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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC008D it is the complementary color #43FF72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC008D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC008D shade: #C10088, #D2129B, #E324AE, #F436C1 and #FF48D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC008D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC008D shade: #BC008D, #AB007A, #9A0067, #890054 and #780041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC008D shade: #BC008D, #BC005A, #BC0027 and #BC0000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC008D shade: #BC008D, #B800BC, #8600BC, #5300BC and #2000BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC008D shade matches the following richer shades: #BC008D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC008D shade: #BC008D, #AD0F85, #9E1E7E, #8E2D76 and #7F3D6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC008D shade: #8700BC, #B900BC, #BC008D, #BC005B and #BC0028

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC008D shade: #6A004F, #93006E, #BC008D, #E500AC and #FF10C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC008D shade: #BC008D, #BC5400 and #00BCA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC008D shade: #BC008D, #8DBC00 and #008DBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC008D shade: #BC008D, #BC5400, #00BC2F and #0067BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC008D shade: #BC008D, #BC8D00, #00BC2F and #002FBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 25 / 26

HEX #BC008D

RGB 188 0 141

HSL 315, 1%, 0.37%

LAB 42.18, 71.92, -24.23

 

Complementary color

CMYK 74 / 0 / 55 / 0

HEX #43FF72

RGB 67 255 114

HSL 135, 1%, 0.63%

LAB 88.89, -73.97, 53.63

 

CMYK 0 / 100 / 30 / 24

HEX #C10088

RGB 193 0 136

HSL 317.72, 1%, 0.38%

LAB 42.94, 72.35, -19.92

 

CMYK 0 / 91 / 26 / 18

HEX #D2129B

RGB 210 18 155

HSL 317.19, 0.84%, 0.45%

LAB 47.62, 76.15, -23.92

 

CMYK 0 / 84 / 23 / 11

HEX #E324AE

RGB 227 36 174

HSL 316.65, 0.77%, 0.52%

LAB 52.56, 79.01, -27.29

 

CMYK 0 / 78 / 21 / 4

HEX #F436C1

RGB 244 54 193

HSL 316.11, 0.9%, 0.58%

LAB 57.77, 80.89, -30.01

 

CMYK 0 / 72 / 17 / 0

HEX #FF48D4

RGB 255 72 212

HSL 314.1, 1%, 0.64%

LAB 62.21, 80.66, -33.8

 

CMYK 0 / 100 / 25 / 26

HEX #BC008D

RGB 188 0 141

HSL 315, 1%, 0.37%

LAB 42.18, 71.92, -24.23

 

CMYK 0 / 100 / 29 / 33

HEX #AB007A

RGB 171 0 122

HSL 317.19, 1%, 0.34%

LAB 37.96, 66.34, -19.29

 

CMYK 0 / 100 / 33 / 40

HEX #9A0067

RGB 154 0 103

HSL 319.87, 1%, 0.3%

LAB 33.67, 60.69, -14.13

 

CMYK 0 / 100 / 39 / 46

HEX #890054

RGB 137 0 84

HSL 323.21, 1%, 0.27%

LAB 29.31, 54.96, -8.71

 

CMYK 0 / 100 / 46 / 53

HEX #780041

RGB 120 0 65

HSL 327.5, 1%, 0.24%

LAB 24.87, 49.16, -2.95

 

CMYK 0 / 100 / 25 / 26

HEX #BC008D

RGB 188 0 141

HSL 315, 1%, 0.37%

LAB 42.18, 71.92, -24.23

 

CMYK 0 / 100 / 52 / 26

HEX #BC005A

RGB 188 0 90

HSL 331.28, 1%, 0.37%

LAB 40.29, 67.04, 4.8

 

CMYK 0 / 100 / 79 / 26

HEX #BC0027

RGB 188 0 39

HSL 347.55, 1%, 0.37%

LAB 39.31, 64.39, 35.63

 

CMYK 0 / 100 / 100 / 26

HEX #BC0000

RGB 188 0 0

HSL 0, 1%, 0.37%

LAB 39.06, 63.7, 53.46

 

CMYK 0 / 100 / 25 / 26

HEX #BC008D

RGB 188 0 141

HSL 315, 1%, 0.37%

LAB 42.18, 71.92, -24.23

 

CMYK 2 / 100 / 0 / 26

HEX #B800BC

RGB 184 0 188

HSL 298.72, 1%, 0.37%

LAB 43.98, 77.49, -49.57

 

CMYK 29 / 100 / 0 / 26

HEX #8600BC

RGB 134 0 188

HSL 282.77, 1%, 0.37%

LAB 35.4, 70.34, -63.87

 

CMYK 56 / 100 / 0 / 26

HEX #5300BC

RGB 83 0 188

HSL 266.49, 1%, 0.37%

LAB 28.03, 65.45, -76.26

 

CMYK 83 / 100 / 0 / 26

HEX #2000BC

RGB 32 0 188

HSL 250.21, 1%, 0.37%

LAB 23.47, 63.33, -83.99

 

CMYK 0 / 100 / 25 / 26

HEX #BC008D

RGB 188 0 141

HSL 315, 1%, 0.37%

LAB 42.18, 71.92, -24.23

 

CMYK 0 / 100 / 25 / 26

HEX #BC008D

RGB 188 0 141

HSL 315, 1%, 0.37%

LAB 42.18, 71.92, -24.23

 

