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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBE55C it is the complementary color #441AA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBE55C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBE55C shade: #C0E557, #D1F76A, #E2FF7D, #F3FF90 and #FFFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBE55C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBE55C shade: #BBE55C, #AAD349, #99C136, #88AF23 and #779D10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBE55C shade: #BAE45C, #DFE45C, #E4C45C, #E4A05C and #E47B5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBE55C shade: #BAE45C, #96E45C, #71E45C, #5CE46C and #5CE491

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBE55C shade matches the following richer shades: #BAE45C and #C0F34D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBE55C shade: #BAE45C, #B5D56B, #AFC67B, #A9B68A and #A3A799

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBE55C shade: #E4C45C, #E0E45C, #BBE45C, #97E45C and #73E45C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBE55C shade: #98CD21, #ACDE39, #BAE45C, #C9EA80 and #D8F0A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBE55C shade: #BBE55C, #5CE4A0 and #D65CE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBE55C shade: #BBE55C, #5CBBE4 and #E45CBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBE55C shade: #BBE55C, #5CE4A0, #855CE4 and #E45CA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBE55C shade: #BBE55C, #5CE4C9, #855CE4 and #E45C77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 60 / 10

HEX #BBE55C

RGB 187 229 92

HSL 78.39, 0.72%, 0.63%

LAB 85.69, -33.51, 60.76

 

Complementary color

CMYK 58 / 84 / 0 / 36

HEX #441AA3

RGB 68 26 163

HSL 258.39, 0.72%, 0.37%

LAB 25.6, 51.62, -65.34

 

CMYK 16 / 0 / 62 / 10

HEX #C0E557

RGB 192 229 87

HSL 75.63, 0.73%, 0.62%

LAB 85.97, -31.97, 63.24

 

CMYK 15 / 0 / 57 / 3

HEX #D1F76A

RGB 209 247 106

HSL 76.17, 0.9%, 0.69%

LAB 92.18, -32.31, 62.42

 

CMYK 11 / 0 / 51 / 0

HEX #E2FF7D

RGB 226 255 125

HSL 73.38, 1%, 0.75%

LAB 95.65, -27.95, 58.32

 

CMYK 5 / 0 / 44 / 0

HEX #F3FF90

RGB 243 255 144

HSL 66.49, 1%, 0.78%

LAB 97.06, -19.7, 51.5

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 18 / 0 / 60 / 10

HEX #BBE55C

RGB 187 229 92

HSL 78.39, 0.72%, 0.63%

LAB 85.69, -33.51, 60.76

 

CMYK 19 / 0 / 65 / 17

HEX #AAD349

RGB 170 211 73

HSL 77.83, 0.61%, 0.56%

LAB 79.39, -33.16, 61.47

 

CMYK 21 / 0 / 72 / 24

HEX #99C136

RGB 153 193 54

HSL 77.27, 0.56%, 0.48%

LAB 73.01, -32.69, 61.81

 

CMYK 22 / 0 / 80 / 31

HEX #88AF23

RGB 136 175 35

HSL 76.71, 0.67%, 0.41%

LAB 66.53, -32.06, 61.48

 

CMYK 24 / 0 / 90 / 38

HEX #779D10

RGB 119 157 16

HSL 76.17, 0.82%, 0.34%

LAB 59.95, -31.2, 59.98

 

CMYK 18 / 0 / 60 / 11

HEX #BAE45C

RGB 186 228 92

HSL 78.53, 0.72%, 0.63%

LAB 85.35, -33.43, 60.36

 

CMYK 2 / 0 / 60 / 11

HEX #DFE45C

RGB 223 228 92

HSL 62.21, 0.72%, 0.63%

LAB 87.94, -18.86, 63.95

 

CMYK 0 / 14 / 60 / 11

HEX #E4C45C

RGB 228 196 92

HSL 45.88, 0.72%, 0.63%

LAB 80.04, -0.69, 55.31

 

CMYK 0 / 30 / 60 / 11

HEX #E4A05C

RGB 228 160 92

HSL 30, 0.72%, 0.63%

LAB 71.15, 18.32, 45.03

 

CMYK 0 / 46 / 60 / 11

HEX #E47B5C

RGB 228 123 92

HSL 13.68, 0.72%, 0.63%

LAB 62.87, 37.86, 34.97

 

CMYK 18 / 0 / 60 / 11

HEX #BAE45C

RGB 186 228 92

HSL 78.53, 0.72%, 0.63%

LAB 85.35, -33.43, 60.36

 

CMYK 34 / 0 / 60 / 11

HEX #96E45C

RGB 150 228 92

HSL 94.41, 0.72%, 0.63%

LAB 83.31, -46.45, 57.51

 

CMYK 50 / 0 / 60 / 11

HEX #71E45C

RGB 113 228 92

HSL 110.74, 0.72%, 0.63%

LAB 81.71, -57.8, 55.28

 

CMYK 60 / 0 / 53 / 11

HEX #5CE46C

RGB 92 228 108

HSL 127.06, 0.72%, 0.63%

LAB 81.21, -61.08, 47.28

 

CMYK 60 / 0 / 36 / 11

HEX #5CE491

RGB 92 228 145

HSL 143.38, 0.72%, 0.63%

LAB 81.73, -55.3, 29.74

 

CMYK 18 / 0 / 60 / 11

HEX #BAE45C

RGB 186 228 92

HSL 78.53, 0.72%, 0.63%

LAB 85.35, -33.43, 60.36

 

CMYK 21 / 0 / 68 / 5

HEX #C0F34D

RGB 192 243 77

HSL 78.43, 0.87%, 0.63%

LAB 89.79, -39, 71.11

 

