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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBE329 it is the complementary color #441CD6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBE329. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBE329 shade: #C0E324, #D1F537, #E2FF4A, #F3FF5D and #FFFF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBE329. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBE329 shade: #BBE329, #AAD116, #99BF03, #88AD00 and #779B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBE329 shade: #BBE32A, #E3D92A, #E3A72A, #E3752A and #E3442A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBE329 shade: #BBE32A, #89E32A, #58E32A, #2AE32F and #2AE361

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBE329 shade matches the following richer shades: #BBE32A and #C6F617

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBE329 shade: #BBE32A, #B0D03E, #A5BC51, #9AA965 and #8F9578

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBE329 shade: #E3A52A, #E3D72A, #BEE32A, #8DE32A and #5CE32A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBE329 shade: #87A615, #A4CA1A, #BBE32A, #C7E84F and #D2EC73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBE329 shade: #BBE329, #2AE374 and #BE2AE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBE329 shade: #BBE329, #2ABEE3 and #E32ABE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBE329 shade: #BBE329, #2AE374, #4F2AE3 and #E32A99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBE329 shade: #BBE329, #2AE3AC, #4F2AE3 and #E32A62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 82 / 11

HEX #BBE329

RGB 187 227 41

HSL 72.9, 0.77%, 0.53%

LAB 84.82, -35.41, 77.36

 

Complementary color

CMYK 68 / 87 / 0 / 16

HEX #441CD6

RGB 68 28 214

HSL 252.9, 0.77%, 0.47%

LAB 31.61, 64.6, -85.59

 

CMYK 15 / 0 / 84 / 11

HEX #C0E324

RGB 192 227 36

HSL 70.99, 0.77%, 0.52%

LAB 85.13, -33.58, 78.88

 

CMYK 15 / 0 / 78 / 4

HEX #D1F537

RGB 209 245 55

HSL 71.37, 0.9%, 0.59%

LAB 91.3, -34.43, 80.01

 

CMYK 11 / 0 / 71 / 0

HEX #E2FF4A

RGB 226 255 74

HSL 69.61, 1%, 0.65%

LAB 95.24, -31.49, 78.3

 

CMYK 5 / 0 / 64 / 0

HEX #F3FF5D

RGB 243 255 93

HSL 64.44, 1%, 0.68%

LAB 96.56, -23.76, 73.17

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF70

RGB 255 255 112

HSL 60, 1%, 0.72%

LAB 97.61, -17.77, 66.83

 

CMYK 18 / 0 / 82 / 11

HEX #BBE329

RGB 187 227 41

HSL 72.9, 0.77%, 0.53%

LAB 84.82, -35.41, 77.36

 

CMYK 19 / 0 / 89 / 18

HEX #AAD116

RGB 170 209 22

HSL 72.51, 0.81%, 0.45%

LAB 78.58, -34.48, 75.5

 

CMYK 20 / 0 / 98 / 25

HEX #99BF03

RGB 153 191 3

HSL 72.13, 0.97%, 0.38%

LAB 72.26, -33.36, 72.38

 

CMYK 21 / 0 / 100 / 32

HEX #88AD00

RGB 136 173 0

HSL 72.83, 1%, 0.34%

LAB 65.84, -32, 67.37

 

CMYK 23 / 0 / 100 / 39

HEX #779B00

RGB 119 155 0

HSL 73.94, 1%, 0.3%

LAB 59.31, -30.58, 61.93

 

CMYK 18 / 0 / 81 / 11

HEX #BBE32A

RGB 187 227 42

HSL 72.97, 0.77%, 0.53%

LAB 84.83, -35.38, 77.12

 

CMYK 0 / 4 / 81 / 11

HEX #E3D92A

RGB 227 217 42

HSL 56.76, 0.77%, 0.53%

LAB 85.06, -14.18, 78.47

 

