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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBF3E0 it is the complementary color #440C1F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBF3E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBF3E0 shade: #C0F3DB, #D1FFEE, #E2FFFF and #F3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBF3E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBF3E0 shade: #BBF3E0, #AAE1CD, #99CFBA, #88BDA7 and #77AB94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBF3E0 shade: #B9F2DF, #B9F2CF, #B9F2C0, #C2F2B9 and #D1F2B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBF3E0 shade: #B9F2DF, #B9F2EE, #B9E7F2, #B9D7F2 and #B9C8F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBF3E0 shade matches the following richer shades: #B9F2DF and #B3F9E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBF3E0 shade: #B9F2DF, #C0ECDD, #C6E5DB, #CDDED9 and #D4D8D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBF3E0 shade: #B9F2C0, #B9F2CF, #B9F2DE, #B9F2EE and #B9E8F2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBF3E0 shade: #73E6BF, #96ECCF, #B9F2DF and #DCF8EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBF3E0 shade: #BBF3E0, #B9C2F2 and #F2C7B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBF3E0 shade: #BBF3E0, #DEB9F2 and #F2DEB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBF3E0 shade: #BBF3E0, #B9C2F2, #F2B9CD and #F2EAB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBF3E0 shade: #BBF3E0, #C2B9F2, #F2B9CD and #EAF2B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 8 / 5

HEX #BBF3E0

RGB 187 243 224

HSL 159.64, 0.7%, 0.84%

LAB 91.71, -21.49, 3.37

 

Complementary color

CMYK 0 / 82 / 54 / 73

HEX #440C1F

RGB 68 12 31

HSL 339.64, 0.7%, 0.16%

LAB 13.17, 27.98, 2.81

 

CMYK 21 / 0 / 10 / 5

HEX #C0F3DB

RGB 192 243 219

HSL 151.76, 0.68%, 0.85%

LAB 91.87, -20.93, 6.25

 

CMYK 18 / 0 / 7 / 0

HEX #D1FFEE

RGB 209 255 238

HSL 157.83, 1%, 0.91%

LAB 96.51, -17.88, 3.27

 

CMYK 11 / 0 / 0 / 0

HEX #E2FFFF

RGB 226 255 255

HSL 180, 1%, 0.94%

LAB 98, -9.32, -3.18

 

CMYK 5 / 0 / 0 / 0

HEX #F3FFFF

RGB 243 255 255

HSL 180, 1%, 0.98%

LAB 99.14, -3.91, -1.37

 

CMYK 23 / 0 / 8 / 5

HEX #BBF3E0

RGB 187 243 224

HSL 159.64, 0.7%, 0.84%

LAB 91.71, -21.49, 3.37

 

CMYK 24 / 0 / 9 / 12

HEX #AAE1CD

RGB 170 225 205

HSL 158.18, 0.48%, 0.77%

LAB 85.4, -21.64, 4.07

 

CMYK 26 / 0 / 10 / 19

HEX #99CFBA

RGB 153 207 186

HSL 156.67, 0.36%, 0.71%

LAB 79.01, -21.82, 4.79

 

CMYK 28 / 0 / 12 / 26

HEX #88BDA7

RGB 136 189 167

HSL 155.09, 0.29%, 0.64%

LAB 72.51, -22.01, 5.56

 

CMYK 30 / 0 / 13 / 33

HEX #77AB94

RGB 119 171 148

HSL 153.46, 0.24%, 0.57%

LAB 65.89, -22.22, 6.37

 

CMYK 24 / 0 / 8 / 5

HEX #B9F2DF

RGB 185 242 223

HSL 160, 0.69%, 0.84%

LAB 91.3, -21.81, 3.29

 

CMYK 24 / 0 / 14 / 5

HEX #B9F2CF

RGB 185 242 207

HSL 143.16, 0.69%, 0.84%

LAB 90.93, -24.89, 11.07

 

