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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC59DD it is the complementary color #43A622. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC59DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC59DD shade: #C159D8, #D26BEB, #E37DFE, #F48FFF and #FFA1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC59DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC59DD shade: #BC59DD, #AB47CA, #9A35B7, #8923A4 and #781191

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC59DD shade: #BC59DD, #DD59DA, #DD59B7, #DD5993 and #DD5970

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC59DD shade: #BC59DD, #9859DD, #7559DD and #5959DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC59DD shade matches the following richer shades: #BC59DD, #C449ED and #CC39FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC59DD shade: #BC59DD, #B46ACD, #AC7ABD, #A48AAC and #9C9A9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC59DD shade: #7659DD, #9959DD, #BC59DD, #DD59DA and #DD59B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC59DD shade: #9826BD, #AE37D6, #BC59DD, #CA7CE4 and #D89EEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC59DD shade: #BC59DD, #DD5960 and #59DD87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC59DD shade: #BC59DD, #DDBC59 and #59DDBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC59DD shade: #BC59DD, #DD5960, #7ADD59 and #59DDD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC59DD shade: #BC59DD, #DD7A59, #7ADD59 and #59BCDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 60 / 0 / 13

HEX #BC59DD

RGB 188 89 221

HSL 285, 0.66%, 0.61%

LAB 55.13, 59.67, -50.7

 

Complementary color

CMYK 60 / 0 / 80 / 35

HEX #43A622

RGB 67 166 34

HSL 105, 0.66%, 0.39%

LAB 60.41, -51.91, 54.9

 

CMYK 11 / 59 / 0 / 15

HEX #C159D8

RGB 193 89 216

HSL 289.13, 0.62%, 0.6%

LAB 55.52, 59.92, -47.21

 

CMYK 11 / 54 / 0 / 8

HEX #D26BEB

RGB 210 107 235

HSL 288.28, 0.76%, 0.67%

LAB 61.84, 59.4, -47.73

 

CMYK 11 / 51 / 0 / 0

HEX #E37DFE

RGB 227 125 254

HSL 287.44, 0.98%, 0.74%

LAB 68.13, 58.76, -48.13

 

CMYK 4 / 44 / 0 / 0

HEX #F48FFF

RGB 244 143 255

HSL 294.11, 1%, 0.78%

LAB 73.61, 54.68, -39.95

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 15 / 60 / 0 / 13

HEX #BC59DD

RGB 188 89 221

HSL 285, 0.66%, 0.61%

LAB 55.13, 59.67, -50.7

 

CMYK 15 / 65 / 0 / 21

HEX #AB47CA

RGB 171 71 202

HSL 285.8, 0.55%, 0.54%

LAB 48.8, 60.03, -50.11

 

CMYK 16 / 71 / 0 / 28

HEX #9A35B7

RGB 154 53 183

HSL 286.62, 0.55%, 0.46%

LAB 42.51, 60.02, -49.25

 

CMYK 16 / 79 / 0 / 36

HEX #8923A4

RGB 137 35 164

HSL 287.44, 0.65%, 0.39%

LAB 36.37, 59.36, -47.97

 

CMYK 17 / 88 / 0 / 43

HEX #781191

RGB 120 17 145

HSL 288.28, 0.79%, 0.32%

LAB 30.49, 57.59, -46.02

 

CMYK 15 / 60 / 0 / 13

HEX #BC59DD

RGB 188 89 221

HSL 285, 0.66%, 0.61%

LAB 55.13, 59.67, -50.7

 

CMYK 0 / 60 / 1 / 13

HEX #DD59DA

RGB 221 89 218

HSL 301.36, 0.66%, 0.61%

LAB 59.51, 67.24, -41.79

 

CMYK 0 / 60 / 17 / 13

HEX #DD59B7

RGB 221 89 183

HSL 317.27, 0.66%, 0.61%

LAB 57.98, 61.79, -24.24

 

CMYK 0 / 60 / 33 / 13

HEX #DD5993

RGB 221 89 147

HSL 333.64, 0.66%, 0.61%

LAB 56.71, 57.06, -5.25

 

CMYK 0 / 60 / 49 / 13

HEX #DD5970

RGB 221 89 112

HSL 349.55, 0.66%, 0.61%

LAB 55.77, 53.45, 14.01

 

CMYK 15 / 60 / 0 / 13

HEX #BC59DD

RGB 188 89 221

HSL 285, 0.66%, 0.61%

LAB 55.13, 59.67, -50.7

 

CMYK 31 / 60 / 0 / 13

HEX #9859DD

RGB 152 89 221

HSL 268.64, 0.66%, 0.61%

LAB 50.73, 51.16, -57.98

 

CMYK 47 / 60 / 0 / 13

HEX #7559DD

RGB 117 89 221

HSL 252.73, 0.66%, 0.61%

LAB 47.17, 43.58, -63.92

 

CMYK 60 / 60 / 0 / 13

HEX #5959DD

RGB 89 89 221

HSL 240, 0.66%, 0.61%

LAB 44.93, 38.42, -67.66

 

CMYK 15 / 60 / 0 / 13

HEX #BC59DD

RGB 188 89 221

HSL 285, 0.66%, 0.61%

LAB 55.13, 59.67, -50.7

 

CMYK 17 / 69 / 0 / 7

HEX #C449ED

RGB 196 73 237

HSL 285, 0.82%, 0.61%

LAB 54.67, 71.41, -60.37

 

CMYK 19 / 77 / 0 / 1

HEX #CC39FD

RGB 204 57 253

HSL 285, 0.98%, 0.61%

LAB 54.92, 81.36, -68.84

 