CMYK 0 / 26 / 81 / 11

HEX #E3A72A

RGB 227 167 42

HSL 40.54, 0.77%, 0.53%

LAB 72.32, 11.64, 67.51

 

CMYK 0 / 48 / 81 / 11

HEX #E3752A

RGB 227 117 42

HSL 24.32, 0.77%, 0.53%

LAB 60.98, 38.02, 57.45

 

CMYK 0 / 70 / 81 / 11

HEX #E3442A

RGB 227 68 42

HSL 8.43, 0.77%, 0.53%

LAB 52.54, 60.05, 49.69

 

CMYK 18 / 0 / 81 / 11

HEX #BBE32A

RGB 187 227 42

HSL 72.97, 0.77%, 0.53%

LAB 84.83, -35.38, 77.12

 

CMYK 40 / 0 / 81 / 11

HEX #89E32A

RGB 137 227 42

HSL 89.19, 0.77%, 0.53%

LAB 82.07, -53.71, 73.62

 

CMYK 61 / 0 / 81 / 11

HEX #58E32A

RGB 88 227 42

HSL 105.08, 0.77%, 0.53%

LAB 80.28, -67.49, 71.34

 

CMYK 81 / 0 / 79 / 11

HEX #2AE32F

RGB 42 227 47

HSL 121.62, 0.77%, 0.53%

LAB 79.41, -74.87, 68.86

 

CMYK 81 / 0 / 57 / 11

HEX #2AE361

RGB 42 227 97

HSL 137.84, 0.77%, 0.53%

LAB 79.78, -70.23, 50.39

 

CMYK 18 / 0 / 81 / 11

HEX #BBE32A

RGB 187 227 42

HSL 72.97, 0.77%, 0.53%

LAB 84.83, -35.38, 77.12

 

CMYK 20 / 0 / 91 / 4

HEX #C6F617

RGB 198 246 23

HSL 72.91, 0.93%, 0.53%

LAB 90.77, -40.06, 85.88

 

CMYK 18 / 0 / 81 / 11

HEX #BBE32A

RGB 187 227 42

HSL 72.97, 0.77%, 0.53%

LAB 84.83, -35.38, 77.12

 

CMYK 15 / 0 / 70 / 18

HEX #B0D03E

RGB 176 208 62

HSL 73.15, 0.61%, 0.53%

LAB 78.86, -30.09, 65.24

 

CMYK 12 / 0 / 57 / 26

HEX #A5BC51

RGB 165 188 81

HSL 72.9, 0.44%, 0.53%

LAB 72.6, -23.57, 50.53

 

CMYK 9 / 0 / 40 / 34

HEX #9AA965

RGB 154 169 101

HSL 73.24, 0.28%, 0.53%

LAB 66.66, -16.38, 33.32

 

CMYK 4 / 0 / 19 / 42

HEX #8F9578

RGB 143 149 120

HSL 72.41, 0.12%, 0.53%

LAB 60.51, -7.44, 14.61

 

CMYK 0 / 27 / 81 / 11

HEX #E3A52A

RGB 227 165 42

HSL 39.89, 0.77%, 0.53%

LAB 71.83, 12.7, 67.08

 

CMYK 0 / 5 / 81 / 11

HEX #E3D72A

RGB 227 215 42

HSL 56.11, 0.77%, 0.53%

LAB 84.53, -13.18, 78.03

 

CMYK 16 / 0 / 81 / 11

HEX #BEE32A

RGB 190 227 42

HSL 72, 0.77%, 0.53%

LAB 85.02, -34.19, 77.36

 

CMYK 38 / 0 / 81 / 11

HEX #8DE32A

RGB 141 227 42

HSL 87.89, 0.77%, 0.53%

LAB 82.25, -52.37, 73.86

 

CMYK 59 / 0 / 81 / 11

HEX #5CE32A

RGB 92 227 42

HSL 103.78, 0.77%, 0.53%

LAB 80.39, -66.57, 71.48

 

