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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBEA80 it is the complementary color #44157F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBEA80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBEA80 shade: #C0EA7B, #D1FC8E, #E2FFA1, #F3FFB4 and #FFFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBEA80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBEA80 shade: #BBEA80, #AAD86D, #99C65A, #88B447 and #77A234

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBEA80 shade: #BBEA7F, #D7EA7F, #EAE07F, #EAC37F and #EAA67F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBEA80 shade: #BBEA7F, #9EEA7F, #81EA7F, #7FEA9A and #7FEAB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBEA80 shade matches the following richer shades: #BBEA7F and #BCF673

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBEA80 shade: #BBEA7F, #B9DE8B, #B8D297, #B7C6A3 and #B5BAAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBEA80 shade: #EADF7F, #D8EA7F, #BCEA7F, #9FEA7F and #83EA7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBEA80 shade: #95DE38, #A8E45C, #BBEA7F, #CEF0A3 and #E0F5C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBEA80 shade: #BBEA80, #7FEAC3 and #EA7FE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBEA80 shade: #BBEA80, #7FBCEA and #EA7FBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBEA80 shade: #BBEA80, #7FEAC3, #AD7FEA and #EA7FA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBEA80 shade: #BBEA80, #7FEAE3, #AD7FEA and #EA7F86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 45 / 8

HEX #BBEA80

RGB 187 234 128

HSL 86.6, 0.72%, 0.71%

LAB 87.47, -32.35, 46.42

 

Complementary color

CMYK 46 / 83 / 0 / 50

HEX #44157F

RGB 68 21 127

HSL 266.6, 0.72%, 0.29%

LAB 21.2, 43.95, -50.26

 

CMYK 18 / 0 / 47 / 8

HEX #C0EA7B

RGB 192 234 123

HSL 82.7, 0.73%, 0.7%

LAB 87.72, -31.07, 49.19

 

CMYK 17 / 0 / 44 / 1

HEX #D1FC8E

RGB 209 252 142

HSL 83.45, 0.95%, 0.77%

LAB 93.94, -31.14, 48.07

 

CMYK 11 / 0 / 37 / 0

HEX #E2FFA1

RGB 226 255 161

HSL 78.51, 1%, 0.82%

LAB 96.11, -24.16, 41.85

 

CMYK 5 / 0 / 29 / 0

HEX #F3FFB4

RGB 243 255 180

HSL 69.6, 1%, 0.85%

LAB 97.58, -15.6, 34.61

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 20 / 0 / 45 / 8

HEX #BBEA80

RGB 187 234 128

HSL 86.6, 0.72%, 0.71%

LAB 87.47, -32.35, 46.42

 

CMYK 21 / 0 / 50 / 15

HEX #AAD86D

RGB 170 216 109

HSL 85.79, 0.58%, 0.64%

LAB 81.16, -32.32, 47.56

 

CMYK 23 / 0 / 55 / 22

HEX #99C65A

RGB 153 198 90

HSL 85, 0.49%, 0.56%

LAB 74.76, -32.23, 48.65

 

CMYK 24 / 0 / 61 / 29

HEX #88B447

RGB 136 180 71

HSL 84.22, 0.43%, 0.49%

LAB 68.26, -32.06, 49.65

 

CMYK 27 / 0 / 68 / 36

HEX #77A234

RGB 119 162 52

HSL 83.45, 0.51%, 0.42%

LAB 61.66, -31.78, 50.39

 

CMYK 20 / 0 / 46 / 8

HEX #BBEA7F

RGB 187 234 127

HSL 86.36, 0.72%, 0.71%

LAB 87.46, -32.47, 46.89

 

CMYK 8 / 0 / 46 / 8

HEX #D7EA7F

RGB 215 234 127

HSL 70.65, 0.72%, 0.71%

LAB 89.31, -21.98, 49.59

 

