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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC4F22 it is the complementary color #43B0DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC4F22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC4F22 shade: #C14F1D, #D26130, #E37343, #F48556 and #FF9769

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC4F22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC4F22 shade: #BC4F22, #AB3D0F, #9A2B00, #891900 and #780700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC4F22 shade: #BD5022, #BD2622 and #BD2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC4F22 shade: #BD5022, #BD7922, #BDA322, #ADBD22 and #84BD22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC4F22 shade matches the following richer shades: #BD5022 and #CF4810

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC4F22 shade: #BD5022, #AB5734, #995F47, #876659 and #756E6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC4F22 shade: #BD2249, #BD2522, #BD4E22, #BD7722 and #BDA122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC4F22 shade: #773215, #9A411C, #BD5022, #D96130 and #DF7C53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC4F22 shade: #BC4F22, #72BD22 and #2234BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC4F22 shade: #BC4F22, #22BD4E and #4E22BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC4F22 shade: #BC4F22, #72BD22, #2291BD and #6D22BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC4F22 shade: #BC4F22, #44BD22, #2291BD and #9C22BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 82 / 26

HEX #BC4F22

RGB 188 79 34

HSL 17.53, 0.69%, 0.44%

LAB 47.49, 41.58, 46.35

 

Complementary color

CMYK 70 / 20 / 0 / 13

HEX #43B0DD

RGB 67 176 221

HSL 197.53, 0.69%, 0.56%

LAB 67.62, -16.68, -31.67

 

CMYK 0 / 59 / 85 / 24

HEX #C14F1D

RGB 193 79 29

HSL 18.29, 0.74%, 0.44%

LAB 48.28, 43.32, 49.57

 

CMYK 0 / 54 / 77 / 18

HEX #D26130

RGB 210 97 48

HSL 18.15, 0.64%, 0.51%

LAB 54.52, 41.65, 47.75

 

CMYK 0 / 49 / 70 / 11

HEX #E37343

RGB 227 115 67

HSL 18, 0.74%, 0.58%

LAB 60.78, 40.03, 45.71

 

CMYK 0 / 45 / 65 / 4

HEX #F48556

RGB 244 133 86

HSL 17.85, 0.88%, 0.65%

LAB 67.04, 38.52, 43.72

 

CMYK 0 / 41 / 59 / 0

HEX #FF9769

RGB 255 151 105

HSL 18.4, 1%, 0.71%

LAB 72.5, 34.81, 40.74

 

CMYK 0 / 58 / 82 / 26

HEX #BC4F22

RGB 188 79 34

HSL 17.53, 0.69%, 0.44%

LAB 47.49, 41.58, 46.35

 

CMYK 0 / 64 / 91 / 33

HEX #AB3D0F

RGB 171 61 15

HSL 17.69, 0.84%, 0.36%

LAB 41.26, 43.2, 47.82

 

CMYK 0 / 72 / 100 / 40

HEX #9A2B00

RGB 154 43 0

HSL 16.75, 1%, 0.3%

LAB 35.2, 44.57, 47.65

 

CMYK 0 / 82 / 100 / 46

HEX #891900

RGB 137 25 0

HSL 10.95, 1%, 0.27%

LAB 29.45, 45.27, 42.21

 

CMYK 0 / 94 / 100 / 53

HEX #780700

RGB 120 7 0

HSL 3.5, 1%, 0.24%

LAB 24.15, 44.44, 36.08

 

CMYK 0 / 58 / 82 / 26

HEX #BD5022

RGB 189 80 34

HSL 17.81, 0.7%, 0.44%

LAB 47.84, 41.47, 46.73

 

CMYK 0 / 80 / 82 / 26

HEX #BD2622

RGB 189 38 34

HSL 1.55, 0.7%, 0.44%

LAB 41.72, 58.05, 40.96

 

CMYK 0 / 82 / 82 / 26

HEX #BD2222

RGB 189 34 34

HSL 0, 0.7%, 0.44%

LAB 41.34, 59.12, 40.59

 

CMYK 0 / 58 / 82 / 26

HEX #BD5022

RGB 189 80 34

HSL 17.81, 0.7%, 0.44%

LAB 47.84, 41.47, 46.73

 

CMYK 0 / 36 / 82 / 26

HEX #BD7922

RGB 189 121 34

HSL 33.68, 0.7%, 0.44%

LAB 56.69, 19.81, 54.77

 

CMYK 0 / 14 / 82 / 26

HEX #BDA322

RGB 189 163 34

HSL 49.94, 0.7%, 0.44%

LAB 67.37, -3.14, 64.13

 

CMYK 8 / 0 / 82 / 26

HEX #ADBD22

RGB 173 189 34

HSL 66.19, 0.7%, 0.44%

LAB 73.15, -23.45, 68.59

 

CMYK 30 / 0 / 82 / 26

HEX #84BD22

RGB 132 189 34

HSL 82.06, 0.7%, 0.44%

LAB 70.47, -40, 65.2

 

CMYK 0 / 58 / 82 / 26

HEX #BD5022

RGB 189 80 34

HSL 17.81, 0.7%, 0.44%

LAB 47.84, 41.47, 46.73

 

CMYK 0 / 65 / 92 / 19

HEX #CF4810

RGB 207 72 16

HSL 17.59, 0.86%, 0.44%

LAB 49.42, 51.27, 56.18

 

CMYK 0 / 58 / 82 / 26

HEX #BD5022

RGB 189 80 34

HSL 17.81, 0.7%, 0.44%

LAB 47.84, 41.47, 46.73

 

