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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC5073 it is the complementary color #43AF8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC5073. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC5073 shade: #C1506E, #D26281, #E37494, #F486A7 and #FF98BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC5073. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC5073 shade: #BC5073, #AB3E60, #9A2C4D, #891A3A and #780827

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC5073 shade: #BD5174, #BD5157 and #BD5151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC5073 shade: #BD5174, #BD5191, #BD51AE, #AE51BD and #9151BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC5073 shade matches the following richer shades: #BD5174, #D03D6D, #E32A66 and #F7175F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC5073 shade: #BD5174, #A9647A, #967881, #828B88 and #6F9E8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC5073 shade: #BD51AE, #BD5191, #BD5175, #BD5158 and #BD6651

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC5073 shade: #88334F, #A63E60, #BD5174, #C86F8C and #D38DA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC5073 shade: #BC5073, #BDAE51 and #51A0BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC5073 shade: #BC5073, #75BD51 and #5175BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC5073 shade: #BC5073, #BDAE51, #51BD99 and #515FBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC5073 shade: #BC5073, #ABBD51, #51BD99 and #6351BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 39 / 26

HEX #BC5073

RGB 188 80 115

HSL 340.56, 0.45%, 0.53%

LAB 49.09, 46.91, 2.01

 

Complementary color

CMYK 62 / 0 / 20 / 31

HEX #43AF8C

RGB 67 175 140

HSL 160.56, 0.45%, 0.47%

LAB 64.76, -39.36, 8.89

 

CMYK 0 / 59 / 43 / 24

HEX #C1506E

RGB 193 80 110

HSL 344.07, 0.48%, 0.54%

LAB 49.74, 48.05, 6.06

 

CMYK 0 / 53 / 39 / 18

HEX #D26281

RGB 210 98 129

HSL 343.39, 0.55%, 0.6%

LAB 56.11, 47.25, 4.25

 

CMYK 0 / 49 / 35 / 11

HEX #E37494

RGB 227 116 148

HSL 342.7, 0.66%, 0.67%

LAB 62.47, 46.39, 2.73

 

CMYK 0 / 45 / 32 / 4

HEX #F486A7

RGB 244 134 167

HSL 342, 0.83%, 0.74%

LAB 68.8, 45.51, 1.42

 

CMYK 0 / 40 / 27 / 0

HEX #FF98BA

RGB 255 152 186

HSL 340.19, 1%, 0.8%

LAB 74.36, 42.6, -0.89

 

CMYK 0 / 57 / 39 / 26

HEX #BC5073

RGB 188 80 115

HSL 340.56, 0.45%, 0.53%

LAB 49.09, 46.91, 2.01

 

CMYK 0 / 64 / 44 / 33

HEX #AB3E60

RGB 171 62 96

HSL 341.28, 0.47%, 0.46%

LAB 42.68, 47.53, 4.03

 

CMYK 0 / 71 / 50 / 40

HEX #9A2C4D

RGB 154 44 77

HSL 342, 0.56%, 0.39%

LAB 36.38, 47.79, 6.62

 

CMYK 0 / 81 / 58 / 46

HEX #891A3A

RGB 137 26 58

HSL 342.7, 0.68%, 0.32%

LAB 30.31, 47.33, 10.05

 

CMYK 0 / 93 / 68 / 53

HEX #780827

RGB 120 8 39

HSL 343.39, 0.88%, 0.25%

LAB 24.68, 45.57, 14.69

 

CMYK 0 / 57 / 39 / 26

HEX #BD5174

RGB 189 81 116

HSL 340.56, 0.45%, 0.53%

LAB 49.45, 46.89, 1.95

 

CMYK 0 / 57 / 54 / 26

HEX #BD5157

RGB 189 81 87

HSL 356.67, 0.45%, 0.53%

LAB 48.75, 44.01, 18.43

 

CMYK 0 / 57 / 57 / 26

HEX #BD5151

RGB 189 81 81

HSL 0, 0.45%, 0.53%

LAB 48.63, 43.53, 21.86

 

CMYK 0 / 57 / 39 / 26

HEX #BD5174

RGB 189 81 116

HSL 340.56, 0.45%, 0.53%

LAB 49.45, 46.89, 1.95

 

CMYK 0 / 57 / 23 / 26

HEX #BD5191

RGB 189 81 145

HSL 324.44, 0.45%, 0.53%

LAB 50.39, 50.59, -14.03

 

CMYK 0 / 57 / 8 / 26

HEX #BD51AE

RGB 189 81 174

HSL 308.33, 0.45%, 0.53%

LAB 51.56, 55.04, -29.32

 

CMYK 8 / 57 / 0 / 26

HEX #AE51BD

RGB 174 81 189

HSL 291.67, 0.45%, 0.53%

LAB 50.17, 53.65, -40.39

 

CMYK 23 / 57 / 0 / 26

HEX #9151BD

RGB 145 81 189

HSL 275.56, 0.45%, 0.53%

LAB 46.42, 46.13, -46.58

 

CMYK 0 / 57 / 39 / 26

HEX #BD5174

RGB 189 81 116

HSL 340.56, 0.45%, 0.53%

LAB 49.45, 46.89, 1.95

 

CMYK 0 / 71 / 48 / 18

HEX #D03D6D

RGB 208 61 109

HSL 340.41, 0.61%, 0.53%

LAB 49.32, 60.56, 6.4

 

CMYK 0 / 81 / 55 / 11

HEX #E32A66

RGB 227 42 102

HSL 340.54, 0.77%, 0.53%

LAB 50.62, 70.88, 13

 

CMYK 0 / 91 / 62 / 3

HEX #F7175F

RGB 247 23 95

HSL 340.71, 0.93%, 0.53%

LAB 53.18, 78.76, 21.37

 