CMYK 0 / 91 / 23 / 32

HEX #AD0F85

RGB 173 15 133

HSL 315.19, 0.84%, 0.37%

LAB 39.44, 66.32, -23.79

 

CMYK 0 / 81 / 20 / 38

HEX #9E1E7E

RGB 158 30 126

HSL 315, 0.68%, 0.37%

LAB 37.31, 59.11, -22.99

 

CMYK 0 / 68 / 17 / 44

HEX #8E2D76

RGB 142 45 118

HSL 314.85, 0.52%, 0.37%

LAB 35.86, 48.83, -20.46

 

CMYK 0 / 52 / 13 / 50

HEX #7F3D6E

RGB 127 61 110

HSL 315.45, 0.35%, 0.37%

LAB 35.94, 35.3, -15.52

 

CMYK 28 / 100 / 0 / 26

HEX #8700BC

RGB 135 0 188

HSL 283.09, 1%, 0.37%

LAB 35.56, 70.46, -63.6

 

CMYK 2 / 100 / 0 / 26

HEX #B900BC

RGB 185 0 188

HSL 299.04, 1%, 0.37%

LAB 44.15, 77.65, -49.27

 

CMYK 0 / 100 / 25 / 26

HEX #BC008D

RGB 188 0 141

HSL 315, 1%, 0.37%

LAB 42.18, 71.92, -24.23

 

CMYK 0 / 100 / 52 / 26

HEX #BC005B

RGB 188 0 91

HSL 330.96, 1%, 0.37%

LAB 40.32, 67.11, 4.2

 

CMYK 0 / 100 / 79 / 26

HEX #BC0028

RGB 188 0 40

HSL 347.23, 1%, 0.37%

LAB 39.32, 64.42, 35.05

 

CMYK 0 / 100 / 25 / 58

HEX #6A004F

RGB 106 0 79

HSL 315.28, 1%, 0.21%

LAB 22.4, 47.54, -16.53

 

CMYK 0 / 100 / 25 / 42

HEX #93006E

RGB 147 0 110

HSL 315.1, 1%, 0.29%

LAB 32.54, 60.04, -20.47

 

CMYK 0 / 100 / 25 / 26

HEX #BC008D

RGB 188 0 141

HSL 315, 1%, 0.37%

LAB 42.18, 71.92, -24.23

 

CMYK 0 / 100 / 25 / 10

HEX #E500AC

RGB 229 0 172

HSL 314.93, 1%, 0.45%

LAB 51.42, 83.32, -27.85

 

CMYK 0 / 94 / 24 / 0

HEX #FF10C3

RGB 255 16 195

HSL 315.06, 1%, 0.53%

LAB 57.63, 89.67, -31.23

 

CMYK 0 / 100 / 25 / 26

HEX #BC008D

RGB 188 0 141

HSL 315, 1%, 0.37%

LAB 42.18, 71.92, -24.23

 

CMYK 0 / 55 / 100 / 26

HEX #BC5400

RGB 188 84 0

HSL 26.81, 1%, 0.37%

LAB 48.3, 38.47, 57.85

 

CMYK 100 / 0 / 15 / 26

HEX #00BCA0

RGB 0 188 160

HSL 171.06, 1%, 0.37%

LAB 68.39, -46.29, 2.97

 

CMYK 0 / 100 / 25 / 26

HEX #BC008D

RGB 188 0 141

HSL 315, 1%, 0.37%

LAB 42.18, 71.92, -24.23

 

CMYK 25 / 0 / 100 / 26

HEX #8DBC00

RGB 141 188 0

HSL 75, 1%, 0.37%

LAB 70.61, -36.86, 71.14

 

CMYK 100 / 25 / 0 / 26

HEX #008DBC

RGB 0 141 188

HSL 195, 1%, 0.37%

LAB 54.74, -14.62, -33.33

 

CMYK 0 / 100 / 25 / 26

HEX #BC008D

RGB 188 0 141

HSL 315, 1%, 0.37%

LAB 42.18, 71.92, -24.23

 

CMYK 0 / 55 / 100 / 26

HEX #BC5400

RGB 188 84 0

HSL 26.81, 1%, 0.37%

LAB 48.3, 38.47, 57.85

 

CMYK 100 / 0 / 75 / 26

HEX #00BC2F

RGB 0 188 47

HSL 135, 1%, 0.37%

LAB 66.65, -66.51, 56.37

 

CMYK 100 / 45 / 0 / 26

HEX #0067BC

RGB 0 103 188

HSL 207.13, 1%, 0.37%

LAB 43.26, 8.18, -51.53

 

CMYK 0 / 100 / 25 / 26

HEX #BC008D

RGB 188 0 141

HSL 315, 1%, 0.37%

LAB 42.18, 71.92, -24.23

 

CMYK 0 / 25 / 100 / 26

HEX #BC8D00

RGB 188 141 0

HSL 45, 1%, 0.37%

LAB 61.43, 7.68, 66.22

 

CMYK 100 / 0 / 75 / 26

HEX #00BC2F

RGB 0 188 47

HSL 135, 1%, 0.37%

LAB 66.65, -66.51, 56.37

 

CMYK 100 / 75 / 0 / 26

HEX #002FBC

RGB 0 47 188

HSL 225, 1%, 0.37%

LAB 28.55, 44.76, -75.55

 

Description

Color code: HEX #BC008D | qconv.com Color code: HEX #BC008D | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, none green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 0 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 25 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 25% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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