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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC58FC it is the complementary color #43A703. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC58FC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC58FC shade: #C158F7, #D26AFF, #E37CFF, #F48EFF and #FFA0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC58FC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC58FC shade: #BC58FC, #AB46E9, #9A34D6, #8922C3 and #7810B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC58FC shade: #BC5AFB, #E85AFB, #FB5AE3, #FB5AB7 and #FB5A8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC58FC shade: #BC5AFB, #915AFB, #655AFB and #5A5AFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC58FC shade matches the following richer shades: #BC5AFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC58FC shade: #BC5AFB, #B967EE, #B675E0, #B382D2 and #B090C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC58FC shade: #645AFB, #8F5AFB, #BB5AFB, #E65AFB and #FB5AE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC58FC shade: #9C09F9, #AC31FA, #BC5AFB, #CC82FC and #DDAAFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC58FC shade: #BC58FC, #FB5A7A and #5AFB7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC58FC shade: #BC58FC, #FBBB5A and #5AFBBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC58FC shade: #BC58FC, #FB5A7A, #9AFB5A and #5AFBDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC58FC shade: #BC58FC, #FB6A5A, #9AFB5A and #5AEBFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 65 / 0 / 1

HEX #BC58FC

RGB 188 88 252

HSL 276.59, 0.96%, 0.67%

LAB 56.78, 66.52, -65.4

 

Complementary color

CMYK 60 / 0 / 98 / 35

HEX #43A703

RGB 67 167 3

HSL 96.59, 0.96%, 0.33%

LAB 60.64, -53.4, 61.48

 

CMYK 22 / 64 / 0 / 3

HEX #C158F7

RGB 193 88 247

HSL 279.62, 0.91%, 0.66%

LAB 57.11, 66.54, -62.07

 

CMYK 18 / 58 / 0 / 0

HEX #D26AFF

RGB 210 106 255

HSL 281.88, 1%, 0.71%

LAB 62.7, 63.81, -57.42

 

CMYK 11 / 51 / 0 / 0

HEX #E37CFF

RGB 227 124 255

HSL 287.18, 1%, 0.74%

LAB 68, 59.44, -48.89

 

CMYK 4 / 44 / 0 / 0

HEX #F48EFF

RGB 244 142 255

HSL 294.16, 1%, 0.78%

LAB 73.41, 55.18, -40.26

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 25 / 65 / 0 / 1

HEX #BC58FC

RGB 188 88 252

HSL 276.59, 0.96%, 0.67%

LAB 56.78, 66.52, -65.4

 

CMYK 27 / 70 / 0 / 9

HEX #AB46E9

RGB 171 70 233

HSL 277.18, 0.79%, 0.59%

LAB 50.6, 66.82, -64.87

 

CMYK 28 / 76 / 0 / 16

HEX #9A34D6

RGB 154 52 214

HSL 277.78, 0.66%, 0.52%

LAB 44.49, 66.69, -64.06

 

CMYK 30 / 83 / 0 / 24

HEX #8922C3

RGB 137 34 195

HSL 278.39, 0.7%, 0.45%

LAB 38.56, 65.86, -62.81

 

CMYK 32 / 91 / 0 / 31

HEX #7810B0

RGB 120 16 176

HSL 279, 0.83%, 0.38%

LAB 32.92, 63.89, -60.89

 

CMYK 25 / 64 / 0 / 2

HEX #BC5AFB

RGB 188 90 251

HSL 276.52, 0.95%, 0.67%

LAB 57.04, 65.41, -64.42

 

CMYK 8 / 64 / 0 / 2

HEX #E85AFB

RGB 232 90 251

HSL 292.92, 0.95%, 0.67%

LAB 62.87, 75.04, -54.77

 

CMYK 0 / 64 / 10 / 2

HEX #FB5AE3

RGB 251 90 227

HSL 308.94, 0.95%, 0.67%

LAB 64.46, 75.6, -38.76

 

CMYK 0 / 64 / 27 / 2

HEX #FB5AB7

RGB 251 90 183

HSL 325.34, 0.95%, 0.67%

LAB 62.71, 69.64, -16.6

 

CMYK 0 / 64 / 44 / 2

HEX #FB5A8C

RGB 251 90 140

HSL 341.37, 0.95%, 0.67%

LAB 61.41, 65, 6.27

 

CMYK 25 / 64 / 0 / 2

HEX #BC5AFB

RGB 188 90 251

HSL 276.52, 0.95%, 0.67%

LAB 57.04, 65.41, -64.42

 

CMYK 42 / 64 / 0 / 2

HEX #915AFB

RGB 145 90 251

HSL 260.5, 0.95%, 0.67%

LAB 52.17, 56.67, -72.53

 

CMYK 60 / 64 / 0 / 2

HEX #655AFB

RGB 101 90 251

HSL 244.1, 0.95%, 0.67%

LAB 48.32, 49.16, -78.98

 

CMYK 64 / 64 / 0 / 2

HEX #5A5AFB

RGB 90 90 251

HSL 240, 0.95%, 0.67%

LAB 47.56, 47.6, -80.25

 

CMYK 25 / 64 / 0 / 2

HEX #BC5AFB

RGB 188 90 251

HSL 276.52, 0.95%, 0.67%

LAB 57.04, 65.41, -64.42

 

CMYK 25 / 64 / 0 / 2

HEX #BC5AFB

RGB 188 90 251

HSL 276.52, 0.95%, 0.67%

LAB 57.04, 65.41, -64.42

 

CMYK 22 / 57 / 0 / 7

HEX #B967EE

RGB 185 103 238

HSL 276.44, 0.8%, 0.67%

LAB 58.21, 55.71, -55.34

 

