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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC1995 it is the complementary color #43E66A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC1995. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC1995 shade: #C11990, #D22BA3, #E33DB6, #F44FC9 and #FF61DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC1995. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC1995 shade: #BC1995, #AB0782, #9A006F, #89005C and #780049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC1995 shade: #BD1896, #BD1869, #BD183D and #BD1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC1995 shade: #BD1896, #B818BD, #8C18BD, #5F18BD and #3318BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC1995 shade matches the following richer shades: #BD1896 and #CE079F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC1995 shade: #BD1896, #AC298D, #9A3B84, #894C7A and #785D71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC1995 shade: #8C18BD, #B818BD, #BD1897, #BD186B and #BD183F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC1995 shade: #740F5C, #991379, #BD1896, #E11DB2 and #E642BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC1995 shade: #BC1995, #BD6018 and #18BDA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC1995 shade: #BC1995, #97BD18 and #1897BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC1995 shade: #BC1995, #BD6018, #18BD3F and #1876BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC1995 shade: #BC1995, #BD9118, #18BD3F and #1844BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 21 / 26

HEX #BC1995

RGB 188 25 149

HSL 314.36, 0.77%, 0.42%

LAB 43.59, 69.84, -26.9

 

Complementary color

CMYK 71 / 0 / 54 / 10

HEX #43E66A

RGB 67 230 106

HSL 134.36, 0.77%, 0.58%

LAB 81.2, -66.77, 48.06

 

CMYK 0 / 87 / 25 / 24

HEX #C11990

RGB 193 25 144

HSL 317.5, 0.77%, 0.43%

LAB 44.3, 70.28, -22.69

 

CMYK 0 / 80 / 22 / 18

HEX #D22BA3

RGB 210 43 163

HSL 316.89, 0.66%, 0.5%

LAB 49.59, 72.42, -25.66

 

CMYK 0 / 73 / 20 / 11

HEX #E33DB6

RGB 227 61 182

HSL 316.27, 0.75%, 0.56%

LAB 55.12, 73.66, -27.99

 

CMYK 0 / 68 / 18 / 4

HEX #F44FC9

RGB 244 79 201

HSL 315.64, 0.88%, 0.63%

LAB 60.82, 74.24, -29.86

 

CMYK 0 / 62 / 14 / 0

HEX #FF61DC

RGB 255 97 220

HSL 313.29, 1%, 0.69%

LAB 65.73, 72.86, -32.83

 

CMYK 0 / 87 / 21 / 26

HEX #BC1995

RGB 188 25 149

HSL 314.36, 0.77%, 0.42%

LAB 43.59, 69.84, -26.9

 

CMYK 0 / 96 / 24 / 33

HEX #AB0782

RGB 171 7 130

HSL 315, 0.92%, 0.35%

LAB 38.59, 66.49, -23.29

 

CMYK 0 / 100 / 28 / 40

HEX #9A006F

RGB 154 0 111

HSL 316.75, 1%, 0.3%

LAB 34.02, 61.6, -18.71

 

CMYK 0 / 100 / 33 / 46

HEX #89005C

RGB 137 0 92

HSL 319.71, 1%, 0.27%

LAB 29.64, 55.82, -13.47

 

CMYK 0 / 100 / 39 / 53

HEX #780049

RGB 120 0 73

HSL 323.5, 1%, 0.24%

LAB 25.18, 49.96, -7.94

 

CMYK 0 / 87 / 21 / 26

HEX #BD1896

RGB 189 24 150

HSL 314.18, 0.77%, 0.42%

LAB 43.76, 70.35, -27.22

 

CMYK 0 / 87 / 44 / 26

HEX #BD1869

RGB 189 24 105

HSL 330.55, 0.77%, 0.42%

LAB 41.99, 65.48, -2.2

 

CMYK 0 / 87 / 68 / 26

HEX #BD183D

RGB 189 24 61

HSL 346.55, 0.77%, 0.42%

LAB 40.91, 62.41, 24.07

 

CMYK 0 / 87 / 87 / 26

HEX #BD1818

RGB 189 24 24

HSL 0, 0.77%, 0.42%

LAB 40.47, 61.13, 44.96

 

CMYK 0 / 87 / 21 / 26

HEX #BD1896

RGB 189 24 150

HSL 314.18, 0.77%, 0.42%

LAB 43.76, 70.35, -27.22

 

CMYK 3 / 87 / 0 / 26

HEX #B818BD

RGB 184 24 189

HSL 298.18, 0.77%, 0.42%

LAB 44.97, 74.9, -48.57

 

CMYK 26 / 87 / 0 / 26

HEX #8C18BD

RGB 140 24 189

HSL 282.18, 0.77%, 0.42%

LAB 37.67, 67.68, -60.72

 

CMYK 50 / 87 / 0 / 26

HEX #5F18BD

RGB 95 24 189

HSL 265.82, 0.77%, 0.42%

LAB 31.25, 61.82, -71.48

 

CMYK 73 / 87 / 0 / 26

HEX #3318BD

RGB 51 24 189

HSL 249.82, 0.77%, 0.42%

LAB 26.82, 58.17, -78.95

 

CMYK 0 / 87 / 21 / 26

HEX #BD1896

RGB 189 24 150

HSL 314.18, 0.77%, 0.42%

LAB 43.76, 70.35, -27.22

 

CMYK 0 / 97 / 23 / 19

HEX #CE079F

RGB 206 7 159

HSL 314.17, 0.93%, 0.42%

LAB 46.68, 76.89, -27.84

 

CMYK 0 / 87 / 21 / 26

HEX #BD1896

RGB 189 24 150

HSL 314.18, 0.77%, 0.42%

LAB 43.76, 70.35, -27.22

 