CMYK 15 / 60 / 0 / 13

HEX #BC59DD

RGB 188 89 221

HSL 285, 0.66%, 0.61%

LAB 55.13, 59.67, -50.7

 

CMYK 12 / 48 / 0 / 20

HEX #B46ACD

RGB 180 106 205

HSL 284.85, 0.5%, 0.61%

LAB 56.51, 45.85, -39.53

 

CMYK 9 / 35 / 0 / 26

HEX #AC7ABD

RGB 172 122 189

HSL 284.78, 0.34%, 0.61%

LAB 58.38, 31.38, -27.57

 

CMYK 5 / 20 / 0 / 33

HEX #A48AAC

RGB 164 138 172

HSL 285.88, 0.17%, 0.61%

LAB 60.82, 16.13, -14.23

 

CMYK 0 / 1 / 0 / 39

HEX #9C9A9C

RGB 156 154 156

HSL 300, 0.01%, 0.61%

LAB 63.82, 1.11, -0.8

 

CMYK 47 / 60 / 0 / 13

HEX #7659DD

RGB 118 89 221

HSL 253.18, 0.66%, 0.61%

LAB 47.26, 43.78, -63.77

 

CMYK 31 / 60 / 0 / 13

HEX #9959DD

RGB 153 89 221

HSL 269.09, 0.66%, 0.61%

LAB 50.85, 51.39, -57.8

 

CMYK 15 / 60 / 0 / 13

HEX #BC59DD

RGB 188 89 221

HSL 285, 0.66%, 0.61%

LAB 55.13, 59.67, -50.7

 

CMYK 0 / 60 / 1 / 13

HEX #DD59DA

RGB 221 89 218

HSL 301.36, 0.66%, 0.61%

LAB 59.51, 67.24, -41.79

 

CMYK 0 / 60 / 17 / 13

HEX #DD59B7

RGB 221 89 183

HSL 317.27, 0.66%, 0.61%

LAB 57.98, 61.79, -24.24

 

CMYK 20 / 80 / 0 / 26

HEX #9826BD

RGB 152 38 189

HSL 285.3, 0.67%, 0.45%

LAB 40.79, 66, -55.56

 

CMYK 19 / 74 / 0 / 16

HEX #AE37D6

RGB 174 55 214

HSL 284.91, 0.66%, 0.53%

LAB 47.73, 69.31, -58.68

 

CMYK 15 / 60 / 0 / 13

HEX #BC59DD

RGB 188 89 221

HSL 285, 0.66%, 0.61%

LAB 55.13, 59.67, -50.7

 

CMYK 11 / 46 / 0 / 11

HEX #CA7CE4

RGB 202 124 228

HSL 285, 0.66%, 0.69%

LAB 63.81, 47.31, -40.79

 

CMYK 8 / 33 / 0 / 8

HEX #D89EEB

RGB 216 158 235

HSL 285.19, 0.66%, 0.77%

LAB 72.93, 34.72, -30.38

 

CMYK 15 / 60 / 0 / 13

HEX #BC59DD

RGB 188 89 221

HSL 285, 0.66%, 0.61%

LAB 55.13, 59.67, -50.7

 

CMYK 0 / 60 / 57 / 13

HEX #DD5960

RGB 221 89 96

HSL 356.82, 0.66%, 0.61%

LAB 55.44, 52.15, 22.95

 

CMYK 60 / 0 / 39 / 13

HEX #59DD87

RGB 89 221 135

HSL 140.91, 0.66%, 0.61%

LAB 79.38, -54.96, 31.69

 

CMYK 15 / 60 / 0 / 13

HEX #BC59DD

RGB 188 89 221

HSL 285, 0.66%, 0.61%

LAB 55.13, 59.67, -50.7

 

CMYK 0 / 15 / 60 / 13

HEX #DDBC59

RGB 221 188 89

HSL 45, 0.66%, 0.61%

LAB 77.32, 0.34, 53.44

 

CMYK 60 / 0 / 15 / 13

HEX #59DDBC

RGB 89 221 188

HSL 165, 0.66%, 0.61%

LAB 80.44, -43.98, 5.46

 

CMYK 15 / 60 / 0 / 13

HEX #BC59DD

RGB 188 89 221

HSL 285, 0.66%, 0.61%

LAB 55.13, 59.67, -50.7

 

CMYK 0 / 60 / 57 / 13

HEX #DD5960

RGB 221 89 96

HSL 356.82, 0.66%, 0.61%

LAB 55.44, 52.15, 22.95

 

CMYK 45 / 0 / 60 / 13

HEX #7ADD59

RGB 122 221 89

HSL 105, 0.66%, 0.61%

LAB 79.94, -52.82, 54.66

 

CMYK 60 / 0 / 3 / 13

HEX #59DDD6

RGB 89 221 214

HSL 176.82, 0.66%, 0.61%

LAB 81.12, -37.45, -7.38

 

CMYK 15 / 60 / 0 / 13

HEX #BC59DD

RGB 188 89 221

HSL 285, 0.66%, 0.61%

LAB 55.13, 59.67, -50.7

 

CMYK 0 / 45 / 60 / 13

HEX #DD7A59

RGB 221 122 89

HSL 15, 0.66%, 0.61%

LAB 61.66, 35.45, 34.89

 

CMYK 45 / 0 / 60 / 13

HEX #7ADD59

RGB 122 221 89

HSL 105, 0.66%, 0.61%

LAB 79.94, -52.82, 54.66

 

CMYK 60 / 15 / 0 / 13

HEX #59BCDD

RGB 89 188 221

HSL 195, 0.66%, 0.61%

LAB 71.77, -19.39, -25.24

 

Description

Color code: HEX #BC59DD | qconv.com Color code: HEX #BC59DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 89 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 89 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 60 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 60% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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