 41.65, -7.02

 

CMYK 1 / 0 / 48 / 27

HEX #BABB61

RGB 186 187 97

HSL 60.67, 0.4%, 0.56%

LAB 74.09, -13.07, 45.09

 

CMYK 48 / 0 / 23 / 27

HEX #61BB90

RGB 97 187 144

HSL 151.33, 0.4%, 0.56%

LAB 69.54, -37.06, 13.59

 

CMYK 47 / 48 / 0 / 27

HEX #6361BB

RGB 99 97 187

HSL 241.33, 0.4%, 0.56%

LAB 45.35, 24.77, -47.39

 

Description

Color code: HEX #BC618C | qconv.com Color code: HEX #BC618C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 97 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 97 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 26 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 26% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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