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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBD2CE it is the complementary color #442D31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBD2CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBD2CE shade: #C0D2C9, #D1E4DC, #E2F6EF and #F3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBD2CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBD2CE shade: #BBD2CE, #AAC0BB, #99AEA8, #889C95 and #778A82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBD2CE shade: #BBD2CE, #BBD2C8, #BBD2C2, #BBD2BC and #C1D2BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBD2CE shade: #BBD2CE, #BBCFD2, #BBC9D2, #BBC3D2 and #BBBDD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBD2CE shade matches the following richer shades: #BBD2CE, #B2DBD4, #A9E4DA, #A0EDDF and #97F6E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBD2CE shade: #BBD2CE, #C4C9C8, #CDBFC2, #D6B6BC and #DFADB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBD2CE shade: #BBD2C2, #BBD2C8, #BBD2CE, #BBD0D2 and #BBCAD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBD2CE shade: #8AB1AA, #A2C1BC, #BBD2CE, #D4E2E0 and #EDF3F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBD2CE shade: #BBD2CE, #BCBBD2 and #D2C5BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBD2CE shade: #BBD2CE, #CEBBD2 and #D2CEBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBD2CE shade: #BBD2CE, #BCBBD2, #D2BBBF and #D1D2BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBD2CE shade: #BBD2CE, #C2BBD2, #D2BBBF and #CBD2BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 2 / 18

HEX #BBD2CE

RGB 187 210 206

HSL 169.57, 0.2%, 0.78%

LAB 82.44, -8.46, -0.65

 

Complementary color

CMYK 0 / 34 / 28 / 73

HEX #442D31

RGB 68 45 49

HSL 349.57, 0.2%, 0.22%

LAB 21.31, 11.29, 1.7

 

CMYK 9 / 0 / 4 / 18

HEX #C0D2C9

RGB 192 210 201

HSL 150, 0.17%, 0.79%

LAB 82.66, -7.76, 2.37

 

CMYK 8 / 0 / 4 / 11

HEX #D1E4DC

RGB 209 228 220

HSL 154.74, 0.26%, 0.86%

LAB 89.02, -7.79, 1.73

 

CMYK 8 / 0 / 3 / 4

HEX #E2F6EF

RGB 226 246 239

HSL 159, 0.53%, 0.93%

LAB 95.29, -7.82, 1.11

 

CMYK 5 / 0 / 0 / 0

HEX #F3FFFF

RGB 243 255 255

HSL 180, 1%, 0.98%

LAB 99.14, -3.91, -1.37

 

CMYK 11 / 0 / 2 / 18

HEX #BBD2CE

RGB 187 210 206

HSL 169.57, 0.2%, 0.78%

LAB 82.44, -8.46, -0.65

 

CMYK 11 / 0 / 3 / 25

HEX #AAC0BB

RGB 170 192 187

HSL 166.36, 0.15%, 0.71%

LAB 75.97, -8.46, -0.03

 

CMYK 12 / 0 / 3 / 32

HEX #99AEA8

RGB 153 174 168

HSL 162.86, 0.11%, 0.64%

LAB 69.38, -8.47, 0.61

 

CMYK 13 / 0 / 4 / 39

HEX #889C95

RGB 136 156 149

HSL 159, 0.09%, 0.57%

LAB 62.66, -8.49, 1.27

 

CMYK 14 / 0 / 6 / 46

HEX #778A82

RGB 119 138 130

HSL 154.74, 0.08%, 0.5%

LAB 55.8, -8.52, 1.97

 

CMYK 11 / 0 / 2 / 18

HEX #BBD2CE

RGB 187 210 206

HSL 169.57, 0.2%, 0.78%

LAB 82.44, -8.46, -0.65

 

CMYK 11 / 0 / 5 / 18

HEX #BBD2C8

RGB 187 210 200

HSL 153.91, 0.2%, 0.78%

LAB 82.29, -9.62, 2.33

 

CMYK 11 / 0 / 8 / 18

HEX #BBD2C2

RGB 187 210 194

HSL 138.26, 0.2%, 0.78%

LAB 82.14, -10.75, 5.31

 