CMYK 0 / 4 / 46 / 8

HEX #EAE07F

RGB 234 224 127

HSL 54.39, 0.72%, 0.71%

LAB 88.13, -9.64, 48.47

 

CMYK 0 / 17 / 46 / 8

HEX #EAC37F

RGB 234 195 127

HSL 38.13, 0.72%, 0.71%

LAB 80.77, 5.22, 39.26

 

CMYK 0 / 29 / 46 / 8

HEX #EAA67F

RGB 234 166 127

HSL 21.87, 0.72%, 0.71%

LAB 73.74, 20.55, 30.16

 

CMYK 20 / 0 / 46 / 8

HEX #BBEA7F

RGB 187 234 127

HSL 86.36, 0.72%, 0.71%

LAB 87.46, -32.47, 46.89

 

CMYK 32 / 0 / 46 / 8

HEX #9EEA7F

RGB 158 234 127

HSL 102.62, 0.72%, 0.71%

LAB 85.83, -42.54, 44.51

 

CMYK 45 / 0 / 46 / 8

HEX #81EA7F

RGB 129 234 127

HSL 118.88, 0.72%, 0.71%

LAB 84.51, -51.46, 42.56

 

CMYK 46 / 0 / 34 / 8

HEX #7FEA9A

RGB 127 234 154

HSL 135.14, 0.72%, 0.71%

LAB 84.84, -47.84, 29.52

 

CMYK 46 / 0 / 22 / 8

HEX #7FEAB7

RGB 127 234 183

HSL 151.4, 0.72%, 0.71%

LAB 85.39, -42.42, 15.31

 

CMYK 20 / 0 / 46 / 8

HEX #BBEA7F

RGB 187 234 127

HSL 86.36, 0.72%, 0.71%

LAB 87.46, -32.47, 46.89

 

CMYK 24 / 0 / 53 / 4

HEX #BCF673

RGB 188 246 115

HSL 86.56, 0.88%, 0.71%

LAB 90.71, -38.82, 56.42

 

CMYK 20 / 0 / 46 / 8

HEX #BBEA7F

RGB 187 234 127

HSL 86.36, 0.72%, 0.71%

LAB 87.46, -32.47, 46.89

 

CMYK 17 / 0 / 37 / 13

HEX #B9DE8B

RGB 185 222 139

HSL 86.75, 0.56%, 0.71%

LAB 84.18, -26.09, 36.8

 

CMYK 12 / 0 / 28 / 18

HEX #B8D297

RGB 184 210 151

HSL 86.44, 0.4%, 0.71%

LAB 81.03, -18.94, 26.45

 

CMYK 8 / 0 / 18 / 22

HEX #B7C6A3

RGB 183 198 163

HSL 85.71, 0.23%, 0.71%

LAB 77.93, -11.38, 15.84

 

CMYK 3 / 0 / 6 / 27

HEX #B5BAAF

RGB 181 186 175

HSL 87.27, 0.07%, 0.71%

LAB 74.85, -3.77, 4.96

 

CMYK 0 / 5 / 46 / 8

HEX #EADF7F

RGB 234 223 127

HSL 53.83, 0.72%, 0.71%

LAB 87.87, -9.14, 48.15

 

CMYK 8 / 0 / 46 / 8

HEX #D8EA7F

RGB 216 234 127

HSL 70.09, 0.72%, 0.71%

LAB 89.38, -21.6, 49.69

 

CMYK 20 / 0 / 46 / 8

HEX #BCEA7F

RGB 188 234 127

HSL 85.79, 0.72%, 0.71%

LAB 87.52, -32.1, 46.98

 

CMYK 32 / 0 / 46 / 8

HEX #9FEA7F

RGB 159 234 127

HSL 102.06, 0.72%, 0.71%

LAB 85.88, -42.21, 44.58

 

CMYK 44 / 0 / 46 / 8

HEX #83EA7F

RGB 131 234 127

HSL 117.76, 0.72%, 0.71%

LAB 84.59, -50.89, 42.68

 