CMYK 24 / 0 / 21 / 5

HEX #B9F2C0

RGB 185 242 192

HSL 127.37, 0.69%, 0.84%

LAB 90.61, -27.59, 18.37

 

CMYK 20 / 0 / 24 / 5

HEX #C2F2B9

RGB 194 242 185

HSL 110.53, 0.69%, 0.84%

LAB 91, -25.8, 22.6

 

CMYK 14 / 0 / 24 / 5

HEX #D1F2B9

RGB 209 242 185

HSL 94.74, 0.69%, 0.84%

LAB 91.94, -20.69, 24.04

 

CMYK 24 / 0 / 8 / 5

HEX #B9F2DF

RGB 185 242 223

HSL 160, 0.69%, 0.84%

LAB 91.3, -21.81, 3.29

 

CMYK 24 / 0 / 2 / 5

HEX #B9F2EE

RGB 185 242 238

HSL 175.79, 0.69%, 0.84%

LAB 91.68, -18.73, -3.96

 

CMYK 24 / 5 / 0 / 5

HEX #B9E7F2

RGB 185 231 242

HSL 191.58, 0.69%, 0.84%

LAB 88.86, -12.37, -10.22

 

CMYK 24 / 11 / 0 / 5

HEX #B9D7F2

RGB 185 215 242

HSL 208.42, 0.69%, 0.84%

LAB 84.65, -4.13, -16.52

 

CMYK 24 / 17 / 0 / 5

HEX #B9C8F2

RGB 185 200 242

HSL 224.21, 0.69%, 0.84%

LAB 80.76, 3.82, -22.4

 

CMYK 24 / 0 / 8 / 5

HEX #B9F2DF

RGB 185 242 223

HSL 160, 0.69%, 0.84%

LAB 91.3, -21.81, 3.29

 

CMYK 28 / 0 / 10 / 2

HEX #B3F9E1

RGB 179 249 225

HSL 159.43, 0.85%, 0.84%

LAB 92.91, -26.57, 4.55

 

CMYK 24 / 0 / 8 / 5

HEX #B9F2DF

RGB 185 242 223

HSL 160, 0.69%, 0.84%

LAB 91.3, -21.81, 3.29

 

CMYK 19 / 0 / 6 / 7

HEX #C0ECDD

RGB 192 236 221

HSL 159.55, 0.54%, 0.84%

LAB 90.05, -17.1, 2.57

 

CMYK 14 / 0 / 4 / 10

HEX #C6E5DB

RGB 198 229 219

HSL 160.65, 0.37%, 0.84%

LAB 88.52, -12.07, 1.44

 

CMYK 8 / 0 / 2 / 13

HEX #CDDED9

RGB 205 222 217

HSL 162.35, 0.2%, 0.84%

LAB 87.11, -6.6, 0.49

 

CMYK 2 / 0 / 1 / 15

HEX #D4D8D6

RGB 212 216 214

HSL 150, 0.05%, 0.84%

LAB 85.99, -1.71, 0.5

 

CMYK 24 / 0 / 21 / 5

HEX #B9F2C0

RGB 185 242 192

HSL 127.37, 0.69%, 0.84%

LAB 90.61, -27.59, 18.37

 

CMYK 24 / 0 / 14 / 5

HEX #B9F2CF

RGB 185 242 207

HSL 143.16, 0.69%, 0.84%

LAB 90.93, -24.89, 11.07

 

CMYK 24 / 0 / 8 / 5

HEX #B9F2DE

RGB 185 242 222

HSL 158.95, 0.69%, 0.84%

LAB 91.28, -22.01, 3.78

 

CMYK 24 / 0 / 2 / 5

HEX #B9F2EE

RGB 185 242 238

HSL 175.79, 0.69%, 0.84%

LAB 91.68, -18.73, -3.96

 