CMYK 11 / 0 / 10 / 18

HEX #BBD2BC

RGB 187 210 188

HSL 122.61, 0.2%, 0.78%

LAB 81.99, -11.84, 8.3

 

CMYK 8 / 0 / 11 / 18

HEX #C1D2BB

RGB 193 210 187

HSL 104.35, 0.2%, 0.78%

LAB 82.39, -9.95, 9.45

 

CMYK 11 / 0 / 2 / 18

HEX #BBD2CE

RGB 187 210 206

HSL 169.57, 0.2%, 0.78%

LAB 82.44, -8.46, -0.65

 

CMYK 11 / 1 / 0 / 18

HEX #BBCFD2

RGB 187 207 210

HSL 187.83, 0.2%, 0.78%

LAB 81.75, -6.11, -3.79

 

CMYK 11 / 4 / 0 / 18

HEX #BBC9D2

RGB 187 201 210

HSL 203.48, 0.2%, 0.78%

LAB 80.17, -2.97, -6.12

 

CMYK 11 / 7 / 0 / 18

HEX #BBC3D2

RGB 187 195 210

HSL 219.13, 0.2%, 0.78%

LAB 78.61, 0.21, -8.44

 

CMYK 11 / 10 / 0 / 18

HEX #BBBDD2

RGB 187 189 210

HSL 234.78, 0.2%, 0.78%

LAB 77.05, 3.42, -10.76

 

CMYK 11 / 0 / 2 / 18

HEX #BBD2CE

RGB 187 210 206

HSL 169.57, 0.2%, 0.78%

LAB 82.44, -8.46, -0.65

 

CMYK 19 / 0 / 3 / 14

HEX #B2DBD4

RGB 178 219 212

HSL 169.76, 0.36%, 0.78%

LAB 84.42, -14.75, -1

 

CMYK 26 / 0 / 4 / 11

HEX #A9E4DA

RGB 169 228 218

HSL 169.83, 0.52%, 0.78%

LAB 86.5, -20.74, -1.2

 

CMYK 32 / 0 / 6 / 7

HEX #A0EDDF

RGB 160 237 223

HSL 169.09, 0.68%, 0.78%

LAB 88.62, -26.62, -0.77

 

CMYK 39 / 0 / 7 / 4

HEX #97F6E5

RGB 151 246 229

HSL 169.26, 0.84%, 0.78%

LAB 90.85, -31.96, -0.7

 

CMYK 11 / 0 / 2 / 18

HEX #BBD2CE

RGB 187 210 206

HSL 169.57, 0.2%, 0.78%

LAB 82.44, -8.46, -0.65

 

CMYK 2 / 0 / 0 / 21

HEX #C4C9C8

RGB 196 201 200

HSL 168, 0.04%, 0.78%

LAB 80.56, -1.89, -0.11

 

CMYK 0 / 7 / 5 / 20

HEX #CDBFC2

RGB 205 191 194

HSL 347.14, 0.12%, 0.78%

LAB 78.54, 5.45, 0.26

 

CMYK 0 / 15 / 12 / 16

HEX #D6B6BC

RGB 214 182 188

HSL 348.75, 0.28%, 0.78%

LAB 76.91, 12.45, 1.23

 

CMYK 0 / 22 / 18 / 13

HEX #DFADB6

RGB 223 173 182

HSL 349.2, 0.44%, 0.78%

LAB 75.42, 19.59, 2.44

 

CMYK 11 / 0 / 8 / 18

HEX #BBD2C2

RGB 187 210 194

HSL 138.26, 0.2%, 0.78%

LAB 82.14, -10.75, 5.31

 

CMYK 11 / 0 / 5 / 18

HEX #BBD2C8

RGB 187 210 200

HSL 153.91, 0.2%, 0.78%

LAB 82.29, -9.62, 2.33

 

CMYK 11 / 0 / 2 / 18

HEX #BBD2CE

RGB 187 210 206

HSL 169.57, 0.2%, 0.78%

LAB 82.44, -8.46, -0.65

 

CMYK 11 / 1 / 0 / 18

HEX #BBD0D2

RGB 187 208 210

HSL 185.22, 0.2%, 0.78%

LAB 82.02, -6.63, -3.4

 