CMYK 19 / 48 / 0 / 12

HEX #B675E0

RGB 182 117 224

HSL 276.45, 0.63%, 0.67%

LAB 59.93, 44.59, -44.82

 

CMYK 15 / 38 / 0 / 18

HEX #B382D2

RGB 179 130 210

HSL 276.75, 0.47%, 0.67%

LAB 61.83, 33.54, -34.03

 

CMYK 11 / 27 / 0 / 23

HEX #B090C5

RGB 176 144 197

HSL 276.23, 0.31%, 0.67%

LAB 64.33, 21.95, -22.91

 

CMYK 60 / 64 / 0 / 2

HEX #645AFB

RGB 100 90 251

HSL 243.73, 0.95%, 0.67%

LAB 48.24, 49.01, -79.1

 

CMYK 43 / 64 / 0 / 2

HEX #8F5AFB

RGB 143 90 251

HSL 259.75, 0.95%, 0.67%

LAB 51.97, 56.3, -72.87

 

CMYK 25 / 64 / 0 / 2

HEX #BB5AFB

RGB 187 90 251

HSL 276.15, 0.95%, 0.67%

LAB 56.92, 65.19, -64.62

 

CMYK 8 / 64 / 0 / 2

HEX #E65AFB

RGB 230 90 251

HSL 292.17, 0.95%, 0.67%

LAB 62.59, 74.59, -55.23

 

CMYK 0 / 64 / 8 / 2

HEX #FB5AE6

RGB 251 90 230

HSL 307.83, 0.95%, 0.67%

LAB 64.59, 76.04, -40.23

 

CMYK 37 / 96 / 0 / 2

HEX #9C09F9

RGB 156 9 249

HSL 276.75, 0.95%, 0.51%

LAB 44.38, 83.57, -84.09

 

CMYK 31 / 80 / 0 / 2

HEX #AC31FA

RGB 172 49 250

HSL 276.72, 0.95%, 0.59%

LAB 49.34, 78, -76.45

 

CMYK 25 / 64 / 0 / 2

HEX #BC5AFB

RGB 188 90 251

HSL 276.52, 0.95%, 0.67%

LAB 57.04, 65.41, -64.42

 

CMYK 19 / 48 / 0 / 1

HEX #CC82FC

RGB 204 130 252

HSL 276.39, 0.95%, 0.75%

LAB 66.39, 49.72, -49.96

 

CMYK 13 / 33 / 0 / 1

HEX #DDAAFD

RGB 221 170 253

HSL 276.87, 0.95%, 0.83%

LAB 76.81, 33.42, -34.1

 

CMYK 25 / 65 / 0 / 1

HEX #BC58FC

RGB 188 88 252

HSL 276.59, 0.96%, 0.67%

LAB 56.78, 66.52, -65.4

 

CMYK 0 / 64 / 51 / 2

HEX #FB5A7A

RGB 251 90 122

HSL 348.07, 0.95%, 0.67%

LAB 60.98, 63.44, 16.12

 

CMYK 64 / 0 / 51 / 2

HEX #5AFB7A

RGB 90 251 122

HSL 131.93, 0.95%, 0.67%

LAB 88.24, -67.81, 49.31

 

CMYK 25 / 65 / 0 / 1

HEX #BC58FC

RGB 188 88 252

HSL 276.59, 0.96%, 0.67%

LAB 56.78, 66.52, -65.4

 

CMYK 0 / 25 / 64 / 2

HEX #FBBB5A

RGB 251 187 90

HSL 36.15, 0.95%, 0.67%

LAB 80.06, 13.43, 56.87

 

CMYK 64 / 0 / 25 / 2

HEX #5AFBBB

RGB 90 251 187

HSL 156.15, 0.95%, 0.67%

LAB 89.28, -56.49, 18.53

 

CMYK 25 / 65 / 0 / 1

HEX #BC58FC

RGB 188 88 252

HSL 276.59, 0.96%, 0.67%

LAB 56.78, 66.52, -65.4

 

CMYK 0 / 64 / 51 / 2

HEX #FB5A7A

RGB 251 90 122

HSL 348.07, 0.95%, 0.67%

LAB 60.98, 63.44, 16.12

 

CMYK 39 / 0 / 64 / 2

HEX #9AFB5A

RGB 154 251 90

HSL 96.15, 0.95%, 0.67%

LAB 90.14, -54.76, 65.92

 

CMYK 64 / 0 / 13 / 2

HEX #5AFBDB

RGB 90 251 219

HSL 168.07, 0.95%, 0.67%

LAB 89.99, -49.23, 3.01

 

CMYK 25 / 65 / 0 / 1

HEX #BC58FC

RGB 188 88 252

HSL 276.59, 0.96%, 0.67%

LAB 56.78, 66.52, -65.4

 

CMYK 0 / 58 / 64 / 2

HEX #FB6A5A

RGB 251 106 90

HSL 5.96, 0.95%, 0.67%

LAB 62.97, 54.37, 36.93

 

CMYK 39 / 0 / 64 / 2

HEX #9AFB5A

RGB 154 251 90

HSL 96.15, 0.95%, 0.67%

LAB 90.14, -54.76, 65.92

 

CMYK 64 / 6 / 0 / 2

HEX #5AEBFB

RGB 90 235 251

HSL 185.96, 0.95%, 0.67%

LAB 86.28, -33.68, -19.21

 

Description

Color code: HEX #BC58FC | qconv.com Color code: HEX #BC58FC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 88 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 88 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 65 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 65% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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