CMYK 0 / 57 / 39 / 26

HEX #BD5174

RGB 189 81 116

HSL 340.56, 0.45%, 0.53%

LAB 49.45, 46.89, 1.95

 

CMYK 0 / 41 / 28 / 34

HEX #A9647A

RGB 169 100 122

HSL 340.87, 0.29%, 0.53%

LAB 50.63, 30.7, -0.27

 

CMYK 0 / 20 / 14 / 41

HEX #967881

RGB 150 120 129

HSL 342, 0.13%, 0.53%

LAB 53.49, 13.19, -0.48

 

CMYK 6 / 0 / 2 / 45

HEX #828B88

RGB 130 139 136

HSL 160, 0.04%, 0.53%

LAB 57.06, -3.89, 0.46

 

CMYK 30 / 0 / 9 / 38

HEX #6F9E8F

RGB 111 158 143

HSL 160.85, 0.2%, 0.53%

LAB 61.5, -19.15, 2.77

 

CMYK 0 / 57 / 8 / 26

HEX #BD51AE

RGB 189 81 174

HSL 308.33, 0.45%, 0.53%

LAB 51.56, 55.04, -29.32

 

CMYK 0 / 57 / 23 / 26

HEX #BD5191

RGB 189 81 145

HSL 324.44, 0.45%, 0.53%

LAB 50.39, 50.59, -14.03

 

CMYK 0 / 57 / 38 / 26

HEX #BD5175

RGB 189 81 117

HSL 340, 0.45%, 0.53%

LAB 49.48, 47, 1.39

 

CMYK 0 / 57 / 53 / 26

HEX #BD5158

RGB 189 81 88

HSL 356.11, 0.45%, 0.53%

LAB 48.77, 44.1, 17.86

 

CMYK 0 / 46 / 57 / 26

HEX #BD6651

RGB 189 102 81

HSL 11.67, 0.45%, 0.53%

LAB 52.86, 32.79, 27.33

 

CMYK 0 / 63 / 42 / 47

HEX #88334F

RGB 136 51 79

HSL 340.24, 0.45%, 0.37%

LAB 34.33, 39.02, 1.96

 

CMYK 0 / 63 / 42 / 35

HEX #A63E60

RGB 166 62 96

HSL 340.38, 0.46%, 0.45%

LAB 41.84, 45.89, 2.71

 

CMYK 0 / 57 / 39 / 26

HEX #BD5174

RGB 189 81 116

HSL 340.56, 0.45%, 0.53%

LAB 49.45, 46.89, 1.95

 

CMYK 0 / 45 / 30 / 22

HEX #C86F8C

RGB 200 111 140

HSL 340.45, 0.45%, 0.61%

LAB 57.6, 38.52, -0.19

 

CMYK 0 / 33 / 23 / 17

HEX #D38DA3

RGB 211 141 163

HSL 341.14, 0.44%, 0.69%

LAB 66.17, 29.66, -0.66

 

CMYK 0 / 57 / 39 / 26

HEX #BC5073

RGB 188 80 115

HSL 340.56, 0.45%, 0.53%

LAB 49.09, 46.91, 2.01

 

CMYK 0 / 8 / 57 / 26

HEX #BDAE51

RGB 189 174 81

HSL 51.67, 0.45%, 0.53%

LAB 70.65, -6.44, 48.82

 

CMYK 57 / 15 / 0 / 26

HEX #51A0BD

RGB 81 160 189

HSL 196.11, 0.45%, 0.53%

LAB 62.14, -15.81, -22.33

 

CMYK 0 / 57 / 39 / 26

HEX #BC5073

RGB 188 80 115

HSL 340.56, 0.45%, 0.53%

LAB 49.09, 46.91, 2.01

 

CMYK 38 / 0 / 57 / 26

HEX #75BD51

RGB 117 189 81

HSL 100, 0.45%, 0.53%

LAB 70.02, -41.99, 46.81

 

CMYK 57 / 38 / 0 / 26

HEX #5175BD

RGB 81 117 189

HSL 220, 0.45%, 0.53%

LAB 49.67, 8.97, -41.74

 

CMYK 0 / 57 / 39 / 26

HEX #BC5073

RGB 188 80 115

HSL 340.56, 0.45%, 0.53%

LAB 49.09, 46.91, 2.01

 

CMYK 0 / 8 / 57 / 26

HEX #BDAE51

RGB 189 174 81

HSL 51.67, 0.45%, 0.53%

LAB 70.65, -6.44, 48.82

 

CMYK 57 / 0 / 19 / 26

HEX #51BD99

RGB 81 189 153

HSL 160, 0.45%, 0.53%

LAB 69.78, -39.7, 8.97

 

CMYK 57 / 50 / 0 / 26

HEX #515FBD

RGB 81 95 189

HSL 232.22, 0.45%, 0.53%

LAB 43.67, 22.71, -51.32

 

CMYK 0 / 57 / 39 / 26

HEX #BC5073

RGB 188 80 115

HSL 340.56, 0.45%, 0.53%

LAB 49.09, 46.91, 2.01

 

CMYK 10 / 0 / 57 / 26

HEX #ABBD51

RGB 171 189 81

HSL 70, 0.45%, 0.53%

LAB 73.32, -21.63, 51.46

 

CMYK 57 / 0 / 19 / 26

HEX #51BD99

RGB 81 189 153

HSL 160, 0.45%, 0.53%

LAB 69.78, -39.7, 8.97

 

CMYK 48 / 57 / 0 / 26

HEX #6351BD

RGB 99 81 189

HSL 250, 0.45%, 0.53%

LAB 41.55, 35.15, -54.65

 

Description

Color code: HEX #BC5073 | qconv.com Color code: HEX #BC5073 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 80 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 80 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 39 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 39% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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