CMYK 33 / 0 / 75 / 13

HEX #95DE38

RGB 149 222 56

HSL 86.39, 0.72%, 0.55%

LAB 81.25, -46.89, 69.07

 

CMYK 26 / 0 / 60 / 11

HEX #A8E45C

RGB 168 228 92

HSL 86.47, 0.72%, 0.63%

LAB 84.27, -40.13, 58.86

 

CMYK 20 / 0 / 46 / 8

HEX #BBEA7F

RGB 187 234 127

HSL 86.36, 0.72%, 0.71%

LAB 87.46, -32.47, 46.89

 

CMYK 14 / 0 / 32 / 6

HEX #CEF0A3

RGB 206 240 163

HSL 86.49, 0.72%, 0.79%

LAB 90.82, -23.96, 33.68

 

CMYK 9 / 0 / 19 / 4

HEX #E0F5C6

RGB 224 245 198

HSL 86.81, 0.7%, 0.87%

LAB 93.98, -14.94, 20.36

 

CMYK 20 / 0 / 45 / 8

HEX #BBEA80

RGB 187 234 128

HSL 86.6, 0.72%, 0.71%

LAB 87.47, -32.35, 46.42

 

CMYK 46 / 0 / 17 / 8

HEX #7FEAC3

RGB 127 234 195

HSL 158.13, 0.72%, 0.71%

LAB 85.65, -39.92, 9.42

 

CMYK 0 / 46 / 2 / 8

HEX #EA7FE6

RGB 234 127 230

HSL 302.24, 0.72%, 0.71%

LAB 68.3, 55.3, -34.62

 

CMYK 20 / 0 / 45 / 8

HEX #BBEA80

RGB 187 234 128

HSL 86.6, 0.72%, 0.71%

LAB 87.47, -32.35, 46.42

 

CMYK 46 / 20 / 0 / 8

HEX #7FBCEA

RGB 127 188 234

HSL 205.79, 0.72%, 0.71%

LAB 73.82, -7.56, -29.02

 

CMYK 0 / 46 / 20 / 8

HEX #EA7FBC

RGB 234 127 188

HSL 325.79, 0.72%, 0.71%

LAB 66.75, 48.55, -13.58

 

CMYK 20 / 0 / 45 / 8

HEX #BBEA80

RGB 187 234 128

HSL 86.6, 0.72%, 0.71%

LAB 87.47, -32.35, 46.42

 

CMYK 46 / 0 / 17 / 8

HEX #7FEAC3

RGB 127 234 195

HSL 158.13, 0.72%, 0.71%

LAB 85.65, -39.92, 9.42

 

CMYK 26 / 46 / 0 / 8

HEX #AD7FEA

RGB 173 127 234

HSL 265.79, 0.72%, 0.71%

LAB 61.66, 38.94, -47.73

 

CMYK 0 / 46 / 29 / 8

HEX #EA7FA6

RGB 234 127 166

HSL 338.13, 0.72%, 0.71%

LAB 66.08, 45.5, -2.16

 

CMYK 20 / 0 / 45 / 8

HEX #BBEA80

RGB 187 234 128

HSL 86.6, 0.72%, 0.71%

LAB 87.47, -32.35, 46.42

 

CMYK 46 / 0 / 3 / 8

HEX #7FEAE3

RGB 127 234 227

HSL 176.07, 0.72%, 0.71%

LAB 86.46, -32.58, -6.22

 

CMYK 26 / 46 / 0 / 8

HEX #AD7FEA

RGB 173 127 234

HSL 265.79, 0.72%, 0.71%

LAB 61.66, 38.94, -47.73

 

CMYK 0 / 46 / 43 / 8

HEX #EA7F86

RGB 234 127 134

HSL 356.07, 0.72%, 0.71%

LAB 65.27, 41.75, 14.82

 

Description

Color code: HEX #BBEA80 | qconv.com Color code: HEX #BBEA80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 234 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 234 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 45 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 45% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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