CMYK 0 / 76 / 18 / 33

HEX #AC298D

RGB 172 41 141

HSL 314.2, 0.62%, 0.42%

LAB 41.66, 61.3, -25.27

 

CMYK 0 / 62 / 14 / 40

HEX #9A3B84

RGB 154 59 132

HSL 313.89, 0.45%, 0.42%

LAB 40.68, 48.34, -21.52

 

CMYK 0 / 45 / 11 / 46

HEX #894C7A

RGB 137 76 122

HSL 314.75, 0.29%, 0.42%

LAB 41.04, 32.56, -15.04

 

CMYK 0 / 23 / 6 / 53

HEX #785D71

RGB 120 93 113

HSL 315.56, 0.13%, 0.42%

LAB 42.78, 14.65, -7.1

 

CMYK 26 / 87 / 0 / 26

HEX #8C18BD

RGB 140 24 189

HSL 282.18, 0.77%, 0.42%

LAB 37.67, 67.68, -60.72

 

CMYK 3 / 87 / 0 / 26

HEX #B818BD

RGB 184 24 189

HSL 298.18, 0.77%, 0.42%

LAB 44.97, 74.9, -48.57

 

CMYK 0 / 87 / 20 / 26

HEX #BD1897

RGB 189 24 151

HSL 313.82, 0.77%, 0.42%

LAB 43.81, 70.48, -27.75

 

CMYK 0 / 87 / 43 / 26

HEX #BD186B

RGB 189 24 107

HSL 329.82, 0.77%, 0.42%

LAB 42.05, 65.66, -3.36

 

CMYK 0 / 87 / 67 / 26

HEX #BD183F

RGB 189 24 63

HSL 345.82, 0.77%, 0.42%

LAB 40.95, 62.51, 22.86

 

CMYK 0 / 87 / 21 / 55

HEX #740F5C

RGB 116 15 92

HSL 314.26, 0.77%, 0.26%

LAB 26.24, 48.39, -19.09

 

CMYK 0 / 88 / 21 / 40

HEX #991379

RGB 153 19 121

HSL 314.33, 0.78%, 0.34%

LAB 35.24, 59.86, -23.16

 

CMYK 0 / 87 / 21 / 26

HEX #BD1896

RGB 189 24 150

HSL 314.18, 0.77%, 0.42%

LAB 43.76, 70.35, -27.22

 

CMYK 0 / 87 / 21 / 12

HEX #E11DB2

RGB 225 29 178

HSL 314.39, 0.77%, 0.5%

LAB 51.95, 80.32, -30.61

 

CMYK 0 / 71 / 17 / 10

HEX #E642BF

RGB 230 66 191

HSL 314.27, 0.77%, 0.58%

LAB 56.57, 73.96, -30.91

 

CMYK 0 / 87 / 21 / 26

HEX #BC1995

RGB 188 25 149

HSL 314.36, 0.77%, 0.42%

LAB 43.59, 69.84, -26.9

 

CMYK 0 / 49 / 87 / 26

HEX #BD6018

RGB 189 96 24

HSL 26.18, 0.77%, 0.42%

LAB 50.98, 33.08, 53.48

 

CMYK 87 / 0 / 14 / 26

HEX #18BDA2

RGB 24 189 162

HSL 170.18, 0.77%, 0.42%

LAB 68.89, -45.16, 2.62

 

CMYK 0 / 87 / 21 / 26

HEX #BC1995

RGB 188 25 149

HSL 314.36, 0.77%, 0.42%

LAB 43.59, 69.84, -26.9

 

CMYK 20 / 0 / 87 / 26

HEX #97BD18

RGB 151 189 24

HSL 73.82, 0.77%, 0.42%

LAB 71.58, -32.87, 68.91

 

CMYK 87 / 20 / 0 / 26

HEX #1897BD

RGB 24 151 189

HSL 193.82, 0.77%, 0.42%

LAB 58.04, -18.65, -28.75

 

CMYK 0 / 87 / 21 / 26

HEX #BC1995

RGB 188 25 149

HSL 314.36, 0.77%, 0.42%

LAB 43.59, 69.84, -26.9

 

CMYK 0 / 49 / 87 / 26

HEX #BD6018

RGB 189 96 24

HSL 26.18, 0.77%, 0.42%

LAB 50.98, 33.08, 53.48

 

CMYK 87 / 0 / 67 / 26

HEX #18BD3F

RGB 24 189 63

HSL 134.18, 0.77%, 0.42%

LAB 67.24, -64.03, 50.91

 

CMYK 87 / 38 / 0 / 26

HEX #1876BD

RGB 24 118 189

HSL 205.82, 0.77%, 0.42%

LAB 48.04, 0.28, -44.45

 

CMYK 0 / 87 / 21 / 26

HEX #BC1995

RGB 188 25 149

HSL 314.36, 0.77%, 0.42%

LAB 43.59, 69.84, -26.9

 

CMYK 0 / 23 / 87 / 26

HEX #BD9118

RGB 189 145 24

HSL 44, 0.77%, 0.42%

LAB 62.62, 6.31, 62.87

 

CMYK 87 / 0 / 67 / 26

HEX #18BD3F

RGB 24 189 63

HSL 134.18, 0.77%, 0.42%

LAB 67.24, -64.03, 50.91

 

CMYK 87 / 64 / 0 / 26

HEX #1844BD

RGB 24 68 189

HSL 224, 0.77%, 0.42%

LAB 33.99, 32.76, -67.16

 

Description

Color code: HEX #BC1995 | qconv.com Color code: HEX #BC1995 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 25 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 25 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 21 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 21% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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