CMYK 11 / 4 / 0 / 18

HEX #BBCAD2

RGB 187 202 210

HSL 200.87, 0.2%, 0.78%

LAB 80.44, -3.5, -5.73

 

CMYK 22 / 0 / 4 / 31

HEX #8AB1AA

RGB 138 177 170

HSL 169.23, 0.2%, 0.62%

LAB 69.29, -14.59, -0.74

 

CMYK 16 / 0 / 3 / 24

HEX #A2C1BC

RGB 162 193 188

HSL 170.32, 0.2%, 0.7%

LAB 75.73, -11.42, -0.98

 

CMYK 11 / 0 / 2 / 18

HEX #BBD2CE

RGB 187 210 206

HSL 169.57, 0.2%, 0.78%

LAB 82.44, -8.46, -0.65

 

CMYK 6 / 0 / 1 / 11

HEX #D4E2E0

RGB 212 226 224

HSL 171.43, 0.19%, 0.86%

LAB 88.81, -5.03, -0.64

 

CMYK 2 / 0 / 0 / 5

HEX #EDF3F2

RGB 237 243 242

HSL 170, 0.2%, 0.94%

LAB 95.38, -2.16, -0.22

 

CMYK 11 / 0 / 2 / 18

HEX #BBD2CE

RGB 187 210 206

HSL 169.57, 0.2%, 0.78%

LAB 82.44, -8.46, -0.65

 

CMYK 10 / 11 / 0 / 18

HEX #BCBBD2

RGB 188 187 210

HSL 242.61, 0.2%, 0.78%

LAB 76.61, 4.83, -11.41

 

CMYK 0 / 6 / 11 / 18

HEX #D2C5BB

RGB 210 197 187

HSL 26.09, 0.2%, 0.78%

LAB 80.3, 2.85, 6.63

 

CMYK 11 / 0 / 2 / 18

HEX #BBD2CE

RGB 187 210 206

HSL 169.57, 0.2%, 0.78%

LAB 82.44, -8.46, -0.65

 

CMYK 2 / 11 / 0 / 18

HEX #CEBBD2

RGB 206 187 210

HSL 289.57, 0.2%, 0.78%

LAB 78.06, 10.86, -9.09

 

CMYK 0 / 2 / 11 / 18

HEX #D2CEBB

RGB 210 206 187

HSL 49.57, 0.2%, 0.78%

LAB 82.61, -1.88, 9.94

 

CMYK 11 / 0 / 2 / 18

HEX #BBD2CE

RGB 187 210 206

HSL 169.57, 0.2%, 0.78%

LAB 82.44, -8.46, -0.65

 

CMYK 10 / 11 / 0 / 18

HEX #BCBBD2

RGB 188 187 210

HSL 242.61, 0.2%, 0.78%

LAB 76.61, 4.83, -11.41

 

CMYK 0 / 11 / 9 / 18

HEX #D2BBBF

RGB 210 187 191

HSL 349.57, 0.2%, 0.78%

LAB 77.88, 8.84, 0.96

 

CMYK 0 / 0 / 11 / 18

HEX #D1D2BB

RGB 209 210 187

HSL 62.61, 0.2%, 0.78%

LAB 83.57, -4.31, 11.29

 

CMYK 11 / 0 / 2 / 18

HEX #BBD2CE

RGB 187 210 206

HSL 169.57, 0.2%, 0.78%

LAB 82.44, -8.46, -0.65

 

CMYK 8 / 11 / 0 / 18

HEX #C2BBD2

RGB 194 187 210

HSL 258.26, 0.2%, 0.78%

LAB 77.08, 6.82, -10.66

 

CMYK 0 / 11 / 9 / 18

HEX #D2BBBF

RGB 210 187 191

HSL 349.57, 0.2%, 0.78%

LAB 77.88, 8.84, 0.96

 

CMYK 3 / 0 / 11 / 18

HEX #CBD2BB

RGB 203 210 187

HSL 78.26, 0.2%, 0.78%

LAB 83.11, -6.45, 10.58

 

Description

Color code: HEX #BBD2CE | qconv.com Color code: HEX #BBD2CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 210 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 210 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 2 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 2% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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