CMYK 0 / 49 / 70 / 33

HEX #AB5734

RGB 171 87 52

HSL 17.65, 0.53%, 0.44%

LAB 46.61, 31.56, 35.45

 

CMYK 0 / 38 / 54 / 40

HEX #995F47

RGB 153 95 71

HSL 17.56, 0.37%, 0.44%

LAB 46.19, 20.99, 23.57

 

CMYK 0 / 24 / 34 / 47

HEX #876659

RGB 135 102 89

HSL 16.96, 0.21%, 0.44%

LAB 46.14, 11.32, 12.48

 

CMYK 0 / 6 / 9 / 54

HEX #756E6B

RGB 117 110 107

HSL 18, 0.04%, 0.44%

LAB 46.97, 2.14, 2.64

 

CMYK 0 / 82 / 61 / 26

HEX #BD2249

RGB 189 34 73

HSL 344.9, 0.7%, 0.44%

LAB 41.91, 60.87, 17.85

 

CMYK 0 / 80 / 82 / 26

HEX #BD2522

RGB 189 37 34

HSL 1.16, 0.7%, 0.44%

LAB 41.62, 58.33, 40.86

 

CMYK 0 / 59 / 82 / 26

HEX #BD4E22

RGB 189 78 34

HSL 17.03, 0.7%, 0.44%

LAB 47.47, 42.44, 46.39

 

CMYK 0 / 37 / 82 / 26

HEX #BD7722

RGB 189 119 34

HSL 32.9, 0.7%, 0.44%

LAB 56.22, 20.91, 54.34

 

CMYK 0 / 15 / 82 / 26

HEX #BDA122

RGB 189 161 34

HSL 49.16, 0.7%, 0.44%

LAB 66.84, -2.08, 63.67

 

CMYK 0 / 58 / 82 / 53

HEX #773215

RGB 119 50 21

HSL 17.76, 0.7%, 0.27%

LAB 30.05, 28.41, 32.01

 

CMYK 0 / 58 / 82 / 40

HEX #9A411C

RGB 154 65 28

HSL 17.62, 0.69%, 0.36%

LAB 39.13, 35.11, 39.31

 

CMYK 0 / 58 / 82 / 26

HEX #BD5022

RGB 189 80 34

HSL 17.81, 0.7%, 0.44%

LAB 47.84, 41.47, 46.73

 

CMYK 0 / 55 / 78 / 15

HEX #D96130

RGB 217 97 48

HSL 17.4, 0.69%, 0.52%

LAB 55.6, 44.3, 49.19

 

CMYK 0 / 44 / 63 / 13

HEX #DF7C53

RGB 223 124 83

HSL 17.57, 0.69%, 0.6%

LAB 62.28, 34.78, 38.94

 

CMYK 0 / 58 / 82 / 26

HEX #BC4F22

RGB 188 79 34

HSL 17.53, 0.69%, 0.44%

LAB 47.49, 41.58, 46.35

 

CMYK 40 / 0 / 82 / 26

HEX #72BD22

RGB 114 189 34

HSL 89.03, 0.7%, 0.44%

LAB 69.53, -46.51, 64.01

 

CMYK 82 / 72 / 0 / 26

HEX #2234BD

RGB 34 52 189

HSL 233.03, 0.7%, 0.44%

LAB 30.57, 43.47, -72.77

 

CMYK 0 / 58 / 82 / 26

HEX #BC4F22

RGB 188 79 34

HSL 17.53, 0.69%, 0.44%

LAB 47.49, 41.58, 46.35

 

CMYK 82 / 0 / 59 / 26

HEX #22BD4E

RGB 34 189 78

HSL 137.03, 0.7%, 0.44%

LAB 67.49, -61.33, 44.62

 

CMYK 59 / 82 / 0 / 26

HEX #4E22BD

RGB 78 34 189

HSL 257.03, 0.7%, 0.44%

LAB 30.49, 56.55, -72.8

 

CMYK 0 / 58 / 82 / 26

HEX #BC4F22

RGB 188 79 34

HSL 17.53, 0.69%, 0.44%

LAB 47.49, 41.58, 46.35

 

CMYK 40 / 0 / 82 / 26

HEX #72BD22

RGB 114 189 34

HSL 89.03, 0.7%, 0.44%

LAB 69.53, -46.51, 64.01

 

CMYK 82 / 23 / 0 / 26

HEX #2291BD

RGB 34 145 189

HSL 197.03, 0.7%, 0.44%

LAB 56.35, -14.61, -31.36

 

CMYK 42 / 82 / 0 / 26

HEX #6D22BD

RGB 109 34 189

HSL 269.03, 0.7%, 0.44%

LAB 34.13, 60.38, -66.69

 

CMYK 0 / 58 / 82 / 26

HEX #BC4F22

RGB 188 79 34

HSL 17.53, 0.69%, 0.44%

LAB 47.49, 41.58, 46.35

 

CMYK 64 / 0 / 82 / 26

HEX #44BD22

RGB 68 189 34

HSL 106.84, 0.7%, 0.44%

LAB 67.83, -59.68, 61.83

 

CMYK 82 / 23 / 0 / 26

HEX #2291BD

RGB 34 145 189

HSL 197.03, 0.7%, 0.44%

LAB 56.35, -14.61, -31.36

 

CMYK 17 / 82 / 0 / 26

HEX #9C22BD

RGB 156 34 189

HSL 287.23, 0.7%, 0.44%

LAB 41.03, 67.84, -55.14

 

Description

Color code: HEX #BC4F22 | qconv.com Color code: HEX #BC4F22 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 79 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 79 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 82 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 82% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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