CMYK 24 / 4 / 0 / 5

HEX #B9E8F2

RGB 185 232 242

HSL 190.53, 0.69%, 0.84%

LAB 89.13, -12.87, -9.82

 

CMYK 50 / 0 / 17 / 10

HEX #73E6BF

RGB 115 230 191

HSL 159.65, 0.7%, 0.68%

LAB 83.97, -41.85, 9.04

 

CMYK 36 / 0 / 12 / 7

HEX #96ECCF

RGB 150 236 207

HSL 159.77, 0.69%, 0.76%

LAB 87.48, -32.32, 5.88

 

CMYK 24 / 0 / 8 / 5

HEX #B9F2DF

RGB 185 242 223

HSL 160, 0.69%, 0.84%

LAB 91.3, -21.81, 3.29

 

CMYK 11 / 0 / 4 / 3

HEX #DCF8EF

RGB 220 248 239

HSL 160.71, 0.67%, 0.92%

LAB 95.41, -10.76, 1.23

 

CMYK 23 / 0 / 8 / 5

HEX #BBF3E0

RGB 187 243 224

HSL 159.64, 0.7%, 0.84%

LAB 91.71, -21.49, 3.37

 

CMYK 24 / 20 / 0 / 5

HEX #B9C2F2

RGB 185 194 242

HSL 230.53, 0.69%, 0.84%

LAB 79.22, 7.05, -24.75

 

CMYK 0 / 18 / 24 / 5

HEX #F2C7B9

RGB 242 199 185

HSL 14.74, 0.69%, 0.84%

LAB 83.56, 13.17, 12.73

 

CMYK 23 / 0 / 8 / 5

HEX #BBF3E0

RGB 187 243 224

HSL 159.64, 0.7%, 0.84%

LAB 91.71, -21.49, 3.37

 

CMYK 8 / 24 / 0 / 5

HEX #DEB9F2

RGB 222 185 242

HSL 278.95, 0.69%, 0.84%

LAB 79.98, 23.41, -23.32

 

CMYK 0 / 8 / 24 / 5

HEX #F2DEB9

RGB 242 222 185

HSL 38.95, 0.69%, 0.84%

LAB 89.22, 1.21, 20.66

 

CMYK 23 / 0 / 8 / 5

HEX #BBF3E0

RGB 187 243 224

HSL 159.64, 0.7%, 0.84%

LAB 91.71, -21.49, 3.37

 

CMYK 24 / 20 / 0 / 5

HEX #B9C2F2

RGB 185 194 242

HSL 230.53, 0.69%, 0.84%

LAB 79.22, 7.05, -24.75

 

CMYK 0 / 24 / 15 / 5

HEX #F2B9CD

RGB 242 185 205

HSL 338.95, 0.69%, 0.84%

LAB 80.73, 23.55, -2.08

 

CMYK 0 / 3 / 24 / 5

HEX #F2EAB9

RGB 242 234 185

HSL 51.58, 0.69%, 0.84%

LAB 92.23, -4.9, 24.82

 

CMYK 23 / 0 / 8 / 5

HEX #BBF3E0

RGB 187 243 224

HSL 159.64, 0.7%, 0.84%

LAB 91.71, -21.49, 3.37

 

CMYK 20 / 24 / 0 / 5

HEX #C2B9F2

RGB 194 185 242

HSL 249.47, 0.69%, 0.84%

LAB 77.63, 14.67, -27.12

 

CMYK 0 / 24 / 15 / 5

HEX #F2B9CD

RGB 242 185 205

HSL 338.95, 0.69%, 0.84%

LAB 80.73, 23.55, -2.08

 

CMYK 3 / 0 / 24 / 5

HEX #EAF2B9

RGB 234 242 185

HSL 68.42, 0.69%, 0.84%

LAB 93.67, -11.82, 26.69

 

Description

Color code: HEX #BBF3E0 | qconv.com Color code: HEX #BBF3E0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 243 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 243 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 8 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 8% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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