CMYK 19 / 0 / 87 / 35

HEX #87A615

RGB 135 166 21

HSL 72.83, 0.78%, 0.37%

LAB 63.74, -28.7, 62.55

 

CMYK 19 / 0 / 87 / 21

HEX #A4CA1A

RGB 164 202 26

HSL 72.95, 0.77%, 0.45%

LAB 76.2, -33.58, 72.69

 

CMYK 18 / 0 / 81 / 11

HEX #BBE32A

RGB 187 227 42

HSL 72.97, 0.77%, 0.53%

LAB 84.83, -35.38, 77.12

 

CMYK 14 / 0 / 66 / 9

HEX #C7E84F

RGB 199 232 79

HSL 72.94, 0.77%, 0.61%

LAB 87.2, -31.18, 67.86

 

CMYK 11 / 0 / 51 / 7

HEX #D2EC73

RGB 210 236 115

HSL 72.89, 0.76%, 0.69%

LAB 89.36, -26.01, 55.18

 

CMYK 18 / 0 / 82 / 11

HEX #BBE329

RGB 187 227 41

HSL 72.9, 0.77%, 0.53%

LAB 84.82, -35.41, 77.36

 

CMYK 81 / 0 / 49 / 11

HEX #2AE374

RGB 42 227 116

HSL 144, 0.77%, 0.53%

LAB 80.01, -67.52, 41.76

 

CMYK 16 / 81 / 0 / 11

HEX #BE2AE3

RGB 190 42 227

HSL 288, 0.77%, 0.53%

LAB 49.68, 78.43, -62.83

 

CMYK 18 / 0 / 82 / 11

HEX #BBE329

RGB 187 227 41

HSL 72.9, 0.77%, 0.53%

LAB 84.82, -35.41, 77.36

 

CMYK 81 / 16 / 0 / 11

HEX #2ABEE3

RGB 42 190 227

HSL 192, 0.77%, 0.53%

LAB 71.46, -24.75, -29.06

 

CMYK 0 / 81 / 16 / 11

HEX #E32ABE

RGB 227 42 190

HSL 312, 0.77%, 0.53%

LAB 53.71, 79.75, -34.83

 

CMYK 18 / 0 / 82 / 11

HEX #BBE329

RGB 187 227 41

HSL 72.9, 0.77%, 0.53%

LAB 84.82, -35.41, 77.36

 

CMYK 81 / 0 / 49 / 11

HEX #2AE374

RGB 42 227 116

HSL 144, 0.77%, 0.53%

LAB 80.01, -67.52, 41.76

 

CMYK 65 / 81 / 0 / 11

HEX #4F2AE3

RGB 79 42 227

HSL 252, 0.77%, 0.53%

LAB 35.72, 63.75, -86.22

 

CMYK 0 / 81 / 33 / 11

HEX #E32A99

RGB 227 42 153

HSL 324, 0.77%, 0.53%

LAB 52.16, 75.38, -15.51

 

CMYK 18 / 0 / 82 / 11

HEX #BBE329

RGB 187 227 41

HSL 72.9, 0.77%, 0.53%

LAB 84.82, -35.41, 77.36

 

CMYK 81 / 0 / 24 / 11

HEX #2AE3AC

RGB 42 227 172

HSL 162.16, 0.77%, 0.53%

LAB 80.97, -56.63, 14.53

 

CMYK 65 / 81 / 0 / 11

HEX #4F2AE3

RGB 79 42 227

HSL 252, 0.77%, 0.53%

LAB 35.72, 63.75, -86.22

 

CMYK 0 / 81 / 57 / 11

HEX #E32A62

RGB 227 42 98

HSL 341.84, 0.77%, 0.53%

LAB 50.53, 70.61, 15.31

 

Description

Color code: HEX #BBE329 | qconv.com Color code: HEX #BBE329 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 227 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 227 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 82 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 82% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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