CMYK 18 / 0 / 60 / 11

HEX #BAE45C

RGB 186 228 92

HSL 78.53, 0.72%, 0.63%

LAB 85.35, -33.43, 60.36

 

CMYK 15 / 0 / 50 / 16

HEX #B5D56B

RGB 181 213 107

HSL 78.11, 0.56%, 0.63%

LAB 81, -26.96, 48.48

 

CMYK 12 / 0 / 38 / 22

HEX #AFC67B

RGB 175 198 123

HSL 78.4, 0.4%, 0.63%

LAB 76.64, -20.14, 35.03

 

CMYK 7 / 0 / 24 / 29

HEX #A9B68A

RGB 169 182 138

HSL 77.73, 0.23%, 0.63%

LAB 72.04, -12.21, 20.94

 

CMYK 2 / 0 / 8 / 35

HEX #A3A799

RGB 163 167 153

HSL 77.14, 0.07%, 0.63%

LAB 67.82, -4.02, 6.74

 

CMYK 0 / 14 / 60 / 11

HEX #E4C45C

RGB 228 196 92

HSL 45.88, 0.72%, 0.63%

LAB 80.04, -0.69, 55.31

 

CMYK 2 / 0 / 60 / 11

HEX #E0E45C

RGB 224 228 92

HSL 61.76, 0.72%, 0.63%

LAB 88.02, -18.46, 64.05

 

CMYK 18 / 0 / 60 / 11

HEX #BBE45C

RGB 187 228 92

HSL 78.09, 0.72%, 0.63%

LAB 85.42, -33.05, 60.45

 

CMYK 34 / 0 / 60 / 11

HEX #97E45C

RGB 151 228 92

HSL 93.97, 0.72%, 0.63%

LAB 83.36, -46.11, 57.58

 

CMYK 50 / 0 / 60 / 11

HEX #73E45C

RGB 115 228 92

HSL 109.85, 0.72%, 0.63%

LAB 81.79, -57.25, 55.38

 

CMYK 26 / 0 / 84 / 20

HEX #98CD21

RGB 152 205 33

HSL 78.49, 0.72%, 0.47%

LAB 76.34, -39.46, 71.04

 

CMYK 23 / 0 / 74 / 13

HEX #ACDE39

RGB 172 222 57

HSL 78.18, 0.71%, 0.55%

LAB 82.54, -38.34, 70.44

 

CMYK 18 / 0 / 60 / 11

HEX #BAE45C

RGB 186 228 92

HSL 78.53, 0.72%, 0.63%

LAB 85.35, -33.43, 60.36

 

CMYK 14 / 0 / 45 / 8

HEX #C9EA80

RGB 201 234 128

HSL 78.68, 0.72%, 0.71%

LAB 88.36, -27.19, 47.73

 

CMYK 10 / 0 / 32 / 6

HEX #D8F0A3

RGB 216 240 163

HSL 78.7, 0.72%, 0.79%

LAB 91.49, -20.35, 34.69

 

CMYK 18 / 0 / 60 / 10

HEX #BBE55C

RGB 187 229 92

HSL 78.39, 0.72%, 0.63%

LAB 85.69, -33.51, 60.76

 

CMYK 60 / 0 / 30 / 11

HEX #5CE4A0

RGB 92 228 160

HSL 150, 0.72%, 0.63%

LAB 82, -52.46, 22.38

 

CMYK 6 / 60 / 0 / 11

HEX #D65CE4

RGB 214 92 228

HSL 293.82, 0.72%, 0.63%

LAB 59.48, 65.96, -47.52

 

CMYK 18 / 0 / 60 / 10

HEX #BBE55C

RGB 187 229 92

HSL 78.39, 0.72%, 0.63%

LAB 85.69, -33.51, 60.76

 

CMYK 60 / 18 / 0 / 11

HEX #5CBBE4

RGB 92 187 228

HSL 198.09, 0.72%, 0.63%

LAB 71.84, -16.22, -28.93

 

CMYK 0 / 60 / 18 / 11

HEX #E45CBB

RGB 228 92 187

HSL 318.09, 0.72%, 0.63%

LAB 59.65, 63.02, -23.88

 

CMYK 18 / 0 / 60 / 10

HEX #BBE55C

RGB 187 229 92

HSL 78.39, 0.72%, 0.63%

LAB 85.69, -33.51, 60.76

 

CMYK 60 / 0 / 30 / 11

HEX #5CE4A0

RGB 92 228 160

HSL 150, 0.72%, 0.63%

LAB 82, -52.46, 22.38

 

CMYK 42 / 60 / 0 / 11

HEX #855CE4

RGB 133 92 228

HSL 258.09, 0.72%, 0.63%

LAB 49.79, 47.14, -63.57

 

CMYK 0 / 60 / 30 / 11

HEX #E45CA0

RGB 228 92 160

HSL 330, 0.72%, 0.63%

LAB 58.68, 59.43, -9.77

 

CMYK 18 / 0 / 60 / 10

HEX #BBE55C

RGB 187 229 92

HSL 78.39, 0.72%, 0.63%

LAB 85.69, -33.51, 60.76

 

CMYK 60 / 0 / 12 / 11

HEX #5CE4C9

RGB 92 228 201

HSL 168.09, 0.72%, 0.63%

LAB 82.9, -43.36, 2.14

 

CMYK 42 / 60 / 0 / 11

HEX #855CE4

RGB 133 92 228

HSL 258.09, 0.72%, 0.63%

LAB 49.79, 47.14, -63.57

 

CMYK 0 / 60 / 48 / 11

HEX #E45C77

RGB 228 92 119

HSL 348.09, 0.72%, 0.63%

LAB 57.54, 55.04, 12.52

 

Description

Color code: HEX #BBE55C | qconv.com Color code: HEX #BBE55C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 229 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 229 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 60 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 60% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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